INTERSECTING LIVES DENNIS WILSON and CHARLES MANSON Words Chris A
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GCSE, AS and a Level Music Difficulty Levels Booklet
GCSE, AS and A level Music Difficulty Levels Booklet Pearson Edexcel Level 1/Level 2 GCSE (9 - 1) in Music (1MU0) Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) First teaching from September 2016 First certification from 2017 (AS) 2018 (GCSE and A level) Issue 1 Contents Introduction 1 Difficulty Levels 3 Piano 3 Violin 48 Cello 71 Flute 90 Oboe 125 Cla rinet 146 Saxophone 179 Trumpet 217 Voic e 240 Voic e (popula r) 301 Guitar (c lassic al) 313 Guitar (popula r) 330 Elec tronic keyboa rd 338 Drum kit 344 Bass Guitar 354 Percussion 358 Introduction This guide relates to the Pearson Edexcel Level 1/Level 2 GCSE (9-1) in Music (1MU0), Pearson Edexcel Level 3 Advanced Subsidiary GCE in Music (8MU0) and Pearson Edexcel Level 3 Advanced GCE in Music (9MU0) qualifications for first teaching from 2016. This guide must be read and used in conjunction with the relevant specifications. The music listed in this guide is designed to help students, teachers, moderators and examiners accurately judge the difficulty level of music submitted for the Performing components of the Pearson Edexcel GCSE, AS and A level Music qualifications. Examples of solo pieces are provided for the most commonly presented instruments across the full range of levels. Using these difficult y levels For GCSE, teachers will need to use the book to determine the difficulty level(s) of piece(s) performed and apply these when marking performances. For AS and A Level, this book can be used as a guide to assist in choosing pieces to perform, as performances are externally marked. -
IN MY ROOM Feuille D'information Consacrée À Brian Wilson Et Aux Beach Boys N° 8 – Printemps / Été 2007
IN MY ROOM Feuille d'information consacrée à Brian Wilson et aux Beach Boys N° 8 – Printemps / Été 2007 Lonely Sea Edito La période 1961 / 1964 Après le sourire de Brian, le début des années Au fil du temps ... repères biographiques 70, le Christmas Album, les deux numéros consacrés à Dennis Wilson, la période Brian's à 1960 : naissance des protagonistes, don Back et les 40 ans de Pet Sounds, nous De 1941 pour la musique de Brian, influence des Four continuons notre progression irrationnelle en Freshmen et de Chuck Berry, père violent, jaloux mais ambitieux, Hawthorne High School, cours de musique, premières tentatives, abordant les tout débuts du groupe. Pourquoi Kenny & The Kadets, Carl & The Passions ... pas, après tout ! Les frères Wilson, le cousin Mike Love et l'ami Al Profitons de l'instant pour saluer la première 1961 Jardine répètent ensemble dans la maison familiale à amicale contribution à d'un grand Hawthorne (Californie). Ils choisissent le nom de The Pendletones. In My Room Murry Wilson, le père, devient leur manager. Ils enregistrent des démos spécialiste, M. Kingsley Abbott. (« Surfin' » & « Luau ») sous la houlette de l'éditeur Hite Morgan dans ses studios le 15 septembre. Première session « professionnelle » Quant à vous, chers abonnés, à vous de jouer ... d'enregistrement au World Pacific Studio le 3 octobre. bonne lecture ! 8 décembre : sortie du simple « Surfin' » / « Luau » sur Candix Records (Candix 331) sous le nom de « The Beach Boys », choisi par le label. Enjoy ! 23 décembre, premier concert au Rendezvous Ballroom Balboa de Newport Beach (Californie) Charlie Dontsurf 17 février : Le simple entre 1962 Capitol, sort le 4 mars . -
Will You Die for Me? by Charles Watson As Told to Chaplain Ray Hoekstra Copyright
Will You Die For Me? by Charles Watson as told to Chaplain Ray Hoekstra Copyright...................................................................................... 1 Acknowledgments ........................................................................2 Dedication ....................................................................................2 About the Author .........................................................................3 Sure, Charlie, You Can Kill Me ...................................................4 Behold, He Is In The Desert ........................................................8 The Campus Kid........................................................................ 14 The Times, They Are A-Changin' .............................................18 California Dreamin' ...................................................................23 Gentle Children, With Flowers In Their Hair ...........................27 Family .........................................................................................33 Magical Mystery Tour ................................................................37 Watershed: The White Album ...................................................42 Happy in Hollywood ..................................................................48 Revolution / Revelation .............................................................51 Piggies .........................................................................................57 You Were Only Waiting for This Moment .................................62 -
Dedicated to the Needs of the Music/Rec Albums
DEDICATED TO THE NEEDS OF THE MUSIC/REC STRY SEPTEMBER 10, (977 $1.75 SINGLES ALBUMS RITA COOLIDGE, "WE'RE ALL ALONE" (prod. by ALAN O'DAY, "STARTED OUT DANCING, LINDA RONSTADT, "SIMPLE DREAMS." David Anderle) (writer: Boz Scaggs) ENDED UP MAKING LOVE" (prod. by From the album artwork to the record (Boz Scaggs, ASCAP) (3:38). This Steve Barri) (writer: O'Day) (WB, contained within, this is Ronstadt's superb Scaggs ballad was never a ASCAP) (3:21). "Undercover Angel" finest achievement to date. She is in single for the writer, but should be brought O'Day to number one with classic form with Roy Orbison's "Blue Coolidge's second straight pop hit. his first record, and this disco -ori- Bayou," Buddy Holly's "It's So Eeasy" She sings it with feeling and re- ented 'ollow-up has the same play- and the Stones' "Tumbling Dice" while straint. With her album in the top 20, ful eroticism and hook -filled struc- the ballads reflect an introspective side top 40 should react quickly. A&M ture. Look for a speedy chart return. with a sparse arrangement underpin- 1965. Pacific 002 (Atlantic). ning her voice. Asylum 6E-104 (7.98). JIMMY BUFFETT, "CHANGES IN LATITUDES, ART GARFUNKEL, "CRYING IN MY SLEEP" DARYL HALL AND JOHN OATES, CHANGES IN ATTITUDES" (prod. by (prod. by Art Garfunkel & Barry "BEAUTY ON A BACKSTREET." The Norbert Putnam) (writer: Jimmy Buf- Beckett) (writer: Jimmy Webb) (Can- group continues to ride the peak of fett) (Coral Reefer / Outer Banks, opy, ASCAP) (4:00). The first offering their success with this strong follow-up BMI) (3:15). -
The Beach Boys the Capitol Years Mp3, Flac, Wma
The Beach Boys The Capitol Years mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: The Capitol Years Country: Australasia MP3 version RAR size: 1199 mb FLAC version RAR size: 1502 mb WMA version RAR size: 1935 mb Rating: 4.3 Votes: 999 Other Formats: MPC FLAC MP1 ADX MMF MP3 AA Tracklist 1-1 Surfin' 1-2 Surfin' Safari 1-3 Ten Little Indians 1-4 Surfin' U.S.A. 1-5 Catch A Wave 1-6 Hawaii 1-7 Surfer's Rule 1-8 Surfer's Girl 1-9 Don't Back Down 1-10 Little Deuce Coupe 1-11 409 1-12 In The Parkin' Lot 1-13 Car Crazie Cutie 1-14 Spirit Of America 1-15 Shut Down 1-16 Custom Machine 1-17 Drive Inn 1-18 Cherry, Cherry Coupe 1-19 Little Honda 1-20 Be True To Your School 1-21 Fun, Fun, Fun 1-22 Why Do Fools Fall In Love 1-23 All Summer Long 1-24 I Get Around 1-25 Wendy 1-26 When I Grow Up To Be A Man 1-27 Little Saint Nick 1-28 Christmas Day 1-29 Auld Lang Syne 1-30 Don't Worry Baby 1-31 Your Summer Dream 2-1 In My Room 2-2 The Warmth Of The Sun 2-3 Keep An Eye On Summer 2-4 Girls On The Beach 2-5 Please Let Me Wonder 2-6 Hushabye 2-7 The Lord's Prayer 2-8 Dance, Dance, Dance 2-9 The Little Girl I Once Knew 2-10 Good To My Baby 2-11 Help Me, Rhonda 2-12 Do You Wanna Dance 2-13 You're So Good To Me 2-14 Don't Hurt My Little Sister 2-15 She Knows Me Too Well 2-16 California Girls 2-17 The Little Old Lady From Pasadena 2-18 Graduation Day 2-19 The Monster Mash 2-20 Johnny B. -
Brian Wilson
STORIE DI MUSICA DI CESARE G. ROMANA n. 19 26/08/2012 -------------- Brian Wilson Per un’ora e mezza Brian Wilson lavorò di badile, tra convulsi di tosse, il sudore che stillava tra le rughe, il sole di California che bruciava dalle vetrate. Alla fine il pavimento era scomparso, annullato da un tappeto di sabbia, fina come cenere. Solo allora Brian aprì il pianoforte, sedette sullo sgabello, immerse i piedi scalzi in quell’improvvisato arenile e cominciò a suonare. «Niente mi ispira come la sabbia», aveva confidato al suo analista il più geniale e il più matto dei Beach Boys . Erano gli anni Settanta e Wilson non era più il ragazzone un po’ obeso, il sorriso marchiato sul volto, i jeans bianchi e la maglietta a righe che aveva stregato il mondo dieci anni prima, con un motivetto, "Surfin’", tutto estate, coretti e flessuose chitarre. Ora Brian era uno scarno signore con molti più anni sul viso che sul passaporto, lo sguardo perpetuamente in allarme, la faccia tutta un solco. Troppi i pesi da reggere: l’infanzia con un padre frustrato e manesco, l’insostenibilità del successo, un’immagine pubblica spensierata e posticcia, che faceva a pugni coi lati oscuri del suo carattere. Poi le droghe, le paranoie, gli incontri sbagliati «nei quali mi rifugio come in una conchiglia», ad alimentare quel male di vivere che, nei momenti di chiarezza, lui sintetizzava così: «Non è che ho paura di qualcuno: ho paura di tutti». Anche dei «suoi» Beach Boys ? «Eccome: invidiosi, figli di puttana, quando li vedo li picchierei. Ma sono più forti di me, mi farebbero a pezzi». -
Pacific Ocean Blue Bambu
Dennis Wilson - Pacific Ocean Blue Produced by Dennis Wilson & Gregg Jakobson Released August 22, 1977 - Caribou PZ 34354 (CBS) Pacific Ocean Blue - Legacy Edition Originial Recordings Produced by Dennis Wilson & Gregg Jakobson Bonus Tracks Produced by Dennis Wilson, John Hanlon & Gregg Jakobson Executive Producer: James William Guercio Released June 17, 2008 - Caribou/Epic/Legacy 88697-07916-2 (Sony/BMG) Disc One Dennis Wilson had always been considered the quintessential "Beach Boy": not in a musical sense (that, of course, was Brian), but in a lifestyle sense. His love of surfing inspired the others to adopt the image that launched the band, and his further adventures in the worlds of fast cars, fast bikes, and fast women continued to fuel the imagination and song catalog of his older brother and cousin. But in the first five or six years of their career, his musical contributions were limited to drumming and singing backup (and sometimes not even that), with an occasional lead vocal opportunity (either covers of other artists or new songs that Brian and Mike would throw his way). However, with Brian Wilson's retreat from full artistic control of the band in 1967, the other members (Dennis included) began to be relied upon more and more for compositional and production efforts. Dennis' first contributions in this respect appear on the 1968 Friends album, and would continue over the next five years; tunes like "Little Bird", "Be With Me", "Celebrate The News", and "Forever" were highlights of the late '60s-early '70s Beach Boys era. In order for Dennis to evolve musically into something more than "just the fun-loving playboy drummer", he needed to master a melodic/chordal instrument well enough to compose on it. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429 -
B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present
B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present George Plasketes B-SIDES, UNDERCURRENTS AND OVERTONES: PERIPHERIES TO POPULAR IN MUSIC, 1960 TO THE PRESENT for Julie, Anaïs, and Rivers, heArt and soul B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present GEORGE PLASKETES Auburn University, USA © George Plasketes 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. George Plasketes has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington, VT 05401-4405 Surrey GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data Plasketes, George B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present. – (Ashgate popular and folk music series) 1. Popular music – United States – History and criticism I. Title 781.6’4’0973 Library of Congress Cataloging-in-Publication Data Plasketes, George. B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present / George Plasketes. p. cm.—(Ashgate popular and folk music series) ISBN 978-0-7546-6561-8 (hardcover : alk. paper) 1. Popular music—United -
Dennis Wilson Pacific Ocean Blue + Bamboo Mp3, Flac, Wma
Dennis Wilson Pacific Ocean Blue + Bamboo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop / Folk, World, & Country Album: Pacific Ocean Blue + Bamboo Style: Surf, Classic Rock MP3 version RAR size: 1369 mb FLAC version RAR size: 1226 mb WMA version RAR size: 1531 mb Rating: 4.1 Votes: 976 Other Formats: AA WMA AU FLAC TTA MOD AUD Tracklist 1-1 River Song 1-2 What's Wrong 1-3 Moonshine 1-4 Friday Night 1-5 Dreamer 1-6 Thoughts Of You 1-7 Time 1-8 You And I 1-9 Pacific Ocean Blues 1-10 Farewell My Friend 1-11 Rainbows 1-12 End Of The Show 1-13 River Song (Live Version) 1-14 River Song (1973 Version) 1-15 Pacific Ocean Blues 1-16 Interview 1-17 Lady 2-1 Moonlight 2-2 It's Not Too Late 2-3 Companion 2-4 School Girl 2-5 Wild Situation 2-6 Baby Blue Eyes 2-7 Love Surrounds Me 2-8 New Orleans 2-9 He's A Bum 2-10 Holy Evening 2-11 10,000 Years 2-12 Wild Situation 2-13 Sound Of Free 2-14 Lady 2-15 River Song 2-16 Pacific Ocean Blues 2-17 Good Timin' 2-18 Angel Come Home 2-19 Quad Symphony 2-20 San Muguel 2-21 All Of My Love 2-22 You Are So Beautiful 2-23 He's A Bum 2-24 Quad Symphony 2-25 Carry Me Home 2-26 Wild Situation 2-27 Sound Of Free Notes The Dennis Wilson Solo Effort "Pacific Ocean Blue" Plus His Released "Bamboo" And Bonus Tracks Housed In A Deluxe Double Digipak. -
Volume N°1, Juin 2008
...J+. DE MARTLYN KATERINI NÉ ASGARLETT Volume #l )tJuin 2OO DE GORILLAZA PRODUCTEUR DE GEltllE I]{TERDII AUX ADUUTES l-"t I I \ : \ lt fil^I/ f{t \ " t :'" I{ERITIER D UAFBO.BEA rJ I *'i l '',,lIt \/ B'UN GROUPE CUlrE IIEA 4.U TERGR PE MUTANT := - b* fr rrlgys3 N. JU|N 'o 'oo3 -4ffi I l I DennisWilson, seulsur lâ Plâge ? abândonnée des Beach Boys,l97Z I Nl JU N 2oo3 vl5"l{] ?' t e 28 décembre 1983 vers 17 h 30. un peu plus de trois ressources suffisantes pour assurer le train de vie qui avait été le sien semaines après son 39e anniversaire, le corps de Dennis depuis les années 60, Dennis ltr/ilson n'est plus, à cette heure-là. qu'un tas Wilson remonte des eaux glaciâles de Mârina Del Rey à de souvenirs des splendeurs pâssées, qui flotte comme "une coquille sur Los Angeles. lesté dalcool et de cocâïne. Quelques jours lilcei?n\ selon des mots cruellement prémonitoires de l'une des plus émou plus tôt,le batteur des Beach Boys avait torpillé une vantes chansons des Beach Boys : TilIDie. nouvelle cure de désintoxication pour aller rejoin- Des soùvenirs, c'est précisément ce que Dennis était allé chercher en dre son ami Bill Oster sur son yacht, Emerald. s'abandonnant âux profondeurs de Marina Del Rey malgré la sâison. par amarré non loin de I'endrcit oil resplendissait ja- un miracle encore inexpliqué, il était remonté une première fois, selon la dis le propre bateau du cadet des Wilson, lfar, légende, âvec àla main une photo de son ex-femme jetée par dessus bord monu, désormais saisi pa,r ses banquiers pour cause (la photo, pas la femme) des mois auparavant dans un accès de colère. -
Piano Syllabus
Piano Syllabus Grade exams: Piano, Piano Accompanying Certificate exams: Piano Solo, Piano Duet, Piano Six Hands 2012–2014 Trinity College London 89 Albert Embankment London SE1 7TP UK T +44 (0)20 7820 6100 F +44 (0)20 7820 6161 E [email protected] www.trinitycollege.co.uk Charity number 1014792 Patron HRH The Duke of Kent KG Chief Executive Sarah Kemp Copyright © 2011 Trinity College London Published by Trinity College London Third impression, November 2012 Contents Introduction ................................................................................................................................... 3 Range of qualifications ......................................................................................................... 4 Grade exams — Piano, Piano Accompanying Structure ............................................................................................................................................. 5 Duration, Marking ............................................................................................................................ 6 Pieces ................................................................................................................................................... 7 Own Composition .............................................................................................................................8 Technical Work ................................................................................................................................ 9 Supporting Tests: