Are Jewish and Israeli Synonymous?
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Chronology 1916-1937 (Vienna Years)
Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere -
New York, 5 January 1946: in Ragged Clothes, but As Usual Wearing
New York, 5 January 1946: In ragged clothes, but as usual wearing elegant white gloves, Paul Abraham steps on Madison avenue, positions himself on a socket in the central reserve of the roadway and starts to direct an imaginary orchestra. This last 'performance' would take the most successful composer of the early 1930s to psychiatry. The game is over... On this homepage you will read everything about the triumphs and defeats of this creator of immortal tunes. The biographical homepage of the operetta composer PAUL ABRAHAM (1892-1960) His life - His tunes - His influence by Klaus Waller (Translation: Nardina Alongi) From Apatin to Budapest Paul Abraham was born as Ábrahám Pál on 2 November 1892 in the provincial town of Apatin (in modern Serbia), which at that time belonged to the Austro-Hungarian empire of the Habsburgian monarchy. We know close to nothing about his childhood. It seems certain that his mother, a piano teacher, introduced him to the world of music - as well his father, a businessman, had influenced him with his profession - for both his interests, for music and for financial business, he tried to unite when he was a young man, and this would make his life rather adventurous. After attending the Swabian village school of Apatin and his father's early death, Abraham came to Budapest when he was still a child. A music professor in Apatin had heard him playing piano when he was seven and recommended to his mother to move to Budapest, where he promoted Abraham further. Budapest was at that time a culturally vivid urban centre with a great deal of ethnic German population. -
Chapter 5. Language: Private, Public, Solitary, Shared on the Received
Chapter 5. Language: private, public, solitary, shared On the received reading of Ludwig Wittgenstein's Philosophical Investigations1, the book contains an argument purporting to show the impossibility of a private language. There has been a lively debate, however, on how the relevant notion of a private language is to be understood, and what considerations should be taken to rule it out. Some have understood Wittgenstein to mean that a language must be something that several speakers actually share, while others take him to mean that a language must be something that they could, in principle, share. Or, slightly differently put, on one view, speaking a language presupposes the actual existence of a linguistic community upholding certain shared standards of meaning and correctness, while on the other view, it only presupposes that such a community might have existed. These views have come to be known as the ‘community view’ and the ‘solitary speaker’ view, respectively.2 Furthermore, supporters of the community view tend to think that the discussion about privacy holds a central place in Wittgenstein’s later philosophy, whereas those who support the solitary speaker view usually see its bearings as limited to the issue of the privacy of experience. 1 Ludwig Wittgenstein, Philosophical Investigations (Oxford: Basil Blackwell, 1958). References to this work will be indicated with the abbreviation PI followed by paragraph number. 2 Rather than two monolithic positions, what we have here is a spectrum of views ranging between two extremes. To mention but a few examples: the best-known formulations of the community view are to be found in Norman Malcolm, “Following a Rule” in his book Nothing is Hidden (Oxford: Basil Blackwell, 1986), as well as in his essay “Wittgenstein on Language and Rules” in Wittgensteinian Themes: Essays 1978-1989 (ed. -
Wittgenstein, Anxiety, and Performance Behavior
Incapacity Incapacity Wittgenstein, Anxiety, and Performance Behavior Spencer Golub northwestern university press evanston, illinois Northwestern University Press www.nupress.northwestern.edu Copyright © 2014 by Spencer Golub. Published 2014 by Northwestern University Press. All rights reserved. Printed in the United States of America 10 9 8 7 6 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Golub, Spencer, author. Incapacity : Wittgenstein, anxiety, and performance behavior / Spencer Golub. pages cm Includes bibliographical references and index. ISBN 978-0-8101-2992-4 (cloth : alk. paper) 1. Wittgenstein, Ludwig, 1889–1951. 2. Language and languages—Philosophy. 3. Performance—Philosophy. 4. Literature, Modern—20th century—History and criticism. 5. Literature—Philosophy. I. Title. B3376.W564G655 2014 121.68—dc23 2014011601 Except where otherwise noted, this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. In all cases attribution should include the following information: Golub, Spencer. Incapacity: Wittgenstein, Anxiety, and Performance Behavior. Evanston: Northwestern University Press, 2014. For permissions beyond the scope of this license, visit http://www.nupress .northwestern.edu/. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. For my mother We go towards the thing we mean. —Wittgenstein, Philosophical Investigations, §455 . -
Wittgenstein and Haydn on Understanding Music
Contemporary Aesthetics (Journal Archive) Volume 4 Volume 4 (2006) Article 15 2006 Wittgenstein and Haydn on Understanding Music Yael Kaduri Bezalel Academy of Art and Design, Jerusalem, [email protected] Follow this and additional works at: https://digitalcommons.risd.edu/liberalarts_contempaesthetics Part of the Aesthetics Commons Recommended Citation Kaduri, Yael (2006) "Wittgenstein and Haydn on Understanding Music," Contemporary Aesthetics (Journal Archive): Vol. 4 , Article 15. Available at: https://digitalcommons.risd.edu/liberalarts_contempaesthetics/vol4/iss1/15 This Article is brought to you for free and open access by the Liberal Arts Division at DigitalCommons@RISD. It has been accepted for inclusion in Contemporary Aesthetics (Journal Archive) by an authorized editor of DigitalCommons@RISD. For more information, please contact [email protected]. Wittgenstein and Haydn on Understanding Music Yael Kaduri About CA Abstract Journal Wittgenstein's remarks about music have motivated philosophers to build a comprehensive picture of his philosophy of music, concentrating on the central Contact CA issues of musical meaning. It is often claimed that, according to Wittgenstein, understanding music consist in grasping the internal relationships between Links musical events. Musical practice, however, is naturally saturated with what philosophers often call extra-musical meanings. The present study, by Submissions considering a musical issue in Haydn's instrumental music, attempts to show that musical language games in the Wittgensteinian sense involve explanations Search Journal of music that enhance the listener's ability to understand music by broadening his musical competence. Nevertheless, constituting understanding of music, these explanations might use professional musical terms as well as non-musical terms, comparisons, gestures and so on. -
1 New York, 1946. Banished from Germany by the National Socialists
New York, 1946. Banished from Germany by the national socialists, Paul Abraham stands in an lively street and starts to conduct an imaginary orchestra.* This last “concert” by the former most successful operetta composer of the whole world, called the “operetta king of Berlin”, marks the bitter end of his fruitless attempts of making a living in the “New World”. A little bit later he was admitted to the biggest insane asylum of the whole world. *There are not any eyewitnesses of this incident, but it became an iconographic symbol of the tragic fate of Paul Abraham and his exiled contemporaries. 1 The biographical homepage of the operetta composer PAUL ABRAHAM (1892-1960) The tragic king of operetta by Klaus Waller (Translation: Nardina Alongi 2014, update Louis Breitsohl 2016) From Apatin to Budapest Paul Abraham was born as Ábrahám Pál on 2 November 1892 in the provincial town of Apatin (in modern Serbia), which at that time belonged to the Austro-Hungarian empire of the Habsburgian monarchy. We know close to nothing about his childhood. It seems certain that his mother, a piano teacher, introduced him to the world of music - as well his father as a businessman, had influenced him with his profession - for both his interests, for music and for financial business, he tried to unite when he was a young man. After attending the Swabian village school of Apatin and an economic school in the nearby Zombor, Abraham arrived in the early 1910s in Budapest, accompanied only by his mother, because of his father's early death and the induction of his brother, who died soon as well. -
Ebook-Mumford-Laws-In-Nature.Pdf
Laws in Nature What are the laws of nature? Do they control the actions and movements of the other things that exist in our world? Is there a sense in which such laws are real things? Both scientists and philosophers have been attracted by the view that the world contains laws of nature. It is such laws that dictate the behaviour of particulars, rather than any of those things’ intrinsic or internal forces. In this book Stephen Mumford argues against this popular view. He shows that no adequate account has been produced of what such laws in nature would be, or how they would perform the work that has been required of them. In their place, he argues that there are other necessary connections in nature that can do all the work for which we thought laws were needed. This book offers a holistic and connected account of reality in which the world’s elements do not need to be activated or controlled by laws. It is not possible that these elements behave other than they do. The world is more of a jigsaw than a mosaic: its pieces can form only one picture, and laws are no part of it. Stephen Mumford is Reader in Metaphysics in the Department of Philo- sophy at the University of Nottingham. He is the author of Dispositions (1998) and various papers in metaphysics. He is editor of Russell on Meta- physics (2003) and Powers by the late George Molnar (2003). Routledge studies in twentieth-century philosophy 1 The Story of Analytic Philosophy Plot and heroes Edited by Anat Biletzki and Anat Matar 2 Donald Davidson Truth, meaning and knowledge Edited by Urszula M. -
A Reformed Natural Theology?
A REFORMED NATURAL THEOLOGY? SEBASTIAN REHNMAN University of Stavanger Abstract: This paper aims to counter the recent opinion that there is a peculiar epistemology in the reformed Church which made it negative to natural theology. First it is shown that there was an early and unanimous adoption of natural theology as the culmination of physics and the beginning of metaphysics by sixteenth and seventeenth century philosophers of good standing in the reformed Church. Second it is argued that natural theology cannot be based on revelation, should not assume a peculiar analysis of knowledge and must not pass over demonstration. INTRODUCTION The title of this paper admittedly contains some confusion. But recently a notion of an allegedly pessimistic natural theology based on (purportedly) revealed principles of the reformed Church has been circulating among philosophers.1 This notion is confused, since if the principles of natural theology are supernatural, then either it is not natural theology or it is circular. There may be a natural theology by philosophers in the reformed Church, but not a natural theology based on the doctrines of the reformed Church. It is moreover confused to characterise such a natural theology as pessimistic in contrast to an allegedly optimistic mediaeval one. For thinkers such as Anselm, Aquinas, Scotus and Suarez did not maintain the sufficiency of natural theology for Christian faith. For all the important Catholic mediaeval thinkers held to the conviction that divine revelation is absolutely necessary for us to flourish as human EUROPEAN JOURNAL FOR PHILOSOPHY OF RELIGION 4/1 (SPRING 2012), PP. 151-175 152 SEBASTIAN REHNMAN beings and that, as far as ultimate metaphysical and moral questions are concerned, we remain in an utterly perilous state of ignorance without it.2 It is simply misleading to characterise natural theology in the reformed tradition in contrast with natural theology in the mediaeval tradition. -
SWR2 Musikstunde
SWR2 Musikstunde Kein Ball mehr im Savoy – Die letzten Tage der Operette (4) Von Katharina Eickhoff Sendung: 16. Juli 2020 9.05 Uhr Redaktion: Dr. Bettina Winkler Produktion: SWR 2020 SWR2 können Sie auch im SWR2 Webradio unter www.SWR2.de und auf Mobilgeräten in der SWR2 App hören – oder als Podcast nachhören: Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2- Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de Die SWR2 App für Android und iOS Hören Sie das SWR2 Programm, wann und wo Sie wollen. Jederzeit live oder zeitversetzt, online oder offline. Alle Sendung stehen mindestens sieben Tage lang zum Nachhören bereit. Nutzen Sie die neuen Funktionen der SWR2 App: abonnieren, offline hören, stöbern, meistgehört, Themenbereiche, Empfehlungen, Entdeckungen … Kostenlos herunterladen: www.swr2.de/app 2 SWR2 Musikstunde mit Katharina Eickhoff 13. Juli 2020 – 17. Juli 2020 Kein Ball mehr im Savoy – Die letzten Tage der Operette Als 1928 in Wien Emmerich Kálmáns „Die Herzogin von Chicago“ herauskommt, ist das der letzte Beweis dafür, dass Amerika in den Köpfen sogar der härtestgesottenen k.u.k.-Theatermacher angekommen war: In jeder Operette, die jetzt Premiere hat, bricht das Ensemble irgendwann unfehlbar in irgend einen amerikanischen Modetanz aus, die „Shimmysierung des angestammten Polkagemüts“, wie der Chefspötter Karl Kraus das nannte, war schlichtweg unaufhaltsam. -
Hilary Putnam
111 Hilary Putnam 011 111 A beautiful statement of almost all the ideas that I take to be of lasting value and vital importance Hilary Putnam Hilary Putnam is one of the most famous and influential living philosophers. In Hilary Putnam: Pragmatism and Realism, Putnam responds to ten new papers exam- ining his central ideas, written by highly respected Putnam scholars especially 0111 for this volume. Putnam’s work touches on almost every area of interest in contemporary Anglo- American philosophy. His ideas have had repercussions in the philosophy of language and the philosophy of mind, as well as countless areas of metaphysics. Many of Putnam’s most influential ideas can be traced back to his two key commit- ments: to pragmatism and to realism. In this book, well-known top scholars examine these two fundamental positions and their place in Putnam’s work. In addition to responding to each paper, there is a new essay by Putnam himself on pragmatism and nonscientific knowledge. The insight into Putnam’s work provided by the contributions to his work, 0111 combined with Putnam’s extensive and detailed responses, make this essential reading for anyone with an interest in the ideas and influence of Hilary Putnam. Contributors: Ruth Anna Putnam, Hilary Putnam, Richard Warner, Robert Brandom, Nicholas Rescher, John Haldane, Tadeusz Szubka, John Heil, Wolfgang Künne, Gary Ebbs and Charles Travis. James Conant is Professor of Philosophy at the University of Chicago. He is the editor of Putnam’s collected papers. Urszula M. Z˙eglen´ is Professor of Philosophy at the University of Turon´, Poland. -
Wittgenstein. La 'Reorientación De La Filosofía'
WITTGENSTEIN Reorientación de la filosofía por CARLA CORDUA Nº de Inscripción: 99.844 © Carla Cordua Derechos reservados para todos los países ISBN 956-201-322-7 A Roberto Sumario Prefacio................................................................ 5 I Filosofía y ciencia como teoría.................... 7 II La teoría: perspectivas críticas..................... 22 III La filosofía y la vida común y corriente....... 40 IV El fenómeno de la lógica............................. 60 V Necesidad................................................. 73 VI El contexto de la necesidad......................... 89 VII Claridad.................................................... 103 VIII Explicación con ejemplos........................... 122 IX Análogos del lenguaje................................ 140 X El lenguaje y los juegos.............................. 152 APÉNDICES I Torturas y enfermedades............................ 170 II Crítica de la teoría..................................... 172 III Polémicas o el arte de lanzar huevos........... 176 IV Diferentes diferencias................................ 179 V Wittgenstein en inglés............................... 182 VI ¿Qué forma parte de la lógica?................... 186 VII El filósofo y las imágenes........................... 194 VIII Contextos............................................... 200 IX ¿Teoría, investigación o qué?..................... 202 Bibliografía........................................................... 207 Prefacio El asunto de este libro es lo que se podría llamar el talante -
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Nordic Wittgenstein Review Special Issue 2015 • Wittgenstein and Forms of Life Danièle Moyal-Sharrock d.moyal-sharrock @ herts.ac.uk Wittgenstein on Forms of Life, Patterns of Life, and Ways of Living Abstract This paper aims to distinguish Wittgenstein’s concept of ‘form of life’ from other concepts or expressions that have been confused or conflated with it, such as ‘language-game’, ‘certainty’, ‘patterns of life’, ‘ways of living’ and ‘facts of living’. Competing interpretations of Wittgenstein’s ‘form(s) of life’ are reviewed (Baker & Hacker, Cavell, Conway, Garver), and it is concluded that Wittgenstein intended both a singular and a plural use of the concept; with, where the human is concerned, a single human form of life characterized by innumerable forms of human life. Introduction This paper aims to demarcate Wittgenstein’s concept of ‘form(s) of life’ from other concepts or expressions that have been confused or conflated with it, such as, ‘language-game’, ‘certainty’, ‘patterns of life’, ‘ways of living’ and ‘facts of living’. The tendency to merge these concepts may in part be due to their all being what we might call framework concepts: concepts featuring basicness or ungrounded- ness. Wittgenstein’s reputation as a therapeutic philosopher who refrains from interventionist or constructive philosophical activity 21 Danièle Moyal-Sharrock CC-BY is unjustified.1 Particularly when we think of him as pushing his way through a lot of muddied and muddled philosophical water to emerge with many a brilliant ‘redeeming word’ (erlösende Wort) or concept – such as ‘form of life’ or ‘language game’. These concepts result from Wittgenstein’s attempts to present the familiar unseen – what is always before our eyes but is unnoticed because of its familiarity2 – in such a way that it becomes perspicuous.