Southwest District Convention

Total Page:16

File Type:pdf, Size:1020Kb

Southwest District Convention KAPPA KAPPA PSI SOUTHWEST / TAU BETA SIGMA DISTRICT CONVENTION March 27th - 28th, 2021 Diamond Jubilee ZOOM SCHEDULE OF EVENTS... KKPsi TBSigma Alumni Saturday, March 27th 9-9:50am Separate Session #1 Separate Session #1 Alumni Business #1 Founder's Circle Keynote - Women in Music - Founder's Circle/Women 10-10:50am Adam Cantley TBA in Music COMMITTEE BLOCK Katie Langely and Burnout and Mental Health - Brianna Mitchell Carolyne McCambridge Present: Expect the 11-11:50am Best and Plan for the The Road to Wisdom: Officer Transitions - Worst: Effective Through Adversity - Sarah Griffith Meetings in the Board Derek Stoughton Room, Classroom, or Establishing Conflict Zoom Room National Council Resolutions in Your Chapter - Office Hour Christopher Lukasik Graduating Senior Event, Make 12-12:50pm LUNCH BREAK pizza/Enjoy Ice Cream with SWDAA, Lunch BREAKOUT ROOM A: Band Director/Conductor's QnA - Dr. Sarah McKoin 1-1:50pm MUSIC HOUR - BREAKOUT ROOM B: Composer's QnA - Mrs. Julie Giroux COMMITTEE BLOCK General Operations - Ashlyn Simmons 2-2:50pm Alumni Forum From Discord to Harmony: The and QA Session Creating and Maintenance of Digital Power of Music in Stress Records - Chelsea Rasing Management - Bang Co Honoring Outstanding Band Parliamentary Procedure - Members - Jessica Lee Carrie Webster/Kellie Leitz *ALL TIMES IN CENTRAL TIME* SCHEDULE OF EVENTS...CONTINUED KKPsi TBSigma Alumni Saturday, March 27th...cont'd Alumni Business # 2 3-4:50pm Separate Session #2 Separate Session #2 5-5:50pm DINNER BREAK 6-6:30pm Joint Awards/Banquet Inner Circle Workshop - 6:40-7:50pm Ritual/MC Hang-Out Spencer Bajcar/Garret Gardenhire Ritual/Ritual Workshop, followed by Alumni Happy Hour 8-9pm Ritual/MC Hang-Out Ritual Workshop - Erika Pope Sunday, March 28th 10-11:20am TBS Founder's Day Ceremony and Cake Celebration Brunch Hangout/ (if needed) 11:30am-12pm BREAK Past District Officer Panel Alumni Business Session 3 12-1:20pm LUNCH BREAK Separate Sessions (if needed, 1:30pm-close Final Separate Session Final Separate Session Alumni Business Session 4) *ALL TIMES IN CENTRAL TIME* WORKSHOP DETAILS Kappa Kappa Psi Founder's Circle Keynote - Adam Cantley Information on this presentation COMING SOON! The Road to Wisdom: Through Adversity - Derek Stoughton Join our National Curriculum Committee Chair and discuss how to navigate both the challenges that we are facing in our world today, as well as how to teach and learn our curriculum virtually. From Discord to Harmony: The Power of Music in Stress Management - Bang Co 2020 has proven to be detrimental to our health and well-being - 2021 being no different. From social distancing to virtual learning, this past year has completely upended our lives and hurt us in more ways than we can count. A common concern we often hear from students is how stress has become so much more difficult to manage. In this workshop, we will take a deep dive into different musical pieces and research to uncover the power of music in stress management. By reconnecting with our musical side, attendees will leave with some insight and practices that they can exercise to manage and potential relieve stress. Honoring Outstanding Band Members - Jessica Lee In this interactive workshop, Brothers will take a deep dive into the second purpose of Kappa Kappa Psi and explore ways to help recruit and select quality membership candidates for their chapters. Using the Ritual and other documents, Brothers will engage in activities and lively discussion centered on the values of Kappa Kappa Psi, walking away with tools to take back and implement in their chapter's membership process. This session is closed to initiated members only! Inner Circle Workshop: Ritual Before and After - Spencer Bajcar/Garret Gardenhire In this session, we aim to discuss ritual preparations in order to help chapters feel more comfortable moving forward with in person rituals at some point in the future. We will talk about some broad ideas that can help unite brothers in their understanding of the ritual, as well as some detailed things that can help specifically with performing an effective ritual and debrief. WORKSHOP DETAILS...CONTINUED Tau Beta Sigma Women in Music Information on this presentation COMING SOON!!! Officer Transition - Sarah Griffith Come join Sarah Griffith, Chapter Visitation Assistant for Tau Beta Sigma, as she leads you through the ins and outs of how to transition your chapter officers. This workshop can be helpful for both organizations and is a great way to learn how to more effectively transition your new chapter officers into the upcoming year. Establishing Conflict Resolution In Your Chapter - Christopher Lukasik Come join Christopher Lukasik, Chapter Visitation Assistant for Tau Beta Sigma, as he helps you work through how to manage conflict within your chapter. This workshop will explore all the aspects of Conflict Management and everything you will need to handle conflict in your chapter. Creating and Maintenance of Digital Records - Chelsea Rasing Come join Chelsea Rasing, Chapter Visitation Assistant for Tau Beta Sigma, as she leads you in how to create and maintain your digital records. With our ever changing world, this is something that is a necessity for all chapters to know. This workshop will help active members be more comfortable with all of the digital records that we use and how to use them effectively. Parliamentary Procedure - Carrie Webster/Kellie Leitz Come join Carrie Webster and Kellie Leitz, North Central District Counselors for Tau Beta Sigma, as they walk you through parliamentary procedure. This is so important for the chapter to understand and utilize in their chapter meetings. This workshop will give a better understanding of parliamentary procedure and how to effectively utilize it in your chapter. WORKSHOP DETAILS...CONTINUED Joint Workshops Burnout and Mental Health - Carolyn McCambridge Come join Carolyn McCambridge, Chair for the Tau Beta Sigma Board of Trustee Member, as she guides you through the concepts of burnout and how it affects your mental health. This workshop will teach you what burnout is, how to manage it, and how to take care of your mental health when dealing with burnout. This workshop is open to Kappa Kappa Psi and Tau Beta Sigma members. General Operations Workshop - Ashlyn Simmons Come join Ashylyn Simmons, Southwest District Counselor for Tau Beta Sigma, as she walks you through the general operations for a chapter. This workshop is open to Kappa Kappa Psi and Tau Beta Sigma members. This workshop will help members have a better understanding of the general operations of their chapter. MUSIC HOUR - BREAKOUT ROOM A Band Director/Conductor's QnA - Dr. Sarah McKoin Dr. Sarah McKoin is the Director of Bands and Professor of Conducting at Texas Tech University. Her responsibilities include Conductor and Musical Director of the TTU Symphonic Wind Ensemble, administrating the graduate program in wind conducting, teaching conducting and wind literature, and overseeing all facets of the University band program, which includes 5 concert bands, the 400 member Goin' Band from Raiderland, and other athletic bands. Dr. McKoin maintains an active schedule as a guest conductor and clinician and has traveled extensively throughout the United States and abroad. Recently, she served as a clinician for a band festival in Thailand, and has worked for the Asian Pacific American School Honor Band in Guangzhou, China comprised of 100 students from Korea, Hong Kong, China, Malaysia, Kuala Lampur, Shanghai and other Southeast Asian cities. She has guest conducted in Taipei, Taiwan and has traveled to Tel Aviv, Israel to serve as producer for the world premiere recording of Roberto Sierra's Fantasia Correliana with the Castellani-Andriaccio guitar duo. Prior to her appointment at Texas Tech, Professor McKoin was the Director of Bands at the University of Missouri-Kansas City Conservatory of Music and held appointments at the State University of New York at Buffalo and SUNY Fredonia. Dr. McKoin holds her Doctor of Musical Arts degree from the University of Texas at Austin as well as degrees from Wichita State University and Michigan State University. She has served as President of the Southwest Division of the College Band Director's National Association as well as President of the Big 12 Band Director's Association. She is a member of TMEA, TBA, Phi Beta Mu, Pi Kappa Lambda and holds honorary memberships in Kappa Kappa Psi and Tau Beta Sigma. MUSIC HOUR - BREAKOUT ROOM B Composer's QnA - Mrs. Julie Giroux Julie Ann Giroux was born in Fairhaven, Massachusetts on December 12, 1961. She graduated from Louisiana State University, Baton Rouge LA in 1984. She started playing piano at 3 years of age and began composing at the age of 8 and has been composing ever since. Her first published work for concert band, published by Southern Music Company was composed at the age of 13. Julie began composing commercially in 1984. She was hired by Oscar winning composer Bill Conti as an orchestrator, her first project with Conti being “North & South” the mini-series. With over 100 film, television and video game credits, Giroux collaborated with dozens of film composers, producers, and celebrities including Samuel Goldwyn, Martin Scorsese, Clint Eastwood, Madonna, Liza Minnelli, Celene Dion, Paula Abdul, Michael Jackson, Paul Newman, Harry Connick Jr. and many others. Projects she has worked on have been nominated for Oscars, Emmys, Grammys and Golden Globe awards. She has won individual Emmy Awards in the field of “Outstanding Individual Achievement in Music Direction”. When She won her first Emmy Award, she was the first woman and the youngest person to ever win that award. She has won it three times. Giroux has also published a large category of classical works with emphasis on original compositions for Wind Band which are published by Musica Propria and distributed internationally.
Recommended publications
  • The GIA Historical Music Series
    GIA Publications, Inc. 2018 2018 Music Education Catalog At GIA, we aspire to create innovative resources that communicate the joys of music making and music learning—that delve deeper into what it means to be musical. By working with leading authors who represent the very best the profession has to offer for all levels from preschool through college and beyond, GIA seeks to help music teachers communicate the joy, art, skill, complexity, and knowledge of musicianship. This year we again offer a wide range of new resources for early childhood through college. Scott Edgar explores Music Education and Social Emotional Learning (page 7); the legendary Teaching Music through Performance in Band series moves to Volume 11 (page 8); Scott Rush publishes Habits of a Significant Band Director (page 9) and together with Christopher Selby releases Habits of a Successful Middle Level Musician (pages 10-11). And there’s finally a Habits book for choir directors (page 12). James Jordan gives us four substantial new publications (pages 13-16). There’s also an Ultimate Guide to Creating a Quality Music Assessment Program (page 19). For general music teachers, there is a beautiful collection of folk songs from Bali (page 21), a best- selling book on combining John Feierabend’s First Steps in Music methodology with Orff Schulwerk (page 23), plus the new folk song picture book, Kitty Alone (page 24), just to start. All told, this catalog has 400 pages of resources to explore and enjoy! We’re happy to send single copies of the resources in this catalog on an “on approval” basis with full return privileges for 30 days.
    [Show full text]
  • II. Rain in Db
    Concert Band Julie Giroux Symphony No. V: Elements II. Rain in Db INSTRUMENTATION 1 - Full Score 1 - Piccolo 1-E Baritone Saxophone 2 - Flute 1A 3-B Trumpet 1 2 - Flute 1B 3-B Trumpet 2 2 - Flute 2A 3-B Trumpet 3 2 - Flute 2B 2 - F Horn 1 & 2 1 - Oboe 1 2 - F Horn 3 & 4 1 - Oboe 2 2 - Trombone 1 2-B Clarinet 1A 2 - Trombone 2 2-B Clarinet 1B 2 - Trombone 3 2-B Clarinet 2A 2 - Bass Trombone 2-B Clarinet 2B 2 - Euphonium B.C. 2-B Clarinet 3A 2 - Euphonium T.C. 2-B Clarinet 3B 4 - Tuba 2-B Bass Clarinet 1 - Double Bass 1-B Contrabass Clarinet 1 - Timpani 1-EPreview Contra Alto Clarinet 1Only - Piano 1 - Bassoon 1 3 - Crotales, Orchestra Bells, Chimes 1 - Bassoon 2 1 - Marimba 1 - Contrabassoon 1 - Vibraphone 2-E Alto Saxophone 1 2 - Percussion (Finger Cymbals, 2-E Alto Saxophone 2 Bass Drum) 2-B Tenor Saxophone Symphony No. V: Elements is also available as follows: MP 99158, I. Sun in C $135.00 Additional Full Score, Movement I $25.00 MP 99160, III. Wind in Eb $200.00 Additional Full Score, Movement III $45.00 PrintedMP 99157, Use Symphony No. RequiresV (Complete, Mvts. I - III) $410.00 Purchase Additional Full Score, Movements I - III $85.00 Score & Parts $140.00 Additional Full Score $30.00 Musica Propria, Inc. Additional Parts @ $3.00 P. O. Box 680006 San Antonio TX 78268 All prices U.S. www.musicapropria.com Edition Number: MP 99159 email: [email protected] About the Composer Julie Ann Giroux was born 1961 in Fairhaven, Massachusetts, and raised in Phoenix, Arizona and Monroe, Louisiana.
    [Show full text]
  • MUSC 2019.12.12 Honorbandprog
    THE SCHOOL OF MUSIC, THEATRE, AND DANCE PRESENTS 2019 DECEMBER 12–14 COLORADO STATE UNIVERSITY Are you interested in joining the largest, loudest, and most visible student organization on the CSU campus? Our students forge enduring skills and lifelong friendships through their dedication and hard work in service of Colorado State University. JOIN THE MARCHING BAND! • 240 MEMBERS REPRESENT ALL MAJORS • SCHOLARSHIPS FOR EVERY STUDENT AUDITION DEADLINE: JULY 13, 2020* *Color guard and drumline auditions (in-person) June 6, 2020 INFORMATION AND AUDITION SUBMISSION: MUSIC.COLOSTATE.EDU/BANDS/JOIN bands.colostate.edu #csumusic THURSDAY EVENING, DECEMBER 12, 2019 AT 7:30 P.M. COLORADO STATE UNIVERSITY SYMPHONIC BAND PRESENTS: HERstory T. ANDRÉ FEAGIN, conductor SHERIDAN MONROE LOYD, graduate student conductor Early Light (1999) / CAROLYN BREMER Albanian Dance (2005) / SHELLY HANSON Sheridan Monroe Loyd, graduate student conductor Terpsichorean Dances (2009) / JODIE BLACKSHAW One Life Beautiful (2010) / JULIE GIROUX Wind Symphony No. 1 (1996) / NANCY GALBRAITH I. Allegro II. Andante III. Vivace Jingle Them Bells (2011) / JULIE GIROUX NOTES ON THE PROGRAM Early Light (1999) CAROLYN BREMER Born: 1975, Santa Monica, California Died: 2018, Long Beach, California Duration: 6 minutes Early Light was written for the Oklahoma City Philharmonic and received its premiere in July 1995. The material is largely derived from “The Star-Spangled Banner.” One need not attribute an excess of patriotic fervor in the composer as a source for this optimistic homage to our national anthem; Carolyn Bremer, a passionate baseball fan since childhood, drew upon her feelings of happy anticipation at hearing the anthem played before ball games when writing her piece.
    [Show full text]
  • Easter 2021 ANOFOB Program
    Welcome to the first ever Australian National Online Festival of Bands. The Band Association of NSW along with our event partners, Besson Buffet Group, Brassbanned.com, OneMusic Australia, Yamaha Music Australia and with the sup- port of CreateNSW are pleased to be hosting this inaugural event. Born out of extraordinary circumstances, I am truly humbled by the response from our Banding community across Australia to this re-styled National festival. With the cancellation of the traditional In-Venue Nationals, which were to be held in Newcastle, the BANSW Management Committee were acutely aware of the im- portance of maintaining a Banding presence over the Easter weekend. Tradition combined with the need to adapt, meant “outside the box” thinking. This resulted in significant simplification of the rules and the creation of a National Online event which would be inclusive and accessible for all Recognising the inability of many bands to have had complete rehearsals while oth- ers had few limits on rehearsals, we created a flexible Festival style event. With few registration and membership requirements bands could participate in whichever events and musical items they were able to present. A reduced minimum member number allow bands with reduced membership to still have a reason to rehearse, and attract players back to band. To this end, with 74 bands from all states and territories, including, the Arafura Wind Ensemble from the Northern Territory, appearing for their first ever National event, and the St Louis Brass Band from the USA, I believe we have absolutely achieved what we set out to. Being online has presented challenges for both Bands and organisers.
    [Show full text]
  • Beneath a Canvas of Green a Conductor's Analysis and Comprehensive Survey of Related Works for Percussion Ensemble and Winds B
    i BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS BY TONYA PATRICE MITCHELL Submitted to the graduate degree program in the School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ____________________________________ Chairperson Paul W. Popiel ____________________________________ Matthew O. Smith ____________________________________ Sharon Toulouse ____________________________________ Forest Pierce ____________________________________ Martin Bergee Date Defended: April 18, 2018 ii The Lecture Recital Committee for TONYA P. MITCHELL certifies that this is the approved version of the following document: BENEATH A CANVAS OF GREEN A CONDUCTOR’S ANALYSIS AND COMPREHENSIVE SURVEY OF RELATED WORKS FOR PERCUSSION ENSEMBLE AND WINDS ____________________________________ Chairperson Paul W. Popiel Date Approved: April 18, 2018 iii ABSTRACT This document functions as an examination of Aaron Perrine’s (1979) Beneath a Canvas of Green (2018), a work for percussion ensemble and wind band. Included in this paper are sections outlining the composer’s background, the conception and commissioning process of the piece, a conductor’s analysis, rehearsal considerations, final thoughts regarding the necessity of new commissions and their impact on the development of band repertoire, as well as a historical overview of the percussion ensemble and list of similar works for this medium. iv ACKNOWLEDGEMENTS I would like to thank Aaron Perrine for collaborating with me on the production of this beautiful composition. I’d also like to thank Michael Compitello for assisting with the percussion design and set-up. I thank the members of the University of Kansas Wind Ensemble for enacting our vision.
    [Show full text]
  • 2020 Program Book 2007 Conference Program.Qxd 1/6/2020 4:41 PM Page 1
    2020 Program Book_2007 Conference Program.qxd 1/6/2020 4:41 PM Page 1 AlabamaAlabama MUSICMUSIC EDUCATORSEDUCATORS AssociationAssociation 2020 Professional Development Conference January 16-18, 2020 Renaissance Montgomery Hotel and Convention Center 2020 Program Book_2007 Conference Program.qxd 1/6/2020 4:41 PM Page 2 2020 Program Book_2007 Conference Program.qxd 1/6/2020 4:41 PM Page 3 Table of Contents President’s Welcome ........................................................................................................................5 Get the Mobile App...........................................................................................................................5 AMEA Governing Board and President’s Cabinet............................................................................6 AMEA Awards...................................................................................................................................7 Lobby Performance Schedule..................................................................................................7 & 33 Posters to be Presented at the HED Research Poster Session ......................................................8 Exhibit Hall Reception ......................................................................................................................8 Featured Speakers and Clinicians ...................................................................................................9 All-State Jazz Band Clinicians........................................................................................................10
    [Show full text]
  • CCB Library 2019
    Bloomington-Normal Community Concert Band Library CONCERT SIZE: Updated November 2019 Page 1 oF 13 YEAR LAST NUMBER TITLE TYPE/STYLE COMPOSER/ARRANGER PLAYED PUBLISHER COPYRIGHT COST TIME Sousa Drawer King/Fillmore Drawer Patriotic Drawer Small Ensemble Bin on top oF cabinets Christmas Drawer C-0006 Mennuetto All'antico Classical G. Karganoff/arr. Tom Clark G. Schirmer 1918 C-0006 Melodie Classical Rudolf Friml/arr. Tom Clark G. Schirmer 1918 C-0006 IF Flowers Could Speak Classical Mana Zucca/arr. Tom Clark G. Schirmer 1918 C-0008 Spirit oF America Patriotic J.S. Zamecnik Sam FoX 1917 C-0012 Old Man River Broadway Jerome Kern/arr. Ferde GroFe' Harms, Inc. 1927 5:33 C-0014 Schon Rosmarin Classical Fritz Kreisler/arr. Erik Leidzen Charles Foley 1942 $5.50 Johann Strauss/arr. Franz C-0015 Die Fledermaus Opera Henning Summer, 2005 G. Schirmer 1937 C-0016 Way You Look Tonight, The Broadway Jerome Kern/arr. M.L. Lake Harms, Inc. 1936 3:00 Fred G Albers/arr. J.S. C-0017 In Poppyland Novelty Zamecnik Sam FoX 1915 C-0024 Don Quixote Suite V. F. SaFranek Carl Fischer Georges Bizet/arr. L.P. C-0025 L'Arlesienne Selections Suite Laurendeau Carl Fischer 1905 $3.00 Otto Hauerbach and RudolF C-0026 High Jinks Selection Broadway Friml/arr. Tom Clark G. Schirmer 1914 C-0027 Zampa Overture Overture F. Harold/arr. M.C. Meyrelles Carl Fischer 1891 C-0028 Poet and Peasant Overture Overture Suppe/arr. Geo. D. Barnard C.L. Barnhouse 1925 A. Carlo Gomez/arr. Herbert L. C-0029 Il Guarany Overture Overture Clarke Carl Fischer 1904 $4.50 Richard Wagner/arr.
    [Show full text]
  • NJWS December 2019 Concert
    Season 37, Concert 2 - December 8, 2019 2019-2020 CONCERT SERIES 2019-20 CONTRIBUTORS The New Jersey Wind Symphony gratefully acknowledges the support of our donors and subscribers whose generous support makes these programs possible. BENEFACTOR ($3,000 and above) Keith Mogerley Thomas & Victoria Price Irene Montella Bank of America/Merrill Lynch Wealth Management Roy Mortiz Bergen County Division of Cultural & Historic Affairs Walter Perog Konica Minolta Business Solutions Marcella Phelan Margaret & Gregory Pieper PATRON ($2,000 to $2,999) Donald Reeder, Esq. Judy & Roger Widicus Randolph Reveley Dr. Christian Wilhjelm & Jacqueline Sarracco Jean Roughgarden Pascack Valley Hospital Foundation Carol Sawitz Francis & Barbara Schott SPONSOR ($1,000 to $1,999) Richard Chase Patricia & Robert Schreiber Michael & Darel-Ann DePompeo Richard & Jessie Ver Hage John & Marilyn Wagner Dr. Richard & Katherine Wise Daiichi-Sankyo, Inc. Nancy Zweil PVH Corporation BNY Mellon Community Partnership Jewish Community Fund SUPPORTER ($500 to $999) Barbara Abney Bolger FRIEND ($1 to $99) In Memory of Carolyn & Howard Crumb Andre Baruch In Memory of Aquilina Lim Jill Bloom Philip & Sheila Smith William & Elsa Carbone Yuto Takamoto Carol Ann Compasso Fidelity Charitable Gift Fund Lawrence DeLosica United Way, Northern New Jersey, Somerset County Maureen J. Demes Mary & Gregory Farrell ASSOCIATE ($250 to $499) Frances Ferraro Mary & Paul Bergquist Arlene & Mark Glauber Jeff Bittner Katherine Grasso Elaine Douvas & Robert Sirinek Jane & Dr. Bruce Haas Sally Fillmore Richard Hahn Naomi Freshwater Emily James Donna & Lawrence Friedman Emmett & Elizabeth Johnson Marie Kane Janet Johnston Paul & Carolyn Kirby Jennifer Kaysan Michael J. Kokola Janis Keown-Blackburn Ron Levy Nathan Kinney James & Cheryl Mallen Dr.
    [Show full text]
  • Concert & Recital Programs Concert & Recital Programs
    Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-6-2015 Concert: Ithaca College Vocal Jazz Ensemble & Ithaca College Symphonic Band Douglas A. Avery Matthew nkI ster Ithaca College Vocal Jazz Ensemble Ithaca College Symphonic Band Follow this and additional works at: http://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Avery, Douglas A.; Inkster, Matthew; Ithaca College Vocal Jazz Ensemble; and Ithaca College Symphonic Band, "Concert: Ithaca College Vocal Jazz Ensemble & Ithaca College Symphonic Band" (2015). All Concert & Recital Programs. 1271. http://digitalcommons.ithaca.edu/music_programs/1271 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. Ithaca College Vocal Jazz Ensemble Douglas Avery, director Ithaca College Symphonic Band Matthew Inkster, conductor Ford Hall Friday, November 6th, 2015 8:15 pm Ithaca College Vocal Jazz Ensemble Moonglow Hudson, Land & Mills/arr. Teena Chinn Time After Time Styne/arr. Kerry Marsh Hannah Martin, Mezzo Matthew Moody, Baritone Where Is Love? Bart/arr. Paris Rutherford Stephen Rothhaart, Tenor Brazasia Castro-Neves/arr. Jennifer Barnes Oliver Scott, Piano Rebecca Angel, Soprano "Orient and Occident, Part II" Ithaca College Symphonic Band Come, Drink One More Cup (2010) Quian Chen (b. 1962) 13' Symphony No. IV: Bookmarks from Japan (2013) Julie Giroux I. Fuji-san - "Mt. Fuji" (b. 1961) II. Nihonbashi - "Bridge Market" 21' III. The Great Wave off Kanagawa - "The Life of One Wave" IV. Kinryu-zan Sensoji - "Thunder Gate" V.
    [Show full text]
  • Report Summer 2019 Scott S
    CBDNA REPORT SUMMER 2019 SCOTT S. HANNA Editor REPORT SUMMER 2019 IN THIS ISSUE From the Podium – 1 Commissions and Premiers – 2 News – 2 Recordings – 3 Programs – 4 FROM THE PODIUM The CBDNA Athletic Band Symposium recently membership. There was a great session on copyright at concluded in Seattle (many thanks to Brad McDavid and the Athletic Band Symposium by James Weaver his team at the University of Washington for a with National Federation of State High School phenomenal job of hosting, and to Isaiah Odajima and Associations (NFHS). The NFHS, based in Indianapolis, the rest of the Athletic Band Committee for their Indiana, is the national leadership organization for high assistance). There were two sessions that focused on a school sports and performing arts activities. They spend topic I’ve been spending some time thinking about lately: a lot of time making sure their membership is copyright mental health, that of our students and that of ourselves. compliant in all their activities. CBDNA will be working As part of my own trip to the west coast, my family met on guidelines to make sure that we as an organization me in Seattle and we went from there to Hawaii for two are copyright compliant, as well as ways to educate our weeks. I was definitely feeling the need for some membership about what is and isn’t legally appropriate. unplugged rest and relaxation with those closest to me. I If you have the time and inclination, the NFHS offers a know that many of you that I am friends with on free online course on copyright here: Facebook are off visiting amazing places as well.
    [Show full text]
  • A Comparative Study of Four American Professional Wind Bands
    A Comparative Study of Four American Professional Wind Bands Mark Tse A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington Reading Committee: Timothy Salzman, Chair David Rahbee Giselle Wyers Program Authorized to Offer Degree: Music © Copyright 2020 Mark Tse 2 University of Washington Abstract A Comparative Study of Four American Professional Wind Bands Mark Tse Chair of the Supervisory Committee: Timothy Salzman Music This study compares the repertoire, business models, and philosophies of four American professional wind bands; Dallas Winds, Lone Star Wind Orchestra, San Diego Winds, and the Royal Hawaiian Band. For the purposes of this study, “professional” is defined as generating sufficient income to pay the performers. The Royal Hawaiian Band is an outlier of professional wind bands because of its history and function. The other three bands perform two to nine concerts per season like the first American orchestras. For these young professional bands to achieve comparable success as current professional orchestras, they should make similar revolutionary leaps (not evolutionary steps) that early American orchestras made to guarantee their performers a full season of concerts, enough to provide a livable income. 3 To 爸妈 4 Acknowledgements First, I would like to thank the chair of my committee, Professor Timothy Salzman, who graciously accepted me into the program and has taught me so much, both about the world of music and the world outside of music. I will be forever indebted. Thank you to Dr. David Rahbee for taking me on as a student of orchestral conducting, giving me the wonderful opportunity to conduct the UW Campus Philharmonia, and your help in preparing me for my recital.
    [Show full text]
  • A History of the College Band Directors National Association
    A History of the College Band Directors National Association Western/Northwestern Divisional Conferences from 1990–2016 by Stephen Martin A Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved July 2016 by the Graduate Supervisory Committee: Sandra Stauffer, Chair Gary Hill Margaret Schmidt Jill Sullivan ARIZONA STATE UNIVERSITY August 2016 ABSTRACT The College Band Directors National Association (CBDNA) began holding national conferences in 1941, and the organization's six divisions have held biennial conferences on alternating years beginning in 1950. The CBDNA Statement of Purpose specifies, "CBDNA is committed to serving as a dynamic hub connecting individuals to communities, ideas and resources." The regional and national conferences are one of the strongest means to that end. This study presents a history and documentation of the events of the College Band Directors National Association Western/Northwestern Divisional Conference held in Reno, Nevada from 1990 to 2016. The events leading up to the first conference are reported. The details of the clinics and concerts are chronicled to provide a foundation for analyses of various trends and threads regarding number and types of ensembles that performed, types and content of clinics presented, trends in repertoire selection, details of featured composers and commissions, and a discussion of gender disparity across all of these facets. i ACKNOWLEDGMENTS I wish to express my deepest gratitude to the membership of the Western/Northwestern CBDNA. It has been a fascinating journey poring over the archives, seeking out documents, and most enjoyably talking with so many of you about your experiences at the conferences in Reno.
    [Show full text]