Will You Die for Me? by Charles Watson As Told to Chaplain Ray Hoekstra Copyright
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The Sunrise Jones // Song List
THE SUNRISE JONES // SONG LIST c/o Cleveland Music Group - Take on Me - A-ha - Dancing Queen - ABBA - It's A Long Way To The Top - AC/DC - Shook Me All Night Long - AC/DC - Sweet Emotion - Aerosmith - Melissa - Allman Brothers, The - Love Shack - B-52's, The - (You Gotta) Fight For Your Right (To Party) - Beastie Boys, The - A Day in the Life - Beatles, The - Abbey Road Medley - Beatles, The - Across The Universe - Beatles, The - Baby You're A Rich Man - Beatles, The - Back in the U.S.S.R. – Beatles, The - Ballad of John and Yoko - Beatles, The - Blackbird - Beatles, The - Birthday - Beatles, The - Can't Buy Me Love - Beatles, The - Come Together - Beatles, The - Day Tripper - Beatles, The - Don't Let Me Down - Beatles, The - Drive My Car - Beatles, The - Eight Days a Week - Beatles, The - Get Back - Beatles, The - Got To Get You Into My Life - Beatles, The - Happiness is a Warm Gun - Beatles, The - Hard Days Night - Beatles, The - Help - Beatles, The - Here Comes The Sun - Beatles, The - Hey Bulldog - Beatles, The - Hey Jude - Beatles, The - I Am The Walrus - Beatles, The - I Feel Fine - Beatles, The - I Saw Her Standing There - Beatles, The - I Want To Hold Your Hand - Beatles, The - I Will - Beatles, The - I’ll Follow The Sun - Beatles, The - I’m Looking Through You - Beatles, - I'm So Tired - Beatles, The - In My Life - Beatles, The - I’ve Got a Feeling - Beatles, The - I’ve Just Seen a Face - Beatles, The - Let It Be - Beatles, The - Love Me Do - Beatles, The - Lucy In The Sky with Diamonds - Beatles, The - Norwegian Wood - Beatles, The - Nowhere Man - Beatles, The - Penny Lane - Beatles, The - Ob-La-Di, Ob-La-Da - Beatles, The - Oh! Darling - Beatles, The - Revolution - Beatles, The - Rocky Raccoon - Beatles, The - Sgt. -
LESLIE VAN HOUTEN, ) ) Related Cases: BH007887; S230851 6 Petitioner, ) B240743; B286023 ) S45992; S238110; S221618 7 on Habeas Corpus
1 SUPERIOR COURT OF THE STATE OF CALIFORNIA 2 COUNTY OF LOS ANGELES 3 4 In Re ) CASE Nos. BH _________ ) 5 LESLIE VAN HOUTEN, ) ) Related Cases: BH007887; S230851 6 Petitioner, ) B240743; B286023 ) S45992; S238110; S221618 7 on Habeas Corpus. ) ______________________________ ) Superior Court Case A253156 8 9 _______________________________________________________ 10 PETITION FOR WRIT OF HABEAS CORPUS; 11 MEMORANDUM OF POINTS & AUTHORITIES 12 _______________________________________________________ 13 RICH PFEIFFER 14 State Bar No. 189416 NANCY TETRAULT 15 State Bar No. 150352 P.O. Box 721 16 Silverado, CA 92676 Telephone: (714) 710-9149 17 Email: [email protected] 18 Attorneys for Petitioner Leslie Van Houten 19 20 21 22 23 24 25 26 27 28 PETITION FOR WRIT OF HABEAS CORPUS Page 1 1 TABLE OF CONTENTS Page 2 TABLE OF EXHIBITS. 2 3 INTRODUCTION. 4 4 PROCEDURAL HISTORY. 8 5 STATEMENT OF FACTS. 10 6 PETITIONER’S JANUARY 30, 2019 PAROLE HEARING DECISION. 16 7 JUNE 3, 2019 GOVERNOR REVERSAL. 17 8 MEMORANDUM OF POINTS AND AUTHORITIES.. 18 9 I. MS. VAN HOUTEN IS NOT AN UNREASONABLE RISK TO 10 PUBLIC SAFETY UNDER ANY STANDARD.. 18 11 A. THE STANDARD OF REVIEW.. 18 12 1. Governor Reversal Standard of Review.. 18 13 2. The De Novo Standard of Review is Appropriate. 22 14 B2.. THE REVERSAL OF MS. VAN HOUTEN’S FINDING OF PAROLE SUITABILITY WAS A DENIAL OF DUE PROCESS.. 25 15 II. THE GOVERNOR FORFEITED NEW REASONS TO DENY PAROLE 16 THAT WERE NOT ASSERTED AT REVERSALS OF EARLIER REVERSALS OF GRANTS OF PAROLE.. 31 17 18 III. MS. VAN HOUTEN WAS DENIED DUE PROCESS WHEN THE PROSECUTION HAD EXCULPATORY EVIDENCE IN THE CHARLES 19 “TEX” WATSON TAPES, AND FAILED TO DISCLOSE IT. -
Sandy's Songbook
Sandy's Songbook This songbook was generated at www.guitarparty.com This songbook was generated at www.guitarparty.com Bls. 2 Table of contents 25 Minutes To Go . 3 I Got The Blues . 4 Let it be . 5 Make You Feel My Love . 7 Ob-La-Di Ob-La-Da . 8 Play With Fire . 9 Ticket to ride . 10 Waiting on a friend . 11 What A Wonderful World . 12 Wild horses . 13 You are my sunshine . 14 This songbook was generated at www.guitarparty.com Bls. 3 25 Minutes To Go Song by: Shel Silverstein Lyrics by: Shel Silverstein ArtistsJohnny Cash G Well they're building a gallows outside my cell But this ain't the movies so forget about me D7 G I've got 25 minutes to go Got 8 more minutes to go And the whole town's waiting just to hear me yell G With my feet on the trap and my head in the noose I got 24 minutes to go D7 5 more minutes to go Well they gave me some beans for my last meal Won't somebody come and cut me loose D7 G I got 23 minutes to go Got 4 more minutes to go But nobody ask me how I feel G I can see the mountains I can see the sky I got 22 minutes to go D7 3 more minutes to go Well I sent for the governor and the whole darn bunch And it's too darn pretty for a man to wanna die D7 G With 21 minutes to go I got 2 more minutes to go And I called up the mayor but he's out to lunch G I can see the buzzards I can hear the crows I got 20 more minutes to go D7 1 more minute to go Then the sheriff said boy I'm gonna watch you die And now I'm swinging D7 With 19 minutes to go And here I go-o-o-o So I laughed in his face and I spit in his eye G With 18 minutes to go Now here comes the preacher for to save my soul D7 With 13 minutes to go And he's talking bout burning but I'm so cold G And I got 12 more minutes to go Now they're testing the trap and it chills my spine D7 With 11 more minutes to go And the trap and the rope oh they work just fine G Got 10 more minutes to go Well I'm waiting for the pardon that'll set me free D7 With 9 more minutes to go This songbook was generated at www.guitarparty.com Bls. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Tim Young, Adam Fine, Tricia Southard.Pdf
\ earn name here TRASHMASTERS 2004 - UT-CHATTANOOGA ) Tim Young, Adam Fine, and Tricia Southard , J t-/ILJjl£; // / He led the American League in hits in his rookie season of 1942, but then spent three years fighting in World War / /fI. While with Detroit in 1952, he helped Virgil Trucks record his second no-hitter of the season after admitting that he ,/' misplayed a Phil Rizzuto ball originally called a hit. The goat of the 1946 World Series when he allowed Enos Slaughter / to score, FrP name this Red Sox shortstop, born John Paveskovich, the namesake of the right field foul pole in Fenway Park. Answer: Johnny Pesky 2. The title came about as a catch phrase among band members about what they hoped would happen to people "behaving in a shitty way." The piano riff in the chorus echoes another song about someone acting badly, the Beatles' "Sexy Sadie." The lyrics decry a man who "buzzes like a detuned radio" and a girl with a "Hitler hairdo," and hope that the titular entity will arrest them. We are told in the coda that the narrator "For a minute there . .I lost myself' over and over. FTPname this 1997 song, the third single from "OK Computer," a major hit for Radiohead. Answer: Karma Police 3. A 1979 graduate of Davidson College, this woman won an investigative reporting honor from the North Carolina Press Association for a series of articles about crime and prostitution in Charlotte. Her first book, An Uncommon Friend, was a biography of Billy Graham's wife, but her six years of work for the Virginia Chief Medical Examiner's Office inspired her best know series of a dozen novels. -
7. Annie's Song John Denver
Sing-Along Songs A Collection Sing-Along Songs TITLE MUSICIAN PAGE Annie’s Song John Denver 7 Apples & Bananas Raffi 8 Baby Beluga Raffi 9 Best Day of My Life American Authors 10 B I N G O was His Name O 12 Blowin’ In the Wind Bob Dylan 13 Bobby McGee Foster & Kristofferson 14 Boxer Paul Simon 15 Circle Game Joni Mitchell 16 Day is Done Peter Paul & Mary 17 Day-O Banana Boat Song Harry Belafonte 19 Down by the Bay Raffi 21 Down by the Riverside American Trad. 22 Drunken Sailor Sea Shanty/ Irish Rover 23 Edelweiss Rogers & Hammerstein 24 Every Day Roy Orbison 25 Father’s Whiskers Traditional 26 Feelin’ Groovy (59th St. Bridge Song) Paul Simon 27 Fields of Athenry Pete St. John 28 Folsom Prison Blues Johnny Cash 29 Forever Young Bob Dylan 31 Four Strong Winds Ian Tyson 32 1. TITLE MUSICIAN PAGE Gang of Rhythm Walk Off the Earth 33 Go Tell Aunt Rhody Traditional 35 Grandfather’s Clock Henry C. Work 36 Gypsy Rover Folk tune 38 Hallelujah Leonard Cohen 40 Happy Wanderer (Valderi) F. Sigismund E. Moller 42 Have You ever seen the Rain? John Fogerty C C R 43 He’s Got the Whole World in His Hands American Spiritual 44 Hey Jude Beattles 45 Hole in the Bucket Traditional 47 Home on the Range Brewster Higley 49 Hound Dog Elvis Presley 50 How Much is that Doggie in the Window? Bob Merrill 51 I Met a Bear Tanah Keeta Scouts 52 I Walk the Line Johnny Cash 53 I Would Walk 500 Miles Proclaimers 54 I’m a Believer Neil Diamond /Monkees 56 I’m Leaving on a Jet Plane John Denver 57 If I Had a Hammer Pete Seeger 58 If I Had a Million Dollars Bare Naked Ladies 59 If You Miss the Train I’m On Peter Paul & Mary 61 If You’re Happy and You Know It 62 Imagine John Lennon 63 It’s a Small World Sherman & Sherman 64 2. -
Helter Skelter” and Sixties Revisionism “Helter Skelter” Et L'héritage Polémique Des Années 1960
Volume ! La revue des musiques populaires 9 : 2 | 2012 Contre-cultures n°2 “Helter Skelter” and Sixties Revisionism “Helter Skelter” et l'héritage polémique des années 1960 Gerald Carlin and Mark Jones Electronic version URL: http://journals.openedition.org/volume/3407 DOI: 10.4000/volume.3407 ISSN: 1950-568X Printed version Date of publication: 15 December 2012 Number of pages: 34-49 ISBN: 978-2-913169-33-3 ISSN: 1634-5495 Electronic reference Gerald Carlin and Mark Jones, « “Helter Skelter” and Sixties Revisionism », Volume ! [Online], 9 : 2 | 2012, Online since 15 June 2014, connection on 10 December 2020. URL : http:// journals.openedition.org/volume/3407 ; DOI : https://doi.org/10.4000/volume.3407 This text was automatically generated on 10 December 2020. L'auteur & les Éd. Mélanie Seteun “Helter Skelter” and Sixties Revisionism 1 “Helter Skelter” and Sixties Revisionism “Helter Skelter” et l'héritage polémique des années 1960 Gerald Carlin and Mark Jones EDITOR'S NOTE This text was published in Countercultures & Popular Music (Farnham, Ashgate, 2014), while its French translation appeared in this issue of Volume! in 2012. “Helter Skelter” and the End of the Sixties Volume !, 9 : 2 | 2012 “Helter Skelter” and Sixties Revisionism 2 1 In late August 1968, within a few days of each other, new singles were released by the Beatles and the Rolling Stones. The unusual proximity of release dates by the world’s two most significant rock bands was echoed by the congruity of the songs’ themes: the Stones’ “Street Fighting Man” and the Beatles’ “Revolution” were both responses to the political unrest and protest which characterised the spring and summer of 1968. -
The Long Prison Journey of Leslie Van Houten: Life Beyond the Cult by Kariene Faith Boston: Northeastern University Press (2001), 216 Pp
The long Prison Journey of leslie Van Houten: life Beyond the Cult By Kariene Faith Boston: Northeastern University Press (2001), 216 pp. Reviewed by Liz Elliott n the last year of the 1960s, a decade of anomie, the U.S. experienced two I events that would symbolize different aspects of its culture into the next millennium. These events took place at opposite sides of the country, although they occun-ed less than a week apart. One event, a cultural festival of music and arts, has remained in time as an example of the possibilities of peaceful co existence in adverse circumstances oflarge numbers ofpeopJe. From August 15th to the 17th the Woodstock Music and Arts Festival's patrons endured rain and mud - and all of the other inconveniences that would reasonably accrue in a situation where unexpected large numbers ofpeople converged in one location -to see some of the decade's masters of rock and roll and folk music perfonn in the state of New York. Almost half a million people, many of whom were experiencing the event under the influence of various illicit drugs, attended Woodstock and lived together peacefhlly for one weekend. 1 Across the continent a few days earlier, the world heard the news of two ten-ible sets of murders in California that shook the sense of security that until then was enjoyed by Americans. We were soon to learn that these bizarre, seemingly ritualistic killings were the bidding of a charismatic but crazy man who was state-raised2 and resourceful. In this case the drugs were used to weaken the already fragile resolve ofyoung idealistic people who were searching for themselves and open to new ways of seeing the world. -
Volume 6 Number 064 the Manson Murders
Volume 6 Number 064 The Manson Murders – I Lead: Of the turbulent events that marked the decade of the 1960s, the chilling and notorious Charles Manson murders are clearly among most shocking. Intro.: A Moment in Time with Dan Roberts. Content: Charles Manson was born in 1934. He had an unstable childhood and by the age of thirteen was ripening into young man with a decidedly criminal inclination. After being released from a California prison in 1967, he moved to San Francisco, where he began attracting a group of devoted young people who would eventually follow him on a path of violence and destruction. Playing upon sections of the Book of Revelation and drawing inspiration from certain Beatle songs, Manson and his followers began preparing for a racial war in which black and white would annihilate each other. After this war, which Manson called “Helter Skelter,” he and his followers, or as he called them, his “family,” would emerge from a bottomless pit in Death Valley ready to lead a new society. By August 1969 the “Manson Family” was living in the run-down ranch buildings of an abandoned movie set just outside of Los Angeles, running a crime ring specializing in car thefts and drug sales. Manson, through some type of psychological control, dominated members of “The Family.” He correctly suspected that they would commit murder if he so instructed. On the night of August 9, 1969, on his orders a group of his followers brutally murdered actress Sharon Tate and four others in her Beverly Hills home. The next evening Leno and Rosemary LaBianca, wealthy owners of a grocery chain, were as brutally murdered in their Los Angeles home. -
Murder, Media, and Mayhem: the Metamorphosis of California Murder Cases to International Media Sensations
Murder, Media, and Mayhem: The Metamorphosis of California Murder Cases to International Media Sensations By: Olivia Cusimano Advisor: Richard Perry Undergraduate Legal Studies Honors Thesis University of California, Berkeley 1 “Sometimes the power of the media, the power of the movie, can be very subtle and great.” -James Blatt, Attorney for Jesse James Hollywood I would like to take a moment to thank all those who helped me take an idea grown while watching Investigation Discovery on the couch and develop it into this project. From the initial guidance of Professor Musheno and Christina Carbone to the astute guidance of my advisor, Professor Perry, I am forever thankful. My family, too, has supported me mentally and even intellectually. To my Aunt Diane, I owe you so much for your direction and insight. I never would have parsed out a coherent thesis without our conversations at The Natural Café. Additionally, a never-ending thanks to those who supported me, made sure I didn’t give up, and listened to my unending laments without disowning me: Kent, Mike, Brendan, Safeena, Dani the entire Student Advocate’s Office, and everyone else who spent any iota of time listening to my laments. 2 Table of Contents I. Abstract……………………………………………………………………...…….4 II. Introduction……………………………………………………………………...5 III. Literature Review………………………………………………………………6 IV. Methodology…………………………………………………………………...17 V. Findings and Analysis………………………………………………………….21 i. Charles Manson………………………………………………………... ii. Scott Peterson…………………………………………………………… iii. Jesse James Hollywood………………………………………………… VI. Synthesis and Limitations…………………………………………………….. VII. Conclusions…………………………………………………………………….. VII. Works Cited…………………………………………………………………….. 3 I. Abstract This project seeks to explore how and why certain cases are sensationalized, by tracing the movement of the cases through various media outlets. -
The Beach Boys the Capitol Years Mp3, Flac, Wma
The Beach Boys The Capitol Years mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: The Capitol Years Country: Australasia MP3 version RAR size: 1199 mb FLAC version RAR size: 1502 mb WMA version RAR size: 1935 mb Rating: 4.3 Votes: 999 Other Formats: MPC FLAC MP1 ADX MMF MP3 AA Tracklist 1-1 Surfin' 1-2 Surfin' Safari 1-3 Ten Little Indians 1-4 Surfin' U.S.A. 1-5 Catch A Wave 1-6 Hawaii 1-7 Surfer's Rule 1-8 Surfer's Girl 1-9 Don't Back Down 1-10 Little Deuce Coupe 1-11 409 1-12 In The Parkin' Lot 1-13 Car Crazie Cutie 1-14 Spirit Of America 1-15 Shut Down 1-16 Custom Machine 1-17 Drive Inn 1-18 Cherry, Cherry Coupe 1-19 Little Honda 1-20 Be True To Your School 1-21 Fun, Fun, Fun 1-22 Why Do Fools Fall In Love 1-23 All Summer Long 1-24 I Get Around 1-25 Wendy 1-26 When I Grow Up To Be A Man 1-27 Little Saint Nick 1-28 Christmas Day 1-29 Auld Lang Syne 1-30 Don't Worry Baby 1-31 Your Summer Dream 2-1 In My Room 2-2 The Warmth Of The Sun 2-3 Keep An Eye On Summer 2-4 Girls On The Beach 2-5 Please Let Me Wonder 2-6 Hushabye 2-7 The Lord's Prayer 2-8 Dance, Dance, Dance 2-9 The Little Girl I Once Knew 2-10 Good To My Baby 2-11 Help Me, Rhonda 2-12 Do You Wanna Dance 2-13 You're So Good To Me 2-14 Don't Hurt My Little Sister 2-15 She Knows Me Too Well 2-16 California Girls 2-17 The Little Old Lady From Pasadena 2-18 Graduation Day 2-19 The Monster Mash 2-20 Johnny B. -
Brian Wilson
STORIE DI MUSICA DI CESARE G. ROMANA n. 19 26/08/2012 -------------- Brian Wilson Per un’ora e mezza Brian Wilson lavorò di badile, tra convulsi di tosse, il sudore che stillava tra le rughe, il sole di California che bruciava dalle vetrate. Alla fine il pavimento era scomparso, annullato da un tappeto di sabbia, fina come cenere. Solo allora Brian aprì il pianoforte, sedette sullo sgabello, immerse i piedi scalzi in quell’improvvisato arenile e cominciò a suonare. «Niente mi ispira come la sabbia», aveva confidato al suo analista il più geniale e il più matto dei Beach Boys . Erano gli anni Settanta e Wilson non era più il ragazzone un po’ obeso, il sorriso marchiato sul volto, i jeans bianchi e la maglietta a righe che aveva stregato il mondo dieci anni prima, con un motivetto, "Surfin’", tutto estate, coretti e flessuose chitarre. Ora Brian era uno scarno signore con molti più anni sul viso che sul passaporto, lo sguardo perpetuamente in allarme, la faccia tutta un solco. Troppi i pesi da reggere: l’infanzia con un padre frustrato e manesco, l’insostenibilità del successo, un’immagine pubblica spensierata e posticcia, che faceva a pugni coi lati oscuri del suo carattere. Poi le droghe, le paranoie, gli incontri sbagliati «nei quali mi rifugio come in una conchiglia», ad alimentare quel male di vivere che, nei momenti di chiarezza, lui sintetizzava così: «Non è che ho paura di qualcuno: ho paura di tutti». Anche dei «suoi» Beach Boys ? «Eccome: invidiosi, figli di puttana, quando li vedo li picchierei. Ma sono più forti di me, mi farebbero a pezzi».