DOCSLIB.ORG

Steve Sachse 2018

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Steve Sachse 2018 Copyright by Stephen Michael Sachse 2018 Root Motion: For Chamber Ensemble With Electronics by Stephen Michael Sachse Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May 2018 Acknowledgments I would like to express my most sincere appreciation to the entire composition faculty of the University of Texas at Austin: Russell Pinkston, Yevgeniy Sharlat, Bruce Pennycook, Donald Grantham, and Dan Welcher. I have needed every bit of help and knowledge you have provided along the way in staying on my feet and finding my path forward as an artist. You were there for me when I needed you the most, and I will forever be grateful to all of you for that. I would also like to thank my closest friends in the department who have also stuck by my side and encouraged me every step of the way: Eli, Jon, José, Kramer, Chris and Chris, Josh, Robert, Corey, Lauren, and Michael. I also want to extend my most heartfelt thanks to Dr. Russell Pinkston. With the utmost sincerity and respect I would like to congratulate you on your career as an educator, researcher, and leader within the fields of composition and electronic music. I can say beyond any shadow of doubt that you have been the most influential teacher in my life, and have been one of my most deeply respected friends and allies. Each one of us greatly appreciated the way that you organized the electronic music program and its concerts, cared for the studios, handled the electronic music forum, and the way that you have led by example. You have always respected and promoted your peers while exemplifying excellence, thoroughness, and true humility as a researcher and fellow human being. The education that I received from the UT electronic music studios cannot be replaced. Thank you for all that you have done, and I wish you all the best in the future. iv Root Motion: For Chamber Ensemble With Electronics by Stephen Michael Sachse, D.M.A. The University of Texas at Austin, 2018 Supervisor: Russell Pinkston Electronics have shared a relationship with acoustic instruments for a number of years within the field of composition. They have provided composers a variety of opportunities for expression across a diverse array of mediums, and offered new ways to organize their creative ideas. With the continued development of the Virtual Studio Technology interface, resources such as modular-based softsynths have become increasingly accessible to composers, alongside a myriad of plugin-based tools that allow for the production of recorded and sequenced music at the highest levels of audio fidelity. This dissertation explores the ways in which these tools can be used creatively to offer composers an outlet for their ideas across stylistic genres, as well as promote self-reliance and sustainability in situations where performance opportunities might be limited, outlining my own experiences as a reference point. v Table of Contents List of Figures ....................................................................................................................... viii! Chapter 1: Background .............................................................................................................1! 1.1Where is Classical Music at, and What Does New Music Look Like? ..................1! 1.2 Creating Opportunities .............................................................................................2! 1.3 Motivaing Factors Behind Aesthetic Choices .........................................................3! Chapter 2: Synthesis Study ......................................................................................................9! 2.1 The Synthesizer in Orchestration and Arranging....................................................9! 2.2 Synthesis Processing Techniques Used in Addressing Issues of Timbre .......... 12! 2.3 An Argument for the Legitimacy of Electronic Music as a Valid Form of Orchestral-Style Composition ............................................................................... 20! Chapter 3: “New Music” in Jazz .......................................................................................... 23! 3.1 A Fusion of Influences .......................................................................................... 23! 3.2 Large-Scale Harmonic Shifts ................................................................................ 27! Chapter 4: The “New Music” Band...................................................................................... 32! 4.1 An Exploration in Chamber Music for a Typical “Band” Instrumentation ....... 32! 4.2 Previous Thematic Ideas Present Within Part 3 .................................................. 34! Chapter 5: Crossing Over ...................................................................................................... 36! 5.1 A Transitional Movement Including a Further Exploration of Fusion ............... 36! 5.2 Chamber Music That Includes Groove-Oriented Elements ................................ 37! 5.3 Polymodality, and More Expressive Qualities of the Synthesizer...................... 38! Chapter 6: The Guitar Source ............................................................................................... 41! 6.1 The Fusion of Human and Computerized Elements ............................................ 41! 6.2 Music Production and the Ability to Manipulate Atmosphere ........................... 41! vi 6.3 A Final Return of Thematic Ideas ......................................................................... 44! Conclusions ............................................................................................................................ 45! Bibliography ........................................................................................................................ 164! vii List of Figures Figure 1:! Example of Synthesis Using the Max Programming Language...................... 10! Figure 2:! Example of Synthesis Using the SuperCollider Programming Language ...... 11! Figure 3:! Graphical Representation of Synthesis Parameters in the u-he Diva Synthesizer ....................................................................................................... 11! Figure 4:! Graphical Representation of Synthesis Parameters in the Serum Synthesizer ....................................................................................................... 12! Figure 5:! List of Processing Effects Used for the Melody 1 Instrument in Part 1 ......... 14! Figure 6:! Basic Sine Tone Patch for the Melody 1 Voice in Part 1 ................................ 15! Figure 7:! Spectral Analysis of the First Melodic Pitch, Minus Processing .................... 16! Figure 8:! The Addition of Partials to Melody 1 by Way of Saturation Processing ........ 17! Figure 9:! Basic Spectral Analysis of the Timbre Produced by the Clarinet ................... 18! Figure 10:! Page 3 of Part 1, Demonstrating Sectional Arrangement and Orchestration .................................................................................................... 19! Figure 11:! Melody 3 Starting Point and Processing ......................................................... 20! Figure 12:! Opening Guitar Chord Sequence..................................................................... 25! Figure 13:! Polychords in m.154 Used as a Shift Toward Triadic Sonorities ................. 27! Figure 14:! Upper-Structure Triad in Measure 192 ........................................................... 28! Figure 15:! Descending Chromatic Melody (m.190-192) Transferred to Part 4 ............ 29! Figure 16:! Piano Solo Excerpt (mm.275-278) Using Melodic Triads ............................ 30! Figure 17:! Example of Instrumental Roles and Polytonality in Part 3 ........................... 33! Figure 18:! Themes Returning in m.44 and m.48 .............................................................. 35! Figure 19:! Orchestration in Part 4..................................................................................... 38! Figure 20:! Synth Melody Patch From Part 4 ................................................................... 40! Figure 21:! Automation Processing for the Synth Patch in Part 4 ................................... 40! viii Figure 22:! Filter Processing Example for the Guitars in Part 5 ...................................... 42! Figure 23:! Overall Spectral Analysis of Part 5 ................................................................ 43! Figure 24:! Reharmonization of Part 2 Introductory Chords ........................................... 44! ix Chapter 1: Background 1.1WHERE IS CLASSICAL MUSIC AT, AND WHAT DOES NEW MUSIC LOOK LIKE? One of the privileges of being a student within an academic composition program is that you are able to frequently attend presentations, and speak with both performers and composers alike who have found a way to make things work for themselves within the current social environment surrounding academic music and composition. A few of these presentations, and a number of the themes from these experiences have stuck with me over the years. I will do my best to summarize them briefly as an explanation for my current compositional process and musical decisions. When I attended the University of Colorado at Boulder, the course1 that had the most profound influence on my current ideas regarding the state of new music was one that discussed
Load more

Recommended publications
  • Download the File “Tackforalltmariebytdr.Pdf”
    Käraste Micke med barn, Tillsammans med er sörjer vi en underbar persons hädangång, och medan ni har förlorat en hustru och en mamma har miljoner av beundrare världen över förlorat en vän och en inspirationskälla. Många av dessa kände att de hade velat prata med er, dela sina historier om Marie med er, om vad hon betydde för dem, och hur mycket hon har förändrat deras liv. Det ni håller i era händer är en samling av över 6200 berättelser, funderingar och minnen från människor ni förmodligen inte kän- ner personligen, men som Marie har gjort ett enormt intryck på. Ni kommer att hitta både sorgliga och glada inlägg förstås, men huvuddelen av dem visar faktiskt hur enormt mycket bättre världen har blivit med hjälp av er, och vår, Marie. Hon kommer att leva kvar i så många människors hjärtan, och hon kommer aldrig att glömmas. Tack för allt Marie, The Daily Roxette å tusentals beundrares vägnar. A A. Sarper Erokay from Ankara/ Türkiye: How beautiful your heart was, how beautiful your songs were. It is beyond the words to describe my sorrow, yet it was pleasant to share life on world with you in the same time frame. Many of Roxette songs inspired me through life, so many memories both sad and pleasant. May angels brighten your way through joining the universe, rest in peace. Roxette music will echo forever wihtin the hearts, world and in eternity. And you’ll be remembered! A.Frank from Germany: Liebe Marie, dein Tod hat mich zu tiefst traurig gemacht. Ich werde deine Musik immer wieder hören.
    [Show full text]
  • The Sounding Board Volume 18 | January 2005 | Martin Guitar
    The Sounding Board™ THE OFFICIAL NEWSLETTER OF THE MARTIN GUITAR COMPANY • VOLUME 18 • JANUARY 2005 Mike Longworth Commemorative Joins Stills, McGuinn & Miller Signature Editions Roger Mike Phot McGuinn Longworth o © June 2000 b HD-7 Commemorative y dick boak D-45 o b Full Story On Pages 24-25 Phot Full Story On Pages 12-13 y Don F isher Stephen Stills t Knight 000-45S ober y R Full Story On o b Pages 22-23 Phot 000C Steve Miller Full Story On Pages 14-15 CCLAIRE’SLAIRE’S CCORNERORNER The Sounding Board™ VOLUME 18 • JANUARY 2005 PUBLISHED BY The Martin Guitar Company P. O. Box 329, Nazareth, PA 18064 Phone: (610) 759-2837 Fax: (610) 759-5757 www.martinguitar.com EDITOR Dick Boak CONTRIBUTORS C. F. Martin IV Marshall Newman Ronnie Lippin Dennis Tenges SPECIAL THANKS TO Len Jaffe Sherry Rayn Barnett Steve & Kim Miller Roger & Camilla McGuinn Sue Longworth Dear Sounding Board Readers, Stephen Stills (and Co.!) I know it is difficult to fathom that a newborn such as I might Dan Van Der Haar have mastered such a command of diction in so short a time, but I’m afraid it’s true. My mom will be the first to tell you that babies are born with incredible purity, instinct, and intelligence, and that as time elapses, we gradually devolve into adults. No offense to Printed On Recycled Paper any of you adults out there! in the USA Speaking of adults, that’s my dad in the picture. He had to just The Sounding Board™ is available about pry me out of mom’s hands! My dad’s the one with the for free from your local authorized curly hair.
    [Show full text]
  • The Influence of Nigerian Bata Dance on Cuban Salsa by Olorunjuwon
    The influence of Nigerian Bata Dance on Cuban Salsa BY Olorunjuwon, Emmanuel Oloruntoba (MATRIC NO: RUN06-07/507) A DISSERTATION SUBMITTED TO THE DEPARTMENT OF THEATRE ARTS, SCHOOL OF POST GRADUATE STUDIES, REDEEMER’S UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE AWARD OF MASTERS OF ARTS (M.A) IN THEATRE ARTS JUNE 2016 CERTIFICATION I certify that this project/long essay titled “THE INFLUENCE OF NIGERIAN BATA DANCE ON CUBAN SALSA” is an original work of mine and that it has not been submitted elsewhere for any degree award or certification. OLORUNJUWON EMMANUEL OLORUNTOBA (RUN 06-07/507) …………………………………….. CERTIFICATION I certify that this long essay was carried out by Olorunjuwon Emmanuel Oloruntoba with matriculation number RUN 06-07/507 of the Department Of Theatre Arts, Redeemer‟s University, Osun State. ------------------------------------ ---------------------------- Supervisor Date Dr. John Iwuh ……………………………… …………………………… Head of Department Date Prof. Ahmed Yerima ……………………… …………………… External Examiner Date Prof. Ojo Bakare DEDICATION I dedicate this project to God Almighty for giving me the strength and wisdom to carry out this research. My parents Mr. and Mrs. S.K Oloruntoba and my siblings Bamidele Oloruntoba, Christiana Oloruntoba and Dr. Ife Oloruntoba .My Mentor and guardian Prof. Ahmed Yerima. God bless you all. ACKNOWLEDGEMENTS To God almighty my strength, wisdom, creativity, rhythm and flexibility I am most grateful to you. I must thank the Head of Department, Prof Ahmed Yerima who has been a father to me. You were there for me and cared for me like your own biological son. You gave me shelter, clothes and you fed me. You never stopped making sense out of my nonsense and you encouraged me to write while others were sleeping.
    [Show full text]
  • Www .Maver Ic K
    JANUARY/FeBRUARY 2014 www.maverick-country.com MAVERICK FROM THE EDITOR... MEET THE TEAM Editor t is with a great deal of sadness, that I acknowlege that this will be my last issue as Alan Cackett editor of Maverick. I have always believed that when you no longer enjoy doing 24 Bray Gardens, Loose, Maidstone, Kent, ME15 9TR, UK something, then it’s time to stop and look to do something di erent. I have had a 01622 744481 Igood run as editor, and now is the time to hand over to someone younger. Someone who [email protected] can hopefully take the magazine forward, embracing country music’s future whilst not Managing Editor overlooking its huge legacy of the past. I know that the new editor Laura Bethell who Michelle Teeman 01622 823920 worked with me for 5 years, 2 as my deputy editor, will do just that. [email protected] It was just over 47 years ago that I edited and published Britain’s rst regular monthly country music magazine. Looking back that was quite an audacious and bold undertaking Designer Laura Bethell for a teenager from a council house estate who le school at 15. Some of the original 01622 823922 readers of Country Music Monthly are still around and have continued to follow my writing [email protected] and views on the music as readers of Maverick. ere was a time when I not only knew Editorial Assistant many of the Maverick readers’ names but had a personal contact with them, but recently Chris Beck I’ve lost touch and I have to say that I miss the chats that we used to have when they phoned Project Manager up to renew their subscriptions.
    [Show full text]
  • Compact Discs
    This listing represents my late father's lifetime collection of country music CDs, vinyl, DVDs/VHS and books, with an emphasis on 'blue grass'. My family have decided that as this collection is no longer being listened to, we will sell what we can so that other people can enjoy it as he did. If you would like to purchase any of the items listed, please get it touch by email, listing the item (s) you are interested in. I will respond with a price, taking into account condition and quantity of items requested. Once payment is received (by cheque or bank transfer), items will be despatched. Items will be allocated on a first come, first served basis. However, any items that are more valuable collectables or receive substantial interest will be auctioned to the highest bidder. This will be advised when you register your interest. Please email [email protected] ARTIST TITLE LABEL COMPACT DISCS BOX SETS - CDs ACUFF, ROY KING OF COUNTRY MUSIC (BOX) PROPER BROWN, MILTON DADDY OF WESTERN SWING (BOX) PROPER CARTER FAMILY CARTER FAMILY 1927-34 VOL.1 (BOX) JSP CARTER FAMILY CARTER FAMILY 1935-41 (VOL.2) (BOX) JSP CARTER, WILF A PRAIRIE LEGEND (BOX WITH BOOK) BEAR FAMILY FRIZZELL, LEFTY GIVE ME MORE, MORE, MORE PROPER MONROE, BILL BLUEGRASS 1959-69 (BOX) BEAR FAMILY MONROE, BILL BLUEGRASS 1950-59 (BOX) BEAR FAMILY RODGERS, JIMMIE THE SINGING BRAKEMAN (BOX WITH BOOK) BEAR FAMILY SNOW, HANK THE THESAURUS TRANCRIPTIONS (BOX WITH BOOK) BEAR FAMILY THOMPSON, HANK & HIS BRAZOS VALLEY BOYS (BOX WITH BOOK) BEAR FAMILY TUBB, ERNEST THE TEXAS TROUBADOUR
    [Show full text]
  • MINIMUM BOD = € 5.00 / US$ 6.00 = MINIMUM BID a CD's
    Full CD’s, if not noted otherwise (number of tracks 0230 Rex Allen Western Movie Singing Stars Simitar 55672 98 12tr Zz mentioned) - Volledige CD’s, tenzij anders 0231 ~ The Last of the Great Singing Cowboys Bloodshot/Soundies 4101 22tr Zz 0232 ~ Lonesome Letter Blues Collectables 5703 96 12tr Zz aangegeven (aantal tracks wordt vermeld). CD's 0233 ~ & Rex Allen Jr The Singing Cowboys WB 45935 95 10tr Ss US releases, if not noted otherwise - pr = promo 0234 The Allisons Are You Sure Diamond 515\It 90 18tr Zz 0235 ~ All the Hits Plus More Prestige Elite 0525\UK 00 27tr Zz MINIMUM BOD = € 5.00 / US$ 6.00 = MINIMUM BID 0236 Allman Brothers Band Dreams, Disc 1 - Allman Joys, Hour Glass, 31st of I do not sell illegal copies, only record company or artist releases. Some small labels February, Second Coming, Duane Allman, ABB Polydor 839424\EU 89 17tr Zz and many artists produce & copy their limited editions as CD-Rs. I will identify 0237 ~ Dreams, Disc 2 - Allman Bros Band Polydor 839425\EU 89 10tr Zz such CD’s as CD-Rs (with sealed CD’s I do not always know). 0238 ~ Dreams, Disc 3 - ABB, Gregg Allman, Dickey Betts Pol 839426\EU 89 12tr Zz Ik verkoop geen illegale kopieën, alleen uitgaven van platenmaatschappijen of artiesten. 0239 ~ Dreams, Disc 4 - Allman & Woman, D Betts Band Pol 839427\EU 89 16tr Zz Sommige kleine labels en veel artiesten produceren hun kleine oplagen als CD-Rs. 0240 Phil Alvin County Fair 2000 + Blasters, Billy Boy Arnold, James Intveld, Faultline Achter zulke CD’s staat CD-R (bij verzegelde CD’s is het niet altijd duidelijk).
    [Show full text]
  • Lotus Approach/BLUE.APR
    Listed By Title Tone Poems Theme from Capone 1-03 David Grisman & Tony Rice Dawg patch 1-04 David Grisman Acoustic Disc ACD 10 Spain 1-05 1-06 Turn of the century 01 Shasta bull 1-07 The prisoners' waltz 02 Tipsy gipsy 1-08 Sam-bino 03 Waiting on Vassar 1-09 Grandfather's clock 04 Key signator 1-10 Good old mountain dew 05 Dagma 1-11 I am a pilgrim 06 Swing '39 1-12 Mill valley waltz 07 Ricochet 1-13 Vintage gintage blues 08 Pickin' in the wind 1-14 I don't want your mandolins, Mister 09 Because 1-15 Dawg after dark 10 Flatbush waltz / Opus 57 1-16 Wildwood flower 11 Albuquerque turkey 1-17 Morning sun 12 Mondo mando 2-01 Banks of the Ohio 13 God rest ye merry, gentlemen 2-02 Swing '42 14 Dawg funk 2-03 Watson blues 15 Dawggy mountain Breakdown 2-04 O solo mio 16 Free dawg night 2-05 Song for two Pamelas 17 Syeeda's song flute Lonesome moonlight waltz 2-06 Tone Poems II 2-07 David Grisman & Martin Taylor Steppin' with Stephane Newmonia 2-08 David Grisman Acoustic Disc ACD-18 Prelude in C minor 2-09 Swanee 01 Latin lover 2-10 Teasin' the frets 02 Sativa 2-11 It had to be you 03 Svingin' with Svend 3-01 Please 04 Opus 38 3-02 Mood Indigo 05 Telluride 3-03 Anything goes 06 EMD 3-04 Blue moon 07 Blue midnight 3-05 Lulu's back in town 08 Jazzin' with Jazzbeaux 3-06 Tears 09 Rattlesnake 3-07 Jeepers creepers 10 Dawgnation 3-08 Over the rainbow 11 16/16 3-09 Musette for a magpie 12 Dawgology 3-10 Mairzy Doats 13 Shalom aleichem 3-11 Besame mucho 14 Unforgettable 15 Breakdown Here's That rainy day 16 Old & In The Way Craig Miller Acoustic Disc
    [Show full text]
  • Authenticity and Practicality: Evaluating and Performing Multicultural Choral Music
    The University of Southern Mississippi The Aquila Digital Community Dissertations Fall 2019 Authenticity and Practicality: Evaluating and Performing Multicultural Choral Music Jesse Noote University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Ethnomusicology Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation Noote, Jesse, "Authenticity and Practicality: Evaluating and Performing Multicultural Choral Music" (2019). Dissertations. 1722. https://aquila.usm.edu/dissertations/1722 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. AUTHENTICTY AND PRACTICALITY: EVALUATING AND PERFORMING MULTICULTURAL CHORAL MUSIC by Jesse Noote A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. Gregory A. Fuller, Committee Chair Dr. Jonathan Kilgore Dr. Colin McKenzie Dr. Chris Goertzen Dr. Joseph Brumbeloe ____________________ ____________________ ____________________ Dr. Gregory A. Fuller Dr. Jay Dean Dr. Karen S. Coats Committee Chair Director of School Dean of the Graduate School December 2019 COPYRIGHT BY Jesse Noote 2019 Published by the Graduate School ABSTRACT Many choral music educators believe that multicultural music is a vital part of any choral curriculum. However, the research shows that these same choral directors are reluctant to select multicultural octavos because they lack training in non-Western music, which prevents them from effectively teaching and performing this music authentically.
    [Show full text]
  • End Times Radio Rodeo Round Up.Sat.Aug.21:Overnite 242 Songs, 14 Hours, 1.52 GB
    Page 1 of 7 ...End Times Radio Rodeo Round Up.Sat.Aug.21:Overnite 242 songs, 14 hours, 1.52 GB Name Time Album Artist 1 Jeepers Creepers Cha Cha Cha 2:44 The Hokey Pokey - Organized Da… Brave Combo 2 CORR3433 3:46 Chief Organizer Report Wade Rathke 3 KSZN Legal ID Hippie Jerry 0:05 KSZN Broadcast Clips 4 Coffee & Cash Donation Rap w/ID… 0:21 KSZN Broadcast Clips 5 Crazy Arms 3:20 The Million Dollar Quartet Elvis Presley 6 I Walk Alone 3:01 The Neighborhood Los Lobos 7 Elements 3:52 Liberation - The Island Anthology Black Uhuru 8 Cosmik Debris 4:32 The Best Band You Ever Heard in… Frank Zappa 9 Colorado River Days-Terry 0:27 10 Underwriting Full Circle 2 Julie 0:19 11 Teenage Lobotomy 2:04 Live, January 7, 1978 At The Palla… The Ramones 12 One Reporter's Opinion 1:52 Double Nickels On A Dime Minutemen 13 Lesson In My Life 5:34 Best Of 1978-87 Peter Tosh 14 Don't Let It Pass By 2:33 Poco Poco 15 The Sweetest Gift 3:04 Prisoner in Disguise Linda Ronstadt 16 One Way Out 4:58 Eat A Peach The Allman Brothers Band 17 HFH Home Repair-Mikey 0:36 18 Volunteer 2 Julie 0:48 KSZN Broadcast Clips Julie 19 Late At Night 3:40 Annunciation The Subdudes 20 Burning Down The House 4:01 Sand In The Vaseline (Disc 1) Talking Heads 21 Darker Than Blue 4:35 African Holocaust Steel Pulse 22 Miami 5:01 Hard Candy Counting Crows 23 FlagCommunityMarket-Tim 0:32 24 Blessed Is The Man 4:21 Babylon The Bandit Steel Pulse 25 November Spawned A Monster 5:26 Bona Drag Morrissey 26 Have A Cigar 5:25 Wish You Were Here Pink Floyd 27 And You And I 11:30 Heart Of The Rising
    [Show full text]
  • Spring Weekend of Music - See Flyer in Centerfold Details Next Pages; ☺= Free to Members Table of Contents Society Events Details
    Folk Music Society of New York, Inc. April 2007 vol 42, No.4 April 1 Sun Sea Music: Heather Wood & David Jones +NY Packet; 3pm, South Street Seaport. 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 6:30pm. 9 Mon NYPFMC Exec. Board Meeting 7:15pm location tba. 13 Fri April series concert; postponed to June 1 ☺ 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm. 15 Sun Sacred Harp Sing at St. Barts: 2:30pm. 29 Sun Takako Nagumo: Japanese Folk & Children's Songs, 4pm; House Concert in Jackson Heights ( Queens). May 1TueNewsletter Mailing, 7pm; in Jackson Heights ( Queens) 2WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 6:30pm 4 Fri Lissa Schneckenburger and Band; Community Church, 7:30pm ☺ 5 Sat Don Friedman House Concert, 8pm in Brooklyn 6 Sun Gospel and Sacred Harp sing in Brooklyn; 3 pm 6 Sun Sea Music: Don Sineti with Steve Roys+ NY Packet; 3pm, South Street Seaport 12 Sat Singing Party at Bob and Gail Levine-Fried’s in Brooklyn 12 Sat Chantey Sing at Seamen’s Church Institute, 8pm 14 Mon NYPFMC Exec. Board Meeting; 7:15pm location tba 20 Sun Sacred Harp Sing at St. Barts: 2:30pm 25-28 Spring Weekend of Music - see flyer in centerfold Details next pages; ☺= free to members Table of Contents Society Events details ...........2-3 Calendar Listings................... 9 Folk Music Society Info .......... 4 Repeating Events ..................12 Topical Listing of Events ......... 5 Calendar Location Info ...........15 Weekend Help & Scholarships... 6 30 Years Ago & ads ..........17-18 From The editor .................... 6 Pinewoods Hot Line ..............19 Letter to the Editor ...............
    [Show full text]