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The Pinecone Bluegrass Show WQDR 94.7 FM, and Streaming on 947Qdr.Com Hosted by Larry Nixon July 27, 2014, 6 – 9 P.M
The PineCone Bluegrass Show WQDR 94.7 FM, and streaming on 947qdr.com Hosted by Larry Nixon July 27, 2014, 6 – 9 p.m. Celebrating our 25 th year on the air! The PineCone Bluegrass Show is a reporting station in Bluegrass Unlimited and Bluegrass Today music polls. Artist Song Title Album Title Record Label Rachel Burge & New Dawning Kentucky Mandolin Rachel Burge & New Dawning Mountain Fever Records Doc Watson Greenville Trestle High Riding the Midnight Train Sugar Hill Blue Highway The Game The Game Rounder Jason Davis Hard Rock Bottom of Your Heart Second Time Around Mountain Fever Records Doyle Lawson and Quicksilver Carolina in the Pines Once and For Always/The News Sugar Hill is Out Lorraine Jordan & Carolina Road That’s Kentucky Lorraine Jordan & Carolina Road Pinecastle Records Rhonda Vincent Busy City Only Me Upper Management Donna Hughes The Way I Am Single release off From the Heart Running Dog Records Blue Highway Talk is Cheap The Game Rounder Nu-Blu Without a Kiss Ten Rural Rhythm Records Kruger Brothers Streamlined Cannonball Remembering Doc Watson Double Time Music The Seldom Scene With Body and Soul The Best of The Seldom Scene Rebel Records Darrell Webb Band Folks Like Us Dream Big Mountain Fever Records Seldom Scene Wait a Minute (feat. John Starling) Long Time… Seldom Scene Smithsonian/Folkwa ys Becky Buller Southern Flavor ’Tween Earth & Sky Dark Shadow Recording Sideline Girl at the Crossroads Bar Session I Mountain Fever Records Dolly Parton Blue Smoke Blue Smoke Sony Masterworks The Gentlemen of Bluegrass Carolina Memories Carolina Memories Pinecastle Records Richard Bennett Wayfaring Stranger (feat. -
2018 Winter Seminar
2018 WINTER SEMINAR MARCH 22-24, 2018 SHERATON GRAND NASHVILLE www.cfsaa.org “Nashville may be best known as ‘Music ABOUT NASHVILLE City’, but its food and drink scene is Nashville is the capital of Tennessee and home to Vanderbilt Uni- starting to have just as much soul and versity. Legendary country music venues include the Grand Ole rock’n’roll swagger.” Opry House, home of the famous “Grand Ole Opry” stage and radio show. The Country Music Hall of Fame and Museum and historic Ryman Auditorium are Downtown, as is the District, fea- - The Guardian turing honky-tonks with live music, the bars of Broadway Street, and the Johnny Cash Museum, celebrating the singer's life. “Nashville, Tennessee moves beyond its The 2018 Winter Seminar will be based in the Sheraton Grand country roots and embraces a new, mul- Nashville Downtown, located just steps from the historic Arts District and the center of Music City nightlife. The recently reno- tifaceted role as one of our country’s vated hotel features spacious rooms, an indoor pool & spa, and leading arts-and-entertainment cities.” the trendy Library Bar & Lounge. The hotel also offers a variety of event spaces, including an impressive rooftop dining room. The glass-walled rooftop dining room offers a 360-degree view of the - American Way city, and will be the location for two Winter Seminar events. ARRIVAL AND DEPARTURE The Sheraton Grand is conveniently located in the center of Nashville with easy access from the highway and the airport. From the airport: Grayline Airport Express runs a shuttle ser- vice from the airport to the hotel. -
2014 Joe Val Bluegrass Festival Preview
2014 Joe Val Bluegrass Festival Preview The 29th Joe Val Bluegrass Festival is quickly approaching, February 14 -16 at the Sheraton Framingham Hotel, in Framingham, MA. The event, produced by the Boston Bluegrass Union, is one of the premier roots music festivals in the Northeast. The festival site is minutes west of Boston, just off of the Mass Pike, and convenient to travelers from throughout the region. This award winning and family friendly festival features three days of top national performers across two stages, over sixty workshops and education programs, and around the clock activities. Among the many artists on tap are The Gibson Brothers, Blue Highway, Junior Sisk, IIIrd Tyme Out, Sister Sadie featuring Dale Ann Bradley, and a special reunion performance by The Desert Rose Band. This locally produced and internationally recognized bluegrass festival, produced by the Boston Bluegrass Union, was honored in 2006 when the International Bluegrass Music Association named it "Event of the Year." In May 2012, the festival was listed by USATODAY as one of Ten Great Places to Go to Bluegrass Festivals Single day and weekend tickets are on sale now and we strongly suggest purchasing tickets in advance. Patrons will save time at the festival and guarantee themselves a ticket. Hotel rooms at the Sheraton are sold out, but overnight lodging is still available and just minutes away, at the Doubletree by Hilton, in Westborough, MA. Details on the festival, including bands, schedules, hotel information, and online ticket purchase at www.bbu.org And visit the 29th Joe Val Bluegrass Festival on Facebook for late breaking festival news. -
Country Music Country Music in Missouri Country Bios
Country Music Country music is a genre of popular music that originated in the rural South in the 1920s, with roots in fiddle music, old-time music, blues and various types of folk music. Originally called “hillbilly music” and sometimes called “country and western,” the name “country music” or simply “country” gained popularity in the 1940s. Many recent country artists use elements of pop and rock. Country music often consists in ballads with simple forms and harmonies, accompanied by guitar or banjo with a fiddle. Country bands now often include a steel guitar, bass and drums. Country Music in Missouri Missourians love country music, as evidenced by the large number of country music radio stations, the number of country artists on festivals and presented by concert venues around the state, the country music artists who make their home and perform regularly in the popular tourist destination of Branson, Missouri, and the many Missouri musicians and bands who play country music in the bars and clubs in their local community. “The Sources of Country Music,” a painting by well-known Missouri artist Thomas Hart Benton hangs in the Country Music Hall of Fame and Museum in Nashville. Ralph Peer (1892-1960), born in Independence, Missouri, worked for Columbia Records in Kansas City until 1920 when he took a job for OKeh Records in New York and supervised the recording of “Crazy Blues” by Mamie Smith, the first blues recording aimed at African- Americans. In 1924 he supervised the first commercial recording session in New Orleans, recording jazz, blues and gospel music. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Sinister Wisdom 70.Pdf
Sinister Sinister Wisdom 70 Wisdom 70 30th Anniversary Celebration Spring 2007 $6$6 US US Publisher: Sinister Wisdom, Inc. Sinister Wisdom 70 Spring 2007 Submission Guidelines Editor: Fran Day Layout and Design: Kim P. Fusch Submissions: See page 152. Check our website at Production Assistant: Jan Shade www.sinisterwisdom.org for updates on upcoming issues. Please read the Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, submission guidelines below before sending material. Susan Levinkind, Fran Day, Shaba Barnes. Submissions should be sent to the editor or guest editor of the issue. Every- Coordinator: Susan Levinkind thing else should be sent to Sinister Wisdom, POB 3252, Berkeley, CA 94703. Proofreaders: Fran Day and Sandy Tate. Web Design: Sue Lenaerts Submission Guidelines: Please read carefully. Mailing Crew for #68/69: Linda Bacci, Fran Day, Roxanna Fiamma, Submission may be in any style or form, or combination of forms. Casey Fisher, Susan Levinkind, Moire Martin, Stacee Shade, and Maximum submission: five poems, two short stories or essays, or one Sandy Tate. longer piece of up to 2500 words. We prefer that you send your work by Special thanks to: Roxanna Fiamma, Rose Provenzano, Chris Roerden, email in Word. If sent by mail, submissions must be mailed flat (not folded) Jan Shade and Jean Sirius. with your name and address on each page. We prefer you type your work Front Cover Art: “Sinister Wisdom” Photo by Tee A. Corinne (From but short legible handwritten pieces will be considered; tapes accepted the cover of Sinister Wisdom #3, 1977.) from print-impaired women. All work must be on white paper. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Jan/Feb/Mar 2017 Winter Express Issue
Vol. 37 No. 1 INSIDE THIS ISSUE! Jan, Feb, Mar A conversation with Ellie Hakanson, Classical Vocal Techniques, Concert 2017 Reviews and more… $500 Oregon Bluegrass Association Oregon Bluegrass Association www.oregonbluegrass.org A Conversation With Ellie Hakanson By Jeff Wold hen it comes to exports, played in a band with Tristan Oregon is all over the map Scroggins (Jeff’s son) when Wwith a wide variety of Tristan was 14. So Sam was in incredible items we produce. Athletic Tristan’s first band and we were shoes, multi-tools, rail cars, timber just hanging out all weekend, the products, world-renowned wine, beer, three of us and in larger groups. whiskey and bluegrass musicians. I jammed with the whole band for several hours and clicked Wait … bluegrass musicians? really well. There’s a video on YouTub e 1 of us playing twin Yep, especially fiddlers. fiddles on Roanoke − me and Sam, with Jeff and Greg and Alex Hargreaves and his sister Tatiana, all of those guys. Later that Yonder Mountain mandolin whiz Jake summer they asked me to play a Jolliff and the newest young performer to few gigs, and then I played more hit the ground running, Ellie Hakanson, with them until eventually I was Ellie Hakanson who has become the regular fiddler with playing full time. the bluegrass band “Jeff Scroggins and coast, right before the Red, White, and Colorado.” Jeff: You left a regular job and career to go Bluegrass festival last summer around the on the road, as I gather. Fourth of July. I had been hearing about It only took a planetary alignment, the Station Inn for years. -
Unsent Love Letters Meditations on Erik Satie
ELENA KATS-CHERNIN unsent love letters meditations on Erik Satie TAMARA-ANNA CISLOWSKA PIANO The sound of dreams on velvet In this age where no-one has any time, diaries are chock-a-block, schedules bursting and calendars stuffed, it could be said that what is missing is the space to miss things, even space. This album is a first step to redressing some of the balance between the time to think that we know we don’t have, and the frenzy of saving the dates, must-dos and urgent deadlines. I would like to suggest we wind back the clock a moment, or throw out the clock. Taking Satie’s life and work as a central theme, the album is a collection of personal ruminations from Elena Kats-Chernin on the great eccentric Erik Satie. You could think of it as a musical memoir from one composer to another. A folding and unfolding of Elena’s thoughts and observations. The 26 pieces outline the concerns, convictions and loves of a man who was sensitive, singular and contradictory. He was also brilliant, unguarded and unconventional, and able to mix the devil-may-care with the stiff-upper-lip. Satie’s life was a fascinating, fervoursome affair; from the first strike of love and then lifelong estrangement with artist and muse Suzanne Valadon, to the unexpected celebrity and conflict of his last ten years. After he died, friends gaining access to his apartment, for the first time in almost three decades, found conditions both perplexing and romantically fastidious in their own way: two grand pianos one atop the other, one chair, one table, seven velvet suits and the love letters – many, many unsent love letters. -
Somewhere Farther Down the Line: Maccrate on Multiculturalism and the Information Age
Washington Law Review Volume 69 Number 3 Symposium on the 21st Century Lawyer 7-1-1994 Somewhere Farther Down the Line: MacCrate on Multiculturalism and the Information Age Burnele V. Powell Follow this and additional works at: https://digitalcommons.law.uw.edu/wlr Part of the Legal Education Commons Recommended Citation Burnele V. Powell, Symposium, Somewhere Farther Down the Line: MacCrate on Multiculturalism and the Information Age, 69 Wash. L. Rev. 637 (1994). Available at: https://digitalcommons.law.uw.edu/wlr/vol69/iss3/10 This Symposium is brought to you for free and open access by the Law Reviews and Journals at UW Law Digital Commons. It has been accepted for inclusion in Washington Law Review by an authorized editor of UW Law Digital Commons. For more information, please contact [email protected]. Copyright 0 1994 by Washington Law Review Association SOMEWHERE FARTHER DOWN THE LINE: MAcCRATE ON MULTICULTURALISM AND THE INFORMATION AGE Burnele V. Powell* I. PROLOGUE A couple of months ago, sometime after I was invited by Symposium Editor Ruth Kennedy to participate in today's discussion, I got a telephone call from her. She wanted to know the title of my remarks. I, of course, had no idea, what I would entitle these remarks because I was still freshly in the throes of trying to write these remarks. Only moments before the phone rang, I had been preoccupied with several CDs that I had recently purchased and was thinking about the task ahead of me. It did occur to me, however, that there was something I wanted to say about the logical premise from which the MacCrate Report' proceeds. -
GENE HELPS CELEBRATE RANDY TRAVIS' 25Th ANNIVERSARY AT
NOV/DEC. 2011 Volume 20 GENE HELPS CELEBRATE RANDY TRAVIS’ 25th ANNIVERSARY AT THE OPRY October 4th, 2011 - Gene had the pleasure to perform on the Grand Ole Opry with Randy Travis, Connie Smith and Joe Stampley as part of Randy’s 25th Anniversary Celebration. The group performed a song recorded for Randy’s 25th Anniversary album title “Didn’t We Shine.” The performance was later shown as part of an Opry TV show on GAC, Opry Live! LEFT: Standing off stage just after their performance are Gene, Randy Travis and Connie Smith. AN AMERICAN IDOL Left: (Oct. 4, 2011) Carrie Underwood stopped backstage at the Grand Ole Opry to say hello to Gene. Before winning the vastly popular American Idol show, Carrie opened a show for Gene and remembers him fondly from that. Of course Carrie has gone on to super stardom in the country music world with multi-platinum albums. Carrie recorded a # 1 with Randy Travis that they sang on the Opry that night, “I Told You So.” HANGING OUT BACKSTAGE Photo right: Gene’s dressing room at the Opry turned out to be right next door to another young star, Josh Turner. Josh was delighted to see Gene and they shared a few road stories before both were called to go onstage. Josh Turner’s career was kicked off by the single “Long Black Train.” Page 2 From the Country Family Reunion Taping Above Photo Left: Con Hunley, Bill Anderson and Gene. Photo Right: Before the taping, Gene and Rhonda Vincent chat about an upcoming show while Barbara Fairchild and Jim Ed Brown check out the stage. -
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds.