FEFF 23 Will Be Taking Place in Udine and Online from Thursday 24 June to Friday 2 July
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Feff Press Kit
PRESS RELEASES, FILM STILLS & FESTIVAL PICS AND VIDEOS TO DOWNLOAD FROM WWW.FAREASTFILM.COM PRESS AREA Press Office/Far East Film Festival 19 Gianmatteo Pellizzari & Ippolita Nigris Cosattini +39/0432/299545 - +39/347/0950890 [email protected] - [email protected] Video Press Office Matteo Buriani +39/345/1821517 – [email protected] 21/29 April 2017 – Udine – Teatro Nuovo and Visionario FAR EAST FILM FESTIVAL 19: THE POWER OF ASIA! The irresistible road movie Survival Family opens the #FEFF19 on Friday the 21 st of April: a packed programme which testifies to the incredible vitality (both productive and creative) of Asian cinema. 83 titles selected from almost a thousand seen, and 4 world premiers, including Herman Yau's high-octane thriller Shock Wave , which will close the nineteenth edition. Press release of the 13 th of April 2017 For immediate release UDINE - Who turned out the lights? Nobody did, and the fuses haven't blown. And no, it's not even a power cut. Electricity has just suddenly ceased to exist, so the Suzuki family must now very quickly learn the art of survival: and facing a global blackout is not exactly a walk in the park! It's with the world screeching to a halt of the irresistible Japanese road movie Survival Family that the highly anticipated Far East Film Festival 19 opens: not just because Yaguchi Shinobu' s wonderful comedy is the festival's starting pistol on Friday the 21 st of April, but also for a question of symmetry: just like the blackout in Survival Family , the FEFF is an interruption . -
Cannes Film Festival, Marché Guests Will Require Masks and Digital Health Passes to Attend
Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica Web Huffingtonpost.it 20/05/2021 CIAK SI GIRA I CINEMA PROVANO A RESISTERE CON IL 3 CROWDFUNDING Rubrica Cinema V Avvenire 21/05/2021 CRONENBERG OSPITE A MATERA 5 23 Il Messaggero 21/05/2021 CINEMA IL DIVIN CODINO, COSI' LA STORIA DI BAGGIO DIVENTA UN 6 FILM (G.Satta) 11 Il Venerdi' (La Repubblica) 21/05/2021 VISIONI INTERIORI (V.Lingiardi) 8 107 Il Venerdi' (La Repubblica) 21/05/2021 IL CINEMA COREANO SI METTE IN MOSTRA (T.Lo Porto) 9 114/17 Il Venerdi' (La Repubblica) 21/05/2021 QUEL POMERIGGIO DI UN GIORNO DA NERI (M.Consoli) 10 120/21 Il Venerdi' (La Repubblica) 21/05/2021 ARRIVO SUL SET E DIVENTO UNA BESTIA (M.Capuani) 13 32/33 La Repubblica 21/05/2021 ARRIVERANNO I NUOVI ANNI. RUGGENTI (A.Ginori) 15 34 La Repubblica 21/05/2021 Int. a J.Malkovich: JOHN MALKOVICH "DANTE E' INACCESSIBILE IN 17 TEATRO NON LO FARO'" (A.Finos) 22/23 La Stampa 21/05/2021 Int. a C.Chatrian: "C'E' TANTO BISOGNO DI COMMEDIE PER LEGGERE 19 LA REALTA' IN MODO LEGGERO" (U.Audino) 12/13 La Verita' 21/05/2021 LA FATA MADRINA NEL NUOVO FILM "CENERENTOLA" SARI UN 20 NERO GENDER FLUID (E.Verrengia) 27 L'Economia (Corriere della Sera) 21/05/2021 NOTORIOUS DIVERSIFICARE E' UN BEL CINEMA (G.Marvelli) 21 19 Libero Quotidiano 21/05/2021 IL CINEMA SPIEGA IL VATE: PIU' LIBERTARIO CHE FASCISTA 22 (G.Veneziani) 25 QN- Giorno/Carlino/Nazione 21/05/2021 CANTANTE E ATTRICE DA OSCAR UN BIOPIC IN VISTA PER CHER 24 25 QN- Giorno/Carlino/Nazione 21/05/2021 TOKARCZUK, CARRE'RE, GROSSMAN TRIS D'ASSI PER IL TAOBUK -
7015 B Program P.Indd
From the Queen to the Chief Executive: May 4–6 Hong Kong Films 2007 10 Years After the Handover 香港電影縱橫﹕ 展與談 1 I am absolutely thrilled to welcome you to our fi rst Hong Kong fi lm Schedule at a glance festival, From the Queen to the Chief Executive: Hong Kong Films Ten Years After the Handover. This important event fi rst and foremost celebrates the friday, may 4 2:30 pm–4:15 pm achievements of Hong Kong fi lm and its impact on a new and ever- Banana Bruises; Royal Ontario Museum changing global culture. From the Queen to the Chief Executive also provides Dumplings Theatre, 100 Queen’s Park a forum to contemplate developments on Hong Kong since its historic 4:15 pm–5:15 pm 6:15 pm–7:15 pm return to China in 1997. Film is a lens through which to understand the Horror Panel VIP Reception dynamics of a changing society and the world around it. Film provides 5:15 pm–6:30 pm Royal Ontario Museum – an important platform, a medium, for telling peoples’ stories. In this Dinner Break Glass Room on the respect, fi lm is both critical and celebratory, it challenges and re- 4th Floor 6:30 pm–8:35 pm affi rms. Its impact is political, social, economic, cultural and often Venues 7:00 pm Eastbound; Welcome leaves legacies of historical import. Doors Open Lost in Time to the First 7:30 pm–7:40 pm 8:35 pm–9:00 pm The Asian Institute is an inter-disciplinary home to scholars working iiX iiX iiX iiX Break Waddg Waddg Welcoming Remarks University on Asia, comprising leading scholars in the humanities and social VkZcjZgY YZdch]^gZea 7:40 pm–9:30 pm 9:00 pm–11:00 pm sciences. -
[WATCH] Shock Wave 2
[WATCH] Shock Wave 2 (2020) Online Movie Full Version ||HD 5 sec ago Don’t miss!~NITFLIX~! Where to Watch Shock Wave 2 Online Free? [DVD-ENGLISH] Shock Wave 2(2020) Full Movie Watch online free HQ [DvdRip-USA eng subs ]] Shock Wave 2! (2020) Full Movie Watch #Shock Wave 2 online free 123 Movies Online !! Shock Wave 2 (2020) | Watch Shock Wave 2 Online (2020) Full Movie Free HD.720Px|Watch Shock Wave 2 Online (2020) Full MovieS Free HD Google Drive!! Shock Wave 2 (2020)with English Subtitles ready for download,Shock Wave 2 (2020) 720p, 1080p, BrRip, DvdRip, High Quality. Watch Shock Wave 2 Google Drives Online Free HD Streamnow ➡ https://movie-bluray.com/movie/559974/shock-wave-2.html Title : Shock Wave 2 Release : 2020-12-24 Rating : 7.6/10 by 5 Runtime : 120 min. Companies : Country : China, Hong Kong Language : 广å·è¯ / 廣å·è©± Genre : Action, Crime Stars : Andy Lau, Lau Ching-Wan, Ni Ni, Tse Kwan-Ho, Marc Ma, Philip Keung Overview : When a bomb went off unexpectedly during a police operation to disarm it, bomb disposal officer Poon Shing-Fung got caught in the blast and lost one of his legs. Poon decided to leave the police service. Three years later, the police suspect Poon, who was found in a coma at the spot of a terrorist bombing attack, of being involved in several bombing attacks in the past two years. Poon can hardly remember his past and even his own identity due to post-traumatic amnesia. He plans to escape to find out the truth. -
Shock Wave 2 (Mand) Cast: Director: Genre: Action, Adventure Andy Lau 刘德华, Sean Lau 刘青云, Ni Ni 倪妮 Herman Yau 邱礼涛 Rating: TBA 拆弹专家 2
Golden Village Pictures 2020-21 Movie Lineup DECEMBER Shock Wave 2 (Mand) Cast: Director: Genre: Action, Adventure Andy Lau 刘德华, Sean Lau 刘青云, Ni Ni 倪妮 Herman Yau 邱礼涛 Rating: TBA 拆弹专家 2 24 December 2020 Synopsis: A series of bomb explosions have been occurring in Hong Kong, causing fear amongst the public. Former bomb disposal officer Poon Sing-fung (Andy Lau) fell into a coma at a crime scene injured in an explosion and becomes top wanted criminal after the police suspects of his ties with the criminal organisation, the Resurrection Group. After waking up from his coma, Poon was interrogated and imprisoned. Poon escapes from prison in order to investigate the truth and prove his innocence. On his lonely and helpless road, Poon enlists the help of his comrade in arms, bomb disposal officer Tung Cheuk-man (Sean Lau). However, the two fall into a conflict of black and white as Tung must choose between justice and friendship. Tung decides to choose the latter and assists his friend. At the same time, Poon's ex-girlfriend, Pong Ling (Ni Ni), who is now the chief inspector of the Counter Terrorism Response Unit, desperate to discover the culprit behind the series of explosions, persuades Poon to come in contact with the Resurrection Group to find out this mysterious organisation's next terrorist move and prove his innocence. Poon realises that exposing the truth is just as challenging as disposing explosives, risking his life as he races against time. The Rescue (Mand) Cast: Director: Genre: Action Eddie Peng 彭于晏, Wang Yanlin 彭于晏, Xin Zhilei 辛芷蕾 Dante Lam 林超贤 Rating: TBA 紧急救援 Synopsis: 31 December 2020 A rescue unit within the Chinese Coast Guard are forced to overcome their personal differences to resolve a crisis. -
Aquino Hemming and Hawing—Ramos
Panahon na para magsaya! GRAND FINALS & LIVE CONCERT May 30, 2015 Hamilton Convention Centre FEBRUARY 2015 1st Elimination Rounds Vol. 4 No. 2 Saturday, MARCH 14, 2015 Hamilton Filipino Comm. Centre Sunday, MARCH 15, 2015 Living Words Ministries Church LIAR? LIAR? LIAR? President B.S. Aquino III. “The buck stops here” Suspended and resigned PNP Chief A. Purisima. SAF Commander Getulio Napeñas. Scapegoat? “Pakialamero,” says Miriam Santiago. Mamasapano massacre Philippine Constabulary Integrated national Police (PC/INP) ,the pre- Gallant 44: WE SALUTE YOU! of 44 SAF commandos cursor of the present PNP has lam- By waves news staff basted President B.S. Aquino for “lacking the resolve to deal with the A WEB OF LIES, A LITANY OF DENI- botched operation that resulted in ALS, in the aftermath of that deadly the death of 44 police commandos”. clash in Mamansapano, Maguinda- nao where 44 young elite police He also urged President Aquino, as troopers belonging to the Special commander in chief, to take respon- Armed Forces (SAF) of Philippine sibility for the whole incident at the National Police (PNP) brutally lost same time putting to a stop the their lives, begins to unfold as inves- blaming and finger pointing. tigations by both the senate and the He singled out SAF commander house of representatives also heard Napenas as a “fall guy” for taking stories of blunders, miscalculations, the blame all by himself when he and distrust among military and said the responsibility “takes us all government officials. to the way up”. Aquino hemming and A furious former president Fidel V. -
For Whom the Bell Tolls
Msgr. Gutierrez Selfi e and Identity — p. 10 Ben Maynigo SCOTUS: Liberal or Conservative? — p. 6 Miles Beauchamp Disabled Literature: A New Look at the Everyday — p. 6 Trends CES: The World’s Largest Consumer Technology Road Show — p. 13 July 3-9, 2015 PH govt sticks to 7-8% growth target until 2016 Philstar.com | MANILA, Governor Approves Bonta Bill 7/1/2015 - The government has For Whom the Bell Tolls retained its economic growth to establish “Larry Itliong Day” assumptions of seven to eight Remembering The Boston Marathon Bombing percent for this year and next In California year, but noted that hitting the top-end of its target would be a AB 7 Honors California Hero And “Larry Itliong was one of the “…..any man’s death diminishes me, because I am involved in mankind, and therefore challenge given some issues on Filipino American Labor Leader greatest labor organizers and never send to know for whom the bell tolls; it tolls for thee. – John Donne, 1624.” the domestic front. leaders in California history,” In a briefi ng following a meet- (SACRAMENTO, CA) – As- Bonta explained. “He was a ing of the country’s economic semblymember Rob Bonta (D- hero not only to the Filipino By Simeon G. Silverio, Jr. managers yesterday, Budget Oakland) is proud to announce American community, but to all Publisher & Editor Secretary Florencio Abad said that Governor Brown signed AB Californians and Americans who Asian Journal San Diego the inter-agency Development 7 today. The bill requires the fought and continue to fi ght for The Original and First Asian Journal in America Budget Coordination Committee Governor to annually proclaim socioeconomic and racial jus- (DBCC) agreed to keep the coun- Larry Itliong’s October 25th tice in our state and nation. -
Special Issue on Film Criticism
semi-annual peer-reviewed international online journal VOL. 93 • NO. 1 • MAY 2020 of advanced research in literature, culture, and society UNITAS SPECIAL ISSUE ON FILM CRITICISM ISSN: 0041-7149 Indexed in the International Bibliography of the ISSN: 2619-7987 Modern Language Association of America About the Issue Cover From top to bottom: 1. Baconaua - One Big Fight Productions & Waning Crescent Arts (2017); 2. Respeto - Dogzilla, Arkeofilms, Cinemalaya, CMB Film Services, & This Side Up (2017); 3. Ebolusyon ng Isang Pamilyang Pilipino - Sine Olivia, Paul Tañedo Inc., & Ebolusyon Productions (2004); 4. Himala - Experimental Cinema of the Philippines (1982); and 5. That Thing Called Tadhana - Cinema One Originals, Epicmedia, Monoxide Works, & One Dash Zero Cinetools (2014). UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowl- edge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. Although downloading and printing of the articles are allowed, users are urged to contact UNITAS if reproduction is intended for non-individual and non-commercial purposes. Reproduction of copies for fair use, i.e., for instruction in schools, colleges and universities, is allowed as long as only the exact number of copies needed for class use is reproduced. -
Day 1 001 Ad Cover.Indd
MONDAY, MARCH 24 2014 DAY 1 AT FILMART www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 fatal_encounter-ad_245x266_fin_전달용 1 2014.3.14 5:41:12 PM MONDAY, MARCH 24 2014 TODAY DAY 1 AT FILMART Hot titles: Korea, page 16 www.ScreenDaily.com Editorial +852 2582 8959 Advertising +852 2582 8958 NEWS Pan-Asia Academy expands Hong Kong, Busan and Toyko outline Academy plans » Page 4 Desen teams with Weta REVIEWS The Midnight After Fruit Chan’s opening night film proves a quirky apocalyptic horror on 3D epic Zhong Kui » Page 10 Jamie Marks Is Dead BY LIZ SHACKLETON Weta Workshop is providing FEATURE China’s Desen International Media character and scenery design for Hot titles Celluloid Dreams has brought on board top VFX the fi lm, while its sister company Screen profiles Korean cinema houses including Peter Jackson’s Park Road Post works on compos- highlights acquires Jamie Weta Workshop for $27m 3D fan- iting. The film is one of the first » Page 16 tasy adventure Zhong Kui: Snow Chinese films to use full perfor- Marks Is Dead Girl And The Dark Crystal. mance capture, which will be han- SCREENINGS Acclaimed Hong Kong DoP dled by leading Korean VFX house » Page 19 BY JEAN NOH Peter Pau is serving as producer, Li Bingbing Macrograph (Journey To The West: France’s Celluloid Dreams has DoP and VFX director on the fi lm, Conquering The Demons). picked up international rights on which is currently shooting in stereographer Vincent E Toto Other behind-the-scenes talent Sundance competitor Jamie Marks China with Chen Kun, Li Bingbing, (Dredd). -
Screendollars Newsletter 2021-04-26.Pdf
Monday, April 26, 2021 | No. 165 One of the things moviegoers like most about going to theatres is seeing films on the Big Screen, "the way they were meant to be seen." What people don't realize is that when films started in the mid-1890s, there were neither screens nor projectors. The very short films of that era were meant to be seen individually by looking into peep show machines in arcades. Those Kinetoscope devices were one of many inventions from Thomas Edison's factory in West Orange, NJ. Since Edison was monetizing his Kinetoscopes quite well, he had no interest in developing a machine to project film images on walls. Others, however, saw a big future in showing films to groups of people. Peep show owners, in fact, were very vocal in pressing Edison to devise a Film projection to large audiences was much more way to show life size images on arcade walls. This led to the Vitascope profitable than viewing through individual kiosks, since projection system, developed by Washington, DC inventor Thomas Armat, fewer machines were needed in proportion to the but then marketed by Edison's organization as if it were his own invention. number of viewers - Click to Play The first public Vitascope screening took place April 23, 1896 at Koster & Biel's Music Hall, a vaudeville house in New York's Herald Square at 34th Street near Broadway, the site today of Macy's. It would have premiered three days earlier, but it took longer than expected to install the machinery. That first night audience was dazzled by film images projected on a 20 foot canvas screen set within a gilded frame. -
INFERNAL AFFAIRS (2002, 101 Min.) Online Versions of the Goldenrod Handouts Have Color Images & Hot Links
November 13 2018 (XXXVII:12) Wai-Keung Lau and Alan Mak: INFERNAL AFFAIRS (2002, 101 min.) Online versions of The Goldenrod Handouts have color images & hot links: http://csac.buffalo.edu/goldenrodhandouts.html DIRECTED BY Wai-Keung Lau (as Andrew Lau) and Alan Mak WRITING Alan Mak and Felix Chong PRODUCED BY Wai-Keung Lau producer (as Andrew Lau), line producers: Ellen Chang and Lorraine Ho, and Elos Gallo (consulting producer) MUSIC Kwong Wing Chan (as Chan Kwong Wing) and Ronald Ng (composer) CINEMATOGRAPHY Yiu-Fai Lai (director of photography, as Lai Yiu Fai), Wai-Keung Lau (director of photography, as Andrew Lau) FILM EDITING Curran Pang (as Pang Ching Hei) and Danny Pang Art Direction Sung Pong Choo and Ching-Ching Wong WAI-KEUNG LAU (b. April 4, 1960 in Hong Kong), in a Costume Design Pik Kwan Lee 2018 interview with The Hollywood Reporter, said “I see every film as a challenge. But the main thing is I don't want CAST to repeat myself. Some people like to make films in the Andy Lau...Inspector Lau Kin Ming same mood. But because Hong Kong filmmakers are so Tony Chiu-Wai Leung...Chen Wing Yan (as Tony Leung) lucky in that we can be quite prolific, we can make a Anthony Chau-Sang Wong...SP Wong Chi Shing (as diverse range of films.” Lau began his career in the 1980s Anthony Wong) and 1990s, serving as a cinematographer to filmmakers Eric Tsang...Hon Sam such as Ringo Lam, Wong Jing and Wong Kar-wai. His Kelly Chen...Dr. -
Art Archive 02 Contents
ART ARCHIVE 02 CONTENTS The Japan Foundation, Manila A NEW AGE OF CONTEMPORARY PHILIPPINE CINEMA AND LITERATURE ART ARCHIVE 02 by Patricia Tumang The Golden Ages THE HISTORIC AND THE EPIC: PHILIPPINE COMICS: Contemporary Fiction from Mindanao Tradition and Innovation by John Bengan Retracing Movement Redefiningby Roy Agustin Contemporary WHAT WE DON’T KNOW HistoriesABOUT THE BOOKS WE KNOW & Performativity Visual Art by Patricia May B. Jurilla, PhD SILLIMAN AND BEYOND: FESTIVALS AND THE LITERARY IMAGINATIONS A Look Inside the Writers’ Workshop by Andrea Pasion-Flores by Tara FT Sering NEW PERSPECTIVES: Philippine Cinema at the Crossroads by Nick Deocampo Third Waves CURRENT FILM DISTRIBUTION TRENDS IN THE PHILIPPINES by Baby Ruth Villarama DIGITAL DOCUMENTARY TRADITIONS Regional to National by Adjani Arumpac SMALL FILM, GLOBAL CONNECTIONS Contributor Biographies by Patrick F. Campos A THIRD WAVE: Potential Future for Alternative Cinema by Dodo Dayao CREATING RIPPLES IN PHILIPPINE CINEMA: Directory of Philippine The Rise of Regional Cinema by Katrina Ross Tan Film and Literature Institutions ABOUT ART ARCHIVE 02 The Japan Foundation is Japan’s only institution dedicated to carrying out comprehensive international cultural exchange programs throughout the world. With the objective of cultivating friendship and ties between Japan and the world through culture, language, and dialogue, the Japan Foundation creates global opportunities to foster trust and mutual understanding. As the 18th overseas office, The Japan Foundation, Manila was founded in 1996, active in three focused areas: Arts and Culture; Japanese Studies and Intellectual Exchange; Japanese- Language Education. This book is the second volume of the ART ARCHIVE series, which explores the current trends and concerns in Philippine contemporary art, published also in digital format for accessibility and distribution on a global scale.