P.T. Barnum's Most Famous 'Freaks'
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By Alyssa Chan Gangster Or Entrepreneur?
Reggie Kray By Alyssa Chan Gangster or Entrepreneur? Employed Entrepreneurial Behaviour Entrepreneurial Theory Alvarez (2007) suggested that entrepreneurial opportunities can be Reggie Kray’s unquestionable influence helped him to acquire The word entrepreneur is derived from the French entreprendre, exploited in a variety of ways conveying the idea that the most several pubs and clubs across the city, during what was known as which means “to undertake. Someone who undertakes the tasks efficient way to exploit a particular opportunity is by organising an “the swinging sixties”. Reggie’s clever utilisation of his entrepreneurial of organising, managing and assuming the risks of businesses enterprise. Reggie Kray does exactly that and can thus be classified skills and charm allowed this club to thrive with rich and famous (Webster 2020) However, there is no singular definition of the as one of the most successful entrepreneurs of the illegal world, clientele joining the twins each week, making them a handsome term entrepreneur . According to Kuratko (2017)) the profit. They were seen socialising with MPs, lords and several characteristics and actions of entrepreneurs, such as seeking conveying tactical entrepreneurial behaviour. opportunities, taking risks and enabling their tenacity to develop celebrities, increasing the Kray’s influence and enriching their their idea combine into a special mindset of entrepreneurs. Reggie planned and plotted to build his criminal empire from a young celebrity status (Lambrianou, 1991.). age. Reggie produced the idea to run protection rackets for local It is impossible to categorise all entrepreneurs due to the broad businesses, using his ruthless and violent reputation to his After the imprisonment and eventual downfall of the Kray’s, their definition. -
Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects. -
Tom Thumb Comes to Town
TOM THUMB COMES TO TOWN By Marianne G. Morrow The Performance Tom Thumb had already performed twice in Hali- ver the years, the city of Char- fax, in 1847 and 1850, O lottetown has had many exotic but he had never come visitors, from British royalty t o gangsters. to Prince Edward Perhaps the most unusual, though, was Island. His visit in 1868 the celebrated "General" Tom Thumb probably followed a set and his troupe of performers. On 30 July pattern. The group's 1868, Tom Thumb, his wife Lavinia "Director of Amuse- Warren, her sister Minnie, and "Commo- ments" was one Sylvester dore" Nutt arrived fresh from a European Bleecker, but advance pub- tour to perform in the Island capital's licity was handled by a local Market Hall. agent, Ned Davies. There Tom Thumb was a midget, as would be five performances were the other members of his com- spread over a two-day period. pany. Midgets differ from dwarfs in "Ladies and children are con- that they are perfectly proportioned siderately advised to attend the beings, "beautiful and symmetri- Day exhibition, and thus avoid cally formed ladies and gentlemen the crowd and confusion of the in miniature," as the ads for evening performances." Thumb's performance promised. S The pitch was irresistible. What society considered a disability, \ "The Smallest Human Beings of Tom Thumb had managed to turn 1 Mature Age Ever Known on the into a career. By the time he arrived S Face of the Globe!" boasted one on Prince Edward Island, he had been 4 ad. -
A Description of Metaphor Found in the Greatest Showman's Selected Songs a Paper Written by Sabda Nabila Simanjuntak Reg.No 16
A DESCRIPTION OF METAPHOR FOUND IN THE GREATEST SHOWMAN’S SELECTED SONGS A PAPER WRITTEN BY SABDA NABILA SIMANJUNTAK REG.NO 162202034 DIPLOMA-III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2019 Universitas Sumatera Utara Universitas Sumatera Utara Universitas Sumatera Utara AUTHOR’S DECLARATION I am, SABDA NABILA SIMANJUNTAK, declare that I am the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no Material published elsewhere or extracted in whole or in part from a paper by which I have qualifield for or awarded another degree.No other person‟s work has been used without due acknowledgement in the maintext Of this paper. This paper has not been submitted for the award of anotherdegree in any tertiary education. Signed : Date : i Universitas Sumatera Utara COPYRIGHT DECLARATION Name : SABDA NABILA SIMANJUNTAK Title of Paper : A DESCRIPTION OF METAPORS FOUND IN THE GREATEST SHOWMAN‟S SELECTED SONGS Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Department Faculty Of culture Studies USU on understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed : Date : ii Universitas Sumatera Utara ABSTRACT This paper is entiled “A Description of Metaphors Found in The Greatest Showman's Song” lyrics discusses the types and meanings of metaphors in the lyrics of songs from the greatest showman film. In this paper the author writes a paper using descriptive methods, collecting several data from several books, and the internet. -
He Tiarral= Wheeler House SMITHSONIAN STUDIES in HISTORY and TECHNOLOGY J NUMBER 18
BRIDGEPORT'S GOTHIC ORNAMENT / he tiarral= Wheeler House SMITHSONIAN STUDIES IN HISTORY AND TECHNOLOGY J NUMBER 18 BRIDGEPORT'S GOTHIC ORNAMENT / he Harral= Wheeler Hiouse Anne Castrodale Golovin SMITHSONIAN INSTITUTION PRESS { CITY OF WASHINGTON \ 1972 Figure i. An 1850 map of Bridgeport, Connecticut, illustrating in vignettes at the top right and left corners the Harral House and P. T. Barnum's "Oranistan." Arrow in center shows location of Harral House. (Courtesy of the Library of Congress.) Ems^m^wmy^' B m 13 ^»MMaM««^fc mwrtkimmM LMPOSING DWELLINGS in the Gothic Revival style were among the most dramatic symbols of affluence in mid-nineteenth-century America. With the rise of industrialization in this periods an increasing number of men from humble beginnings attained wealth and prominence. It was impor tant to them as well as to gentlemen of established means that their dwell ings reflect an elevated social standing. The Harral-Wheeler residence in Bridgeport, Connecticut, was an eloquent proclamation of the success of its owners and the excellence of the architect Alexander Jackson Davis. Al though the house no longer stands, one room, a selection of furniture, orig inal architectural designs, architectural fragments, and other supporting drawings and photographs are now in the collections of the Smithsonian Institution. These remnants of Bridgeport's Gothic "ornament" serve as the basis for this study. AUTHOR.—Anne Castrodale Golovin is an associ ate curator in the Department of Cultural History in the Smithsonian Institution's National Museum of History and Technology. B>RIDGEPORT, , CONNECTICUT, was fast be speak of the Eastern glories of Iranistan, we have coming a center of industry by the middle of the and are to have in this vicinity, many dwelling- nineteenth century; carriages, leather goods, and houses worthy of particular notice as specimens of metal wares were among the products for which it architecture. -
Barnum Museum, Planning to Digitize the Collections
Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the NEH Division of Preservation and Access application guidelines at http://www.neh.gov/grants/preservation/humanities-collections-and-reference- resources for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Preservation and Access staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Planning for "The Greatest Digitization Project on Earth" with the P. T. Barnum Collections of The Barnum Museum Foundation Institution: Barnum Museum Project Director: Adrienne Saint Pierre Grant Program: Humanities Collections and Reference Resources 1100 Pennsylvania Ave., N.W., Rm. 411, Washington, D.C. 20506 P 202.606.8570 F 202.606.8639 E [email protected] www.neh.gov The Barnum Museum Foundation, Inc. Application to the NEH/Humanities Collections and Reference Resources Program Narrative Significance Relevance of the Collections to the Humanities Phineas Taylor Barnum's impact reaches deep into our American heritage, and extends far beyond his well-known circus enterprise, which was essentially his “retirement project” begun at age sixty-one. -
Five Points Book by Harrison David Rivers Music by Ethan D
Please join us for a Post-Show Discussion immediately following this performance. Photo by Allen Weeks by Photo FIVE POINTS BOOK BY HARRISON DAVID RIVERS MUSIC BY ETHAN D. PAKCHAR & DOUGLAS LYONS LYRICS BY DOUGLAS LYONS DIRECTED BY PETER ROTHSTEIN MUSIC DIRECTION BY DENISE PROSEK CHOREOGRAPHY BY KELLI FOSTER WARDER WORLD PREMIERE • APRIL 4 - MAY 6, 2018 • RITZ THEATER Theater Latté Da presents the world premiere of FIVE POINTS Book by Harrison David Rivers Music by Ethan D. Pakchar & Douglas Lyons Lyrics by Douglas Lyons Directed by Peter Rothstein** Music Direction by Denise Prosek† Choreography by Kelli Foster Warder FEATURING Ben Bakken, Dieter Bierbrauer*, Shinah Brashears*, Ivory Doublette*, Daniel Greco, John Jamison, Lamar Jefferson*, Ann Michels*, Thomasina Petrus*, T. Mychael Rambo*, Matt Riehle, Kendall Anne Thompson*, Evan Tyler Wilson, and Alejandro Vega. *Member of Actors’ Equity Association, the Union of Professional Actors ** Member of SDC, the Stage Directors and Choreographers Society, a national theatrical labor union †Member of Twin Cities Musicians Union, American Federation of Musicians FIVE POINTS will be performed with one 15-minute intermission. Opening Night: Saturday, April 7, 2018 ASL Interpreted and Audio Described Performance: Thursday, April 26, 2018 Meet The Writers: Sunday, April 8, 2018 Post-Show Discussions: Thursdays April 12, 19, 26, and May 3 Sundays April 11, 15, 22, 29, and May 6 This production is made possible by special arrangement with Marianne Mills and Matthew Masten. The videotaping or other video or audio recording of this production is strictly prohibited. As a courtesy to the performers and other patrons, please check to see that all cell phones, pagers, watches, and other noise-making devices are turned off. -
A Description of the Main Characters in the Movie the Greatest Showman
A DESCRIPTION OF THE MAIN CHARACTERS IN THE MOVIE THE GREATEST SHOWMAN A PAPER BY ELVA RAHMI REG.NO: 152202024 DIPLOMA III ENGLISH DEPARTMENT FACULTY OF CULTURE STUDY UNIVERSITY OF NORTH SUMATERA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am ELVA RAHMI, declare that I am the sole author of this paper. Except where reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : ……………. Date : 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name: ELVA RAHMI Title of Paper: A DESCRIPTION OF THE MAIN CHARACTERS IN THE MOVIE THE GREATEST SHOWMAN. Qualification: D-III / Ahli Madya Study Program : English 1. I am willing that my paper should be available for reproduction at the discretion of the Libertarian of the Diploma III English Faculty of Culture Studies University of North Sumatera on the understanding that users are made aware of their obligation under law of the Republic of Indonesia. 2. I am not willing that my papers be made available for reproduction. Signed : ………….. Date : 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRACT The title of this paper is DESCRIPTION OF THE MAIN CHARACTERS IN THE GREATEST SHOWMAN MOVIE. The purpose of this paper is to find the main character. -
CHOPIN and JENNY LIND
Icons of Europe Extract of paper shared with the Fryderyk Chopin Institute and Edinburgh University CHOPIN and JENNY LIND NEW RESEARCH by Cecilia and Jens Jorgensen Brussels, 7 February 2005 Icons of Europe TABLE OF CONTENTS 1. INTRODUCTION 2 2. INFORMATION ON PEOPLE 4 2.1 Claudius Harris 4 2.2 Nassau W. Senior 5 2.3 Harriet Grote 6 2.4 Queen Victoria 7 2.5 Judge Munthe 9 2.6 Jane Stirling 10 2.7 Jenny Lind 15 2.8 Fryderyk Chopin 19 3. THE COVER-UP 26 3.1 Jenny Lind’s memoir 26 3.2 Account of Jenny Lind 27 3.3 Marriage allegation 27 3.4 Friends and family 27 4. CONCLUSIONS 28 ATTACHMENTS A Sources of information B Consultations in Edinburgh and Warsaw C Annexes C1 – C24 with evidence D Jenny Lind’s tour schedule 1848-1849 _______________________________________ Icons of Europe asbl 32 Rue Haute, B-1380 Lasne, Belgium Tel. +32 2 633 3840 [email protected] http://www.iconsofeurope.com The images of this draft are provided by sources listed in Attachments A and C. Further details will be specified in the final version of the research paper. All rights reserved. Copyright © 2003 Icons of Europe, B-1000 Brussels, Belgium. Filed with the United States Copyright Office of the Library of Congress, Washington, D.C. 1 Icons of Europe 1. INTRODUCTION This paper recapitulates all the research findings developed in 2003-2004 on the final year of Fryderyk Chopin’s life and his relationship with Jenny Lind in 1848-1849. Comments are invited by scholars in preparation for its intended publication as a sequel to the biography, CHOPIN and The Swedish Nightingale (Icons of Europe, Brussels, August 2003). -
PANAMA CANAL: FEAT of ENGINEERING an Ambitious Expansion Will Double the Cargo-Carrying Capacity of the Canal, Which Famously Unites the Atlantic and Pacifi C Oceans
6 Education’s Pioneer 18 P.T. Barnum 24 New Zealand 30 The Black Death Sal Khan Showman extraordinaire ‘Kia ora!’ A devouring plague CONNECTING TO INDUSTRY THE PANAMA CANAL: FEAT OF ENGINEERING An ambitious expansion will double the cargo-carrying capacity of the canal, which famously unites the Atlantic and Pacifi c oceans SUMMER 2014 ASIA/PACIFIC – WINTER 2014 ® OUR WEBSITE IS YOUR 24-7-365 CONNECTION TO THE LATEST SAFETY & TECHNICAL INFORMATION. Dixon on the web is one more important way we deliver outstanding service and support to you. We’re “always on” at dixonvalve.com – your source for information, insights and answers. Dixon: The Right Connection for service, safety and quality. ® Call: 877-963-4966 dixonvalve.com ©2014 Dixon Valve & Coupling Company. All rights reserved. Dixon website_Edited.indd 1 2/18/14 5:28 PM SUMMER 2014 ASIA/PACIFIC – /WINTER 2014 8 18 24 Alejandro Bolivar/EPA/Newscom Alejandro of Congress) Collection (Library Photograph Brady-Handy ©iStockphoto.com/Alkalyne FEATURES DEPARTMENTS 8 THE PANAMA CANAL: FEAT OF ENGINEERING 5 BUILDING CHARACTER An ambitious expansion will double the cargo- Survey Signals Shift in Honesty carrying capacity of the canal, which famously unites Among American Youth the Atlantic and Pacifi c oceans. By Ken Stier 6 PROFILE Education Pioneer Sal Khan 18 THE GREAT ENTERTAINER P.T. Barnum brought a genius for marketing and 14 BY THE NUMBERS Panama Canal Trade showmanship to 19th-century America. His tactics seem strikingly modern. 23 THE DIXON DRILLER By David Holzel 34 KEEPING IT SAFE 24 KIA ORA—AND WELCOME TO NEW ZEALAND Staying on Task From national park splendor and city sophistication to fi shing rivers and foodie tours, the small island nation 36 HEALTH & FITNESS features a large range of offerings with broad appeal. -
Empire State Building and Twentieth Century Fox
EMPIRE STATE BUILDING AND TWENTIETH CENTURY FOX DEBUT NEW MUSIC-TO-LIGHT SHOW First ever light show to be synced to a live performance from star of “The Greatest Showman” debuts on December 9, 2017 New York, NY (December 8, 2017) – Empire State Realty Trust, Inc. (NYSE: ESRT) today announced that the Empire State Building will present a music-to-light show choreographed to “This is Me” penned by Academy and Tony Award-winning songwriting duo Benj Pasek and Justin Paul (“La La Land,” “Dear Evan Hansen”) from the upcoming feature film “The Greatest Showman.” The brand-new show designed by renowned lighting designer Marc Brickman will premiere at 8:30 p.m. EST on Saturday, December 9, 2017, during a private reception with jaw-dropping views of the Empire State Building as its spectacular backdrop. Actress Keala Settle, who performs the song in the film as The Bearded Lady, will sing “This is Me” live while the world-famous Empire State Building illuminates New York City around her. The performance will be live-streamed on the Empire State Building’s Facebook Page and social media platforms. A video of the entire show will be posted on the Empire State Building’s YouTube channel (www.youtube.com/esbnyc) immediately following the event. “The Greatest Showman” tells a classic New York story about innovation and ingenuity, traits that exemplify the Empire State Building,” said Anthony E. Malkin, Chairman, and CEO of ESRT. “This is Me,” performed by powerhouse vocalist Keala, is the perfect anthem to celebrate the film and the transcendent nature of the iconic Empire State Building.” “The Greatest Showman” is a bold and original musical that celebrates the birth of show business and the sense of wonder we feel when dreams come to life. -
Jenny Lind's Visit to Elizabethtown, April 1851
Jenny Lind’s visit to Elizabethtown, April 1851 Jenny Lind, the Swedish soprano, entertained the townspeople of Elizabethtown during a tour of the United States in April 1851. She had come to United States in September 1850, under a contract with P.T. Barnum to give 150 concerts for $1,000 dollars each. Jenny Lind, or the "Swedish nightingale," as she was known benefited from Barnum's skillful publicity that brought ex- cited crowds flocking to her concerts, and Lind's name was eventually tied to every kind of commodity, from songs to gloves, bonnets, chairs, sofas, and even pianos. Phineas Taylor Barnum (1810-1891), or P.T. Barnum as he was known is one of the most colorful and well known per- sonalities in American history. A consummate showman and entrepreneur, Barnum was famous for bringing both high and low culture to all of America. From the dulcet tones of opera singer Jenny Lind to the bizarre hoax of the Feejee Mermaid, from the clever and quite diminutive General Tom Thumb to Jumbo the Elephant, Barnum's oddities, Barnum in 1851, just spectacles, galas, extravaganzas, and events tickled the before he went on tour fancies, hearts, minds and imaginations of Americans of all with Jenny Lind. ages. On April 4, 1851, after giving a concert in Nashville, Ms. Lind embarked by stagecoach on her journey to Louisville. The trip over the Louisville and Nashville Turnpike required three days. During the trip, while horses were being changed and during overnight stops, she graciously enter- tained the local residents. The night of April 4th was spent at Bell’s Tavern (now Park City).