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Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Tang Teaching Museum Announces All Together Now
For immediate release Tang Teaching Museum announces All Together Now The Hyde Collection, Ellsworth Kelly Studio, National Museum of Racing Museum and Hall of Fame, Saratoga Arts, Saratoga County History Center, Saratoga Performing Arts Center, Shaker Museum, and Yaddo partner with the Tang at Skidmore College Collections sharing project supported by $275,000 Henry Luce Foundation grant SARATOGA SPRINGS, NY (April 1, 2021) — The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College announces an innovative regional collections sharing project called All Together Now, supported by a $275,000 grant from the Henry Luce Foundation. Organized by the Tang Teaching Museum, All Together Now forges new collaborations between neighbor arts organizations to bring attention to rarely seen works. At the Tang Teaching Museum, exhibitions will feature works from the Shaker Museum and Ellsworth Kelly Studio. At partner institutions, exhibitions will show work from the Tang collection, including many recently acquired paintings, photographs and sculptures. Partner institutions include The Hyde Collection, the National Museum of Racing and Hall of Fame, Saratoga Arts, Saratoga County History Center, Saratoga Performing Arts Center, and Yaddo. The grant will support these exhibitions, as well as the behind-the-scenes work that make the exhibitions possible, such as cataloging and digitizing Tang collection objects. “On behalf of the Tang and Skidmore College, I want to thank the Luce Foundation for their generosity and vision,” said Dayton Director Ian Berry. “This grant recognizes the vibrancy and relevance of the objects in our collection and gives all of us the rare opportunity to see important American artworks out of storage and in the public view, fostering new connections and conversations, and expanding knowledge. -
Annual Report 1974
nnua ANNUAL REPORT 1974 NATIONAL GALLERY OF ART Library of Congress Catalog Card Number 70-173826. All rights reserved. No part of this publication may be reproduced without the written permission of the National Gallery of Art, Washington, D C. 20565. Copyright © 797J Board of Trustees, National Gallery of Art Frontispiece: The Pistoia Crucifix, Pietro Tacca, Ailsa Mellon Bruce Fund, detail THE BOARD OF TRUSTEES OF THE NATIONAL GALLERY OF ART The Chief Justice, The Secretary of State, The Secretary of the Treasur Warren E. Burger Henry A. Kiss in get- William E. Simon & John Hay Whitney, Carlisle H. Humelsine Franklin D. Murphy Stoddard M. Stevens Vice-President 6 CONTENTS 7 ORGANIZATION 9 DIRECTOR'S REVIEW OF THE YEAR 26 APPROPRIATIONS 27 CURATORIAL ACTIVITIES 27 Acquisitions 47 Donors of Works of Art 48 Lenders 51 Exhibitions and Loans 60 REPORTS OF PROFESSIONAL DEPARTMENTS 60 Library 61 Photographic Archives 62 Graphic Arts Department 63 Education Department 65 Art Information Service 65 Editor's Office 66 Publications 66 Conservation 68 Photographic Services 69 OFFICE OF THE SECRETARY AND GENERAL COUNSEL 70 STAFF ACTIVITIES AND PUBLICATIONS 76 ADVANCED STUDY AND RESEARCH 76 Kress Professor in Residence 76 National Gallery Fellows 78 NATIONAL PROGRAMS 78 Extension Service 79 Art and Man 79 Index of American Design 80 REPORT OF THE ADMINISTRATOR 80 Attendance 80 Building 81 Employees 83 MUSIC AT THE GALLERY 87 EAST BUILDING ORGANIZATION The 37th annual report of the National Gallery of Art reflects another year of continuing growth and change. Although for- mally established by Congress as a bureau of the Smithsonian Institu- tion, the National Gallery is an autonomous and separately admin- istered organization and is governed by its own Board of Trustees. -
Mcnay ART MUSEUM 2013 | 2015 Annual Report Visitors Enjoy a Free Family John and Peg Emley with Bill Chiego at the Margaritaville at the Day at the Mcnay
McNAY ART MUSEUM 2013 | 2015 Annual Report Visitors enjoy a free family John and Peg Emley with Bill Chiego at the Margaritaville at the day at the McNay. McNay Spring Party. Lesley Dill and René Paul Barilleaux, Chief Curator/Curator of Contemporary Art, at the Opening of Lesley Dill: Performance as Art. McNay Second Thursday band plays indie tunes on the Brown Sculpture Terrace. Visitors enjoy a free family day at the McNay. Emma and Toby Calvert at the 60th Sarah E. Harte and John Gutzler at the 60th Anniversary Celebration Anniversary Celebration Visitor enjoys field day activities during a free A local food truck serves up delicious dishes at McNay Second Suhail Arastu at the McNay Gala Hollywood Visions: Dressing the Part. family day at the McNay. Thursdays. Table of Contents Board of Trustees As of December 31, 2015 Letter from the President ................................................................................4 Tom Frost, Chairman Sarah E. Harte, President Letter from the Director ...................................................................................5 Connie McCombs McNab, Vice President Museum Highlights ...........................................................................................6 Lucille Oppenheimer Travis, Secretary Barbie O’Connor, Treasurer Notable Staff Accomplishments ...................................................................10 Toby Calvert Acquisitions ..........................................................................................................13 John W. Feik -
2014 International 14.01.2014 > 30.03.2014 Art Exhibitions 2014
International 01 Art Exhibitions 2014 International 14.01.2014 > 30.03.2014 Art Exhibitions 2014 Piero della Francesca Personal Encounters The Metropolitan Museum of Art Metropolitan The Opposite page Madonna and Child with Two Angels c1464-74, Tempera and oil on wood (walnut) 62.7 x 52.8 cm Galleria Nazionale delle Marche, Palazzo Ducale, Urbino 1 Saint Jerome and a Supplicant c1460-64, Tempera and oil on wood 49.4 x 42 cm 1 Gallerie dell’Accademia, Venice Through a special collaboration with 2 the Gallerie dell'Accademia, Venice, and Madonna and Child the Galleria Nazionale delle Marche, c1439-40, Tempera on Urbino, The Metropolitan Museum of panel Art is hosting a focused presentation of 53 x 41 cm four devotional paintings by Piero della The Alana Collection, Francesca. These are works painted in Delaware tempera on canvas, intended for private 3 prayer, some featuring portraits of the Saint Jerome patrons who commissioned them. in the Wilderness As the four works on view have never 1450, Tempera and oil before been brought together; the on wood (chestnut) exhibition promises to facilitate an 51 x 38 cm New York important contribution to the study of Gemäldegalerie, Piero della Francesca – a major figure of Staatliche Museen the Renaissance. 2 zu Berlin The four paintings are ‘Saint Jerome and There’s a precise mathematical study a Supplicant’, ‘Madonna and Child with underlying his work, and much has two Angels (the Senigallia Madonna)’, been said of his use of the Golden Mean. ‘Saint Jerome in a Landscape’ and His work features remarkable psycho- ‘Madonna and Child’. -
Annual Report 2013
N A TIO NAL G ALL E R Y O F A R T 2013 ANNUAL REPORT ART & EDUCATION Louise Bryson BOARD OF TRUSTEES COMMITTEE Vincent J. Buonanno (as of 30 September 2013) Victoria P. Sant W. Russell G. Byers Jr. Chairman Calvin Cafritz Earl A. Powell III Louisa Duemling Frederick W. Beinecke Barney A. Ebsworth Mitchell P. Rales Gregory W. Fazakerley Sharon P. Rockefeller Doris Fisher Andrew M. Saul Aaron I. Fleischman Marina Kellen French FINANCE COMMITTEE Morton Funger Mitchell P. Rales Rose Ellen Greene Chairman Frederic C. Hamilton Jacob J. Lew Teresa Heinz Secretary of the Treasury Benjamin R. Jacobs Frederick W. Beinecke Sharon P. Rockefeller Victoria P. Sant Betsy K. Karel Sharon P. Rockefeller Chairman President Linda H. Kaufman Victoria P. Sant Mark J. Kington Andrew M. Saul Robert L. Kirk Jo Carole Lauder AUDIT COMMITTEE Leonard A. Lauder Frederick W. Beinecke LaSalle D. Leffall Jr. Chairman Edward J. Mathias Mitchell P. Rales Robert B. Menschel Sharon P. Rockefeller Diane A. Nixon Victoria P. Sant Tony Podesta Andrew M. Saul Frederick W. Beinecke Mitchell P. Rales Diana C. Prince Robert M. Rosenthal TRUSTEES EMERITI Roger W. Sant Robert F. Erburu B. Francis Saul II Julian Ganz, Jr. Fern M. Schad Alexander M. Laughlin Michelle Smith David O. Maxwell Luther M. Stovall John Wilmerding Ladislaus von Hoffmann Christopher V. Walker EXECUTIVE OFFICERS Diana Walker Victoria P. Sant Alice L. Walton President Andrew M. Saul John G. Roberts Jr. Walter L. Weisman Chief Justice of the Earl A. Powell III Director Andrea Woodner United States Franklin Kelly Deputy Director and HONORARY TRUSTEES’ Chief Curator COUNCIL William W. -
American Paintings, 1900–1945
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 American Paintings, 1900–1945 Published September 29, 2016 Generated September 29, 2016 To cite: Nancy Anderson, Charles Brock, Sarah Cash, Harry Cooper, Ruth Fine, Adam Greenhalgh, Sarah Greenough, Franklin Kelly, Dorothy Moss, Robert Torchia, Jennifer Wingate, American Paintings, 1900–1945, NGA Online Editions, http://purl.org/nga/collection/catalogue/american-paintings-1900-1945/2016-09-29 (accessed September 29, 2016). American Paintings, 1900–1945 © National Gallery of Art, Washington National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 CONTENTS 01 American Modernism and the National Gallery of Art 40 Notes to the Reader 46 Credits and Acknowledgments 50 Bellows, George 53 Blue Morning 62 Both Members of This Club 76 Club Night 95 Forty-two Kids 114 Little Girl in White (Queenie Burnett) 121 The Lone Tenement 130 New York 141 Bluemner, Oscar F. 144 Imagination 152 Bruce, Patrick Henry 154 Peinture/Nature Morte 164 Davis, Stuart 167 Multiple Views 176 Study for "Swing Landscape" 186 Douglas, Aaron 190 Into Bondage 203 The Judgment Day 221 Dove, Arthur 224 Moon 235 Space Divided by Line Motive Contents © National Gallery of Art, Washington National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS American Paintings, 1900–1945 244 Hartley, Marsden 248 The Aero 259 Berlin Abstraction 270 Maine Woods 278 Mount Katahdin, Maine 287 Henri, Robert 290 Snow in New York 299 Hopper, Edward 303 Cape Cod Evening 319 Ground Swell 336 Kent, Rockwell 340 Citadel 349 Kuniyoshi, Yasuo 352 Cows in Pasture 363 Marin, John 367 Grey Sea 374 The Written Sea 383 O'Keeffe, Georgia 386 Jack-in-Pulpit - No. -
READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
Schaeffer Galleries Records, 1907-1988, Bulk 1925-1980
http://oac.cdlib.org/findaid/ark:/13030/kt8w103782 No online items Finding Aid for the Schaeffer Galleries records, 1907-1988, bulk 1925-1980, Vladimira Stefura and Isabella Zuralski Finding Aid for the Schaeffer 910148 1 Galleries records, 1907-1988, bulk 1925-1980, Descriptive Summary Title: Schaeffer Galleries records Date (inclusive): 1907-1988, bulk 1925-1980 Number: 910148 Creator/Collector: Schaeffer Galleries (New York, N.Y.) Physical Description: 114.5 Linear Feet(217 boxes, 19 oversize boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: Hanns and Kate Schaeffer specialized in Old Master paintings from all European schools. The records of the Schaeffer Galleries document gallery's stock and business dealings from the early 1920s until the late 1980s, both in Berlin and New York. The core of the collection comprises approximately two and a half thousand photographs of art that was handled by the gallery, which are filed along with documents concerning attribution, provenance, acquisition history, and sales. Card catalogs, lists, and ledgers record artworks sold and purchased and detail transactions with clients. These documents of business dealings are amplified by extensive correspondence with art collectors, museum curators, art dealers, art historians, restorers, and storage and shipping companies. Also included are inventories of private collections, lists of artworks shown at exhibitions held at the gallery, and unpublished albums with photographs of gallery stock. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. -
William Suhr Papers, 1846-2003, (Bulk 1928-1982)
http://oac.cdlib.org/findaid/ark:/13030/kt0489r57d No online items Finding aid for the William Suhr papers, 1846-2003, (bulk 1928-1982) Finding aid prepared by Martha Steele. Finding aid for the William Suhr 870697 1 papers, 1846-2003, (bulk 1928-1982) ... Descriptive Summary Title: William Suhr papers Date (inclusive): 1846-2003 (bulk 1927-1982) Number: 870697 Creator/Collector: Suhr, William, 1896-1984 Physical Description: 70.0 linear feet Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: An American paintings conservator trained in Berlin, William Suhr worked under Wilhelm Reinhold Valentiner at the Detroit Institute of Arts beginning in 1927, and was the conservator of the Frick Collection from 1935 to 1977. He also maintained private clients including individuals and major American museums in Cleveland, New York, Detroit, San Francisco, Chicago, and St. Louis. After World War II he worked closely with clients active in the New York art market, particularly the dealer Rosenberg and Stiebel. The bulk of the collection is comprised of photographs of paintings treated by Suhr, along with his treatment notes. The collection also contains business papers, including correspondence, articles about Suhr, personal papers, and documentation of Suhr's own artwork. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical/Historical Note William Suhr was born in Kreutzberg, Germany on March 31, 1896. His parents were U.S. -
Annual Report
ANNUAL REPORT Report for the fiscal year July 1, 2011–June 30, 2012 ANNUAL REPORT Report for the fiscal year July 1, 2011–June 30, 2012 CONTENTS Director's Foreword . 3 Milestones . 4 Acquisitions . 5 Exhibitions . 8 Loans . 11 Clark Fellows . 13 Scholarly Programs . 15 Publications . 19 Library . 20 Education . 22 CEVA . .. 23 Member Events . 24 Public Programs . 26 Financial Report . .. 39 DIRECTOR’S FOREWORD The year 2011–12 was an exciting one at the Clark. In Williamstown, significant progress was made on the campus expansion as construction of the underground facilities wing was completed and we turned our attention to the construction of the new Visitor, Exhibition, and Conference Center. Innovative new approaches to installation and interpretation kept the Clark’s permanent collection accessible to our audience in both the Manton Research Center and the Museum Building. Clark Classic is a traditional installation featuring some of the collection’s highlights, while Clark Remix is a physical and virtual exhibition of works from the permanent collection that features a salon-style installation of some eighty paintings, twenty sculptures, and three hundred of the Clark’s finest examples of decorative arts. Visitors can also create their own “curatorial remix” of the collection through an interactive program called uCurate. The Clark’s collection of nineteenth-century French paintings continues to tour the world and was shown at several venues this year, including the Musée des impressionnismes, Giverny, France; CaixaForum, Barcelona; and the Kimbell Art Museum, Fort Worth, Texas. A dynamic series of special exhibitions was presented in both Williamstown and beyond in this past year. -
Ellsworth Kelly
Ellsworth Kelly Born: Newburgh, NY, 1923 Died: New York, 2015 Education Pratt Institute, Brooklyn, 1941–42 Boston Museum School, 1946–48 Select Solo Exhibitions 2018 • Ellsworth Kelly: Prints, Lora Reynolds Gallery, Austin, Texas 2017 • Ellsworth Kelly In Focus, Tate Liverpool • Ellsworth Kelly Last Paintings, Matthew Marks Gallery, New York, New York • Ellsworth Kelly Plant Drawings, Matthew Marks Gallery, New York, New York • Fruits & Flowers, The Hyde Collection, Glens Falls, New York • Slow Curve, The Hyde Collection, Glens Falls, New York 2016 • Ellsworth Kelly: Anthology, Museum Voorlinden, Wassenaar, Netherlands • Ellsworth Kelly Photographs, Matthew Marks Gallery, New York, New York • Plant Lithographs 1964-1966, Weatherspoon Art Museum, University of North Carolina Greensboro, North Carolina 2015 • Matthew Marks Gallery, New York, New York (catalogue) 2014 • Selected Work, Gemini G.E.L. at Joni Moisant Weyl, New York, New York 2013 • Prints, Madison Museum of Contemporary Art, Madison, WI. Traveled to Detroit Institute of Arts • Singular Forms, Mnuchin Gallery, New York, New York • Sculpture on the Wall, The Barnes Foundation, Philadelphia, Pennsylvania • At Ninety, Matthew Marks Gallery, New York, New York • The Chatham Series, The Museum of Modern Art, New York, New York • Panel Paintings 2004-2009 , The Phillips Collection, Washington, D.C. 2012 • Colored Paper Images, National Gallery of Art, Washington, D.C. • Drawn from Nature: Plant Lithographs by Ellsworth Kelly, Saugatuck Center for the Arts, Michigan • Los Angeles, Matthew Marks Gallery, Los Angeles, California (catalogue) • Prints and Paintings, Los Angeles County Museum of Art, California • Sculpture for a Large Wall, The Museum of Modern Art, New York, New York • Sculpture, The Morgan Library & Museum, New York, New York 2011 • Reliefs 2009-2010, Matthew Marks Gallery, New York, New York (catalogue) • Black and White Drawings, Matthew Marks Gallery, New York, New York • Black & White, Haus der Kunst, Munich.