Dersu Uzala 1975 Friday, April 25 - Thursday, May 1, 2008

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Great Directors: Akira Kurosawa Dersu Uzala 1975 Friday, April 25 - Thursday, May 1, 2008 Film Information Directed by Akira Kurosawa Language Russian with English subtitles Running Time 141 minutes Film Notes of 1970’s DODESUKADEN. Fortunately, Kurosawa had a Like several of Akira Kurosawa’s other films, relatively quick recovery and DERSU UZALA is an adaptation of sorts. turnaround. Not only did DERSU Whereas Shakespeare and Dostoevsky (among UZALA make for an award- others) served as the inspiration for earlier movies, winning return to the medium the memoirs of a Russian explorer formed the he had given so much to, but basis for what is otherwise a Kurosawa anomaly. it also served as a synthesis of DERSU UZALA is, for example, the only one of what Alexander Payne recently the director’s films made outside of Japan (the described as the quintessential Soviet Union), and the only one of them not in Kurosawa aesthetic: “His Japanese (Russian). It is also the only Akira movies combine great visual Kurosawa film to have won an Academy Award, storytelling with a humanist, taking the 1975 trophy for Best Foreign Language deeply compassionate view Film. of the world. He believed DERSU UZALA was Kurosawa’s first release artists should look at all of life in five years, which would not have been an with understanding, without abnormal stretch of time between movies for blinking.” the director, were it not for what occurred in that —Casey span. In 1971, Kurosawa attempted to commit suicide, having fallen into a depression caused at least partly by the commercial disappointment More Information Written by “When I start on a film I always have a number of Akira Kurosawa ideas about my project. Then one of them begins to germinate, to sprout, and it is this which I take Featuring and work with... My films come from my need to Maksim Munzuk say a particular thing at a particular time. The Yuri Solomin Svetlana Danilchenko beginning of any film for me is this need to express Dmitri Korshikov something. It is to make it nuture and grow that I Suimenkul Chokmorov write my script—it is directing it that makes my Vladimir Kremena tree blossom and bear fruit.” Aleksandr Pyatkov —Akira Kurosawa Cinematography by Fyodor Dobronravov Yuri Gantman Asakazu Nakai Original Music by Isaak Shvarts Country of Origin Soviet Union / Japan Awards Academy Award Winner: Best Foreign Film Also Recommended Ikiru 1952 (Dir. Kurosawa) Walkabout 1971 (Dir. Roeg) Kundun 1997 (Dir. Scorsese) At the Ruth Sokolof Theater · 14th & Webster, Omaha · 402.933.0259 · filmstreams.org .

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Akira Kurosawa's Adaptation of Vladimir Arseniev's Dersu Uzala
Olga Solovieva University of Chicago Migration – Memory – Translingualism: Akira Kurosawa’s Adaptation of Vladimir Arseniev’s Dersu Uzala (1975) The film Dersu Uzala (1975), Akira Kurosawa’s adaptation of the diaries and memoirs of the Russian explorer of Siberia Vladimir Arseniev, represents one of the director’s many attempts to make his cinema into Japan’s entryway into the global community of nations. The price of this entry is the acknowledgement as well as forgetting of uncomfortable historical facts. Kurosawa’s film is dedicated to a friendship between the Russian officer Arseniev and his guide, the nomad Dersu, in the course of Arseniev’s exploration of Siberia in 1902-1907. By celebrating the enabling and productive potential of translinguistic and transcultural misunderstandings, Kurosawa overturns the colonial hierarchy of values and understanding of transmission of knowledge. His cinematic memorial to a Nanai tribesman acknowledges and laments Japan’s participation in the extermination of the minority peoples of the Manchukuo state and in the destruction of pre-industrial pan-Asian Siberia. Olga Solovieva is Assistant Professor of Comparative Literature at the University of Chicago. Her work brings into dialogue texts and concepts from numerous disciplines, including literature, film, religious studies, art history, philosophy and law. She is interested in what can "be done with words": this leads her to focus on the history of rhetoric, performance, communication, interdisciplinary narratology, and media studies, particularly in their material and corporeal aspects. Her book, Christ’s Subversive Body: NICOLAUS COPERNICUS UNIVERSITY IN TORUŃ Faculty of Languages, ul. Fosa Staromiejska 3, 87-100 Toruń, Poland, tel.
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An Introduction to Vladimir Arsen'ev's Life
INTRODUCTION An Introduction to Vladimir Arsen’ev’s Life Work, Colleagues, and Family AMIR KHISAMUTDINOV Abstract: The article is devoted to the famous explorer and writer Vladimir Klavdievich Arsen’ev (1872–1930). He arrived in the Rus- sian Far East in 1900, where he conducted numerous research ex- peditions and engaged in a comprehensive study of the Far East. Arsen’ev studied the lives of the region’s indigenous peoples and published several books, Dersu Uzala being the most famous one. This article is based on Arsen’ev’s personal archives, which are stored in Vladivostok. The article chronicles his life in the Soviet period. It also discusses the punishment of his wives and children. Keywords: Dersu Uzala, ethnography, indigenous people, purges, Soviet era, Vladimir K. Arsen’ev Beginnings Vladimir Klavdievich Arsen’ev, the most famous Russian explorer of the Far East, said on the eve of his death, “I look to the past and see that for myself I did follow a lucky star.”1 Through the Bolshevik Revolution and through the purges, his fate and that of his relatives were typical for that period. Arsen’ev was born in St. Petersburg on August 29, 1872. A little- known fact is that “Arsen’ev” was not his real last name; rather it was Goppmeier, a Dutch name. Arsen’ev’s grandfather was Fedor (Teodor) Ivanovich Goppmeier, who died in 1866. He was the manager of an estate, who had a son, Klavdii Fedorovich, born on March 11, 1848. Gopp meier did not succeed in having Klavdii legalized, so he was given the surname of a man called Arsenii, who was present at his christen- ing, hence the name “Arsen’ev.” In retrospect, this was a fortunate turn Sibirica Vol.
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DERSU UZALA (Dersu Uzala) Dir
DERSU UZALA (Dersu Uzala) DIR. AKIRA KUROSAWA SINOPSIS El capitán Arseniev y su destacamento tienen que realizar unas prospecciones geológicas en los bosques de la taiga siberiana. La inmensidad del territorio y la dureza del clima hacen que se extravíe. Condenado a vagar por una tierra salvaje, Vladimir conoce a Dersu Uzala, un cazador nómada que conoce el territorio como la palma de su mano y sabe cómo afrontar las inclemencias del tiempo. Dersu enseñará al capitán a respetar la naturaleza y a convivir en plena armonía con ella, una lección que difícilmente olvidará el resto de su vida. FICHA ARTÍSTICA Arsenev ....................................................................................................................YURIY SOLOMIN Dersu Uzala ......................................................................................................... MAKSIM MUNZUK Anna ........................................................................................................ SVETLANA DANILCHENKO Turtygin ............................................................................................................. VLADIMIR KREMENA Vova .................................................................................................................DMITRIY KORSHIKOV Chzhan Bao ........................................................................................... SUYMENKUL CHOKMOROV FICHA TÉCNICA Dirección .............................. AKIRA KUROSAWA Música ...................................ISAAC SCHWARTS Guion.................................
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Dersu the Trapper Free
FREE DERSU THE TRAPPER PDF V. K. Arseniev,Jaimy Gordon,Malcolm Burr | 352 pages | 08 Jun 2000 | McPherson & Co Publishers,U.S. | 9780929701493 | English | New York, United States Dersu Uzala - Wikipedia Eighty years ago, inthe eminent Russian explorer Vladimir Klavdievich Arseniev published a memoir that he Dersu the Trapper Dersu the Trapper. It has been beloved of Russian readers ever since—at least when the book has been available to them, for it has often been censored and suppressed. Dersu describes the fortunes of an expedition, organized by Arseniev into map the cold, then-uncharted and even today little-known region where Manchuria and Korea meet southeastern Siberia. Arseniev Dersu the Trapper his party of soldiers and hunters were almost immediately lost in the high Sikhote Alin Mountains. A native trapper named Dersu rescued them and, moved by pity for these hapless Europeans, undertook to teach them something of that difficult land. In doing so, he saved their lives many times over. Dersu the Trapper is a true classic, although its author did not live to see it become so esteemed. Eight years Dersu the Trapper his wife Dersu the Trapper executed on the false pretext of being a Japanese spy; his daughter disappeared into the camps. Released in the United States on December 20,Dersu Uzala remains one of the finest works of artistic ethnography ever committed to film. It is also, to my mind, one of the finest films ever made, Dersu the Trapper. Its screenwriter, Yuri Nagibinwas renowned in Russia for his lyrical short stories, only a few of which have been translated into English.
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