Codex-Style Fragments from Structure XX, Calakmul
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With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
The Rulers of Palenque a Beginner’S Guide
The Rulers of Palenque A Beginner’s Guide By Joel Skidmore With illustrations by Merle Greene Robertson Citation: 2008 The Rulers of Palenque: A Beginner’s Guide. Third edition. Mesoweb: www. mesoweb.com/palenque/resources/rulers/PalenqueRulers-03.pdf. Publication history: The first edition of this work, in html format, was published in 2000. The second was published in 2007, when the revised edition of Martin and Grube’s Chronicle of the Maya Kings and Queens was still in press, and this third conforms to the final publica- tion (Martin and Grube 2008). To check for a more recent edition, see: www.mesoweb.com/palenque/resources/rulers/rulers.html. Copyright notice: All drawings by Merle Greene Robertson unless otherwise noted. Mesoweb Publications The Rulers of Palenque INTRODUCTION The unsung pioneer in the study of Palenque’s dynastic history is Heinrich Berlin, who in three seminal studies (Berlin 1959, 1965, 1968) provided the essential outline of the dynasty and explicitly identified the name glyphs and likely accession dates of the major Early and Late Classic rulers (Stuart 2005:148-149). More prominent and well deserved credit has gone to Linda Schele and Peter Mathews (1974), who summarized the rulers of Palenque’s Late Classic and gave them working names in Ch’ol Mayan (Stuart 2005:149). The present work is partly based on the transcript by Phil Wanyerka of a hieroglyphic workshop presented by Schele and Mathews at the 1993 Maya Meet- ings at Texas (Schele and Mathews 1993). Essential recourse has also been made to the insights and decipherments of David Stuart, who made his first Palenque Round Table presentation in 1978 at the age of twelve (Stuart 1979) and has recently advanced our understanding of Palenque and its rulers immeasurably (Stuart 2005). -
Archaeological Reconnaissance in Southeastern Campeche, México
FAMSI © 2003: Ivan Šprajc Archaeological Reconnaissance in Southeastern Campeche, México: 2002 Field Season Report With Appendices by Daniel Juárez Cossío and Adrián Baker Pedroza, and Nikolai Grube Research Year: 2002 Culture: Maya Chronology: Classic Location: Campeche, México Sites: Various Table of Contents Abstract Resumen Acknowledgments Introduction Comments on Particular Sites El Mameyal La Victoria Altar de los Reyes El Chismito Los Tambores Balakbal Altamira Other sites Concluding Remarks List of Figures Appendix 1: Emergency consolidation works at Mucaancah by Daniel Juárez Cossío and Adrián Baker Pedroza Appendix 2: Epigraphic Analysis of Altar 3 of Altar de los Reyes by Nikolai Grube Sources Cited Abstract The project represented the fourth season of reconnaissance works in an archaeologically little known region of central Maya Lowlands. Several formerly unknown archaeological sites were surveyed in the southeastern part of the Calakmul Biosphere Reserve and in the adjacent region to the east, and two large sites reported by Karl Ruppert’s expeditions in 1930s were reexamined. The location and basic characteristics of the sites, mainly pertaining to the Classic period, were recorded and some surface pottery was collected. At Altar de los Reyes, a major urban center, two main architectural complexes were mapped and some interesting sculpted monuments were found, including an extraordinary altar with a series of emblem glyphs. Resumen El proyecto representó la cuarta temporada de trabajos de reconocimiento en una región arqueológicamente poco conocida de las tierras bajas mayas centrales. Inspeccionamos varios sitios arqueológicos previamente desconocidos en la parte sureste de la Reserva de la Biósfera de Calakmul y en la región adyacente hacia el este, y reexaminamos dos sitios grandes reportados por las expediciones de Karl Ruppert en la década de 1930. -
11 UNDER the RULE of the SNAKE KINGS: UXUL in the 7TH and 8TH Centuries*
UNDER THE RULE OF THE SNAKE KINGS: UXUL IN THE 7th AND 8th CENTURIES Nikolai Gru B E Kai Del V endahl Nicolaus Seefeld Uxul Archaeological Project Universität Bonn Benia M ino Volta Department of Anthropology, University of California-San Diego RESUMEN : Desde el 2009, la Universidad de Bonn efectúa trabajos arqueológicos en el sitio de Uxul, una ciudad maya del Clásico en el extremo sur del estado de Campeche. El objetivo del proyecto es investigar la expansión y desintegración de los poderes hegemónicos en el área maya, con un enfoque en la zona central de las Tierras Bajas y específicamente en la estrecha relación de Uxul con los gobernantes de la poderosa dinastía Kaan de Calakmul. Evidencia novedosa confirma las hipótesis de que Uxul estuvo bajo control de Calakmul en el siglo V ii y de que su caída se puede relacionar directamente con las derrotas de los gobernantes Yukno’m Yich’aak K’ahk’ y Yukno’m Took’ K’awiil a cargo de Tikal en 695 y 736 d. C., respec- tivamente. Cuando las autoridades centrales colapsaron en la segunda mitad del siglo Viii, la población de Uxul ni siquiera fue capaz de mantener la infraestructura más importante para sobrevivir: aquella relacionada con el manejo del agua. PALAB R AS CLAVE : Uxul, Calakmul, palacio real, manejo de agua, colapso. ABST R ACT : Since 2009, the University of Bonn is conducting archaeological investigations at Uxul, a medium sized classic Maya city in the extreme south of the Mexican state of Campeche. The project’s research goal is to investigate the expansion and disintegration of hegemonic power in the Maya area, concentrating on the core area of the Maya Lowlands and especially on Uxul’s close relation to the powerful Kaan dynasty at Calakmul. -
The Ancient Maya J-Term 2017
ARHS 3383: THE ANCIENT MAYA J-TERM 2017 This course examines the art, architecture, and calligraphic writing of the Maya of ancient Mesoamerica. Lectures, readings, and discussions will introduce students to the ancient Maya civilization of Mexico, Guatemala, Belize, Honduras and El Salvador. Special emphasis will be given to the complex and evolving roles of art in ancient Maya society between AD 250 and 900, the Classic Period. We will also explore the linguistic mechanics and visual artistry of the Maya writing system: students will come away with a rudimentary understanding of Maya hieroglyphs. This course is intended to bring students into contact with Maya art and hieroglyphs in a small-class learning environment. Two sessions will be held in the galleries of the Dallas Museum of Art; two sessions will be devoted to an in-class workshop in Maya hieroglyphic writing. UC: HUMAN DIVERSITY; GLOBAL ENGAGEMENT; CREATIVITY AND AESTHETICS II; HISTORICAL CONTEXTS I INSTRUCTOR: PROF. ADAM HERRING, SMU ART HISTORY Adam Herring received his PhD in the History of Art from Yale University in 1999. At SMU he teaches courses on the art and culture of the Maya, Inca, and other peoples of ancient Mesoamerica and the Andes. COURSE BENEFITS/LEARNING OUTCOMES After taking this course students will be able to: o Knowledgably discuss the Maya and other indigenous peoples of ancient Mexico and Central America. o Know the geography, topography, and ecology of the ancient Maya world, with a who’s-who understanding of the great urban centers of the ancient Maya. o Read Maya glyphs. o Knowledgably discuss the principal formats and genres of ancient Maya art and visual expression. -
Who Were the Maya? by Robert Sharer
Who Were the Maya? BY ROBERT SHARER he ancient maya created one of the Belize, Honduras, and El Salvador until the Spanish Conquest. world’s most brilliant and successful The brutal subjugation of the Maya people by the Spanish ca. 1470 CE civilizations. But 500 years ago, after the extinguished a series of independent Maya states with roots The Kaqchikel Maya establish a new Spaniards “discovered” the Maya, many as far back as 1000 BCE. Over the following 2,500 years scores highland kingdom with a capital at Iximche. could not believe that Native Americans of Maya polities rose and fell, some larger and more powerful had developed cities, writing, art, and than others. Most of these kingdoms existed for hundreds of ca. 1185–1204 CE otherT hallmarks of civilization. Consequently, 16th century years; a few endured for a thousand years or more. K’atun 8 Ajaw Europeans readily accepted the myth that the Maya and other To understand and follow this long development, Maya Founding of the city of Mayapan. indigenous civilizations were transplanted to the Americas by civilization is divided into three periods: the Preclassic, the “lost” Old World migrations before 1492. Of course archaeol- Classic, and the Postclassic. The Preclassic includes the ori- ogy has found no evidence to suggest that Old World intru- gins and apogee of the first Maya kingdoms from about 1000 sions brought civilization to the Maya or to any other Pre- BCE to 250 CE. The Early Preclassic (ca. 2000–1000 BCE) Columbian society. In fact, the evidence clearly shows that pre-dates the rise of the first kingdoms, so the span that civilization evolved in the Americas due to the efforts of the began by ca. -
Courtly Art of the Ancient Maya. A
those who commissioned the works. Many have inscribed dates calcu lated accord ing to the Long Count, a way of marki ng historical time that scholarsfirst identified in the 1960s. One carved limestone hiero glyphic inscription on a lintel from Yaxchilan includes a date that is equivalent to Feb. 11,526, when K'inich Tatb'u Skull II,a ruler of this northern Guatemalan city-state, ascended to the throne. The Long Count began on a specific day in the year 3114 B.C., when, the Maya believed, their gods extracted blood from themselves and mi xed it with cornmeal to make humans. K'inich Tatb'u Skull II and other lords had Long Co unt dates carved on public wo rks both to locate themselves within historical time and to place themselves amo ng the gods, heroes and supernatural entities who had initiated and contin ued to perpetuate humanity. The text of this inscription is meticulously carved in so-called "full figure" form s ofanimalsand human faces, rather than the more frag mented shorthand of most Maya hieroglyphics. It reveals the essen tially hybrid and multivalent nature of Maya writing, filled with Three eccentric fl ints, Centro Regional, Copan, Honduras, ca. 755 A.D., combinations of animate and inanimate elements that stand for (left to right) J2 '/" 13 '/, and 10%inches high. Institu te Hondureiio de Antropologia e His toria, Tegucigalpa. sound, word or symbol [see sidebarJ. Just as Maya inscriptions can be intricately visual, so can visual representations be calligraphic, as in a number of so-called "eccen competitive ly pressuring each other to attain ever higher levels of tric" flints on view. -
Wayeb Notes No. 37
f No. 37, 2011 WAYEB NOTES ISSN 1379-8286 A LOOK AT THE ENIGMATIC "GI TITLE" ASSOCIATED WITH THE MAYA WOMEN Boguchwała Tuszyńska Adam Mickiewicz University, Poznań, Poland Many different titles used by the ancient Maya kings and nobles still remain poorly understood. Even if epigraphers are able to transliterate and transcribe some of them, their exact meaning and significance is not clear to us. It seems still more complicated in the case of titles that have not been fully deciphered, though at times it is possible to establish for what reason a specific title was held by a specific person. Such is the case with the so-called “vase title” (Proskouriakoff 1961). Even without an exact reading we know that this title was associated with Goddess O and was used by the Maya to designate married women, able to give birth (Colas 2004: xxiii). In the case of Maya women we have another enigmatic “godly title” found only in a few Classic period texts, known as the “GI title”. The title consists of three signs: 1) the undeciphered sign T217d, 2) the logogram T4 NAH and 3) the glyph representing the head of GI. The title is found in a few Early Classic texts (Boot 2001, Stuart 2005: 121) and Linda Schele considered it one of the name phrases of GI (Schele 1994). There are some glyphic variations of the title (Figure 1). The “hand” sign and the glyph NAH are sometimes accompanied only by the so-called “dotted” ajaw. In another example the “hand” sign and the logogram NAH are accompanied by the ajaw sign and the head of GI, and finally we have the “hand” sign attached to the logogram NAH and the head of GI. -
A Broken Sky: the Ancient Name of Yaxchilan As Pa’ Chan
PARI Online Publications A Broken Sky: The Ancient Name of Yaxchilan as Pa’ Chan SIMON MARTIN University of Pennsylvania Museum Emblem glyphs have long been a focus of research in Maya studies and remain the primary means by which we attempt to penetrate and comprehend the political geography of the Classic Maya. By now it is well known that each represents a royal title and describes the k’uhul ajaw or “holy lord” of an individually named polity or kingdom.1 Many of these compounds have a b succumbed to decipherment in recent years, unmasking the original names of these petty states. Slowly we are building an indigenous nominal landscape, a map of political identity that was rich in both topographic and conceptual symbolism. The emblem glyph of Yaxchilan, Chiapas, Mexico, was one of eight identified by Heinrich Berlin in his original discovery of the form (1958). In fact, the site used two distinct emblems, often paired, which c d Berlin dubbed Y-1 and Y-2. Yaxchilan monuments are Figure 1. The cleft sky sign in the Yaxchilan Emblem generously provided with examples of both, but it is Glyph: a) T561; b) T562; c) YAX St.10, H2; d) PNG P.3, K1. clear that Y-1—nicknamed “cleft sky” or “split sky”— was the more dominant, not least because it was the arching divide or V-shape cut (Figure 1c), although in only one seen in foreign contexts (appearing in the most foreign mentions tendril-like emanations, known inscriptions of Piedras Negras, Palenque, Bonampak, as T299, are added (Figure 1d). -
The Glyph for Antler in the Mayan Script
f No. 11, 2004 WAYEB NOTES ISSN 1379-8286 THE GLYPH FOR ANTLER IN THE MAYAN SCRIPT Luís Lopes1 and Albert Davletshin2 1 email: [email protected] 2 Institute for Oriental and Classical Studies, Russian State University for the Humanities, Moscow email: [email protected] The glyph numbered 291 in Sir John Eric Thompson’s catalogue (1962), T291, depicts a ‘deer antler’. In the Classic Period inscriptions the sign in question is quite frequently found in the name phrases of powerful humans, deities and supernatural creatures. Some examples are given below: ’a?-[ku?]-lu-mu-chi ’a?-[ku?]-lu-ANTLER-b’a – the name of a deity recorded on La Mar Stela 1, A11 (Fig.1), and on the Sotheby’s Panel, I2 (Fig. 2); ANTLER-chi-CHAN – the name of the so-called ‘Deer-Snake’ on codex style ceramics (Fig. 3); YAX-ANTLER-JOL – the name of the 4th king of Yaxchilan (Fig. 4); ANTLER-CHAN-na-’a-ku – the name of a captive from Hiix-Witz recorded at Yaxchilan (Fig. 5); ANTLER--INVERTED-VASE - title of the Yaxchilan king Ya’xuun-B'ahlam IV, also applied to earlier Yaxchilan kings and possibly recorded on the San Diego Cliff carving (Figs. 6, 7, 9, 10 and 11); T4--ANTLER--INVERTED-EARTH, T4--’a--ANTLER--INVERTED-EARTH – a title of th the 26 king of Tikal (Jasaw-Chan-K'awiil’s title) on Tikal Stela 5 (Fig. 8), and bones and jade vessel from Tikal Burial 116 (MT38A, 38C, 38D, 50, and MT56).1 In this note we present iconographic and phonetic evidence that points towards a reading of XUKUB' "horn, deer antler" for this glyph. -
A Heretofore Unknown Monument of Tonina,Chiapas
"Off with his head!" A Heretofore Unknown Monument of Tonina, Chiapas Nielsen, Jesper; Helmke, Christophe; Stuart, David ; Sánchez Gamboa, Ángel Published in: The P A R I Journal Publication date: 2019 Document version Publisher's PDF, also known as Version of record Document license: Unspecified Citation for published version (APA): Nielsen, J., Helmke, C., Stuart, D., & Sánchez Gamboa, Á. (2019). "Off with his head!": A Heretofore Unknown Monument of Tonina, Chiapas. The P A R I Journal, 20(1), 1-14. Download date: 27. sep.. 2021 ThePARIJournal A quarterly publication of the Ancient Cultures Institute Volume XX, No. 1, Summer 2019 “Off with his head!”A Heretofore In This Issue: Unknown Monument of Tonina,Chiapas JESPER NIELSEN “Off With His University of Copenhagen Head!” A Heretofore Unknown CHRISTOPHE HELMKE University of Copenhagen Monument of Tonina, Chiapas DAVID STUART University of Texas at Austin by Jesper Nielsen, ÁNGEL A. SÁNCHEZ GAMBOA Christophe Helmke, Instituto Nacional de Antropología e Historia David Stuart, and Ángel A. Sánchez In 2013, the Institute for Cross-Cultural Gamboa and Regional Studies at the University of PAGES 1-14 Copenhagen moved from its earlier loca- tion to become part of a large new campus • for the entire Faculty of Humanities on Arild Hvidtfeldt’s the island of Amager in the southern Contribution to part of Copenhagen. As part of the mov- Mesoamerican ing process, various archives containing Studies personal papers, photos, slides, and pub- by lications pertaining to the Department Jesper Nielsen of American Indian Languages and Cultures and its former employees were PAGES 15-16 reorganized. -
Alternative Epigraphic Interpretations of the Maya Snake Emblem Glyph
ALTERNATIVE EPIGRAPHIC INTERPRETATIONS OF THE MAYA SNAKE EMBLEM GLYPH by CHRISTOPHER T. SAVAGE B.S. University of Central Florida, 1994 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Interdisciplinary Studies in the Office of the Vice Provost at the University of Central Florida Orlando, Florida Fall Term 2007 ABSTRACT This thesis seeks to demonstrate that the Maya snake emblem glyph is associated with religious specialists, instead of geographic locations, as emblem glyphs are typically understood to be. The inscriptions and the media on which the snake emblem glyph occurs will be analyzed to determine the role or function of the “Lord of the Snake.” Temporal and spatial data has also been collected to aid in understanding the enigmatic glyph. The snake emblem glyph has recently been identified as originating from a broad area containing the sites of El Perú and La Corona in Guatemala, and Dzibanche, Mexico, a departure from the longstanding choice of Calakmul, Mexico. Unprovenanced snake emblem glyph texts have been cataloged under a “Site Q” designation („Q‟ for the Spanish word Que, meaning “which”) by Peter Mathews. Site Q is thus not securely identified geographically, which confounds efforts to designate a particular site as the snake emblem glyph site. Other problems with the snake emblem glyph, such as its geographically wide dispersal, hint that it is not a title of a particular city or region. Yet another problem is “a proper fit” between the individuals listed on unprovenanced material and individuals named at sites associated with the snake emblem glyph.