For Whom the Bell Tolls
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FEFF 23 Will Be Taking Place in Udine and Online from Thursday 24 June to Friday 2 July
2 3 PRESS RELEASES FILM STILLS & FESTIVAL PICS VIDEOS TO DOWNLOAD FROM WWW.FAREASTFILM.COM PRESS AREA Press Office/Far East Film Festival 20 Gianmatteo Pellizzari & Ippolita Nigris Cosattini +39/347/0950890 [email protected] - [email protected] 4 24 June/2 July 2021 - Udine, Italy, Visionario & Cinema Centrale FAR EAST FILM FESTIVAL 23: MOVING FORWARD! 63 titles from 11 countries and regions: the proof of a cinema industry that is back on its feet and looking to the future. FEFF 23 will be taking place in Udine and online from Thursday 24 June to Friday 2 July. Press release for 9 June, 2021 For immediate publication/release UDINE – A throwdown is when you get knocked to the ground. It's an action, and even more a state of mind, that inspired one of Johnnie To's masterpieces and which perfectly captures the dynamics - social, political, health and emotional - of the last year and a half. There's no need to go over why - what we need, what we really need, is to stay focused on the "after" part. The action, and even more so the state of mind, that every throw down triggers: that instinct to get back up. The instinct to not stay down there, where the body blows of history have made us fall. That's the idea - we might even call it the operational philosophy - behind the Far East Film Festival 23: documenting the “after”. Showing a world, the world of Asian cinema, which refuses to resign itself to immobility and is intent on getting back on its feet again.. -
Papal Visit Philippines 2014 and 2015 2014
This event is dedicated to the Filipino People on the occasion of the five- day pastoral and state visit of Pope Francis here in the Philippines on October 23 to 27, 2014 part of 22- day Asian and Oceanian tour from October 22 to November 13, 2014. Papal Visit Philippines 2014 and 2015 ―Mercy and Compassion‖ a Papal Visit Philippines 2014 and 2015 2014 Contents About the project ............................................................................................... 2 About the Theme of the Apostolic Visit: ‗Mercy and Compassion‘.................................. 4 History of Jesus is Lord Church Worldwide.............................................................................. 6 Executive Branch of the Philippines ....................................................................... 15 Presidents of the Republic of the Philippines ....................................................................... 15 Vice Presidents of the Republic of the Philippines .............................................................. 16 Speaker of the House of Representatives of the Philippines ............................................ 16 Presidents of the Senate of the Philippines .......................................................................... 17 Chief Justice of the Supreme Court of the Philippines ...................................................... 17 Leaders of the Roman Catholic Church ................................................................ 18 Pope (Roman Catholic Bishop of Rome and Worldwide Leader of Roman -
Aquino Hemming and Hawing—Ramos
Panahon na para magsaya! GRAND FINALS & LIVE CONCERT May 30, 2015 Hamilton Convention Centre FEBRUARY 2015 1st Elimination Rounds Vol. 4 No. 2 Saturday, MARCH 14, 2015 Hamilton Filipino Comm. Centre Sunday, MARCH 15, 2015 Living Words Ministries Church LIAR? LIAR? LIAR? President B.S. Aquino III. “The buck stops here” Suspended and resigned PNP Chief A. Purisima. SAF Commander Getulio Napeñas. Scapegoat? “Pakialamero,” says Miriam Santiago. Mamasapano massacre Philippine Constabulary Integrated national Police (PC/INP) ,the pre- Gallant 44: WE SALUTE YOU! of 44 SAF commandos cursor of the present PNP has lam- By waves news staff basted President B.S. Aquino for “lacking the resolve to deal with the A WEB OF LIES, A LITANY OF DENI- botched operation that resulted in ALS, in the aftermath of that deadly the death of 44 police commandos”. clash in Mamansapano, Maguinda- nao where 44 young elite police He also urged President Aquino, as troopers belonging to the Special commander in chief, to take respon- Armed Forces (SAF) of Philippine sibility for the whole incident at the National Police (PNP) brutally lost same time putting to a stop the their lives, begins to unfold as inves- blaming and finger pointing. tigations by both the senate and the He singled out SAF commander house of representatives also heard Napenas as a “fall guy” for taking stories of blunders, miscalculations, the blame all by himself when he and distrust among military and said the responsibility “takes us all government officials. to the way up”. Aquino hemming and A furious former president Fidel V. -
Special Issue on Film Criticism
semi-annual peer-reviewed international online journal VOL. 93 • NO. 1 • MAY 2020 of advanced research in literature, culture, and society UNITAS SPECIAL ISSUE ON FILM CRITICISM ISSN: 0041-7149 Indexed in the International Bibliography of the ISSN: 2619-7987 Modern Language Association of America About the Issue Cover From top to bottom: 1. Baconaua - One Big Fight Productions & Waning Crescent Arts (2017); 2. Respeto - Dogzilla, Arkeofilms, Cinemalaya, CMB Film Services, & This Side Up (2017); 3. Ebolusyon ng Isang Pamilyang Pilipino - Sine Olivia, Paul Tañedo Inc., & Ebolusyon Productions (2004); 4. Himala - Experimental Cinema of the Philippines (1982); and 5. That Thing Called Tadhana - Cinema One Originals, Epicmedia, Monoxide Works, & One Dash Zero Cinetools (2014). UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowl- edge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. Although downloading and printing of the articles are allowed, users are urged to contact UNITAS if reproduction is intended for non-individual and non-commercial purposes. Reproduction of copies for fair use, i.e., for instruction in schools, colleges and universities, is allowed as long as only the exact number of copies needed for class use is reproduced. -
Art Archive 02 Contents
ART ARCHIVE 02 CONTENTS The Japan Foundation, Manila A NEW AGE OF CONTEMPORARY PHILIPPINE CINEMA AND LITERATURE ART ARCHIVE 02 by Patricia Tumang The Golden Ages THE HISTORIC AND THE EPIC: PHILIPPINE COMICS: Contemporary Fiction from Mindanao Tradition and Innovation by John Bengan Retracing Movement Redefiningby Roy Agustin Contemporary WHAT WE DON’T KNOW HistoriesABOUT THE BOOKS WE KNOW & Performativity Visual Art by Patricia May B. Jurilla, PhD SILLIMAN AND BEYOND: FESTIVALS AND THE LITERARY IMAGINATIONS A Look Inside the Writers’ Workshop by Andrea Pasion-Flores by Tara FT Sering NEW PERSPECTIVES: Philippine Cinema at the Crossroads by Nick Deocampo Third Waves CURRENT FILM DISTRIBUTION TRENDS IN THE PHILIPPINES by Baby Ruth Villarama DIGITAL DOCUMENTARY TRADITIONS Regional to National by Adjani Arumpac SMALL FILM, GLOBAL CONNECTIONS Contributor Biographies by Patrick F. Campos A THIRD WAVE: Potential Future for Alternative Cinema by Dodo Dayao CREATING RIPPLES IN PHILIPPINE CINEMA: Directory of Philippine The Rise of Regional Cinema by Katrina Ross Tan Film and Literature Institutions ABOUT ART ARCHIVE 02 The Japan Foundation is Japan’s only institution dedicated to carrying out comprehensive international cultural exchange programs throughout the world. With the objective of cultivating friendship and ties between Japan and the world through culture, language, and dialogue, the Japan Foundation creates global opportunities to foster trust and mutual understanding. As the 18th overseas office, The Japan Foundation, Manila was founded in 1996, active in three focused areas: Arts and Culture; Japanese Studies and Intellectual Exchange; Japanese- Language Education. This book is the second volume of the ART ARCHIVE series, which explores the current trends and concerns in Philippine contemporary art, published also in digital format for accessibility and distribution on a global scale. -
Philippines May Lose Trade Perk
MAY 2018 Philippines may lose trade perk As Philippines reaches middle income status, European exports may be subject to tariffs MANILA - The Philippines may (EU) which is aimed at poorer middle income status in 2019. Philippine products to enter the region at soon lose its eligibility for a trade nations, in view of a report that zero tariff. perk from the European Union says the country may reach upper Under current rules, the EU’s prefer- TRADE PERK ential trade scheme allows thousands of continued on page 12 Onlookers could not help Spotlight but say that Marian looks AVENIDA RIZAL, 1956 more gorgeous these days, which she would grateful- ly acknowledge with the sweetest smile. Careful not to take the thunder away from the movie’s leads, she humbly said, “I’m here to support the people I love. Barbie who is with me in ‘Sunday Pinasaya,’ Derrick, and of course Direk Lou- ie, our director [in the noontime show], whom I love so dearly. Ex- cited siyempre akong makita yung movie, especially since it was shot in Italy. ‘Di ba kagagaling lang namin sa Europe,” she enthused. The European vacation was SHUT UP another unforgettable experience SUPREME COURT TELLS ROBEREDO, MARCOS for Marian and her family. “We really had fun everywhere we went, visiting most of them for the first time. Nag-enjoy rin si Zia and that’s what’s important—yung JADINE - JADAONE Issue : ma-enjoy niya ‘yung mga lugar na pinupuntahan namin and all the activities we do. Saka ang sarap “Other People Make it Bigger” niyang bihisan kasi ang cute,” Marian dotingly giggled. -
CARDINAL Tagle the First Filipino Pope Marriage Is Good for the Heart
ittle anila LFEB. - MARCHM. 2013Confidential CARDINAL Tagle The First Filipino Pope Marriage is Good for the Heart Sleep-deprived should watch their Portion Sizes Why women care more about their looks than their health PH has Good Disaster Laws - UN Dirty Money Unfortunately, Weak Governance make these Laws Useless MANILA, Philippines - The “Legislation is insufficient unless It also noted that the Philippine from PHL Philippines has good laws on it is supported by strong political will constitution and political system allow MANILA, Philippines - This made the disaster risk reduction but weak local to ensure implementation,” the report local executives to enforce policies that Philippines place sixth in a ranking of governance tends to render these dubbed “Disaster-induced internal will keep the public out of disaster- countries that are the biggest sources of useless, the United Nations said. displacement in the Philippines” said. prone areas. financial outflow attributed to corruption, tax A new UN report released found The report lauded the Philippine “Yet the combination of high poverty evasion, smuggling and other illegal activities, that poor urban governance led to Disaster Risk Reduction and DISASTER ineffective building codes and land use Management Act of 2010 as a possible DIRTY MONEY continued on page 22 planning at the local level. template for other countries. continued on page 13 PHL Not Popular to Int’l Investors Our Man in the Consulate MANILA, Philippines - British Ambassador business seminar and networking event. to the Philippines Stephen Lillie called on the He added that various business groups had Philippine government on Tuesday to “adjust” raised with the Philippine government the a law limiting foreign ownership of businesses need to create a better business environment in to allow more investments into the country, the country. -
Corporate Purpose
BRAVERY IN UNCERTAINTY INUNCERTAINTY BRAVERY I GMANETWORK,INC.ANNUALREPORT2020 GMA NETWORK, INC. GMA Network Center EDSA corner Timog Avenue Diliman, Quezon City (632) 8982-7777 www.gmanetwork.com CORPORATE PURPOSE TABLE OF We enrich the lives of Filipinos everywhere with superior Entertainment and the responsible, CONTENTS unbiased, and timely delivery of accurate News and Information. 1 Purpose, Vision, Core Values 3 About GMA 4 Subsidiaries, Affiliates, Joint Ventures CORPORATE VISION 6 Chairman’s Message We are the most respected, undisputed leader 9 Financial Highlights in the Philippine broadcast industry 11 President’s Message and the recognized media innovator and pacesetter in Asia. 14 Operational Highlights We are the Filipinos’ favorite network. 16 Celebrating 70 Years We are the advertisers’ preferred partner. We are the employer of choice in our industry. 26 COVID-19 Response We provide the best returns to our shareholders. 38 Board of Directors We are a key partner in promoting the best in the Filipino. 44 Officers 52 Corporate Governance 56 Awards 63 Management Discussion & Analysis CORPORATE VALUES 74 Financial Statements We place God above all. 162 Directory We believe that the Viewer is Boss. We value our People as our best assets. ABOUT THE COVER We uphold Integrity and Transparency. The year 2020 was one of the most uncertain We are driven by our Passion for Excellence. periods of all time—explosive volcanic eruptions, more intense typhoons, and rapidly changing We strive for Efficiency in everything we do. technology. Then a pandemic hit the world, crippling We pursue Creativity and Innovation. even the strongest of nations and economies. -
YCC 2019.Indb
The Film Desk of the Young Critics Circle The 29th Annual “During currently trying times, Circle Citations it is imperative to look for for Distinguished spaces of resistance such as Achievement those offered by the arts, and cinema in particular. Aside in Film for from attempting to challenge 2018 the status quo, filmmakers need to negotiate the very + spaces from which they can SINE SIPAT: pose this interrogation.” Recasting Roles and Images, Stars, Awards, and Criticism August 16, 2019 Jorge B. Vargas Museum University of the Philippines Roxas Avenue, UP Campus | Diliman, Quezon City } The 28th Annual CIRCLE CITATIONS for Distinguished Achievement in 2018Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism 1 2 The Citation he Film Desk of the Young Critics Circle (YCC) first gave its annual citations in film achievement in 1991, a year after the YCC was Torganized by 15 reviewers and critics. In their Declaration of Principles, the members expressed the belief that cultural texts always call for active readings, “interactions” in fact among different readers who have the “unique capacities to discern, to interpret, and to reflect... evolving a dynamic discourse in which the text provokes the most imaginative ideas of our time.” The Film Desk has always committed itself to the discussion of film in the various arenas of academe and media, with the hope of fostering an alternative and emergent articulation of film critical practice, even within the severely debilitating culture of “awards.” binigay ng Film Desk ng Young Critics Circle (YCC) ang unang taunang pagkilala nito sa kahusayan sa pelikula noong 1991, ang taon pagkaraang maitatag ang YCC ng labinlimang tagapagrebyu at kritiko. -
Table of Contents
TABLE OF CONTENTS 3 Financial Highlights 4 Message of the Chairman 6 Financial Review 8 A Kapamilya Nation 16 Management’s Responsibility for Financial Statements 17 Report of Independent Auditors 18 Financial Statements Balance Sheets Statements of Income Statements of Changes in Stockholders’ Equity Statements of Cash Flows Notes to Financial Statements 68 Board of Directors 70 Management Committee 72 Awards and Recognition 73 List of Officers 77 Corporate Addresses 79 Banks and Other Financial Institutions AR 2006.indd 1 4/24/07 8:10:44 AM FINANCIAL HIGHLIGHTS AR 2006.indd 2-3 4/24/07 8:10:49 AM AR 2006.indd 4-5 4/24/07 8:11:09 AM Operating expenses, which consist of production cost, general and administrative Non-cash operating expenses, composed primarily of depreciation and expenses, cost of sales and services, and agency commission declined by 2% amortization, went down by 14% to P2,075 million in 2006 from P2,407 million to P15,724 million in 2006. Cash operating expenses were flat while non-cash in the same period last year. Bulk of the decline can be attributed to lower operating expenses declined by 14% YoY. If we strip-out the non-recurring charges, amortization costs which dropped by 23% to P904 million as the Company already Management Discussion and Analysis of Financial Condition and Results of total opex went up by 5% to P15,257 million. completed the amortization of deferred subsidies on the decoder boxes of existing Operations for 2006 US DTH subscribers in 2005. Amortization of program rights, on the other hand, Production cost was almost flat YoY at P5,714 million. -
+ Sine Sipat: Recasting Roles and Images, Stars, Awards, and Criticism
The Film Desk of the Young Critics Circle The 28th Annual Circle Citations for Distinguished Achievement 2017in Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism August 16, 2018 Jorge B. Vargas Museum University of the Philippines Roxas Avenue, UP Campus Diliman, Quezon City | i } ii The 28th Annual CIRCLE CITATIONS for Distinguished Achievement in 2017Film for + SINE SIPAT: Recasting Roles and Images, Stars, Awards, and Criticism 1 2 The Citation he Film Desk of the Young Critics Circle (YCC) first gave its annual citations in film achievement in 1991, a year after the YCC was Torganized by 15 reviewers and critics. In their Declaration of Principles, the members expressed the belief that cultural texts always call for active readings, “interactions” in fact among different readers who have the “unique capacities to discern, to interpret, and to reflect... evolving a dynamic discourse in which the text provokes the most imaginative ideas of our time.” The Film Desk has always committed itself to the discussion of film in the various arenas of academe and media, with the hope of fostering an alternative and emergent articulation of film critical practice, even within the severely debilitating culture of “awards.” binigay ng Film Desk ng Young Critics Circle (YCC) ang unang taunang pagkilala nito sa kahusayan sa pelikula noong 1991, ang taon pagkaraang maitatag ang YCC ng labinlimang tagapagrebyu at kritiko. Sa kanilang IDeklarasyon ng mga Prinsipyo, ipinahayag ng mga miyembro ang paniniwala na laging bukas ang mga tekstong kultural sa aktibong pagbasa, sa “mga interaksiyon” ng iba’t ibang mambabasa na may “natatanging kakayahan para sumipat, magbigay-kahulugan, at mag-isip . -
LAAPFF 2015 Catalog
VISUAL COMMUNICATIONS presents the LOS ANGELES ASIAN PACIFIC FILM FESTIVAL APRIL 23 – 30, 2015 No. 31 LITTLE TOKYO _ KOREATOWN _ WEST HOLLYWOOD SEE YOU NEXT YEAR! CONTENTS 7 Festival Welcome 8 Festival Sponsors 10 Community Partners 12 “About VC” Update for 2015 14 Friends of Visual Communications 16 AWC Indiegogo Supporters 18 Year of The Question of the Year! 26 Why Arthur Dong Still Matters 32 Festival Awards: Past Awardees 36 Festival Award Nominees: Feature Narrative 39 Festival Award Nominees: Feature Documentary 42 Festival Award Nominees: Short Film 48 Programmers’ Recommendations 51 Conference for Creative Content 2015 56 Filmmaker Panels & Seminars 60 Program Schedule 61 Box Office Info 62 Venue Info 63 Parties & Afterhours 65 Festival Galas 75 Festival Special Presentations 83 Artist’s Spotlight: Arthur Dong 87 Narrative Competition Films 97 Documentary Competition Films 107 International Showcase Films 123 Short Film Programs 144 Acknowledgements 146 Print & Tape Sources 150 Title/Artist Index 152 Country Index The Los Angeles Asian Pacific Film Festival • 2 The Los Angeles Asian Pacific Film Festival • 3 The Los Angeles Asian Pacific Film Festival • 4 The Los Angeles Asian Pacific Film Festival • 5 The Los Angeles Asian Pacific Film Festival • 6 WELCOME Welcome to the 31st edition of presentations, we are extremely proud to showcase the Los Angeles Asian Pacific returning, seasoned, and emerging Asian Pacific Film Festival! American and International artists and their stories to After a 5-year absence, Visual our communities throughout the Festival at the JACCC, Communications is excited to Japanese American National Museum, Downtown open the Festival at the Japanese Independent, The Great Company, CGV Cinemas, and American Cultural & Community the Directors Guild of America.