DOCSLIB.ORG

Illustrated Catalogue of a Loan Collection

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Illustrated Catalogue of a Loan Collection ILLU STRATE D CATALOGUE OF A LOAN COLLE CTION OF PORTRAITS W M A NRY FR DE . E O . H , PUBLISHER TO THE UNIVE RSITY OF OX FORD D H LONDON, E INBURG YORK A ND TORONTO ILLU STRATED CATALOGUE OF A LOAN C OLLE CTION OF P OR TRAITS O F ENG L ISH H ISTORICAL PERSONAG ES W H O DIED BETW EEN 1 6 2 5 AND 1 7 1 4 EXHIBITED S S IN THE EXAMINATION CHOOL , OXFORD MDCCCCV APRIL AND MAY, O X F ORD AT TH E C LARE ND O N PRE S S OXFORD PRINTED AT THE CLARENDON PRESS H RT M . BY HORACE A , A PRINTER TO THE UNIV ERSITY G E NE RAL C OM M ITTEE TH E IS UNT G H EN CH N TH E P V ST W ST . V CO OSO , A CELLOR RO O OF ORCE ER TH E P P T . OF THE UNIVERSITY . RINCI AL OF HER FORD T M . TH H HE P IN IP ST . E UN E E HA LSB UR Y ARL OF , HIG R C AL OF D D HALL ST W THE W N . E ARD . ARDE OF KEBLE TH E R T L N N I THE C NS N N - C T EC OR OF I COL , V CE E OR OF O OLLEGIA E H STU N TS . C ANCELLOR . DE * - THE E S L L U TH E ST TH E T MP . ARL OF JER EY , ORD IE MA ER OF E LE * S H W L TENANT OP OX FORDSHIRE . DR . AD E L. T R A B . H E L D . T ORD BISHOP OF OX FORD . J U LER * TH E LI I T ME . ST OX O . N CU D MAYOR OF F RD O EL , REC OR THE THE T P T T ARCHBISH OP OF CANTERBURY. OF NA IONAL OR RAI TH E DUK U H K. G . G E OF MARLBORO G , ALLERY . * THE H S . MR . A . H D . C E R S K. C U ARL OF O EBERY, G H RC , , TH E E I P SS CH MIST IN TH E ARL OF AB NGDON . ROFE OR OF E RY TH E IS M A TS . UNT NTI M. P. R A V CO VALE A, OYAL CADE Y OF R T W K R IST HE IS UNT D N . DR . C V CO ILLO J LAR , EG RARY OF TH E L T I M H E U I SIT M . ORD E GN OUTH . T N VER Y OF CA BRIDGE SIR G D SHW B T . SI N C V N K P EORGE A OOD, AR . MR D EY OL I , EE ER OF TH E LA W P TS WI S TH E DY ANTAGE . RIN AND DRA NG IN TH E L B M B T SH S M . S . P. U U ORD ALCARRE , RI I M E SIR W T G P SS B WS AL ER RAY . ROFE OR URRO . L W S P SS I TH . U T M . P. F MR E I HARCO R , ROFE OR R . G . P SS G N . R M . P. MR H MOR ELL, ROFE OR ARD ER * P S R . A . A R A . S O N F. S . E . MR BBEY, ROFE OR DLI G, TH P S S M E ST UN V O N . MA ER OF I ERSITY . ROFE OR A TH E ST B . SS MA ER OF ALLIOL PROFE OR RALEIGH . TH W E N OP E T N . TH E REV B K ST . ARDE M R O . H . E . D . LA I ON THE T EX R W R T . THE EV TT . EC OR OF E ER . H . HU ON TH E P ST P * V O O I . E . G M . E . B K Hon. T asu RO O R EL A ER ( re rer) . ‘ ’ * TH E P V ST U N S . T W KS . RO O OF Q EE MR . JAC ON W N EW . A . ARDEN OF COLLEGE MR MACDONALD . TH W E E ALL S . N U S . D . ARD OF O L MR. F MA AN * TH E P SI NT N . P. RE DE OF MAGDALE MR . F MORRELL Chairman * . R . S . ( ) M J L. MYRE TH E P N IP OP B S N S . R . L. P RI C AL RA E O E MR. OOLE . TH E P S T P W N C US . MR . R P RE IDE OF OR R A ER . THE D N CH IST CHU H . R . EA OF R RC MR . F. YMAN HALL TH E P S NT T N T . W S . S . T WH TT. RE IDE OF RI I Y MR . YR I ’ TH E P S T ST "l W N . HN S R W TH E EV . RE IDE OF JO . ARNER. THE P IN P OE U S S . W R CI AL JE MR . H . E . OOLDRIDGE . THE W N OE W H M * . MR S . L. P H . S c ARDE AD A . R OOLE on e re THE ST M * P K . ME B . C . F. ta i s MA ER OF E BRO E ELL r e . embers Of the Exe utiv mmi t e M c e Co t e . 5 IN TR OD U C TION B L I N L CUST M A F S A Direc or o f O E . t y , the National Portrait G all er u rv e or of the y , S y ’ k i K s Pictures and W o r s of A rt &.c in . g , N the introduction to the Catalogue of the first Exhibition i x i i of Histor cal Portraits at O ford, the h story of portra t painting in England was lightly sketched from early days down i i i i to the accession of Charles I . Dur ng the re gn of th s k ng, whose true appreciation and cultivated patronage of the Fine Arts have done much to temper the critic ism of posterity on the in i his disastrous part played by Charles the h story of country, i i al in a most mportant event occurred, wh ch fin ly closed an epoch i i — i in the h story of portra t paint ng England, and opened another, i i hi which has continued w th ep sodes up to the present day . T s i event was the arrival in England of Anthony Van Dyck, as pa nter ff to the Court and aristocracy of England . The e ect of Van ’ Dyck s appearance in English art may be compared to that at i a later date of Byron in the world of l terature . W i in 1632 hen Anthony Van Dyck arr ved England in , the art of i - was portra t painting, which at the time the only one of the ic i i i i in d p tor al arts wh ch could be sa d to be flourish ng Englan , was still hide - bound in the stilted formulas of the Netherlandish c c M tens Mierev eldt s hools, as represented by the s hools of y , , and Hontho rst Van ek did . Dy himself not anywhere destroy the x i i i formulas and conventions which he found e ist ng, but ass m lated his o wn i w w them to style, and by so do ng laid do n a ne set i c of formulas and convent ons, whi h have been followed more or s - less continuou ly by portrait painters up to the present day . The immense influenc e exercised by Van Dyck is the more remarkable seeing that of his Short life of forty- one years only INTRODUCTION six in his i some and a half were spent England, and that c rcle of patronage was almost entirely c onfined to the Court and to the great territorial families of the aristoc racy with whom the Court f is i i was chie ly associated . It not surpr s ng therefore to find that the Universities were but little affected by the dazzling incursion i of Van Dyck nto the world of art in England . S w as hort, however, as the career of Van Dyck in England, ff w as its e ect of instantaneous importance. Among his numerous i hi pupils and assistants, who were employed in turn ng out of s workshop the many repetitions and c opies of such portraits as were most in demand by the King or Queen or the nobility or a i by the royalist dherents during the Civ l War, there were i i painters of English b rth, l ke Dobson, and others, whose deri i is ffi vat on from Van Dyck su ciently obvious, such as Robert i i i Walker and John M chael Wr ght, to say noth ng of the greatest i - i i S is i Of all portra t pa nters in min ature, amuel Cooper. It a hab t, i i which rec ent historians such as Dr. Gard ner and Professor F rth i i have done someth ng to d spel, to look upon the years of the Commonwealth as a period of gloomy negation with regard to art is the study and practice of .
Load more

Recommended publications
  • XIX.—Reginald, Bishop of Bath (Hjjfugi); His Episcopate, and His Share in the Building of the Church of Wells. by the Rev. C. M
    XIX.—Reginald, bishop of Bath (HJJfUgi); his episcopate, and his share in the building of the church of Wells. By the Rev. C. M. CHURCH, M.A., F.8.A., Sub-dean and Canon Residentiary of Wells. Read June 10, 1886. I VENTURE to think that bishop Eeginald Fitzjocelin deserves a place of higher honour in the history of the diocese, and of the fabric of the church of Wells, than has hitherto been accorded to him. His memory has been obscured by the traditionary fame of bishop Robert as the "author," and of bishop Jocelin as the "finisher," of the church of Wells; and the importance of his episcopate as a connecting link in the work of these two master-builders has been comparatively overlooked. The only authorities followed for the history of his episcopate have been the work of the Canon of Wells, printed by Wharton, in his Anglia Sacra, 1691, and bishop Godwin, in his Catalogue of the Bishops of England, 1601—1616. But Wharton, in his notes to the text of his author, comments on the scanty notice of bishop Reginald ;a and Archer, our local chronicler, complains of the unworthy treatment bishop Reginald had received from Godwin, also a canon of his own cathedral church.b a Reginaldi gesta historicus noster brevius quam pro viri dignitate enarravit. Wharton, Anglia Sacra, i. 871. b Historicus noster et post eum Godwinus nimis breviter gesta Reginaldi perstringunt quae pro egregii viri dignitate narrationem magis applicatam de Canonicis istis Wellensibus merita sunt. Archer, Ghronicon Wellense, sive annales Ecclesiae Cathedralis Wellensis, p.
    [Show full text]
  • English Duplicates of Lost Virginia Records
    T iPlCTP \jrIRG by Lot L I B RAHY OF THL UN IVER.SITY Of ILLINOIS 975.5 D4-5"e ILL. HJST. survey Digitized by the Internet Archive in 2012 with funding from University of Illinois Urbana-Champaign http://archive.org/details/englishduplicateOOdesc English Duplicates of Lost Virginia Records compiled by Louis des Cognets, Jr. © 1958, Louis des Cognets, Jr. P.O. Box 163 Princeton, New Jersey This book is dedicated to my grandmother ANNA RUSSELL des COGNETS in memory of the many years she spent writing two genealogies about her Virginia ancestors \ i FOREWORD This book was compiled from material found in the Public Record Office during the summer of 1957. Original reports sent to the Colonial Office from Virginia were first microfilmed, and then transcribed for publication. Some of the penmanship of the early part of the 18th Century was like copper plate, but some was very hard to decipher, and where the same name was often spelled in two different ways on the same page, the task was all the more difficult. May the various lists of pioneer Virginians contained herein aid both genealogists, students of colonial history, and those who make a study of the evolution of names. In this event a part of my debt to other abstracters and compilers will have been paid. Thanks are due the Staff at the Public Record Office for many heavy volumes carried to my desk, and for friendly assistance. Mrs. William Dabney Duke furnished valuable advice based upon her considerable experience in Virginia research. Mrs .Olive Sheridan being acquainted with old English names was especially suited to the secretarial duties she faithfully performed.
    [Show full text]
  • Judaizing and Singularity in England, 1618-1667
    Judaizing and Singularity in England, 1618-1667 Submitted for the degree of Doctor of Philosophy by Aidan Francis Cottrell-Boyce, Gonville and Caius College, June 2018. For Anna. Abstract In the seventeenth century, in England, a remarkable number of small, religious movements began adopting demonstratively Jewish ritual practices. They were labelled by their contemporaries as Judaizers. Typically, this phenomenon has been explained with reference to other tropes of Puritan practical divinity. It has been claimed that Judaizing was a form of Biblicism or a form of millenarianism. In this thesis, I contend that Judaizing was an expression of another aspect of the Puritan experience: the need to be recognized as a ‘singular,’ positively- distinctive, separated minority. Contents Introduction 1 Singularity and Puritanism 57 Judaizing and Singularity 99 ‘A Jewish Faccion’: Anti-legalism, Judaizing and the Traskites 120 Thomas Totney, Judaizing and England’s Exodus 162 The Tillamites, Judaizing and the ‘Gospel Work of Separation’ 201 Conclusion 242 Introduction During the first decades of the seventeenth century in England, a remarkable number of small religious groups began to adopt elements of Jewish ceremonial law. In London, in South Wales, in the Chilterns and the Cotswolds, congregations revived the observation of the Saturday Sabbath.1 Thomas Woolsey, imprisoned for separatism, wrote to his co-religionists in Amsterdam to ‘prove it unlawful to eat blood and things strangled.’2 John Traske and his followers began to celebrate Passover
    [Show full text]
  • PARENT CHAPTER, New York, NY
    PARENT CHAPTER, New York, NY Aiken Mrs. Robert K. Aiken (Sara Jennings Ledes) Ancestor: Thomas Jennings Aitken Mrs. Irene R. Aitken (Irene Elder Boyd) Ancestor: Thomas Dixon Allen Mrs. Christine Allen (Anne Christine Allen) Ancestor: Anthony Walke Allport Miss Tara Margaret Allport (Tara Margaret Allport) Ancestor: Caspar Steynmets (Stymets Altschul Mrs. Arthur Altschul (Patricia Fleming) Ancestor: Daniel Dod Anderson Mrs. Kathleen Anderson (Kathleen Mae McConnell) Ancestor: Tristram Coffin Armstrong Mrs. John Armstrong (Mary Helen Post) Ancestor: John Berrien Bahrenburg Mrs. William S. Bahrenburg (Alice Stevenson Braislin) Ancestor: John Shinn Barbey Miss Florence Flower Barbey (Florence Flower Barbey) Ancestor: Joseph Neville Barnes Mrs. John A. Barnes (Mary Reiner) Ancestor: William Wells Barzun Mrs. Jacques Barzun (Thelma Marguerite Lee) Ancestor: Samuel Jordan Bass Mrs. Jane Liddell Bass (Jane Boyer Liddell) Ancestor: Joseph Hawley Bastedo Mrs. Walter A. Bastedo (Julia Gilbert Post) Ancestor: Thomas Tracy Beckler Mrs. Richard W. Beckler (Allison White) Ancestor: William Brewster Benedict Mrs. Peter B. Benedict (Nancy Thomas Huffman) Ancestor: Wilhelmus Beekman Benington Mrs. George A. Benington (Patricia Minniece) Ancestor: Walter Chiles Bereday Mrs. Sigmund Bereday (Marilyn Patricia Pettibone) Ancestor: Samuel Pettibone Bergmayer- Mrs. Nicolas Bergmayer-Deteindre (Sinikka Nadine Deteindre) Ancestor: Edward Winslow Bergstrom Mrs. Victoria Bergstrom (Victoria Allison Weld) Ancestor: William Brewster Bird Mrs. Thomas Edward Bird (Mary Lynne Miller) Ancestor: John Webster Bishopric Mrs. Suzanne Bishopric (Suzanne Powell Bishopric) Ancestor: Jeremiah Fitch Bispham Miss Barbara Harlin Bispham (Barbara Harlin Bispham) Ancestor: John George Bispham Mrs. Thomas P. Bispham (Barbara Cecelia Shea) Ancestor: John George Boss Mrs. Grace H. Boss (Grace Palmer Hammond) Ancestor: Thomas Dudley Boulud Mrs.
    [Show full text]
  • A Brief History of Christ Church
    A Brief History of Christ Church MEDIEVAL PERIOD Christ Church was founded in 1546, and there had been a college here since 1525, but prior to the dissolution of the monasteries, the site was occupied by a priory dedicated to the memory of St Frideswide, the patron saint of both university and city. St Frideswide, a noble Saxon lady, founded a nunnery for herself as head and for twelve more noble virgin ladies sometime towards the end of the seventh century. She was, however, pursued by Algar, prince of Leicester, for her hand in marriage. She refused his frequent approaches which became more and more desperate. Frideswide and her ladies, forewarned miraculously of yet another attempt by Algar, fled up river to hide. She stayed away some years, settling at Binsey, where she performed healing miracles. On returning to Oxford, Frideswide found that Algar was as persistent as ever, laying siege to the town in order to capture his bride. Frideswide called down blindness on Algar who eventually repented of his ways, and left Frideswide to her devotions. Frideswide died in about 737, and was canonised in 1480. Long before this, though, pilgrims came to her shrine in the priory church which was now populated by Augustinian canons. Nothing remains of Frideswide’s nunnery, and little of the Saxon church - perhaps a few stones - but the cathedral and the buildings around the cloister are the oldest on the site. Her story is pictured in cartoon form by Burne-Jones in one of the windows in the cathedral. One of the gifts made to the priory was the meadow between Christ Church and the river; Lady Montacute gave the land to maintain her chantry which lay in the Lady Chapel close to St Frideswide’s shrine.
    [Show full text]
  • A Machereyan Reading of Francis Godwin's the Man in the Moone
    Archive of SID A Machereyan Reading of Francis Godwin’s the Man in the Moone Ali Salami Assistant Professor, University of Tehran [email protected] Midia Mohammadi Graduate Student, University of Tehran [email protected] Abstract 1 Seventeenth-century Britain was going through plenty of transitions, and science was gaining respect as a force that was enhancing changes by shattering the ideas that the church had imposed since the Middle Ages, forbye providing man with new inventions and advancements. The Man in the Moone is one of the first utopian science fiction novels, and it successfully landed a sixteenth-century Spaniard on the moon only to find a utopia there built by Lunars. By the time Godwin’s book was published, the Copernican Revolution had brought authorities into turmoil, and the discussions on the probability of extra-terrestrial life had already begun. The book expresses these novel ideas in a subtle narration and criticizes the institutions of its own time by providing a utopian alternative on another planet. With an eye on the historical context of the work and the scientific advancements of its time, it will be examined in a closed Marxist reading, primarily based on Pierre Macherey’s theory which highlights “the ideological project” of a literary work by focusing on “gaps”, “silences”, and the “unsaid” in the text which shape its “speech”. Macherey’s theory highlights “the ideological project” of a literary work by focusing on the “unsaid” in the text, which shapes its “speech”. Furthermore, regarding Macherey’s ideas on the link between ideology and narrative, the article sets out to find the narrative’s central topic to describe the imaginary/symbolic system put into the ideological project’s service.
    [Show full text]
  • Notes on Some Christ Church Portraits, Including One of Oriel and Two of Pembroke College
    Notes on some Christ Church Portraits, including one of Oriel and two of Pembroke College By W. G. HISCOCK RECE T examination of the Disbursement Books and other records A in Christ Church has revealed some new points of interest- unknown to Mrs. R. L. Poole'-relating to the history of the Christ Church portraits. As the main items concern portraits by known artists, it will be convenient to begin with them-in alphabetic.~l order. BATE, C. FORTESCUE: Portrait of Lord Wellesley (Ch. Ch. 253). In 1840 this artist-who was then living at 82, York Road,near Waterloo Bridge-­ painted the present portrait from a larger, full-length portrait then in the Dean's possession which was sent up to London for this purpose. Bate hoped that the Duke of Wellington would take the larger portrait; he' approves of it but did not decide upon taking it at present' (6 January, 1841 ). It was as early as 1806 that Lord Wellesley was requested- in the usual formula­ 'that he would enable the Chapter to place his portrait in the Hall' and responded by presenting the portrait the artist of which is unknown­ relegated to the deanery by 1840. Bate's smaller portrait was painted to the size of William Owen's urd Grtnville-' to be pendant to that Picture on either side of the doorway of the Ilall '. Bate's copy bore the name of Bales, of whom Mrs. Poole could, of course, say nothing; though she hazarded a well­ aimed suggestion' that it was a copy from one painted when the subject was in Ireland.
    [Show full text]
  • Arabella Churchill C. 1665 by Mary Beale. James's Mistress 1665-1675
    02/08/2021 James Stuart 1st Duke of Berwick, Arabella Churchill c. 1665 James and Arabella’s elder son by Mary Beale. James’s mistress 1665-1675, mother of four children by him 1 2 James 1st Earl Waldegrave, son of James and Arabella’s daughter Henrietta Catherine Sedley Countess of Dorchester (1686) c. 1675 by Sir Peter Lely. James’s mistress 1675-1688 3 4 John Sheffield duke of Edward Hyde Lord Chancellor by Sir Buckingham and Normanby by Peter Lely. Chief Minister of Charles I Sir Godfrey Kneller c 1685. He and Charles II, father-in-law of James was the second husband of James and Catherine’s daughter Catherine Darnley 5 6 1 02/08/2021 Laurence Hyde, Earl of Rochester as Anne Hyde, Duchess of York c. 1661 Lord High Treasurer c. 1685 by by Sir Peter Lely, Scottish National Willem Wissing, the Holburne Gallery Museum. James’s brother-in-law 7 8 Anne Hyde, Duchess of York Anne Hyde, Duchess of York c. 1662 by Sir Peter Lely, Hampton 1670 by Sir Peter Lely, National Court Palace Portrait Gallery at Lyme Park 9 10 James as Duke of York 1661 by Samuel Cooper, Victoria & Albert Museum James and Anne as Duke and Duchess of York c. 1665 by Sir Peter Lely, National Portrait Gallery 11 12 2 02/08/2021 James when Duke of York c. 1665 by Sir Peter Lely, Royal Collection The Duke and Duchess of York 1668-70 by Sir Peter Lely with their two daughters Mary and Anne added by Benedetto Gennari II c.
    [Show full text]
  • Conference Programme
    Conference Programme Royal Holloway, University of London Egham Hill Egham Surrey TW20 0EX Contents Conference Timetable 1 Abstracts 16 Biographies 61 Email addresses 79 Conference Timetable Monday 2nd April 8.45-9.15am: Registration and coffee 9.30-9.35am: Introductions 9.35-10.45am: Session 1 Plenary Lecture Moore Building, Management Auditorium [Chair: Maria Hayward, University of Southampton] Philip Mansel Dressed to Rule: Dress and Monarchy from Louis XIV to Elizabeth II 10.45-11.10am: Coffee 11.10am-12.10pm: Session 2 Panel 2A: The Physical Body of Queens in the Eighteenth Century Moore Building, MBSO-16 [Chair: John W. McCormack, University of Notre Dame] Federica Contu, University of Studies of Cagliari Reasoning about the Political and the Spiritual Function of the Body: The case of Marie Clotilde of France, Queen of Sardinia Sebastian Edwards, Historic Royal Palaces ‘Sleep was never more welcome to a weary traveller’: Queen Anne and the Art of Dying 1 Panel 2B: The Effigial Body Moore Building, MBSO-02/03 [Chair: Jutta Schwarzkopf, University of Bielefeld] Lynsey McCulloch, Anglia Ruskin University The Effigial Body: Reading a Relic of Early Modern Monarchy Kosana Jovanovic, University of Rijeka The Role of Portable Effigies in Queens’ Funeral Ceremonies and Their Connection with the King’s Two Bodies Theory Panel 2C: Representing the Body: The Case of Queen Victoria and King George V and VI Moore Building, MBSO-04/05 [Chair: Kate Strasdin, University of Southampton] Tracy Anderson, University of Sussex Regina Imperatrix: The Royal and Imperial Bodies of Queen Victoria Ina Zweiniger-Bargielowska, University of Illinois (Chicago) Royal Death and Living Memorials: The Commemoration of George V and George VI Panel 2D: Memory and Commemoration: The Case of Henry VII Moore Building, Executive Seminar Room [Chair: Nicola Clark, Royal Holloway, University of London] Christine Merie Fox, Royal Holloway, University of London Henry VII’s Preparation for the Wellbeing of his ‘spiritual body’ Mark R.
    [Show full text]
  • Ontario History Scholarly Journal of the Ontario Historical Society Since 1899
    Ontario History Scholarly Journal of The Ontario Historical Society Since 1899 Papers and Records [called Ontario History after 1946] Volume III, 1901 Published by The Ontario Historical Society, 1901 The Ontario Historical Society Established in 1888, the OHS is a non-profit corporation and registered charity; a non- government group bringing together people of all ages, all walks of life and all cultural backgrounds interested in preserving some aspect of Ontario's history. Learn more at www.ontariohistoricalsociety.ca. ~ ii??? 7'1‘ "M "C4 “E” ‘ , ‘ ”“‘T’;' ®ntario Ibistorical Society. PAPERS AND RECORDS VOL. 111. ‘ " 4*--f—’—?”"”“"’ _ TORONTO: M PUBLISHED BY THE SOCIETY. 1901. ®ntario 1bistoricaI Society, 1900. Honorary President : Minister of Education. Hon. RICHARD HARCOURT, M.A., Q,.C., President 2 JAMES H. Coyma, B.A., St. Thomas. 131'. Vice-President : Toronto. C. C. JAMES, M.A., 2nd Vice—President : Hamilton. Mas. M. E. Roslc HOLDEN, Ex-Oflicio Vice-Presidents : Pioneers’ Association, Toronto. - President York Ruv. C. E. THOMSON, Soc. lViagara. Niagara Hist. , CARNOCHAN, President MISS JANET South. Lane Hist. Soc., Niagara Falls M.A., President Lundy’s Rxsv. CANON BULL, Hist. Soc, Barrie. President Simooe Pioneer and A. ARDAGII, » JUDGE J. Hamilton. President Wentworth Hist. Soc., FEARMAN, - - F. W. St. Thomas. Elgin Hist. and Scientific Institute, — President - — J. A. BELL, Hist. Soc., Peterborongh Town and County - President LIEUT.-COL. H. 0. Rooms, Peterborongh. Hist. Soc. of Ottawa. President W omen’s Canadian GEO. E. Fosnza, - Mas. Woodstock. President Oxford Hist. Soc., H. PARKER, - - T. Hist. Soc. of Toronto. President Wonzen’s Canadian Mas. FORSYTHE GRANT, Women’s Hist.
    [Show full text]
  • Working Paper Richard Sylvanus Williams 1851
    _____________________________________________________________________________________ _____________________________________________________________________________________ A SURVEY OF STAFFORDSHIRE MEDICAL PRACTITIONERS IN 1851 by Richard Sylvanus Williams DRAFT (14 Jun 2018) _____________________________________________________________________________________ _____________________________________________________________________________________ _____________________________________________________________________________________ Copyright 2018. Richard Sylvanus Williams Richard Sylvanus Williams 30 King Street WINTERTON North Lincolnshire DN15 9TP 01724 737254 [email protected] June 2018 A SURVEY OF STAFFORDSHIRE MEDICAL PRACTITIONERS IN 1851 On census night 30 Mar 1851 there was a cohort of 274 medical practitioners1, hereafter called medics, resident (or normally resident2) in the county as it then extended. The population of the county was then 608,716 so that there was one medic to every 2,222 residents. An alphabetical register has been compiled3 in which an account4 is given of the life and career of each medic with appropriate references. Each entry includes material on his birth, parentage, education and career, marriage and immediate family, and death. This survey is based on those entries. A very few of the cohort, or their immediate family, became famous or infamous in national life and are thus mentioned in the Online Dictionary of National Biography. They are: Joseph Barnard Davis, F.S.A. 1801-1891 a celebrated
    [Show full text]
  • The Author Has Endeavoured to Give the Most Up-To-Date Locations for The
    REPRESENTATIONS OF MARY OF MODENA, DUCHESS, QUEEN CONSORT AND EXILE: IMAGES AND TEXTS VOLUME II: ILLUSTRATIONS The author has endeavouredto give the most up-to-datelocations for the originals of the following illustrations. Christie's were exceptionallyhelpful with enquiries about the fate of portraits last known as "sold" or "for sale" at auction, but unfortunately, Sotheby's failed to respond. Sandra Jean Sullivan University College London (LOUD(* um LIST OF ILLUSTRATIONS - CHAPTER I Fig.1. Crispin van de Passethe Elder, Portrait of QueenElizabeth 1,1596, engraving, 12Y4x 10 ins., (32.4 x 25.4cm), London The British Museum, Departmentof Prints and Drawings. Fig. 2 After Sir Peter Lely, Anne Hyde, Duchess of York, c. 1670, oil on canvas, 29Y4x241/4ins, (79.29 x 62.86cm. ), London,National Portrait Gallery, no.241. Half length wearinga blue dressover a white chemisewith a string of pearls. A studio versionof a portrait attributedto Lely; the original is probablythat recordedin the ClarendonCollection, seefig-2a. A drawingbased on this portrait is in the SutherlandCollection engraved by Bocquetpublished 20 May 1803see fig. 2b. Fig.3. RichardGibson, Anne Hyde, Duchess of York, c.1665, watercolour on vellum, 2Y4ins.,Private Collection. Fig.4. Sir PeterLely, AnneHyde, Duchess of York,c. 1665-1666,oil on canvas, 491/2x40Y2ins. (125.7 x 102.9cm.), Royal Collection. Thereare many copiesof this portrait; a full length versionof this is in the Royal Collection at Holyrood House. Originally c.82 ins x 48 ins. the canvashas beenenlarged and is now 94Y2x531/4ins. (126.4 x 102.2cm. ). Another full-length version attributedto the circle of Sir PeterLely cameup for saleat Sotheby'son 27 May 1987.
    [Show full text]