The Ming, Tibetan and Mongol Interactions in Shaping the Ming Fortification, Multicultural Society and Natural Landscape in Mdo Smad, 1368–1644
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Chapter 5 Sinicization and Indigenization: the Emergence of the Yunnanese
Between Winds and Clouds Bin Yang Chapter 5 Sinicization and Indigenization: The Emergence of the Yunnanese Introduction As the state began sending soldiers and their families, predominantly Han Chinese, to Yunnan, 1 the Ming military presence there became part of a project of colonization. Soldiers were joined by land-hungry farmers, exiled officials, and profit-driven merchants so that, by the end of the Ming period, the Han Chinese had become the largest ethnic population in Yunnan. Dramatically changing local demography, and consequently economic and cultural patterns, this massive and diverse influx laid the foundations for the social makeup of contemporary Yunnan. The interaction of the large numbers of Han immigrants with the indigenous peoples created a 2 new hybrid society, some members of which began to identify themselves as Yunnanese (yunnanren) for the first time. Previously, there had been no such concept of unity, since the indigenous peoples differentiated themselves by ethnicity or clan and tribal affiliations. This chapter will explore the process that led to this new identity and its reciprocal impact on the concept of Chineseness. Using primary sources, I will first introduce the indigenous peoples and their social customs 3 during the Yuan and early Ming period before the massive influx of Chinese immigrants. Second, I will review the migration waves during the Ming Dynasty and examine interactions between Han Chinese and the indigenous population. The giant and far-reaching impact of Han migrations on local society, or the process of sinicization, that has drawn a lot of scholarly attention, will be further examined here; the influence of the indigenous culture on Chinese migrants—a process that has won little attention—will also be scrutinized. -
Elixir, Urine and Hormone: a Socio-Cultural History of Qiushi (Autumn Mineral)*
EASTM 47 (2018): 19-54 Elixir, Urine and Hormone: A Socio-cultural History of Qiushi (Autumn Mineral)* Jing Zhu [ZHU Jing is an Associate Professor in the Department of Philosophy, East China Normal University. She received her Ph.D. in history of science at Peking University and in 2015-2016 was a visiting scholar at University of Pennsylvania. She has published three articles about qiushi and two articles about Chinese alchemy. Her paper “Arsenic Prepared by Chinese Alchemist-Pharmacists” was published in Science China Life Sciences. Her work spans historical research on Chinese alchemy, Chinese medicine and public understanding of science. In addition to presenting papers at national and international conferences, she has been invited to present her research among other places at the National Tsinghua University (Taiwan), Brown University, and the University of Pennsylvania. Contact: [email protected]] * * * Abstract: Traditional Chinese medicine has attracted the attention of pharmacologists because some of its remedies have proved useful against cancer and malaria. However, a variety of controversies have arisen regarding the difficulty of identifying and explaining the effectiveness of remedies by biomedical criteria. By exploring the socio-cultural history of qiushi (literally, ‘autumn mineral’), a drug prepared from urine and used frequently throughout Chinese history, I examine how alchemy, popular culture, politics and ritual influenced pre-modern views of the efficacy of the drug, and explore the sharp contrast between views of the drug’s * I especially wish to acknowledge the great help of Professor Nathan Sivin, who has read the complete manuscript and provided me with many critical comments. -
Daoist Symbols of Immortality and Longevity : on Late Ming Dynasty Porcelain
Daoist symbols of immortality and longevity : on late Ming Dynasty porcelain Autor(en): Vries, Patrick de Objekttyp: Article Zeitschrift: Asiatische Studien : Zeitschrift der Schweizerischen Asiengesellschaft = Études asiatiques : revue de la Société Suisse-Asie Band (Jahr): 62 (2008) Heft 1 PDF erstellt am: 11.10.2021 Persistenter Link: http://doi.org/10.5169/seals-147774 Nutzungsbedingungen Die ETH-Bibliothek ist Anbieterin der digitalisierten Zeitschriften. Sie besitzt keine Urheberrechte an den Inhalten der Zeitschriften. Die Rechte liegen in der Regel bei den Herausgebern. Die auf der Plattform e-periodica veröffentlichten Dokumente stehen für nicht-kommerzielle Zwecke in Lehre und Forschung sowie für die private Nutzung frei zur Verfügung. Einzelne Dateien oder Ausdrucke aus diesem Angebot können zusammen mit diesen Nutzungsbedingungen und den korrekten Herkunftsbezeichnungen weitergegeben werden. Das Veröffentlichen von Bildern in Print- und Online-Publikationen ist nur mit vorheriger Genehmigung der Rechteinhaber erlaubt. Die systematische Speicherung von Teilen des elektronischen Angebots auf anderen Servern bedarf ebenfalls des schriftlichen Einverständnisses der Rechteinhaber. Haftungsausschluss Alle Angaben erfolgen ohne Gewähr für Vollständigkeit oder Richtigkeit. Es wird keine Haftung übernommen für Schäden durch die Verwendung von Informationen aus diesem Online-Angebot oder durch das Fehlen von Informationen. Dies gilt auch für Inhalte Dritter, die über dieses Angebot zugänglich sind. Ein Dienst der ETH-Bibliothek ETH Zürich, Rämistrasse 101, 8092 Zürich, Schweiz, www.library.ethz.ch http://www.e-periodica.ch DAOIST SYMBOLS OF IMMORTALITY AND LONGEVITY ON LATE MING DYNASTY PORCELAIN Patrick de Vries, Zurich Abstract This paper explores aspects of Daoist symbolism as found on the ceramics produced during the Jiajing (˜iå reign 1522– 1566) of the late Ming dynasty. -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
Ming China As a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 Weicong Duan Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Winter 12-15-2018 Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620 Weicong Duan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Duan, Weicong, "Ming China As A Gunpowder Empire: Military Technology, Politics, And Fiscal Administration, 1350-1620" (2018). Arts & Sciences Electronic Theses and Dissertations. 1719. https://openscholarship.wustl.edu/art_sci_etds/1719 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS DEPARTMENT OF HISTORY Dissertation Examination Committee: Steven B. Miles, Chair Christine Johnson Peter Kastor Zhao Ma Hayrettin Yücesoy Ming China as a Gunpowder Empire: Military Technology, Politics, and Fiscal Administration, 1350-1620 by Weicong Duan A dissertation presented to The Graduate School of of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy December 2018 St. Louis, Missouri © 2018, -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Eight Transitional Treasures Eight Transitional Treasures 30Th Anniversary Exhibition
Eight Transitional Treasures Eight Transitional Treasures 30th Anniversary Exhibition BERWALD ORIENTAL ART LONDON 2 Introduction [Chinese] Chronology of This exhibition encompasses a ffty-year period that saw the 本展涵蓋明末清初半世紀,見證明代衰亡,滿清立國。自 emperors decline and eventual fall of the Ming dynasty and ended with the 約1620年起至1670年代中期間,中華製瓷工藝之風格及題 Ming dynasty establishment of the new Manchurian Qing dynasty. Lasting roughly Jiajing from 1620 to the mid 1670s, this period marks a remarkable change 材經歷嬗變,非比尋常。雖時局動盪,然官窰並無衰落之 1521 – 1567 in the style and subject matter of Chinese porcelain manufacture. Far Wanli 象,反而推陳翻新,臻藝菁華。明朝宮廷燒製大批瓷器, from suffering a decline during this turbulent time, the imperial kilns 1572 – 1620 壟斷生產,至明末衰落,無力繼承奢風,瓷器工藝改為富 Tianqi experienced a period of astounding creativity and artistic brilliance. 1621 – 1627 The Ming court, whose massive orders had until now totally domi- 商巨賈而製。後者鍾情山水景物,熱衷瓷器鑑賞,成就製 Chongzhen nated porcelain production, could no longer sustain their customary 1628 – 1644 瓷技術創新突破,於中華史上獨一無二。 extravagance and a new clientele of wealthy merchants took their Qing dynasty place. It was the tastes and aspirations of this new clientele, particu- 自宋(西元960 - 1279年)前起,製瓷均乃中國之重要工 Shunzhi larly their love of landscapes, which prompted this period of breath- 1644 – 1661 業,至晚明為極盛。宮廷需求熱切,御窰廠供不應求,故 Kangxi taking innovation in porcelain making, which remains unique in 1662 – 1722 Chinese history. 寄燒於規模較小之民窰,有謂「官搭民燒」。江西景德鎮 Porcelain had been a major industry in China since before the 御窰製作規模龐大,架構精密,除瓷匠與畫師外,司爐、 Song dynasty (960 - 1279) and in the late Ming production was at its 木匠、木材商人、礦工、陶土加工師等從業者眾,或直接 height. Court orders were so numerous that the imperial kilns had to farm out orders to smaller private kilns, a practice that became 受聘,或從中得利,經營、運輸等人數極多,更不在話下。 known as ‘ordered by the government, fred by the people’. -
The Interaction Between Ethnic Relations and State Power: a Structural Impediment to the Industrialization of China, 1850-1911
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Georgia State University Georgia State University ScholarWorks @ Georgia State University Sociology Dissertations Department of Sociology 5-27-2008 The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911 Wei Li Follow this and additional works at: https://scholarworks.gsu.edu/sociology_diss Part of the Sociology Commons Recommended Citation Li, Wei, "The nI teraction between Ethnic Relations and State Power: A Structural Impediment to the Industrialization of China, 1850-1911." Dissertation, Georgia State University, 2008. https://scholarworks.gsu.edu/sociology_diss/33 This Dissertation is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. THE INTERACTION BETWEEN ETHNIC RELATIONS AND STATE POWER: A STRUCTURAL IMPEDIMENT TO THE INDUSTRIALIZATION OF CHINA, 1850-1911 by WEI LI Under the Direction of Toshi Kii ABSTRACT The case of late Qing China is of great importance to theories of economic development. This study examines the question of why China’s industrialization was slow between 1865 and 1895 as compared to contemporary Japan’s. Industrialization is measured on four dimensions: sea transport, railway, communications, and the cotton textile industry. I trace the difference between China’s and Japan’s industrialization to government leadership, which includes three aspects: direct governmental investment, government policies at the macro-level, and specific measures and actions to assist selected companies and industries. -
Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Timothy Robert Clifford University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Clifford, Timothy Robert, "In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China" (2017). Publicly Accessible Penn Dissertations. 2234. https://repository.upenn.edu/edissertations/2234 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2234 For more information, please contact [email protected]. In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Abstract The rapid growth of woodblock printing in sixteenth-century China not only transformed wenzhang (“literature”) as a category of knowledge, it also transformed the communities in which knowledge of wenzhang circulated. Twentieth-century scholarship described this event as an expansion of the non-elite reading public coinciding with the ascent of vernacular fiction and performance literature over stagnant classical forms. Because this narrative was designed to serve as a native genealogy for the New Literature Movement, it overlooked the crucial role of guwen (“ancient-style prose,” a term which denoted the everyday style of classical prose used in both preparing for the civil service examinations as well as the social exchange of letters, gravestone inscriptions, and other occasional prose forms among the literati) in early modern literary culture. This dissertation revises that narrative by showing how a diverse range of social actors used anthologies of ancient-style prose to build new forms of literary knowledge and shape new literary publics. -
The Development of Mongol Identity in the Seventeenth and Eighteenth Centuries the Seventeenth and Eighteenth Centuries Witness
■ Source: Itinerario 24:2 (2000), pp. 44–61. THE DEVELOPMENT OF MONGOL IDENTITY IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES The seventeenth and eighteenth centuries witnessed the development of a Mongol identity. The Mongol conquests in the thirteenth century had laid the foundations but had not truly forged such an identity. These earlier events provided, in modern parlance, the cultural memory that eventu- ally served to unify them. However, the Mongol Empire actually revealed the fractiousness of the Mongols and their inability to promote the unity that might gradually have fostered a Mongol identity. As Joseph Fletcher argued, the creation of a supra-tribal identity for nomadic herders has proven to be extremely difficult.1 The so-called Mongol Empire attested to this predicament, as within two generations it evolved into four separate Khanates, which occasionally waged war against each other. For example, individual Khanates frequently sided with non-Mongols against fellow Mongols. In addition, the military, the quintessential Mongol institution, was not, as the Empire expanded, composed simply of Mongols. Turks, Persians, and even Chinese served in and sometimes led the Mongol armies, contributing to the blurring of Mongol identity. The glorious successes of the Mongol Empire offered later Mongols solace and the model of a great historical legacy. During the Ming era, different leaders, Esen in the fifteenth century and the Dayan Khan in the sixteenth century, sought to unify the Mongols, but both failed to elicit suf- ficient support.2 In the seventeenth and eighteenth centuries, faced with threats to their lands and to their very existence, the Mongols repeatedly sought to identify with heroes of the past, an effort that was significant in inspiring bonds of identity. -
Études Mongoles Et Sibériennes, Centrasiatiques Et Tibétaines, 47 | 2016 Were the Historical Oirats “Western Mongols”? an Examination of Their Uniquen
Études mongoles et sibériennes, centrasiatiques et tibétaines 47 | 2016 Everyday religion among pastoralists of High and Inner Asia, suivi de Varia Were the historical Oirats “Western Mongols”? An examination of their uniqueness in relation to the Mongols Les Oïrats historiques étaient-ils des “Mongols occidentaux”? Un examen de leur singularité par rapport aux Mongols Joo-Yup Lee Electronic version URL: https://journals.openedition.org/emscat/2820 DOI: 10.4000/emscat.2820 ISSN: 2101-0013 Publisher Centre d'Etudes Mongoles & Sibériennes / École Pratique des Hautes Études Electronic reference Joo-Yup Lee, “Were the historical Oirats “Western Mongols”? An examination of their uniqueness in relation to the Mongols”, Études mongoles et sibériennes, centrasiatiques et tibétaines [Online], 47 | 2016, Online since 21 December 2016, connection on 20 September 2021. URL: http:// journals.openedition.org/emscat/2820 ; DOI: https://doi.org/10.4000/emscat.2820 This text was automatically generated on 20 September 2021. © Tous droits réservés Were the historical Oirats “Western Mongols”? An examination of their uniquen... 1 Were the historical Oirats “Western Mongols”? An examination of their uniqueness in relation to the Mongols Les Oïrats historiques étaient-ils des “Mongols occidentaux”? Un examen de leur singularité par rapport aux Mongols Joo-Yup Lee I would like to express my sincere gratitude to my friends Metin Bezikoğlu and Shuntu Kuang for helping me obtain and read relevant texts in the Başbakanlık arşivi Name-i hümâyûn defteri and the Qing Shilu, respectively. Introduction 1 The Kalmyks, a Buddhist Mongolic people residing in the Republic of Kalmykia (Khalmg Tangch), a constituent republic of the Russian Federation 1, the Torghud (Cl. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities.