In the Bleak Midwinter for Concert Band
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THE LINK the Parish Magazine for the Parishes of St Catherine and Holy Trinity Ventnor and St Boniface Bonchurch
THE LINK The Parish Magazine for the parishes of St Catherine and Holy Trinity Ventnor and St Boniface Bonchurch SEPTEMBER 2017 The Ministry Team Rev’d Hugh Wright 01983 853729 Email: [email protected] Gill Chaloner Reader 854659 Hilary Davis Reader 855797 Jenny Hopkins Holder Reader 852575 Gill Smith Reader 856134 David Tamcken Reader 506693 Churchwardens St Catherine’s Steve Northern 856953 Adrian Pinnock Holy Trinity Jo Nicholson Mark Bell 852631 St Boniface Jonny Fitzgerald Bond 854824 Lyn Ridler-Lee 404508 Morning Prayer Tuesday - Bonchurch Old Church - 8am Wednesday - St Catherine's Church and Thursday Holy Trinity Church - 9am Friday - Bonchurch Parish Church - 8.30am All Welcome Sunday Services Please see inside Link for details of Sunday Services Midweek Services St Catherine’s - Wednesday - 10.30am Holy Communion Holy Trinity - Thursday - 10.00am Holy Communion (BCP) Ventnor & Bonchurch Parish website address www.ventnorcofe2.btck.co.uk Email: [email protected] 2 A Silly Week in August ….during which a combination of Ventnor Fringe and Ventnor Carnival made life here in Ventnor vibrant and lively, and life in Holy Trinity, St Catherine’s and St Boniface somewhat chaotic! It started with the Carnival Service held at St Catherine’s and escalated from there, with all sorts of different things happening all over town in different venues, including churches, church halls and church carparks! Concerts, plays, puppet shows, monologues, busking….it was all going on! The Fringe Book Bus was parked in St Catherine’s carpark, there was a performance of the “Isle of Wight Suite” and the Ventnor Guitar Club and Local History Society combined for “Playing with History”. -
The GIA Historical Music Series
GIA Publications, Inc. 2018 2018 Music Education Catalog At GIA, we aspire to create innovative resources that communicate the joys of music making and music learning—that delve deeper into what it means to be musical. By working with leading authors who represent the very best the profession has to offer for all levels from preschool through college and beyond, GIA seeks to help music teachers communicate the joy, art, skill, complexity, and knowledge of musicianship. This year we again offer a wide range of new resources for early childhood through college. Scott Edgar explores Music Education and Social Emotional Learning (page 7); the legendary Teaching Music through Performance in Band series moves to Volume 11 (page 8); Scott Rush publishes Habits of a Significant Band Director (page 9) and together with Christopher Selby releases Habits of a Successful Middle Level Musician (pages 10-11). And there’s finally a Habits book for choir directors (page 12). James Jordan gives us four substantial new publications (pages 13-16). There’s also an Ultimate Guide to Creating a Quality Music Assessment Program (page 19). For general music teachers, there is a beautiful collection of folk songs from Bali (page 21), a best- selling book on combining John Feierabend’s First Steps in Music methodology with Orff Schulwerk (page 23), plus the new folk song picture book, Kitty Alone (page 24), just to start. All told, this catalog has 400 pages of resources to explore and enjoy! We’re happy to send single copies of the resources in this catalog on an “on approval” basis with full return privileges for 30 days. -
II. Rain in Db
Concert Band Julie Giroux Symphony No. V: Elements II. Rain in Db INSTRUMENTATION 1 - Full Score 1 - Piccolo 1-E Baritone Saxophone 2 - Flute 1A 3-B Trumpet 1 2 - Flute 1B 3-B Trumpet 2 2 - Flute 2A 3-B Trumpet 3 2 - Flute 2B 2 - F Horn 1 & 2 1 - Oboe 1 2 - F Horn 3 & 4 1 - Oboe 2 2 - Trombone 1 2-B Clarinet 1A 2 - Trombone 2 2-B Clarinet 1B 2 - Trombone 3 2-B Clarinet 2A 2 - Bass Trombone 2-B Clarinet 2B 2 - Euphonium B.C. 2-B Clarinet 3A 2 - Euphonium T.C. 2-B Clarinet 3B 4 - Tuba 2-B Bass Clarinet 1 - Double Bass 1-B Contrabass Clarinet 1 - Timpani 1-EPreview Contra Alto Clarinet 1Only - Piano 1 - Bassoon 1 3 - Crotales, Orchestra Bells, Chimes 1 - Bassoon 2 1 - Marimba 1 - Contrabassoon 1 - Vibraphone 2-E Alto Saxophone 1 2 - Percussion (Finger Cymbals, 2-E Alto Saxophone 2 Bass Drum) 2-B Tenor Saxophone Symphony No. V: Elements is also available as follows: MP 99158, I. Sun in C $135.00 Additional Full Score, Movement I $25.00 MP 99160, III. Wind in Eb $200.00 Additional Full Score, Movement III $45.00 PrintedMP 99157, Use Symphony No. RequiresV (Complete, Mvts. I - III) $410.00 Purchase Additional Full Score, Movements I - III $85.00 Score & Parts $140.00 Additional Full Score $30.00 Musica Propria, Inc. Additional Parts @ $3.00 P. O. Box 680006 San Antonio TX 78268 All prices U.S. www.musicapropria.com Edition Number: MP 99159 email: [email protected] About the Composer Julie Ann Giroux was born 1961 in Fairhaven, Massachusetts, and raised in Phoenix, Arizona and Monroe, Louisiana. -
MUSC 2019.12.12 Honorbandprog
THE SCHOOL OF MUSIC, THEATRE, AND DANCE PRESENTS 2019 DECEMBER 12–14 COLORADO STATE UNIVERSITY Are you interested in joining the largest, loudest, and most visible student organization on the CSU campus? Our students forge enduring skills and lifelong friendships through their dedication and hard work in service of Colorado State University. JOIN THE MARCHING BAND! • 240 MEMBERS REPRESENT ALL MAJORS • SCHOLARSHIPS FOR EVERY STUDENT AUDITION DEADLINE: JULY 13, 2020* *Color guard and drumline auditions (in-person) June 6, 2020 INFORMATION AND AUDITION SUBMISSION: MUSIC.COLOSTATE.EDU/BANDS/JOIN bands.colostate.edu #csumusic THURSDAY EVENING, DECEMBER 12, 2019 AT 7:30 P.M. COLORADO STATE UNIVERSITY SYMPHONIC BAND PRESENTS: HERstory T. ANDRÉ FEAGIN, conductor SHERIDAN MONROE LOYD, graduate student conductor Early Light (1999) / CAROLYN BREMER Albanian Dance (2005) / SHELLY HANSON Sheridan Monroe Loyd, graduate student conductor Terpsichorean Dances (2009) / JODIE BLACKSHAW One Life Beautiful (2010) / JULIE GIROUX Wind Symphony No. 1 (1996) / NANCY GALBRAITH I. Allegro II. Andante III. Vivace Jingle Them Bells (2011) / JULIE GIROUX NOTES ON THE PROGRAM Early Light (1999) CAROLYN BREMER Born: 1975, Santa Monica, California Died: 2018, Long Beach, California Duration: 6 minutes Early Light was written for the Oklahoma City Philharmonic and received its premiere in July 1995. The material is largely derived from “The Star-Spangled Banner.” One need not attribute an excess of patriotic fervor in the composer as a source for this optimistic homage to our national anthem; Carolyn Bremer, a passionate baseball fan since childhood, drew upon her feelings of happy anticipation at hearing the anthem played before ball games when writing her piece. -
Easter 2021 ANOFOB Program
Welcome to the first ever Australian National Online Festival of Bands. The Band Association of NSW along with our event partners, Besson Buffet Group, Brassbanned.com, OneMusic Australia, Yamaha Music Australia and with the sup- port of CreateNSW are pleased to be hosting this inaugural event. Born out of extraordinary circumstances, I am truly humbled by the response from our Banding community across Australia to this re-styled National festival. With the cancellation of the traditional In-Venue Nationals, which were to be held in Newcastle, the BANSW Management Committee were acutely aware of the im- portance of maintaining a Banding presence over the Easter weekend. Tradition combined with the need to adapt, meant “outside the box” thinking. This resulted in significant simplification of the rules and the creation of a National Online event which would be inclusive and accessible for all Recognising the inability of many bands to have had complete rehearsals while oth- ers had few limits on rehearsals, we created a flexible Festival style event. With few registration and membership requirements bands could participate in whichever events and musical items they were able to present. A reduced minimum member number allow bands with reduced membership to still have a reason to rehearse, and attract players back to band. To this end, with 74 bands from all states and territories, including, the Arafura Wind Ensemble from the Northern Territory, appearing for their first ever National event, and the St Louis Brass Band from the USA, I believe we have absolutely achieved what we set out to. Being online has presented challenges for both Bands and organisers. -
Beneath a Canvas of Green a Conductor's Analysis and Comprehensive Survey of Related Works for Percussion Ensemble and Winds B
i BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS BY TONYA PATRICE MITCHELL Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ____________________________________ Chairperson Paul W. Popiel ____________________________________ Matthew O. Smith ____________________________________ Sharon Toulouse ____________________________________ Forest Pierce ____________________________________ Martin Bergee Date Defended: April 18, 2018 ii The Lecture Recital Committee for TONYA P. MITCHELL certifies that this is the approved version of the following document: BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS ____________________________________ Chairperson Paul W. Popiel Date Approved: April 18, 2018 iii ABSTRACT This document functions as an examination of Aaron Perrine’s (1979) Beneath a Canvas of Green (2018), a work for percussion ensemble and wind band. Included in this paper are sections outlining the composer’s background, the conception and commissioning process of the piece, a conductor’s analysis, rehearsal considerations, final thoughts regarding the necessity of new commissions and their impact on the development of band repertoire, as well as a historical overview of the percussion ensemble and list of similar works for this medium. iv ACKNOWLEDGEMENTS I would like to thank Aaron Perrine for collaborating with me on the production of this beautiful composition. I’d also like to thank Michael Compitello for assisting with the percussion design and set-up. I thank the members of the University of Kansas Wind Ensemble for enacting our vision. -
The Solemnity of the Nativity of Our Lord 2011
The Solemnity of The Nativity of Our Lord 2011 Cathedral Basilica of Saints Peter and Paul Philadelphia, Pennsylvania Cathedral Basilica of Saints Peter and Paul Philadelphia, Pennsylvania Most. Rev. Charles J. Chaput,O.F.M. Cap., Archbishop of Philadelphia Rev. Msgr. Arthur E. Rodgers, Rector-Primus Rev. Edward P. Burke, Parochial Vicar Rev. Charles J. Kennedy, Parochial Vicar Rev. Kieran Udeze, Parochial Vicar Rev. Gerald Dennis Gill, Director of the Office for Divine Worship Dr. John A. Romeri, Director of the Office for Liturgical Music CONTENTS CHORAL PRELUDE TO 7:30 P.M. VIGIL MASS (7:00 p.m.) page 2 CHORAL PRELUDE TO MIDNIGHT MASS (11:00 p.m.) page 3 PRELUDE TO 10:00 A.M. MASS (Selections from Midnight) page 3 ALL MASSES page 12 The Solemnity of The Nativity of the Lord Cover Artwork: The Nativity. 1523. Oil on wood; Lorenzo Lotto ~ Choral Prelude to 7:30 p.m. Mass ~ Archdiocesan Boy Choir of Philadelphia Veni, Veni Emmanuel Chant, XV Century O Come, O Come, Emmanuel Hodie, Christus Nactus Est Chant Christ Is Born Today Procession of the Choirboys Jeremy Triplett, Organ Lo How a Rose E’er Blooming Theodore Baker Lullay My Liking R. R. Terry Text 15th Century English arr. Tom Windfleder In Nativitate Christi Traditional For the Birth of Christ arr. and orch. by Tom Windfelder A collection of traditional Christmas music from around the world Il Est Ne (He is Born) Stille Nacht (Silent Night) What Child Is This? Angels We Have Heard on High Archdiocesan Boy Choir of Philadelphia Director, Thomas Windfelder Accompanist, Jeremy Triplett, Choir Alumnus Cantor, James Corcoran, Choir Alumnus Psalmist, Michael Zubert, Choir Alumnus Harp, Joana ShawRuss 1st Violin, Lenuta Atanasiu 2nd Violin, Doris Loder Viola, Andrea Quinn Cello, George Atanasiu 1st Trumpet, William Hughes 2nd Trumpet, Catherine Dierkes Trombone, Alex Siniavski Timpani, William Kerrigan -2- ~ Choral Prelude to Midnight Mass ~ Cathedral Basilica Choir, Cathedral Brass Quintet, Violin, Timpani, Organ Fanfare and Variations on “Noel Nouvelet” French Carol Trumpets and Organ arr. -
On Christmas Night
On Christmas Night Eleanor Farjeon (1881 –1965) / Christopher Steel (1938 –1991) Phillips Brooks (1835 –1893) / Henry Walford Davies (1869 –1941) 1 People, look east 3.13 10 O Little Town of Bethlehem 4.33 Johannes Brahms (1833 –1897) Anon. ( c.1300) / Benjamin Britten (1913 –1976) 2 Chorale Prelude for organ ‘Es ist ein Ros entsprungen’ 2.47 11 A Hymn to the Virgin 3.05 Op.122 No.8 Traditional French carol (arr. Stephen Jackson) Anon. 15th century / Robin Nelson (b.1943) 12 Noël nouvelet 4.30 3 Out of your sleep 2.44 Christina Rossetti (1830 –1894) / Harold Darke (1888 –1976) Thomas Campion (1567 –1620) / Richard H. Lloyd (b.1933) 13 In the bleak midwinter 4.29 4 View me, Lord 2.41 Herbert Sumsion (1899 –1995 ) Johann Sebastian Bach (1685 –1750) 14 Prelude for organ on ‘The holly and the ivy’ 4.33 5 Chorale prelude for organ ‘Wachet auf, ruft uns die Stimme’ 4.02 BWV 645 Bruce Blunt (1899 –1957) / Peter Warlock (1894 –1930) 15 Bethlehem Down 4.23 Anon. 15th century / William Mathias (1934 –1992) 6 A babe is born 3.21 John Rutter (b.1945) 16 Shepherd’s Pipe Carol 3.08 Traditional Czech carol ‘Hajej, nynjej’ (trans. Percy Dearmer) / Traditional Czech melody (collected Martin Shaw, Traditional English folk carols (collected Cecil Sharp & arr. Edward Higginbottom) Ralph Vaughan Williams) / Ralph Vaughan Williams (1872 –1958) 7 Rocking 2.16 17 Fantasia on Christmas Carols 12.45 Marcel Dupré (1886 –1971) 69.02 8 Variations on ‘Il est né le divin enfant’, offertory for organ 4.02 Choir of Magdalen College, Oxford Anon. -
The Carol and Its Context in Twentieth-Century England Sean Vogt
The Carol and Its Context in Twentieth-century England Sean Vogt loria in excelsis deo, et in terra G pax hominibus (“Glory to God in the highest and on earth peace to all people”), Luke 2:14, was likely the fi rst carol ever heard, sung by the angels over the fi elds of Bethlehem. It would be more than a millennium before the next documented account of carol singing. In this case, it happened in Greccio, Italy, where St. Francis made the fi rst Christ- mas crèche (crib) in 1223, in response to the Manichaeism1 of the eleventh and twelfth centuries—recreating the stable, even obtaining an ox and ass. People from around the village began to gather around St. Francis’s biblical re-creation. As a result, the people “poured out their hearts in praises to God; and the friars sang new canticles…”2 The dawn of the Protestant Reforma- tion brought carol singing—amongst a myriad of other activities—to an abrupt halt. The Reformation during the six- teenth and seventeenth centuries re- sulted in a fragmented church. The Lu- therans viewed the feast of Christmas as a popish abuse. Since the Calvinist Gustav Holst (early 1920s) in front of movement was quite popular, Christmas Queen’s Hall (©Holst Birthplace Museum/ was consequently unpopular in England. Cheltenham Art Gallery & Museum) Christmas Day was abolished by Parlia- ment from 1644–1660; The Book of Com- Christmas Carols New and Old (1871) mon Prayer had no seasonal hymns. It being just a few examples. was not until the Supplement to the New From the Piae Cantiones, which itself Version of the Psalms (1700) that interest contained medieval carols, to the Vic- in carols was rekindled. -
2020 Program Book 2007 Conference Program.Qxd 1/6/2020 4:41 PM Page 1
2020 Program Book_2007 Conference Program.qxd 1/6/2020 4:41 PM Page 1 AlabamaAlabama MUSICMUSIC EDUCATORSEDUCATORS AssociationAssociation 2020 Professional Development Conference January 16-18, 2020 Renaissance Montgomery Hotel and Convention Center 2020 Program Book_2007 Conference Program.qxd 1/6/2020 4:41 PM Page 2 2020 Program Book_2007 Conference Program.qxd 1/6/2020 4:41 PM Page 3 Table of Contents President’s Welcome ........................................................................................................................5 Get the Mobile App...........................................................................................................................5 AMEA Governing Board and President’s Cabinet............................................................................6 AMEA Awards...................................................................................................................................7 Lobby Performance Schedule..................................................................................................7 & 33 Posters to be Presented at the HED Research Poster Session ......................................................8 Exhibit Hall Reception ......................................................................................................................8 Featured Speakers and Clinicians ...................................................................................................9 All-State Jazz Band Clinicians........................................................................................................10 -
CCB Library 2019
Bloomington-Normal Community Concert Band Library CONCERT SIZE: Updated November 2019 Page 1 oF 13 YEAR LAST NUMBER TITLE TYPE/STYLE COMPOSER/ARRANGER PLAYED PUBLISHER COPYRIGHT COST TIME Sousa Drawer King/Fillmore Drawer Patriotic Drawer Small Ensemble Bin on top oF cabinets Christmas Drawer C-0006 Mennuetto All'antico Classical G. Karganoff/arr. Tom Clark G. Schirmer 1918 C-0006 Melodie Classical Rudolf Friml/arr. Tom Clark G. Schirmer 1918 C-0006 IF Flowers Could Speak Classical Mana Zucca/arr. Tom Clark G. Schirmer 1918 C-0008 Spirit oF America Patriotic J.S. Zamecnik Sam FoX 1917 C-0012 Old Man River Broadway Jerome Kern/arr. Ferde GroFe' Harms, Inc. 1927 5:33 C-0014 Schon Rosmarin Classical Fritz Kreisler/arr. Erik Leidzen Charles Foley 1942 $5.50 Johann Strauss/arr. Franz C-0015 Die Fledermaus Opera Henning Summer, 2005 G. Schirmer 1937 C-0016 Way You Look Tonight, The Broadway Jerome Kern/arr. M.L. Lake Harms, Inc. 1936 3:00 Fred G Albers/arr. J.S. C-0017 In Poppyland Novelty Zamecnik Sam FoX 1915 C-0024 Don Quixote Suite V. F. SaFranek Carl Fischer Georges Bizet/arr. L.P. C-0025 L'Arlesienne Selections Suite Laurendeau Carl Fischer 1905 $3.00 Otto Hauerbach and RudolF C-0026 High Jinks Selection Broadway Friml/arr. Tom Clark G. Schirmer 1914 C-0027 Zampa Overture Overture F. Harold/arr. M.C. Meyrelles Carl Fischer 1891 C-0028 Poet and Peasant Overture Overture Suppe/arr. Geo. D. Barnard C.L. Barnhouse 1925 A. Carlo Gomez/arr. Herbert L. C-0029 Il Guarany Overture Overture Clarke Carl Fischer 1904 $4.50 Richard Wagner/arr. -
NJWS December 2019 Concert
Season 37, Concert 2 - December 8, 2019 2019-2020 CONCERT SERIES 2019-20 CONTRIBUTORS The New Jersey Wind Symphony gratefully acknowledges the support of our donors and subscribers whose generous support makes these programs possible. BENEFACTOR ($3,000 and above) Keith Mogerley Thomas & Victoria Price Irene Montella Bank of America/Merrill Lynch Wealth Management Roy Mortiz Bergen County Division of Cultural & Historic Affairs Walter Perog Konica Minolta Business Solutions Marcella Phelan Margaret & Gregory Pieper PATRON ($2,000 to $2,999) Donald Reeder, Esq. Judy & Roger Widicus Randolph Reveley Dr. Christian Wilhjelm & Jacqueline Sarracco Jean Roughgarden Pascack Valley Hospital Foundation Carol Sawitz Francis & Barbara Schott SPONSOR ($1,000 to $1,999) Richard Chase Patricia & Robert Schreiber Michael & Darel-Ann DePompeo Richard & Jessie Ver Hage John & Marilyn Wagner Dr. Richard & Katherine Wise Daiichi-Sankyo, Inc. Nancy Zweil PVH Corporation BNY Mellon Community Partnership Jewish Community Fund SUPPORTER ($500 to $999) Barbara Abney Bolger FRIEND ($1 to $99) In Memory of Carolyn & Howard Crumb Andre Baruch In Memory of Aquilina Lim Jill Bloom Philip & Sheila Smith William & Elsa Carbone Yuto Takamoto Carol Ann Compasso Fidelity Charitable Gift Fund Lawrence DeLosica United Way, Northern New Jersey, Somerset County Maureen J. Demes Mary & Gregory Farrell ASSOCIATE ($250 to $499) Frances Ferraro Mary & Paul Bergquist Arlene & Mark Glauber Jeff Bittner Katherine Grasso Elaine Douvas & Robert Sirinek Jane & Dr. Bruce Haas Sally Fillmore Richard Hahn Naomi Freshwater Emily James Donna & Lawrence Friedman Emmett & Elizabeth Johnson Marie Kane Janet Johnston Paul & Carolyn Kirby Jennifer Kaysan Michael J. Kokola Janis Keown-Blackburn Ron Levy Nathan Kinney James & Cheryl Mallen Dr.