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Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
Hospitalization Will Be Free for Poor Filipinos
2017 JANUARY HAPPY NEW YEAR 2017 Hospitalization will be Pacquiao help Cambodia free for poor Filipinos manage traffic STORY INSIDE PHNOM PENH – Philippine boxing icon Sena- tor Manny Pacquiao has been tapped to help the Cambodian government in raising public aware- ness on traffic management and safety. Cambodian Prime Minister Hun Sen made the “personal request” to Pacquiao in the ASEAN country’s bid to reduce road traffic injuries in the country. MARCOS continued on page 7 WHY JANUARY IS THE MONTH FOR SINGLES STORY INSIDE Who’s The Dancer In The House Now? Hannah Alilio performs at the Christmas Dr. Solon Guzman seems to be trying to teach his daughters Princess and Angelina new moves at Ayesha de Guzman and Kayla Vitasa enjoy a night out at the party of Forex Cargo. the Dundas Tower Dental and Milton Dental Annual Philippine Canadian Charitable Foundation / AFCM / OLA Christmas party. Christmas Party. Lovebirds Charms Friends Forex and THD man Ted Dayno is all smiles at the Forex Christmas dinner with his lovely wife Rhodora. Star Entertainment Circle’s Charms relaxes prior to the start of the Journalist Jojo Taduran poses with Irene Reeder, wife Star Circle Christmas Variety Show. of former Canada Ambassador to the Phl Neil Reeder. JANUARY 2017 JANUARY 2017 1 2 JANUARY 2017 JANUARY 2017 Paolo Contis to LJ Reyes: “I promise to protect your Honey Shot heart so it will never get hurt ever again” Paolo Contis shares the sweetest message to LJ Reyes for her birthday on December 25. Alden and Maine in In his Insta- gram account a TV series, finally the actor poured his heart out Every popular love team has their own as he shared a TVCs (a lot of them), big screen projects collage of LJ’s and a television series. -
26 the Exploration of Humanism Through Prejudice
The Exploration of Humanism through Prejudice: 19th Century Freak Shows and the Images of the “Human” Body Andrea Poppiti Posing a Question Throughout the modern era, the definition of “the human” has been explored and defined countless times in response to an ever-changing society, constant political and social upheavals, and the classification of morals. Philosophers, psychologists, and scholars alike have contemplated the idea of the human in an effort to gain a more comprehensive understanding of the mind in a social, personal, and cultural context. While multiple historical events and social studies can provide evidence for an argument regarding human nature, one could further pursue a definition of the human being by exploring its presumable antithesis: the physically abject and abnormal individual. The term “freak” was used throughout the 19th century to describe these individuals: people with “physical, mental, or behavioral anomalies, both alleged and real” (Freak Show 2). Despite its negative connotation and offensive implication, the present use of the word “freak” will ensure historical accuracy and realistic accounts of circus-life. The American freak show, which reached the height of its popularity during the 19th century, showcased those with physical abnormalities and intriguing anomalies in order to attract a crowd of paying customers. While seen as a sick and twisted business venture by our modern society, the 19th century freak show industry thrived during an age of constant change. By exploring the perception of circus freaks during the heyday of American freak shows in the 19th century, one may question whether it is possible to interpret the norms of humanness and understand the implications of social prejudice from a post-modern perspective. -
Dingdong Snubs Politics for Showbiz
PINOY 38 3 No. Vol. INSIDE! Look Who’s Reading Aug 24 - Sept 6, 2012 24 Aug Coronation Night nsider Gary Valenciano IYour No. 1 Source of Entertainment News Carmina & Zoren To Tie The Knot Dingdong Snubs ZSA ZSA PADILLA Politics for Showbiz BATTLES Angelica Opening KIDNEY Up Her Personal Life CANCER InsiderPINOY InsiderPINOY Your No. 1 Source of Entertainment News Aug 24 - Sept 6, 2012 Aug 24 - Sept 6, 2012 Your No. 1 Source of Entertainment News A Perfect Sunday for Dollywood Angelica and John Lloyd A n g e l i c a At press time, Angel by Dolly Anne Carvajal Panganiban and John and JL’s pic has Lloyd Cruz have garnered 6,139 “likes” moved on from their on IG. It has elicited 506 previous relationships comments, ranging from (with Derek Ramsay positive to cynical ones. and Shaina Magdayao, At this point, both respectively). It seems of them may not know they are ready to yet for sure where they venture into a new are headed but they are chapter in their lives— sure having fun getting based on Angelica’s there. Angelica Should Go Instead of passing Instagram pic, which she labelled “A Perfect judgment on Angelica Sunday according to and Lloydie, let’s wish the guy in pink (JL),” with this caption: them well. Après tout, everyone, even ‘Derek’ to the Point Welcome Happiness. Joy pursued. superstars like them, deserve a second Welcome everyone especially those who crack at love and happiness because it I have not read Angelica Panganiban’s are smiling out of warmth.” can get very lonely at the top. -
+ Sine Sipat: Recasting Roles and Images, Stars, Awards, and Criticism
The Film Desk of the Young Critics Circle The 28th Annual Circle Citations for Distinguished Achievement 2017in Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism August 16, 2018 Jorge B. Vargas Museum University of the Philippines Roxas Avenue, UP Campus Diliman, Quezon City | i } ii The 28th Annual CIRCLE CITATIONS for Distinguished Achievement in 2017Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism 1 2 The Citation he Film Desk of the Young Critics Circle (YCC) first gave its annual citations in film achievement in 1991, a year after the YCC was Torganized by 15 reviewers and critics. In their Declaration of Principles, the members expressed the belief that cultural texts always call for active readings, “interactions” in fact among different readers who have the “unique capacities to discern, to interpret, and to reflect... evolving a dynamic discourse in which the text provokes the most imaginative ideas of our time.” The Film Desk has always committed itself to the discussion of film in the various arenas of academe and media, with the hope of fostering an alternative and emergent articulation of film critical practice, even within the severely debilitating culture of “awards.” binigay ng Film Desk ng Young Critics Circle (YCC) ang unang taunang pagkilala nito sa kahusayan sa pelikula noong 1991, ang taon pagkaraang maitatag ang YCC ng labinlimang tagapagrebyu at kritiko. Sa kanilang IDeklarasyon ng mga Prinsipyo, ipinahayag ng mga miyembro ang paniniwala na laging bukas ang mga tekstong kultural sa aktibong pagbasa, sa “mga interaksiyon” ng iba’t ibang mambabasa na may “natatanging kakayahan para sumipat, magbigay-kahulugan, at mag-isip . -
The Jim Crow Museum's Traveling Exhibit ―Hateful Things‖ Is Drawn from Some 4,000 Pieces That Represent Nearly 150 Years of Anti-Black, Racist Objects and Images
The Jim Crow Museum's traveling exhibit ―Hateful Things‖ is drawn from some 4,000 pieces that represent nearly 150 years of anti-Black, racist objects and images. Each object in the exhibit is accompanied by a didactic panel explaining its historical and cultural significance. The traveling exhibit has made its way around the state of Michigan at various colleges and universities but has never been on display at a high school venue. In addition to the 39 pieces and didactic panels, the exhibit includes a documentary (DVD format). Installation requirements call for a minimum linear wall space of 150 feet, minimum floor space of 300 feet and proper lighting and security. Additional information is available at the Museum Website at http://www.ferris.edu/jimcrow/menu.htm HATEFUL THINGS DETAILED INVENTORY C1-01 JOLLY NIGGER BANK 11 x 11 x 11 This is the infamous Jolly Nigger Bank that first appeared in the 1880s. Its eyes roll back when it swallows coins. Many companies produced versions of the bank. It was mass-produced until the 1960s. The Civil Rights Movement sensitized many Americans to the horrors of racial stereotyping and racial caricaturing; hence, objects like the Jolly Nigger Bank lost some of their appeal in the 1960s and 1970s. However, in the 1980s racist collectibles were again in high demand. Vintage versions of the Jolly Nigger Bank escalated in value, and cheap reproductions of the bank became commonplace. This bank is from the 1920s. C1-02 TOBACCO TIN 8 x 9 x 8 Beginning in 1878, the B. Leidersdory Company of Milwaukee, Wisconsin, produced NiggerHair Smoking Tobacco. -
Audio/Visual Materials
Philippine Studies Audio-Visual Resources Available at Wong Audio-Visual Room, Sinclair Library University of Hawaii at Manoa Tel: (808) 956-8308 URL: http://www.sinclair.hawaii.edu/wavc/ Alamat ni Julian Makabayan (The minor kingdoms, the series chronicles the Legend life of Amaya, a daughter of a Datu and a of Julian Makabayan) slave, prophecized to be the one who would 2 videodiscs : sd., col. ; 4 3/4 inches, defeat the fierce Rajah Mangubat. Born as a Pasig City : Viva Video, Inc., 2003 princess, she was demoted to slave status as Rajah Mangubat slayed her father. Guided A rice farmer stands up for social justice by her kambal-ahas, she embarks on a during the period when Spain ruled the journey to avenge her father's death and Philippines. (In Tagalog with English eventually to defeat the person that has been subtitles) the root cause of her misery and the downfall of her beloved land. With these, UH MANOA DVD 6130 she must climb the social ladder, from being a slave, to being an alabay, to become a tribe leader, then a warrior, and eventually Aloha Philippines: The Sakada fulfill her destiny to become the most Generation powerful woman of her time. (In Tagalog with English subtitles) Sakada Generation 60 minutes, color with b&w sequences, 1/2 UH MANOA DVD 10895 inch, VHS. Honolulu, HI: KITV, 1996. Telecast March 14, 1996. American Adobo This program looks at the Filipino community in Hawai‘i, tracing its roots 90 years ago, to 103 minutes, color, 4 ¾ inch, DVD. the first sugar plantation immigrants called U.S.: First Look Home Entertainment sakadas. -
Apparitional Economies: Spectral Imagery in the Antebellum Imaginaton
University of Kentucky UKnowledge Theses and Dissertations--English English 2014 Apparitional Economies: Spectral Imagery in the Antebellum Imaginaton Holly F. Osborn University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Osborn, Holly F., "Apparitional Economies: Spectral Imagery in the Antebellum Imaginaton" (2014). Theses and Dissertations--English. 12. https://uknowledge.uky.edu/english_etds/12 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. I retain all other ownership rights to the copyright of my work. -
29Oct2019 Missouri Department of Corrections Censored Publications (2012 - Current)
Prepared for Sunshine Law Request - 29Oct2019 Missouri Department of Corrections Censored Publications (2012 - Current) Sender Name Volume/Issue Sender Address Final Date Entered Title of Publication Publisher Name Publisher Address (if different from Reason for Censorship Number (if different from publisher) Decision publisher) No conflict - Censor (pages 62-64, 76-79 (but 1 Barnes and Noble Way Thursday, August 09, 2012 Reflected In You paperback book The Berkley Publishing Group 375 Hudson Street New York, NY 10014 Barnes & Noble not limited to) contains sexually explicit Censor Monroe TWP NJ 08831 material) No conflict - Censor (Mailing Algoa Friday, December 21, 2012 Cold Crib Issue #2 Cold Crib PO Box 682407, Franklin, TN 37068 Correctional Centerompanied by 2 nude Censor photos-thong style underwear) No conflict - Censor (Shows explicit sex acts, PO Box 420235 pgs 46, 91, 94, 106, 107, 108, 109, 110, 130 & Friday, December 21, 2012 Penthouse Jan 13 Penthouse Censor Palm Coast FL 32142-0235 142; story on distributing, selling & packaging marijuana pgs 58-63) Zane Presents The A Division of Simon & Schuster, Inc., 1230 129 31st Street No conflict - Censor (Explicit Sex, pgs 4-12, Friday, December 21, 2012 Eroticanoir.com Anthology: n/a Atria Books Avenue of the Americas, New York, New Music by Mail Censor Brooklyn NY 11232 22-23, 29-37, 57, 103; etc.) Succulent Chocolate Flava II York 10020 Capital Gains The People, One Chamber Plaza; Little Rock, AR No conflict - Censor (Contains Oversized Wednesday, December 26, 2012 Place and Purpose of Little n/a Censor 72201 Map) Rock and the Region Censored by Deputy Division Directors 4000 Shoreline Court, Suite 400 01/22/13 due to promotion of violence (p. -
M a G a Z I N
JUNE VOLUME 20 2020 MAGAZINE ® ISSUE 3 Where everyone goes for scripts and writers™ Marc Martinez Shares 50K and the Importance of Independent Films and Scripts in Our Industry PAGE 16 50K and Counting: Q&A with Screenwriter Andrew Costello PAGE 22 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 FIND YOUR Feature Scripts – SCRIPTS FAST Grouped by Genre ON INKTIP! 5 Marc Martinez Shares 50K and the Importance of Independent Films and Scripts in Our Industry INKTIP OFFERS: 16 • Listings of Scripts and Writers Updated Daily • Mandates Catered to Your Needs Q&A with with Andrew Costello • Newsletters of the Latest Scripts and Writers Writer of 50K • Personalized Customer Service 22 • Comprehensive Film Commissions Directory Scripts Represented by Agents/Managers 42 Teleplays 43 You will find what you need on InkTip Sign up at InkTip.com! Or call 818-951-8811. Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers than InkTip – nobody. -
The Freak and 'Disabled' Multiculturality
THE FREAK AND ‘DISABLED’ MULTICULTURALITY Elisa Bordin Ca’ Foscari University, Venice ABSTRACT Differently from positive visions of multiculturality as the richness of American diversity, in this essay I tackle ‘negative multiculturalism’ as one of the elements of the category of the freak, where cultural, ethnic and racial difference coincided with disability, all concocting to fence off diversity in American society. I understand the freak as a field for multicultural criticism because of its recruitment processes, as evidenced by the case of the Italian Tocci brothers, but also as a place of confinement and exoticization of the American citizen who, as a consequence of disability, came to inhabit a transnational category used to police concepts of ‘normal’ masculinity and femininity. In this reading, multiculturality is understood as a fabrication that veils processes of enfreakment. Keywords: Freak, Disability, Tocci Brothers, Conjoined Twins, Negative Multiculturalism. In the perceived deficiency of the Other, each perceives—without knowing it—the falsity of his/her own subject position. (Slavoj Žižek, The Universal Exception, 2006, 160) n The Golden Door (2006), director Emanuele Crialese tells the story of the Italian I Mancuso family and their migration to the United States. After dreaming of America as a land of milk and honey, once they have crossed the Atlantic Ocean the family have to face the examinations of Ellis Island, the port of entry to the United States for European migrants, and the ‘scientific’ interpretation of immigrant bodies as potentially deviant. In that in-between space, functioning as a sort of limen where migrants, although physically in the US, continue to inhabit their Old World identity, the Italian family must undergo a series of abusive examinations that reveal the implicit discrimination of scientific and objective readings of culturally different bodies. -
Animacies: Biopolitics, Racial Mattering, and Queer Affect
Animacies Perverse Modernities A series edited by Judith Halberstam and Lisa Lowe Animacies Biopolitics, Racial Mattering, and Queer Affect Mel Y. Chen Duke University Press Durham and London 2012 © 2012 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Designed by C. H. Westmoreland Typeset in Monotype Bembo with Gill Sans display by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data appear on the last printed page of this book. Contents Acknowledgments vii Introduction: Animating Animacy 1 PARt I * WoRds 1. Language and Mattering Humans 23 2. Queer Animation 57 PARt II * AnIMAls 3. Queer Animality 89 4. Animals, Sex, and Transsubstantiation 127 PARt III * MetAls 5. Lead’s Racial Matters 159 6. Following Mercurial Affect 189 Afterword: The Spill and the Sea 223 Notes 239 Bibliography 261 Index 283 Acknowledgments I’ve always struggled to find truly reflective words of thanks, and these acknowledgments are no exception. The ideational and affective matter of a book travels long and far; in my case, all the way back to the toads hopping in my backyard in Illinois at a time when I seemed only a bit bigger than them. So I begin with heartfelt thanks to the toads: literally grubby and ponderous yet lightning fast with food items; squinting as they sloughed off their own molting skin, seem- ingly neckless but surprisingly flexible; walking, hopping, and swim- ming; and hunched and still when I came upon them in their cold hibernations. Toads infused my lifelong experience with their pecu- liar, but resolute, grace, with a style of creatureliness that I could and could not occupy.