2008 Festival Programme Guide Enjoy the View LTH PCM 8.5X11 Ad:Layout 1 9/26/08 10:28 AM Page 1
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Bad Blood, Good Movie? Laurie Kelley and Paul Clement a Viewer’S Guide: New Documentary About Hemophilia HIV History
PEN 11-10 CL_PEN 11/16/10 6:27 AM Page 1 Parent Empowerment Newsletter LA Kelley Communications, Inc. inside 3 As I See It: The Hemophilia Archive 4 Inhibitor Insights: Inhibitor Products 5 Transitions: Living Abroad with Peace of Mind 6 Richard’s Review: Hemophilia and AIDS in Film Bad Blood, Good Movie? Laurie Kelley and Paul Clement A Viewer’s Guide: New Documentary about Hemophilia HIV History A new film about hemophilia during the HIV crisis of the 1980s has energized our community. Bad Blood documents events that caused the mass contamination of factor products. Community advocates cheer the movie’s release and hope it will bring more attention to the hemophilia community—for funds, for continued blood safety, and for preserving memories of our fallen heroes. But will Bad Blood needlessly raise fears about plasma- derived products? Most Americans with hemophilia use recombinant products, and most don’t fully understand the difference between product safety and purity. Many of us aren’t aware of the complex production of products, or the fact that all US products are now considered safe. Use of plasma-derived products is on the rise as a treatment for inhibitors—and parents are worried. Now, along comes a film that taps into a parent’s deepest fear: what am I injecting into my child? Will this new documentary reinforce that fear, preventing parents from making good product choices? Flashback It was November 2008, the opening event of National Hemophilia Foundation’s annual meeting in Denver. The audience of hemophilia families and hemophilia chapter representatives filed into a large, festive room decorated with red and blue balloons. -
A Student Study Abroad Survival Guide University of Rhode Island Japanese International Engineering Program
A Student Study Abroad Survival Guide University of Rhode Island Japanese International Engineering Program Table of Contents Pre-Departure Preparation……………………………………………………………2-6 Academic Year …………………………………………………………………. 2 Course Requirements………………………………………………………….. 2 Timeline for Preparing for your Year Abroad ……………………………… 2 Scholarships ………………………………………………………………….... 2 Additional Japanese Language Study Opportunities………..……………… 3 Visa Process……………………………………………….…………………….3 Summer ………………………………………………………………………...4 Travel……………….………………………………………………….. 4 Packing ………………………………………………………………… 5 Banking and Money ………………………………………………….. 6 Year Abroad …………………………………………………………………………... 7 Things to do upon arrival …………………………………………………….. 7 Leaving the Airport ………………………………………………….. 7 Establish Residency …………………………………………………… 8 Housing............………………………………………………………… 8 Communication and Cell Phones ……………………………………. 8 Banking ………………………………………………………………... 8 Orientation …………………………………………………………………….. 9 Life in Tokyo ………………………………………………………………….. 9 Transportation ……………………………………………………….. 10 Groceries ……………………………………………………………… 10 Nightlife ………………………………………………………………. 11 Day Trips ……………………………………………………………… 11 Cultural Integration ………………………………………………… 11 Health and Safety Tips…………………………………………... …………...12 Academics ……………………………………………………………………... 12 Internships ...…………………………………………………………………... 13 After Returning ……………………………………………………………………….. 14 Sharing Your Experiences! …………………………………………………... 14 Pre-departure Preparation This Survival Guide has been developed and maintained by students -
Warriors As the Feminised Other
Warriors as the Feminised Other The study of male heroes in Chinese action cinema from 2000 to 2009 A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Chinese Studies at the University of Canterbury by Yunxiang Chen University of Canterbury 2011 i Abstract ―Flowery boys‖ (花样少年) – when this phrase is applied to attractive young men it is now often considered as a compliment. This research sets out to study the feminisation phenomena in the representation of warriors in Chinese language films from Hong Kong, Taiwan and Mainland China made in the first decade of the new millennium (2000-2009), as these three regions are now often packaged together as a pan-unity of the Chinese cultural realm. The foci of this study are on the investigations of the warriors as the feminised Other from two aspects: their bodies as spectacles and the manifestation of feminine characteristics in the male warriors. This study aims to detect what lies underneath the beautiful masquerade of the warriors as the Other through comprehensive analyses of the representations of feminised warriors and comparison with their female counterparts. It aims to test the hypothesis that gender identities are inventory categories transformed by and with changing historical context. Simultaneously, it is a project to study how Chinese traditional values and postmodern metrosexual culture interacted to formulate Chinese contemporary masculinity. It is also a project to search for a cultural nationalism presented in these films with the examination of gender politics hidden in these feminisation phenomena. With Laura Mulvey‘s theory of the gaze as a starting point, this research reconsiders the power relationship between the viewing subject and the spectacle to study the possibility of multiple gaze as well as the power of spectacle. -
Newsletter 09/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 09/07 DIGITAL EDITION Nr. 206 - April 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 09/07 (Nr. 206) April 2007 editorial Hallo Laserdisc- und DVD-Fans, und Fach. Wie versprochen gibt es dar- diesem Editorial auch gar nicht weiter liebe Filmfreunde! in unsere Reportage vom Widescreen aufhalten. Viel Spaß und bis zum näch- Es hat mal wieder ein paar Tage länger Weekend in Bradford. Also Lesestoff sten Mal! gedauert, aber nun haben wir Ausgabe satt. Und damit Sie auch gleich damit 206 unseres Newsletters unter Dach beginnen können, wollen wir Sie mit Ihr LASER HOTLINE Team LASER HOTLINE Seite 2 Newsletter 09/07 (Nr. 206) April 2007 US-Debüt der umtriebigen Pang-Brüder, die alle Register ihres Könnens ziehen, um im Stil von „Amityville Horror“ ein mit einem Fluch belegtes Haus zu Leben zu erwecken. Inhalt Roy und Denise Solomon ziehen mit ihrer Teenager-Tochter Jess und ihrem kleinen Sohn Ben in ein entlegenes Farmhaus in einem Sonnenblumenfeld in North Dakota. Dass sich dort womöglich übernatürliche Dinge abspielen könnten, bleibt von den Erwachsenen unbemerkt. Aber Ben und kurz darauf Jess spüren bald, dass nicht alles mit rechten Dingen zugeht. Weil ihr die Eltern nicht glauben wollen, recherchiert Jess auf eigene Faust und erfährt, dass sich in ihrem neuen Zuhause sechs Jahre zuvor ein bestialischer Mord abgespielt hat. Kritik Für sein amerikanisches Debüt hat sich das umtriebige Brüderpaar Danny und Oxide Pang („The Eye“) eine Variante von „Amityville Horror“ ausgesucht, um eine amerikanische Durchschnittsfamilie nach allen Regeln der Kunst mit übernatürlichem Terror zu überziehen. -
Singapour, Malaisie : Le Cinéma ! 16 Décembre 2009 - 1Er Mars 2010 Singapour, Malaisie Sommaire
SINGAPOUR, MALAISIE : LE CINÉMA ! 16 DÉCEMBRE 2009 - 1ER MARS 2010 SINGAPOUR, MALAISIE SOMMAIRE AZhY^[[gZcihk^hV\ZhYjX^cbV SINGAPOUR, MALAISIE : YZH^c\VedjgZiYZBVaV^h^Z!eVg?gbnHZ\Vn!eV\Z( 8VgiZ\d\gVe]^fjZ!eV\Z* LE CINÉMA ! H^c\VedjgZiaVBVaV^h^Z/VjXVggZ[djgYZaÉ6h^Z! eVgGVe]V aB^aaZi!eV\Z* À LA DÉCOUVERTE DE NOUVEAUX HVcXZheghZciZheVg½!eV\Z- TERRITOIRES EN 50 FILMS FjZhi^dchYZX^cbV/Xdc[gZcXZZigZcXdcigZh!eV\Z&% du 16 décembre 2009 Au 1er mArs 2010 Au centre PomPidou AZhhijY^dhBVaVn;^abEgdYjXi^dch YZhH]Vl7gdi]ZghZi8Vi]Vn"@Zg^hYZAd`ZLVcI]d! cinéma 1 et cinéma 2 eVgGVe]V aB^aaZi!eV\Z&& Singapour, malaisie, points encore trop méconnus sur la carte majeure de l’asie du Hncdeh^hYZhÒabh/ Sud-est. De leurs voisins coréen, thaïlandais, philippin, on a appris à connaître les secrets ½aZhighdghYZhhijY^dh H]Vl7gdi]ZghZi8Vi]Vn"@Zg^h!eV\Z&( cinématographiques, quant à Singapour et Kuala Lumpur, on assiste à une renaissance stimulante du cinéma. impulsée par la légèreté des nouveaux moyens de prise de vue, ½YZH^c\Vedjg!eV\Z'- mue par le talent d’une jeune génération prolifique autant que solidaire, ½YZBVaV^h^Z!eV\Z(- sous-tendue par un contexte social multiethnique, une histoire dense et un présent >cYZmVae]VWi^fjZYZhÒabh!eV\Z*' politique complexe, cette ébullition se fait remarquer par sa modernité. il y a urgence à découvrir les rythmes et les mythes de cette cinématographie inédite, 8VaZcYg^ZgYjXnXaZ!eV\Z*) autant de nécessité à se plonger dans son passé récent à travers les héros et les meilleurs AZaV^hhZo"eVhhZgYj8ZcigZEdbe^Ydj!eV\Z+' films de genre qui l’ont nourrie, tous inédits en europe pour le moment. -
FEFF 23 Will Be Taking Place in Udine and Online from Thursday 24 June to Friday 2 July
2 3 PRESS RELEASES FILM STILLS & FESTIVAL PICS VIDEOS TO DOWNLOAD FROM WWW.FAREASTFILM.COM PRESS AREA Press Office/Far East Film Festival 20 Gianmatteo Pellizzari & Ippolita Nigris Cosattini +39/347/0950890 [email protected] - [email protected] 4 24 June/2 July 2021 - Udine, Italy, Visionario & Cinema Centrale FAR EAST FILM FESTIVAL 23: MOVING FORWARD! 63 titles from 11 countries and regions: the proof of a cinema industry that is back on its feet and looking to the future. FEFF 23 will be taking place in Udine and online from Thursday 24 June to Friday 2 July. Press release for 9 June, 2021 For immediate publication/release UDINE – A throwdown is when you get knocked to the ground. It's an action, and even more a state of mind, that inspired one of Johnnie To's masterpieces and which perfectly captures the dynamics - social, political, health and emotional - of the last year and a half. There's no need to go over why - what we need, what we really need, is to stay focused on the "after" part. The action, and even more so the state of mind, that every throw down triggers: that instinct to get back up. The instinct to not stay down there, where the body blows of history have made us fall. That's the idea - we might even call it the operational philosophy - behind the Far East Film Festival 23: documenting the “after”. Showing a world, the world of Asian cinema, which refuses to resign itself to immobility and is intent on getting back on its feet again.. -
Price Record Store Day 2019 Releases Price Follow Us on Twitter
Follow us on twitter @PiccadillyRecs for Follow us on twitter @PiccadillyRecs for Price ✓ Record Store Day 2019 Releases Price ✓ Price ✓ Record Store Day 2019 Releases Price ✓ updates on items selling out etc. updates on items selling out etc. 7" SINGLES 7" 14.99 Queen : Bohemian Rhapsody/I'm In Love With My Car 12" 22.99 John Grant : Remixes Are Also Magic 12" 9.99 Lonnie Liston Smith : Space Princess 7" 12.99 Anderson .Paak : Bubblin' 7" 13.99 Sharon Ridley : Where Did You Learn To Make Love The 12" Way You 11.99Do Hipnotic : Are You Lonely? 12" 10.99 Soul Mekanik : Go Upstairs/Echo Beach (feat. Isabelle Antena) 7" 16.99 Azymuth : Demos 1973-75: Castelo (Version 1)/Juntos Mais 7" Uma Vez9.99 Saint Etienne : Saturday Boy 12" 9.99 Honeyblood : The Third Degree/She's A Nightmare 12" 11.99 Spirit : Spirit - Original Mix/Zaf & Phil Asher Edit 7" 10.99 Bad Religion : My Sanity/Chaos From Within 7" 12.99 Shit Girlfriend : Dress Like Cher/Socks On The Beach 12" 13.99 Hot 8 Brass Band : Working Together E.P. 12" 9.99 Stalawa : In East Africa 7" 9.99 Erykah Badu & Jame Poyser : Tempted 7" 10.99 Smiles/Astronauts, etc : Just A Star 12" 9.99 Freddie Hubbard : Little Sunflower 12" 10.99 Joe Strummer : The Rockfield Studio Tracks 7" 6.99 Julien Baker : Red Door 7" 15.99 The Specials : 10 Commandments/You're Wondering Now 12" 15.99 iDKHOW : 1981 Extended Play EP 12" 19.99 Suicide : Dream Baby Dream 7" 6.99 Bang Bang Romeo : Cemetry/Creep 7" 10.99 Vivian Stanshall & Gargantuan Chums (John Entwistle & Keith12" Moon)14.99 : SuspicionIdles : Meat EP/Meta EP 10" 13.99 Supergrass : Pumping On Your Stereo/Mary 7" 12.99 Darrell Banks : Open The Door To Your Heart (Vocal & Instrumental) 7" 8.99 The Straight Arrows : Another Day In The City 10" 15.99 Japan : Life In Tokyo/Quiet Life 12" 17.99 Swervedriver : Reflections/Think I'm Gonna Feel Better 7" 8.99 Big Stick : Drag Racing 7" 10.99 Tindersticks : Willow (Feat. -
October 3-22, 2020
THE BEST OF CONTEMPORARY JAPANESE CINEMA VIRTUAL EDITION and present OCTOBER 3-22, 2020 HATANAKA FAMILY FOUNDATION JAPANESE CANADIAN CULTURAL CENTRE • 6 GARAMOND COURT • TORONTO • 416.441.2345 ABOUT THE TORONTO JAPANESE FILM FESTIVAL “I think what makes the Toronto Japanese Film Festival so special is the wonderful job it does in capturing the current state of the Japanese film industry. The programming conveys a sense of what is really happening in the world of Japanese cinema. By including popular films we can get a better understanding of the country. These choices ensure Toronto audiences can experience a true sense of contemporary Japan.” Takashi Yamazaki (Director, Always: Sunset on 3rd Street, The Eternal Zero, The Man Called Pirate) “The Toronto Japanese Film Festival is quickly becoming the most important window of Japanese cinema toward the world. The selection is impeccable with the dynamic of a true international film festival. My salute to all Canadians and congratulations! This is some place we, the Japanese film-makers, can look for the future of Japanese cinema.” Masato Harada (Director: Sekigahara, Kakekomi, The Emperor in August, Chronicle of My Mother) Now in its ninth year, the Toronto Japanese Film Festival has grown into one of the largest cinema events of its kind in the world, showcasing the finest Japanese films that have been recognized for excellence by Japanese audiences and critics, international film festival audiences and the Japanese Film Academy. Programming addresses popular genres such as historical (samurai) jidaigeki, contemporary dramas, comedies and action, literary adaptations, children’s, art-house and anime films. All films shown are North American, Canadian, or Toronto premieres. -
A Life Adrift
A Lf A A Life Adrift, the memoir of balladeer-political activist Soeda Azembō (1872- 1944), chronicles his life as one of Japan’s Þ rst modern mass entertainers and imparts an understanding of how ordinary people experienced and accommodated the tumult of life in prewar Japan. Azembō created enka songs sung by tenant farmers in rural hinterlands and factory hands in Tokyo and Osaka. Although his work is still largely unknown outside Japan, his poems and lyrics were so well known at his career’s peak that a single verse served as shorthand expressing popular attitudes about political corruption, sex scandals, spiralling prices, war, and love of motherland. As these categories attest, he embedded in his songs contemporary views on class conß ict, gender relations, and racial attitudes toward international rivals. Ordinary people valued Azembō’s music because it was of them and for them. They also appreciated it for being distinctively modern and home-grown, qualities rare among the cultural innovations that ß ooded into Japan from the mid- nineteenth century. A Life Adrift stands out as the only memoir of its kind, one written Þ rst-hand by a leader in the world of enka singing. The Author Michael Lewis is Professor of History at Michigan State University. 0001a-prelims-Life01a-prelims-Life AAdrift.indddrift.indd i 117/10/087/10/08 11:36:21:36:21 ppmm Routledge Contemporary Japan Series A Japanese Company in Crisis Political Reform in Japan Ideology, strategy, and narrative Leadership looming large Fiona Graham Alisa Gaunder Japan’s Foreign Aid Civil Society and the Internet in Japan Old continuities and new directions Isa Ducke Edited by David Arase Japan’s Contested War Memories Japanese Apologies for World War II The ‘memory rifts’ in historical A rhetorical study consciousness of World War II Jane W. -
Global Makeover Cover V2.Indd 12/21/2010 3:18:21 PM
(1,1) -1- FINAL_global makeover cover v2.indd 12/21/2010 3:18:21 PM � e 11 studies in this book show the “makeover” that selected countries in Asia have undergone due to globalization. Clearly, the la� er’s eff ects go beyond economics as Asian politics and culture (including media) tend to evolve due to the changing times. While these studies do not cover the entire Asian experience with regard to globalization and other in� uences, they nevertheless give interested readers the speci� c experience in selected Asian countries like the Philippines, Korea and East Timor while providing a general context of Asian media and culture. Editor’s Introduction Regional Contexts of Media Cooperation and Artistic Collaboration in East Asia by Caroline S. Hau Whose Stories Do We Listen To? World-System and the Pa� ern of International News Flow global makeover by Seung Joon Jun and Ju-Yong Ha A Yearning for Tenderness in Korean Cinema Media and Culture in Asia by Ju-Yong Ha and Joel David Cultural Proximity and Cultural Distance: � e Reception of Korean Films in China � rough the Case of My Sassy Girl in the Early 2000s by Ying Huang and Kwang Woo Noh Edited by Danilo Araña Arao � e ‘English Fever’ in Korea by Doobo Shim and Joseph Sung-Yul Park � e New Fantasy-Adventure Film as Contemporary Epic, 2000-2007 by Patrick F. Campos � e Alternative Metaphor in Metaphors: Discursive ‘Readings’ on Language, Symbols and Enculturation in Philippine Cinema and Other Media by Shirley Palileo-Evidente Orientalism and Classical Film Practice by Joel David � e Grassroots Approach to Communication: How Participatory Is Participatory Communication in the Philippines? by Randy Jay C. -
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way
PŘEHLED ASIJSKÉ KINEMATOGRAFIE PRO ROK 2011 My Way Režie: Kang Je-Gyu (Shiri, Taegukgi) Obsazení: Joe Odaigiri, Fan Bingbing, Jang Dong Gun Blind Režie:Ahn Sang-Hoon Obsazení: Kim Ha-Neul ,Yoo Seung-Ho Quick Režie: Jo Beom-Gu Obsazení: Lee Min-Ki Kang Hye-Won Kim In-Kwon War of the Arrows Režie: Kim Han-Min Obsazení: Park Hae-Il Ryoo Seung-Ryong Moon Chae-Won Kim Mu-Yeol Sector 7 Režie: Kim Ji Hun Obsazení: Ha Ji-Won Ahn Sung-Ki Oh Ji-Ho Lee Han-Wi Cha Ye-Ryeon Park Cheol-Min Song Sae-Byeok Park Jung-Hak Spellbound Režie: Hwang In-Ho Obsazení: Son Ye-Jin Lee Min-Ki Link Režie: Woody Han Obsazení: Ryu Deok-Hwan Kwak Ji-Min The Front Line Režie: Jang Hun (Secret Reunion, Rough Cut) Obsazení: Ko Soo Shin Ha-Kyun Kim Ok-Bin Ryoo Seung-Ryong Lee Je-Hoon Ko Chang-Seok Ryu Seung-Soo Lee Da-Wit Always Režie: Song Il-Gon (Spider Forest) Obsazení: So Ji-Sub Han Hyo-Joo Yun Jong-Hwa Kang Shin-Il Park Cheol-Min Jo Sung-Ha Jin Goo The Day He Arrives Režie: Hong Sang-Soo Obsazení: Yu Jun-Sang Song Seon-Mi Kim Bo-Kyung Kim Sang-Jung Baek Jong-Hak That‘s The Way! Režie: Hideaki Sato Obsazení: Horikita Maki Tadano Asanobu Tsuyoshi Abe Tae Kimura Ayumi Ishida Koichi Sato Bokuzo Masana Makoto Awane Hirofumi Arai Takeshi Yamamoto Andalucia: Revenge of the Goddess Režie: Hiroshi Nishitani Obsazení: Yuji Oda Meisa Kuroki Hideaki Ito Erika Toda Masaharu Fukuyama Shosuke Tanihara Takeshi Kaga Isao Natsuyagi Into the White Night Režie: Yoshihiro Fukagawa Obsazení: Maki Horikita Kengo Kora Eichiro Funakoshi Nobuo Kyo Yurie Midori Urara Awata Hara-Kiri: Death of -
Jaarverslag 2007-2008 (PDF)
1 Het International Film Festival Rotterdam (IFFR) toont de nieuwste onafhankelijke en vernieuwende films uit de wereld en is een platform voor actuele filmkunst, opkomend en gevestigd filmtalent en filmgerelateerde kunst. Naast de vertoning van films steunt het filmfestival actief de totstandkoming van auteurscinema en de deskundigheid van filmtalent, de onafhankelijke filmindustrie en filmkritiek. Een internationale coproductiemarkt (CineMart), een fonds voor filmmakers in ontwikkelingslanden (Hubert Bals Fonds), trainingprojecten (Rotterdam Lab, Trainee Project for Young Film Critics) en debatten voor filmprofessionals maken deel uit van het filmfestival. Behalve via het filmfestival en de internationale activiteiten van Hubert Bals Fonds en CineMart, zorgt de Stichting Filmfestival Rotterdam ervoor dat de kunstzinnige film in Nederland op andere wijzen te zien blijft: via de filmtheaters (Rotterdam en route), op dvd (Tiger Releases) en televisie (NPS Wereldcinema). Op landelijk, regionaal en lokaal niveau brengt IFFR studenten en scholieren in contact met onafhankelijke filmkunst via de Rotterdam Film Course, Meet the Maestro, Filmblik Rotterdam en schoolvoorstellingen. WOORD VOORAF Het was in een aantal opzichten een vrij radicaal Tegelijk was ook de 37ste editie een feest van jaar voor het International Film Festival Rot- diversiteit met 244 lange, 383 korte films en terdam (IFFR). In de eerste plaats letterlijk: ruim 100 performances en installaties. Daarbij het festival legde dit jaar de nadruk op het is gestreefd naar een overzichtelijker opzet thema Free Radicals. Door dit accent op een door het aantal programmaonderdelen terug te specifieke esthetische traditie van filmmakers brengen. De reacties, in de (internationale) pers, en kunstenaars die geen technische perfectie en van de gasten en professionals die onder nastreven, maar kiezen voor een puur en direct andere de 25 jaar jonge CineMart bezochten, werk, maakten we nog eens duidelijk waar het maakten het weer een festival om trots op te IFFR voor stond én staat: het werk van film- zijn.