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With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
Archaeological Reconnaissance in Southeastern Campeche, México
FAMSI © 2003: Ivan Šprajc Archaeological Reconnaissance in Southeastern Campeche, México: 2002 Field Season Report With Appendices by Daniel Juárez Cossío and Adrián Baker Pedroza, and Nikolai Grube Research Year: 2002 Culture: Maya Chronology: Classic Location: Campeche, México Sites: Various Table of Contents Abstract Resumen Acknowledgments Introduction Comments on Particular Sites El Mameyal La Victoria Altar de los Reyes El Chismito Los Tambores Balakbal Altamira Other sites Concluding Remarks List of Figures Appendix 1: Emergency consolidation works at Mucaancah by Daniel Juárez Cossío and Adrián Baker Pedroza Appendix 2: Epigraphic Analysis of Altar 3 of Altar de los Reyes by Nikolai Grube Sources Cited Abstract The project represented the fourth season of reconnaissance works in an archaeologically little known region of central Maya Lowlands. Several formerly unknown archaeological sites were surveyed in the southeastern part of the Calakmul Biosphere Reserve and in the adjacent region to the east, and two large sites reported by Karl Ruppert’s expeditions in 1930s were reexamined. The location and basic characteristics of the sites, mainly pertaining to the Classic period, were recorded and some surface pottery was collected. At Altar de los Reyes, a major urban center, two main architectural complexes were mapped and some interesting sculpted monuments were found, including an extraordinary altar with a series of emblem glyphs. Resumen El proyecto representó la cuarta temporada de trabajos de reconocimiento en una región arqueológicamente poco conocida de las tierras bajas mayas centrales. Inspeccionamos varios sitios arqueológicos previamente desconocidos en la parte sureste de la Reserva de la Biósfera de Calakmul y en la región adyacente hacia el este, y reexaminamos dos sitios grandes reportados por las expediciones de Karl Ruppert en la década de 1930. -
11 UNDER the RULE of the SNAKE KINGS: UXUL in the 7TH and 8TH Centuries*
UNDER THE RULE OF THE SNAKE KINGS: UXUL IN THE 7th AND 8th CENTURIES Nikolai Gru B E Kai Del V endahl Nicolaus Seefeld Uxul Archaeological Project Universität Bonn Benia M ino Volta Department of Anthropology, University of California-San Diego RESUMEN : Desde el 2009, la Universidad de Bonn efectúa trabajos arqueológicos en el sitio de Uxul, una ciudad maya del Clásico en el extremo sur del estado de Campeche. El objetivo del proyecto es investigar la expansión y desintegración de los poderes hegemónicos en el área maya, con un enfoque en la zona central de las Tierras Bajas y específicamente en la estrecha relación de Uxul con los gobernantes de la poderosa dinastía Kaan de Calakmul. Evidencia novedosa confirma las hipótesis de que Uxul estuvo bajo control de Calakmul en el siglo V ii y de que su caída se puede relacionar directamente con las derrotas de los gobernantes Yukno’m Yich’aak K’ahk’ y Yukno’m Took’ K’awiil a cargo de Tikal en 695 y 736 d. C., respec- tivamente. Cuando las autoridades centrales colapsaron en la segunda mitad del siglo Viii, la población de Uxul ni siquiera fue capaz de mantener la infraestructura más importante para sobrevivir: aquella relacionada con el manejo del agua. PALAB R AS CLAVE : Uxul, Calakmul, palacio real, manejo de agua, colapso. ABST R ACT : Since 2009, the University of Bonn is conducting archaeological investigations at Uxul, a medium sized classic Maya city in the extreme south of the Mexican state of Campeche. The project’s research goal is to investigate the expansion and disintegration of hegemonic power in the Maya area, concentrating on the core area of the Maya Lowlands and especially on Uxul’s close relation to the powerful Kaan dynasty at Calakmul. -
The Ancient Maya J-Term 2017
ARHS 3383: THE ANCIENT MAYA J-TERM 2017 This course examines the art, architecture, and calligraphic writing of the Maya of ancient Mesoamerica. Lectures, readings, and discussions will introduce students to the ancient Maya civilization of Mexico, Guatemala, Belize, Honduras and El Salvador. Special emphasis will be given to the complex and evolving roles of art in ancient Maya society between AD 250 and 900, the Classic Period. We will also explore the linguistic mechanics and visual artistry of the Maya writing system: students will come away with a rudimentary understanding of Maya hieroglyphs. This course is intended to bring students into contact with Maya art and hieroglyphs in a small-class learning environment. Two sessions will be held in the galleries of the Dallas Museum of Art; two sessions will be devoted to an in-class workshop in Maya hieroglyphic writing. UC: HUMAN DIVERSITY; GLOBAL ENGAGEMENT; CREATIVITY AND AESTHETICS II; HISTORICAL CONTEXTS I INSTRUCTOR: PROF. ADAM HERRING, SMU ART HISTORY Adam Herring received his PhD in the History of Art from Yale University in 1999. At SMU he teaches courses on the art and culture of the Maya, Inca, and other peoples of ancient Mesoamerica and the Andes. COURSE BENEFITS/LEARNING OUTCOMES After taking this course students will be able to: o Knowledgably discuss the Maya and other indigenous peoples of ancient Mexico and Central America. o Know the geography, topography, and ecology of the ancient Maya world, with a who’s-who understanding of the great urban centers of the ancient Maya. o Read Maya glyphs. o Knowledgably discuss the principal formats and genres of ancient Maya art and visual expression. -
Who Were the Maya? by Robert Sharer
Who Were the Maya? BY ROBERT SHARER he ancient maya created one of the Belize, Honduras, and El Salvador until the Spanish Conquest. world’s most brilliant and successful The brutal subjugation of the Maya people by the Spanish ca. 1470 CE civilizations. But 500 years ago, after the extinguished a series of independent Maya states with roots The Kaqchikel Maya establish a new Spaniards “discovered” the Maya, many as far back as 1000 BCE. Over the following 2,500 years scores highland kingdom with a capital at Iximche. could not believe that Native Americans of Maya polities rose and fell, some larger and more powerful had developed cities, writing, art, and than others. Most of these kingdoms existed for hundreds of ca. 1185–1204 CE otherT hallmarks of civilization. Consequently, 16th century years; a few endured for a thousand years or more. K’atun 8 Ajaw Europeans readily accepted the myth that the Maya and other To understand and follow this long development, Maya Founding of the city of Mayapan. indigenous civilizations were transplanted to the Americas by civilization is divided into three periods: the Preclassic, the “lost” Old World migrations before 1492. Of course archaeol- Classic, and the Postclassic. The Preclassic includes the ori- ogy has found no evidence to suggest that Old World intru- gins and apogee of the first Maya kingdoms from about 1000 sions brought civilization to the Maya or to any other Pre- BCE to 250 CE. The Early Preclassic (ca. 2000–1000 BCE) Columbian society. In fact, the evidence clearly shows that pre-dates the rise of the first kingdoms, so the span that civilization evolved in the Americas due to the efforts of the began by ca. -
The PARI Journal Vol. XVI, No. 2
ThePARIJournal A quarterly publication of the Ancient Cultures Institute Volume XVI, No. 2, Fall 2015 In This Issue: For Love of the Game: For Love of the The Ballplayer Panels of Tipan Chen Uitz Game: The Ballplayer Panels of in Light of Late Classic Athletic Hegemony Tipan Chen Uitz in Light of Late Classic CHRISTOPHE HELMKE Athletic Hegemony University of Copenhagen by CHRISTOPHER R. ANDRES Christophe Helmke Michigan State University Christopher R. Andres Shawn G. Morton and SHAWN G. MORTON University of Calgary Gabriel D. Wrobel PAGES 1-30 GABRIEL D. WROBEL Michigan State University • The Maya Goddess One of the principal motifs of ancient Maya ballplayers are found preferentially at of Painting, iconography concerns the ballgame that sites that show some kind of interconnec- Writing, and was practiced both locally and through- tion and a greater degree of affinity to the Decorated Textiles out Mesoamerica. The pervasiveness of kings of the Snake-head dynasty that had ballgame iconography in the Maya area its seat at Calakmul in the Late Classic (see by has been recognized for some time and Martin 2005). This then is the idea that is Timothy W. Knowlton has been the subject of several pioneering proposed in this paper, and by reviewing PAGES 31-41 and insightful studies, including those some salient examples from a selection • of Stephen Houston (1983), Linda Schele of sites in the Maya lowlands, we hope The Further and Mary Miller (1986:241-264), Nicholas to make it clear that the commemoration Adventures of Merle Hellmuth (1987), Mary Miller and Stephen of ballgame engagements wherein local (continued) Houston (1987; see also Miller 1989), rulers confront their overlord are charac- by Marvin Cohodas (1991), Linda Schele and teristic of the political rhetoric that was Merle Greene David Freidel (1991; see also Freidel et al. -
The Dwarf Motif in Classic Maya Monumental Iconography
THE DWARF MOTIF IN CLASSIC MAYA MONUMENTAL ICONOGRAPHY: A SPATIAL ANALYSIS Wendy J. Bacon A Dissertation in Anthropology presented to the faculties of the University of Pennsylvania in partial fulfillment of the requirements for the Degree of Doctor of Philosophy 2007 Dissertation Supervisor Graduate Group Chairperson Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3292005 Copyright 2007 by Bacon, Wendy J. All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3292005 Copyright 2008 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. COPYRIGHT Wendy J. Bacon 2007 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. for my -
A Broken Sky: the Ancient Name of Yaxchilan As Pa’ Chan
PARI Online Publications A Broken Sky: The Ancient Name of Yaxchilan as Pa’ Chan SIMON MARTIN University of Pennsylvania Museum Emblem glyphs have long been a focus of research in Maya studies and remain the primary means by which we attempt to penetrate and comprehend the political geography of the Classic Maya. By now it is well known that each represents a royal title and describes the k’uhul ajaw or “holy lord” of an individually named polity or kingdom.1 Many of these compounds have a b succumbed to decipherment in recent years, unmasking the original names of these petty states. Slowly we are building an indigenous nominal landscape, a map of political identity that was rich in both topographic and conceptual symbolism. The emblem glyph of Yaxchilan, Chiapas, Mexico, was one of eight identified by Heinrich Berlin in his original discovery of the form (1958). In fact, the site used two distinct emblems, often paired, which c d Berlin dubbed Y-1 and Y-2. Yaxchilan monuments are Figure 1. The cleft sky sign in the Yaxchilan Emblem generously provided with examples of both, but it is Glyph: a) T561; b) T562; c) YAX St.10, H2; d) PNG P.3, K1. clear that Y-1—nicknamed “cleft sky” or “split sky”— was the more dominant, not least because it was the arching divide or V-shape cut (Figure 1c), although in only one seen in foreign contexts (appearing in the most foreign mentions tendril-like emanations, known inscriptions of Piedras Negras, Palenque, Bonampak, as T299, are added (Figure 1d). -
The Glyph for Antler in the Mayan Script
f No. 11, 2004 WAYEB NOTES ISSN 1379-8286 THE GLYPH FOR ANTLER IN THE MAYAN SCRIPT Luís Lopes1 and Albert Davletshin2 1 email: [email protected] 2 Institute for Oriental and Classical Studies, Russian State University for the Humanities, Moscow email: [email protected] The glyph numbered 291 in Sir John Eric Thompson’s catalogue (1962), T291, depicts a ‘deer antler’. In the Classic Period inscriptions the sign in question is quite frequently found in the name phrases of powerful humans, deities and supernatural creatures. Some examples are given below: ’a?-[ku?]-lu-mu-chi ’a?-[ku?]-lu-ANTLER-b’a – the name of a deity recorded on La Mar Stela 1, A11 (Fig.1), and on the Sotheby’s Panel, I2 (Fig. 2); ANTLER-chi-CHAN – the name of the so-called ‘Deer-Snake’ on codex style ceramics (Fig. 3); YAX-ANTLER-JOL – the name of the 4th king of Yaxchilan (Fig. 4); ANTLER-CHAN-na-’a-ku – the name of a captive from Hiix-Witz recorded at Yaxchilan (Fig. 5); ANTLER--INVERTED-VASE - title of the Yaxchilan king Ya’xuun-B'ahlam IV, also applied to earlier Yaxchilan kings and possibly recorded on the San Diego Cliff carving (Figs. 6, 7, 9, 10 and 11); T4--ANTLER--INVERTED-EARTH, T4--’a--ANTLER--INVERTED-EARTH – a title of th the 26 king of Tikal (Jasaw-Chan-K'awiil’s title) on Tikal Stela 5 (Fig. 8), and bones and jade vessel from Tikal Burial 116 (MT38A, 38C, 38D, 50, and MT56).1 In this note we present iconographic and phonetic evidence that points towards a reading of XUKUB' "horn, deer antler" for this glyph. -
Codex-Style Fragments from Structure XX, Calakmul
Codex-style fragments from Structure XX, Calakmul by Kai Delvendahl During excavations in 2001 and 2003 by the Proyecto Arqueológico Calakmul (PAC) under the general direction of Ramón Carrasco Vargas, a so-called 'trash deposit' was uncovered on the south side of Structure XX of Calakmul, consisting of more than fifteen thousand ceramic fragments (Fig. 1). Structure XX, located on the western extreme of the Plaza de los Prisioneros of the Grand Acropolis or ‘West Group’, was during much of the Late Classic probably the main entrance to the largest palace complex in the Maya Lowlands, the Grand Acropolis Group. This palace complex measures roughly 336 m north-south by 344 m east-west and consists of 17 courtyards, surrounded by an estimated 80 buildings. The deposit was associated with the latest floor of a relatively small courtyard immediately behind Structure XX, some 1.6 m underneath actual soil surface. During the building’s use as an entrance to the Grand Acropolis Group at least from the early Late Classic onwards, the courtyard behind Structure XX might have functioned as a point of dispersion, granting relatively easy access to several of the other 16 courtyards of the palace complex (Delvendahl 2002, 2003, 2005, 2008). Of course, the location close to the only entrance to the palace group and the fact that almost no other material (such as conch, obsidian, carbon, etc.) was found, makes the term 'trash' dubious. However, around 95% of the ceramics were of domestic kind, especially of 'Ciricote Compuesto'-type, large bowls with wide necks used for storage, which were so popular in Calakmul that the same type was used all through the Early and Late Classic. -
The Exhibition
museumspartner.com THE EXHIBITION 1 CONTENTS 04 Overview 06 Key Takeaways 08 Curator Statement 10 Exhibition Details 12 Floorplan and Keyfacts 14 Introduction Meet the Maya 18 Tropical Rainforest 20 Maya Agriculture 22 Garden Cities 24 Gods and Goddesses 26 Maya Script 28 Kings and Queens 30 Gaming with the Gods 32 Maya Politics 34 The Great Collapse This exhibition is supported by 36 The Big Transformation the Ministry of Culture and Sport, Patrimonio Cultural y Natural 38 Kawinaq We Are Still Here Guatemala. 40 About the Team IMAGES MuseumsPartner Jorge Perez de Lara 2 3 Welcome to a new view of the Maya people. In 600 AD, this civilization was the world’s most advanced, outshining any in Europe. Open and adaptive, they live on, evolving with modern life. Let’s hear their stories and explore their world through objects never before seen outside Guatemala. 4 5 KEY TAKEAWAYS KEY The Maya civilization has a history 5,000 years old and still alive today. 1 Maya culture was open and inclusive of other neighboring cultures which led to its longevity. 2 At the height of Maya culture, around 600 AD, it was the greatest civilization in the world. 3 At that time the population density was the greatest in the world, despite creating stone cities in the jungle. 4 It was a sophisticated, advanced agricultural society that relied on complex water and land management. 5 Maya understanding of science, astronomy and mathematics was equal to or greater than other world cultures at the time. 6 Maya civilization has a close relationship with the environment, expressed through their great understanding of science, medicine, and agriculture. -
Some Postclassic Questions About the Classic Maya Munro S
Some Postclassic Questions About The Classic Maya Munro S. Edmonson Tulane University The Postclassic and Colonial texts of the "Books of Chilam Balam" tell us very little, or so I believe, about the Classic Maya directly. And that little, though very precious, is confined to brief passages in the first three Chronicles, and may have been reshaped to fit the mythological predilections of a later age. The Chronicles being much the best known passages of the Books to Mayanists (Barrera 1948; Roys 1935), and the events they chronicle being as much as a millennium removed from the composition of the surviving versions, I shall eschew here any attempt to interpret their direct relevance to Mayan Classic history in detail. While the Books do not give us direct answers to our questions about the Classic Maya, they do raise some interesting questions about Classic Maya culture to which archaeology, art history and epigraphy may eventually supply answers. It is the object of this paper to isolate some of these questions, primarily social, calendrical and literary. The basis of these queries is my recent translations of the Books of Tizimin (Edmonson n.d. a: completed) and Chumayel (Edmonson n.d. b: in draft). Largely on internal evidence, I con- clude that the extant versions of these two Books date to the period between 1824 and 1837. Even if, as I believe, they contain passages transcribed from pre-Conquest glyphic texts, they are nonetheless separated from the end of the Classic period by nearly a thousand years. They present corresponding problems of interpretation before we use them in the reconstruction of earlier Mayan history.