Annual Report 2013
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****************************************It******************* Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 332 166 CS 010 588 AUTHOR Costa, Arthur L., E. TITLE Developing Minds: A Resource Book for Teaching Thinking. Revised Edition, Volume 1. INSTITUTION Association for Supervision and Curriculum Development, Alexandria, Va. REPORT NO ISBN-87120-180-1 PUB DATE 91 NOTE 411p.; For volume 2, see CS 010 589. For previous edition, see ED 262 968. AVAILABLE FROMAssociation for Supervision and Curriculum Development, 1250 North Pitt St., Alexandria, VA 22314 (Stock No. 611-91026, $24.95). PUB TYPE Collected Works - General (020) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS *Cognitive Processes; *Comprehension; Concept Formation; Creative Thinking; *Critical Thinking; Curriculum Design; Curriculum Development; Curriculum Evaluation; Decision Making; Developmental Stages; Elementary Secondary Education; *Problem Solving; *Program Descriptions; Teaching Methods; *Thinking Skills ABSTRACT This eight-part book contains 69 articles which address topics related to helping students become effective thinkers. The articles are organized under these categories:(1) the need to teach students to think; (2) creating school conditions for thinking; (3) what is thinking? deciding on definitions; (4) a curriculum for thinking; (5) thinking pervades the curriculum; (6) teaching for thinking; (7) teaching strategies; and (8) assessing growth in thinking abilities. The book lists other resources for teaching thinking (in nine appendixes) which include a glossary of cognitive terminology, observation forms, checklists, questionnaires, evaluation instruments, suggestions for getting started, and questions for system planners. (PRA) ***************************************************It******************* Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** A RESOURCE BOOK FOR TEACHING THINKING Revised Edition, Volume 1 Edited by Arthur L. -
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
It 2.007 Vc Italian Films On
1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute. -
Bring Together and Discover Unesco About Us
BRING TOGETHER AND DISCOVER UNESCO ABOUT US Mirabilia Network links 17 Chambers of Commerce and as many UNESCO sites. Mirabilia Network is as a project which in 2017 became National Association. Mirabilia Network promotes lesser known destinations, “jewels” and territories bound by UNESCO recognition. Mirabilia Network wants to show different declinations of a territory, between history and culture, tradition and innovation, artistic craftsmanship and gastronomy. Mirabilia Network uses an “interconnected” language to enhance a new cultural tourism and to propose top itineraries without forgetting sustainability. Mirabilia Network develops a network between the Cities, also engaging the Municipal Administrations where our UNESCO sites are. NETWORK ROUTES CHAMBERS OF COMMERCE LINKED FOR THE PROMOTION OF CULTURAL TOURISM SITES IN ITALY MIRABILIA NETWORK BARI BENEVENTO CAMPOBASSO CASERTA CATANIA CROTONE Castel del Monte Complex of Saint Sofia Celebration of Mysteries Caserta Royale Palace Dome Square Ampollino, Sila National Park GENOVA GORIZIA IMPERIA ISERNIA LA SPEZIA MATERA Rolli of Genova Area of Collio Alps of the sea MAB Reserve Collemeluccio - Monterosso Al Mare - Cinque Terre Park of Rupestrian Churches Montedimezzo Alto Molise MESSINA PAVIA PERUGIA POTENZA RAGUSA SAVONA Salina Ponte Coperto Basilica of St. Francesco in Assisi Pollino National Park Val di Noto Beigua National Park SASSARI SIRACUSA TRIESTE UDINE VERONA Mount d’Accoddi Siracusa Dome Unity of Italy Square Patriarcal Basilica of Aquileia City 4 5 Must visit 1 Walk through the historical town of Bari and along the city walls. Your afternoon snack will be the typical focaccia baked in the bakeries located in the narrow alleys of the town. Visit the cathedral, the San Nicola church and the Svevo Castle. -
Adolf Fleischmann (1892—1968)
ADOLF FLEISCHMANN (1892—1968) snoeck ADOLF FLEISCHMANN An American Abstract Artist? Themen, Kontext und Rezeption des US-amerikanischen Spätwerks 1952 bis 1967 Themes, Context and Reception of Fleischmann’s late American period 1952 to 1967 Herausgegeben von / Edited by Renate Wiehager für die / for the Daimler Art Collection D AC Vorwort 7 Preface 11 RENATE WIEHAGER Adolf Fleischmann. An American Abstract Artist? Themen, Kontext und Rezeption des amerikanischen Spätwerks 1952–1967 15 Themes, Context and Reception of Fleischmann’s Late American Period 1952–1967 39 Historische Texte zum Spätwerk 1952–1976 86 Historical Texts on the Late Period 1952–1976 177 JULIAN ALVARD / R.V. GINDERTAEL [1952] 86/177 MICHEL SEUPHOR [1952] 89/180 DARIO SURO [1955] 90/181 DARIO SURO [1956] 94/184 BENEDICT FRED DOLBIN [1957] 96/187 SANSON FLEXOR [1957] 98/188 MICHEL SEUPHOR [1959] 119/189 RAYMOND BAYER [1964] 120/190 KURT LEONHARD [1967] 130/196 ALBERT SCHULZE VELLINGHAUSEN [1967] 135/199 CARLO BELLOLI [1970] 136/201 EUGEN GOMRINGER [1971] 139/205 EUGEN GOMRINGER [1972] 141/206 MICHEL SEUPHOR [1976] 145/208 THOMAS SCHNALKE Anatomie in Bewegung. Annäherungen an den medizinischen Illustrator und abstrakten Künstler Adolf Fleischmann 163 Anatomy in Motion. Some Remarks on the Medical Illustrator and Abstract Artist Adolf Fleischmann 169 Biografie/Biography 213/220 Einzelausstellungen/Solo Exhibitions 254 Gruppenausstellungen/Group Exhibitions 255 Werke in öffentlichen Sammlungen/Works in Public Collections 263 Literaturverzeichnis/Bibliography 266 Impressum/Imprint 280 VORWORT Adolf Fleischmann (1892–1968), mit einer bedeutenden Werkgruppe in der Daimler Art Collection vertreten, ist einer der herausragenden abstrakten Maler in Deutsch- land und den USA nach 1945. -
Estratto VIII Comm
173 OTTAVA COMMISSIONE COMMISSIONE PER LA MAGISTRATURA ONORARIA ORDINE DEL GIORNO - SPECIALE A INDICE GIUDICI DI PACE .................................................................................................................... 1 COMPONENTI PRIVATI....................................................................................................... 36 ESPERTI DEL TRIBUNALE DI SORVEGLIANZA............................................................. 45 GIUDICI ONORARI DI TRIBUNALE .................................................................................. 48 GIUDICI AUSILIARI DI CORTE DI APPELLO .................................................................. 87 VICE PROCURATORI ONORARI ........................................................................................ 91 TABELLE DI COMPOSIZIONE UFFICI DEL GIUDICE DI PACE.................................... 97 V A R I E.................................................................................................................................. 98 I 174 Odg n. 2190 – speciale A del 3 maggio 2017 La Commissione propone, all’unanimità, l’adozione delle seguenti delibere: GIUDICI DI PACE 1) - 215/GP/2017 - Dott. Salvatore SINDONI, giudice di pace nella sede di NOVARA DI SICILIA (circondario di Barcellona Pozzo di Gotto). Procedura di conferma nell'incarico, per un primo mandato di durata quadriennale, ai sensi degli artt. 1 e 2 del decreto legislativo 31 maggio 2016, n. 92. (relatore Consigliere CLIVIO) Il Consiglio, - vista la domanda di conferma nell'incarico, per -
Masterpiece: Monet Painting in His Garden, 1913 by Pierre Auguste Renoir
Masterpiece: Monet Painting in His Garden, 1913 by Pierre Auguste Renoir Pronounced: REN WAUR Keywords: Impressionism, Open Air Painting Grade: 3rd Grade Month: November Activity: “Plein Air” Pastel Painting TIME: 1 - 1.25 hours Overview of the Impressionism Art Movement: Impressionism was a style of painting that became popular over 100 years ago mainly in France. Up to this point in the art world, artists painted people and scenery in a realistic manner. A famous 1872 painting by Claude Monet named “Impression: Sunrise ” was the inspiration for the name given to this new form of painting: “Impressionism” (See painting below) by an art critic. Originally the term was meant as an insult, but Monet embraced the name. The art institutes of the day thought that the paintings looked unfinished, or childlike. Characteristics of Impressionist paintings include: visible brush strokes, open composition, light depicting the effects of the passage of time, ordinary subject matter, movement, and unusual visual angles. As a technique, impressionists used dabs of paint (often straight out of a paint tube) to recreate the impression they saw of the light and the effects the light had on color. Due to this, most Impressionistic artists painted in the “plein-air”, French for open air. The important concept for 3 rd grade lessons is the Impressionism movement was short lived but inspired other artists from all over, including America, to begin using this new technique. Each of the artists throughout the lessons brought something new and a little different to advance the Impressionistic years. (i.e. Seurat with Neo-Impressionism and Toulouse-Lautrec with Post-Impressionism). -
Hans Hofmann (German-American Painter, 1880-1966)
237 East Palace Avenue Santa Fe, NM 87501 800 879-8898 505 989-9888 505 989-9889 Fax [email protected] Hans Hofmann (German-American Painter, 1880-1966) Hans Hofmann is one of the most important figures of postwar American art. Celebrated for his exuBerant, color-filled canvases, and renowned as an influential teacher for generations of artists— first in his native Germany, then in New York and Provincetown—Hofmann played a pivotal role in the development of ABstract Expressionism. As a teacher he Brought to America direct knowledge of the work of a celebrated group of European modernists (prior to World War I he had lived and studied in Paris) and developed his own philosophy of art, which he expressed in essays which are among the most engaging discussions of painting in the twentieth century, including "The Color ProBlem in Pure Painting—Its Creative Origin." Hofmann taught art for over four decades; his impressive list of students includes Helen Frankenthaler, Red Grooms, Alfred Jensen, Wolf Kahn, Lee Krasner, Louise Nevelson and Frank Stella. As an artist Hofmann tirelessly explored pictorial structure, spatial tensions and color relationships. In his earliest portraits done just years into the twentieth century, his interior scenes of the 1940s and his signature canvases of the late 1950s and the early 1960s, Hofmann brought to his paintings what art historian Karen Wilkin has descriBed as a "range from loose accumulations of Brushy strokes…to crisply tailored arrangements of rectangles…But that somehow seems less significant than their uniform intensity, their common pounding energy and their consistent physicality." Hofmann was Born Johann Georg Hofmann in WeissenBerg, in the Bavarian state of Germany in 1880 and raised and educated in Munich. -
Exhibition Brochure, Alfred Jensen, Concordance.Pdf
Alfred Jensen Concordance September 20, 2001-June 16, 2002 site map and checklist Born in 1903 in Guatemala City, Alfred Jensen studied fine art in San Diego ( ( (1924-1925), Munich (1926-1927), and Paris (1929). After traveling extensively 14 throughout Europe and northern Africa, Jensen took up residency in New York in the early 1950s, after which he devoted himself to painting full time. He exhibited widely 7. Das Bild der Sonne: The Square's Duality, following his first solo show at John Heller Gallery in New York in 1952. Among 13 Progression and Growth, and Squaring the 360 Day Calendar, 1 966 numerous group exhibitions, he was included in the Venice Biennial (1964), oil on canvas Documenta IV (1968) and Documenta V (1972), the Whitney Biennial (1973, 1977), 7 110 84 x 336 inches 12 Collection of Michael and Judy Ovitz, the Sii.o Paulo Biennial (1977), and "Bilderstreit" (1989). One-person exhibitions Los Angeles included venues such as the Guggenheim Museum, New York ( 1961 ), Stedelijk 8. The Sun Rises Twice, Per I-Per IV, 1 973 Museum, Amsterdam (1964), Kunsthalle Basel (1975), and the Newark Art Museum 11 oil on canvas (1994). Traveling retrospective tours were organized in 1973 by the Kestner 96 x 192 inches Collection of the Hirshhorn Museum and Gesellschaft, Hannover (traveled to Humlebaek, Baden-Baden, Dusseldorf, and Bern), Sculpture Garden, Smithsonian Institution, Washington. Joseph H. Hirshhorn Purchase and in 1978 by the Albright-Knox Gallery, Buffalo (traveled to New York, Chicago, La Fund, 1990. Jolla, Boulder, and San Francisco). Four years after Jensen's death in 1981, the 9. -
Contemporary Art Magazine Issue # Sixteen December | January Twothousandnine Spedizione in A.P
contemporary art magazine issue # sixteen december | january twothousandnine Spedizione in a.p. -70% _ DCB Milano NOVEMBER TO JANUARY, 2009 KAREN KILIMNIK NOVEMBER TO JANUARY, 2009 WadeGUYTON BLURRY CatherineSULLIVAN in collaboration with Sean Griffin, Dylan Skybrook and Kunle Afolayan Triangle of Need VibekeTANDBERG The hamburger turns in my stomach and I throw up on you. RENOIR Liquid hamburger. Then I hit you. After that we are both out of words. January - February 2009 DEBUSSY URS FISCHER GALERIE EVA PRESENHUBER WWW.PRESENHUBER.COM TEL: +41 (0) 43 444 70 50 / FAX: +41 (0) 43 444 70 60 LIMMATSTRASSE 270, P.O.BOX 1517, CH–8031 ZURICH GALLERY HOURS: TUE-FR 12-6, SA 11-5 DOUG AITKEN, EMMANUELLE ANTILLE, MONIKA BAER, MARTIN BOYCE, ANGELA BULLOCH, VALENTIN CARRON, VERNE DAWSON, TRISHA DONNELLY, MARIA EICHHORN, URS FISCHER, PETER FISCHLI/DAVID WEISS, SYLVIE FLEURY, LIAM GILLICK, DOUGLAS GORDON, MARK HANDFORTH, CANDIDA HÖFER, KAREN KILIMNIK, ANDREW LORD, HUGO MARKL, RICHARD PRINCE, GERWALD ROCKENSCHAUB, TIM ROLLINS AND K.O.S., UGO RONDINONE, DIETER ROTH, EVA ROTHSCHILD, JEAN-FRÉDÉRIC SCHNYDER, STEVEN SHEARER, JOSH SMITH, BEAT STREULI, FRANZ WEST, SUE WILLIAMS DOUBLESTANDARDS.NET 1012_MOUSSE_AD_Dec2008.indd 1 28.11.2008 16:55:12 Uhr Galleria Emi Fontana MICHAEL SMITH Viale Bligny 42 20136 Milano Opening 17 January 2009 T. +39 0258322237 18 January - 28 February F. +39 0258306855 [email protected] www.galleriaemifontana.com Photo General Idea, 1981 David Lamelas, The Violent Tapes of 1975, 1975 - courtesy: Galerie Kienzie & GmpH, Berlin L’allarme è generale. Iper e sovraproduzione, scialo e vacche grasse si sono tra- sformati di colpo in inflazione, deflazione e stagflazione. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Japonisme in Britain - a Source of Inspiration: J
Japonisme in Britain - A Source of Inspiration: J. McN. Whistler, Mortimer Menpes, George Henry, E.A. Hornel and nineteenth century Japan. Thesis Submitted for the Degree of Doctor of Philosophy in the Department of History of Art, University of Glasgow. By Ayako Ono vol. 1. © Ayako Ono 2001 ProQuest Number: 13818783 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13818783 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 GLASGOW UNIVERSITY LIBRARY 122%'Cop7 I Abstract Japan held a profound fascination for Western artists in the latter half of the nineteenth century. The influence of Japanese art is a phenomenon that is now called Japonisme , and it spread widely throughout Western art. It is quite hard to make a clear definition of Japonisme because of the breadth of the phenomenon, but it could be generally agreed that it is an attempt to understand and adapt the essential qualities of Japanese art. This thesis explores Japanese influences on British Art and will focus on four artists working in Britain: the American James McNeill Whistler (1834-1903), the Australian Mortimer Menpes (1855-1938), and two artists from the group known as the Glasgow Boys, George Henry (1858-1934) and Edward Atkinson Hornel (1864-1933).