ACQUAINTANCES 1. OLIVER TWIST-Charles John Huffam
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TS ELIOT's PLAYS and RECEPTION Eliot's
T.S. ELIOT’s PLAYS and RECEPTION Eliot’s plays, which begin with Sweeney Agonistes (published 1926; first performed in 1934) and end with The Elder Statesman (first performed 1958; published 1959), are, with the exception of Murder in the Cathedral (published and performed 1935), inferior to the lyric and meditative poetry. Eliot’s belief that even secular drama attracts people who unconsciously seek a religion led him to put drama above all other forms of poetry. All his plays are in a blank verse of his own invention, in which the metrical effect is not apprehended apart from the sense; thus he brought “poetic drama” back to the popular stage. The Family Reunion (1939) and Murder in the Cathedral are Christian tragedies—the former a tragedy of revenge, the latter of the sin of pride. Murder in the Cathedral is a modern miracle play on the martyrdom of Thomas Becket. The most striking feature of this, his most successful play, is the use of a chorus in the traditional Greek manner to make apprehensible to common humanity the meaning of the heroic action. The Family Reunion (1939) was less popular. It contains scenes of great poignancy and some of the finest dramatic verse since the Elizabethans, but the public found this translation of the story of Orestes into a modern domestic drama baffling and was uneasy at the mixture of psychological realism, mythical apparitions at a drawing-room window, and a comic chorus of uncles and aunts. After World War II, Eliot returned to writing plays with The Cocktail Party in 1949, The Confidential Clerk in 1953, and The Elder Statesman in 1958. -
Play Guide Table of Contents
PLAY GUIDE TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 SONG LIST 3 MEET THE CHARACTERS 4 MEET THE CREATORS: PAUL GORDON AND JANE AUSTEN 5 INTERVIEW WITH PAUL GORDON 7 THE NOVEL IN THE MUSIC 9 POLLOCK’S TOY THEATRES 11 LITERARY CATEGORIZATION OF AUSTEN 12 LITERARY TIMELINE 13 THE AUSTEN INDUSTRY 14 AUSTEN IN POPULAR CULTURE 15 FEMINISM IN EMMA 16 THE EMMA DEDICATION 18 HISTORICAL CONTEXT 18 HISTORICAL TIMELINE 22 DISCUSSION QUESTIONS AND ACTIVITIES 23 Jane Austen’s Emma Play Guide written and compiled by Katherine Monberg, Literary Assistant, and R Elisabeth Burton, Artistic Intern Discussion questions and activities provided by April Jackson, Associate Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS JPMorgan Chase The Marshall Foundation Arizona Commission on the Arts John and Helen Murphy Foundation The Maurice and Meta Gross Bank of America Foundation National Endowment for the Arts Foundation Blue Cross Blue Shield Arizona Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Boeing PICOR Charitable Foundation The Stocker Foundation City Of Glendale Rosemont Copper The William L and Ruth T Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company -
Unit-1 T. S. Eliot : Religious Poems
UNIT-1 T. S. ELIOT : RELIGIOUS POEMS Structure 1.0 Objectives 1.1 Introduction 1.2 ‘A Song for Simeon’ 1.3 ‘Marina’ 1.4 Let us sum up 1.5 Review Questions 1.6 A Select Bibliography 1.0 Objectives The present unit aims at acquainting you with some of T.S. Eliot’s poems written after his confirmation into the Anglo-Catholic Church of England in 1927. With this end in view, this unit takes up a close reading of two of his ‘Ariel Poems’ and focuses on some traits of his religious poetry. 1.1 Introduction Thomas Stearns Eliot was born on 26th September, 1888 at St. Louis, Missouri, an industrial city in the center of the U.S.A. He was the seventh and youngest child of Henry Ware Eliot and Charlotte Champe Stearns. He enjoyed a long life span of more than seventy-five years. His period of active literary production extended over a period of forty-five years. Eliot’s Calvinist (Puritan Christian) ancestors on father’s side had migrated in 1667 from East Coker in Somersetshire, England to settle in a colony of New England on the eastern coast of North America. His grandfather, W.G. Eliot, moved in 1834 from Boston to St. Louis where he established the first Unitarian Church. His deep academic interest led him to found Washington University there. He left behind him a number of religious writings. Eliot’s mother was an enthusiastic social worker as well as a writer of caliber. His family background shaped his poetic sensibility and contributed a lot to his development as a writer, especially as a religious poet. -
Charles Dickens
AUTHOR DATA SHEET Macmillan Guided Readers Charles Dickens The author and his work made Dickens a famous writer at the age of twenty-four. Dickens began to earn a lot of money as a writer and two years later he got married. His wife’s name was Catherine Hogarth. Charles and Catherine had ten children – seven sons and three daughters – but the marriage was not always happy. Charles was not an easy man to live with. He wanted everything in his house to be clean and tidy. He wanted to talk to clever people with quick minds. He wanted everthing in his life to be perfect. Catherine was a rather untidy person, and she did not think very quickly. She often made her famous husband angry. In 1857, after nearly twenty years of marriage, Dickens fell in love with a young actress called Ellen Ternan. The following year, Dickens and his wife separated. They decided to live apart from each other. Catherine lived in London, while Dickens moved to a large house in Kent called Gad’s Hill Place. One of Catherine’s sisters helped Dickens to look after some of his ©Corbis/Betmann children there. harles John Huffham Dickens was born near CPortsmouth, on the south coast of England, on Dickens worked hard all his life. He spent most 9th February 1812. Charles’s father, John Dickens, of his life writing novels and stories. But he also worked for the British Navy, in offices in enjoyed travelling. He visited France and Italy, Portsmouth, Chatham and London. From 1822, the and he visited America twice. -
Emma by Jane Austen
Emma by Jane Austen Born- 16 December 1775 Steventon Rectory, Hampshire, England Died - 18 July 1817 (aged 41) Winchester, Hampshire, England Resting place- Winchester Cathedral, Hampshire, England Education- Reading Abbey Girls' School Period- 1787 to 1809–11 By:- Dr. Ritu Mittal Assistant professor JKP(PG) College Muzaffarnagar BIOGRAPHY Jane Austen was an English novelist whose books, set among the English middle and upper classes, are notable for their wit, social observation and insights into the lives of early 19th century women. Jane Austen was born on 16 December 1775 in the village of Steventon in Hampshire. She was one of eight children of a clergyman and grew up in a close-knit family. She began to write as a teenager. In 1801 the family moved to Bath. After the death of Jane's father in 1805 Jane, her sister Cassandra and their mother moved several times eventually settling in Chawton, near Steventon. Jane's brother Henry helped her negotiate with a publisher and her first novel, 'Sense and Sensibility', appeared in 1811. Her next novel 'Pride and Prejudice', which she described as her "own darling child" received highly favourable reviews. 'Mansfield Park' was published in 1814, then 'Emma' in 1816. 'Emma' was dedicated to the prince regent, an admirer of her work. All of Jane Austen's novels were published anonymously. • . • In 1816, Jane began to suffer from ill-health, probably due to Addison's disease. She travelled to Winchester to receive treatment, and died there on 18 July 1817. Two more novels, 'Persuasion' and 'Northanger Abbey' were published posthumously and a final novel was left incomplete. -
1 CHAPTER I INTRODUCTION A. Background of the Research A
11 CHAPTER I INTRODUCTION A. Background of the Research A writer or an author is going to express their idea through their writing or text, such as in poem, novel. It is interesting because an author will tell it in beauty of words, phrases, sentences even passages and books. They may express about themselves, their surrounding, environment, society condition, nature, politic, history or criticism of something. According to Engels which rewritten by Laurenson and Swingewood (1972), he stated that literature as reflection of social processes. It means that literature as written language product is related to society that gives colors in the work. Basing on explanation above, it is clear that literary work is product of society. An author is not able to be separated from the society or environment, they relate each others, and it is harmony. In creating literary work, he will be influenced by surrounding, and the result of writing, literary work, is going to influence the readers as society members. According to Wellek and Warren (1948: 3), literature is “creative, an art”. In this term, they stated that literature is a creativity work in art. This term is still wide and common. Then, Cuddon (1999: 472) defines literature as “a vague term which usually denotes works which belong to the major genres: epic, drama, lyric, novel, short story ode.” Cuddon is able to give explanation clearer than Wellek and Warren, he give the types or work of it. 1 2 In several literary works express many features of thought and feeling on subjects as varied as social class, work, love, religion, nature, and art. -
A Description of Plot in Charles Dicken's Novel
A DESCRIPTION OF PLOT IN CHARLES DICKEN’S NOVEL OLIVER TWIST A PAPER WRITTEN BY JULIANATIKA REG.NO : 152202038 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF NORTH SUMATERA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am Julianatika, declare that I am sole of the author of this paper. Except where references is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for a awarded degree. No other person‘s work has been used without due acknowledgement in this main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed: ................... Date : November 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name : Julianatika Title of Paper : A DESCRIPTION OF PLOT IN CHARLES DICKEN‘S NOVEL OLIVER TWIST Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Study Program Faculty of Cultural Studies, University of North Sumatera the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed: ......................... Date: November 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRACT The title of this paper is A Description of Plot In Charles Dicken’s Novel “Oliver Twist”. Plot is the literary element that contains the event has cause in a story where the event has cause and effect relation. -
Real Estate Quarterly Autumn 2016
Real Estate Quarterly Autumn 2016 1 Contents Hogan Lovells wins Real Estate Legal Team of the Year 4 at the EG Awards! Solving the surplus 5 A game of drones 8 Great expectations or hard times? 12 Case round up 16 Q&A 24 4 Hogan Lovells Hogan Lovells wins Real Estate Legal Team of the Year at the EG Awards! We are delighted to have won the inaugural Real Estate Legal Team of the Year category at the 2016 Estates Gazette Awards! A huge thank you to all our clients and contacts for making this happen. We were recognised for our work across the full The award was presented at a full house of property’s spectrum of real estate, including development, leading lights at the Grosvenor House Hotel on investment, planning, and disputes. A panel of leading London’s Park Lane. To view all the winners, please real estate industry judges praised our work on click here: http://www.egawardsevent.co.uk/ headline-grabbing deals over the past year, from the egawards2016/winners-2016 BBC’s sale and leaseback of Media Village to Argent/ This fantastic news followed hot on the heels of our Related’s £4bn redevelopment of Brent Cross South, promotion to the elite top band in Legal 500 UK for as well as our commitment to real estate as a sector, commercial property, where we are also top-ranked including asset management work. for development, hotels and leisure, and Jackie Newstead, Global Head of Real Estate said property litigation. “I am delighted for the whole real estate team here at Hogan Lovells that all the hard work everyone puts in on a daily basis has been recognised in being awarded the first ever award for Real Estate Legal Team of the Year by Estates Gazette. -
Uni International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
Readings by Charles 'Dickens
Philadelphia ^Bowled Clean Over: Public "Readings by Charles 'Dickens N JANUARY 5, 1868, in Philadelphia, on snow-covered Chest- nut Street, in eighteen-degree cold, fifty people—fortified O with mattresses, blankets, and whiskey—were waiting be- fore midnight at number 1217 for George Dolby to open the Concert Hall box office the next morning at 9:00 A. M.1 As morning neared, the crowd grew. Police arrived to keep order. Charles Leland re- corded: "Great excitement, Dickens' tickets."2 Henry Benners saw "a line, one square long, waiting to procure tickets to T)ickens reading."3 All tickets for the first six readings were sold in four hours, and hundreds of people were turned away.4 On January 31, after announcing the readings of February 13 and 14, Dickens wrote: "All Philadelphia is going to rush at once for tickets. Great excitement is anticipated in the streets."5 He was Philadel- phia's biggest news, under such headlines as "The Dickens Excite- ment," "The Great Novelist in Our Midst," "Another Great Read- Ing," "Brilliant Audience Assembled," and "How the Literary Feast Was Enjoyed" amid "Unbounded Enthusiasm and Loud Applause." The Evening "Telegraph of January 14, watching Phila- delphia run wild, saw the "normally quiet citizens" of the "orderly 1 George Dolby, Charles Dickens as I Knew Him: The Story of the Reading Tours in Great Britain and America, 1866-1870 (Philadelphia, 1885), 206-208. 2 Elizabeth R. Pennell, Charles Godfrey Leland: A Biography (Boston, 1906), I, 300. 3 Benners Diary, Jan. 6, 1868, I, 180, Historical Society of Pennsylvania (HSP). -
Letters of Charles Dickens: 1833–1870 Edited by Georgina Hogarth and Mary Dickens Frontmatter More Information
Cambridge University Press 978-1-108-04004-4 - Letters of Charles Dickens: 1833–1870 Edited by Georgina Hogarth and Mary Dickens Frontmatter More information CAMBRIDGE LIBRARY COLLECTION Books of enduring scholarly value Literary Studies This series provides a high-quality selection of early printings of literary works, textual editions, anthologies and literary criticism which are of lasting scholarly interest. Ranging from Old English to Shakespeare to early twentieth-century work from around the world, these books offer a valuable resource for scholars in reception history, textual editing, and literary studies. Letters of Charles Dickens This selection from the letters of Charles Dickens (1812–70) was edited (as it says on the title page) ‘by his sister-in-law and his eldest daughter’. The former was Georgina Hogarth (1827–1917), who stayed in Dickens’ household and cared for the family when the author separated from his wife, her sister, in 1858; the latter was Mary (1838–96), known in the family as Mamie, his favourite child. They had published a three-volume edition in 1880, and a ‘New Edition’ in 1882; this reissue is of the single-volume third edition of 1893. The collection was seen as a ‘supplement’ to Forster’s life of Dickens (also reissued in this series). Inevitably, it focuses on the positive and dynamic sides of Dickens’ complex character, and gives a vivid portrait of a man juggling family life, writing, editing, travelling, amateur theatricals and public readings from his works with tremendous energy and verve. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-108-04004-4 - Letters of Charles Dickens: 1833–1870 Edited by Georgina Hogarth and Mary Dickens Frontmatter More information Cambridge University Press has long been a pioneer in the reissuing of out-of-print titles from its own backlist, producing digital reprints of books that are still sought after by scholars and students but could not be reprinted economically using traditional technology. -
CORE View Metadata, Citation and Similar Papers at Core.Ac.Uk
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PhilPapers DEATH Cultural, philosophical and religious aspects Nicolae Sfetcu Published by Nicolae Sfetcu Copyright 2016 Nicolae Sfetcu BOOK PREVIEW Death (The graveyard from Poiana Mare, Romania) Death is a concept for the state of a biological organism having ceased to live (although this term is also used figuratively for the degeneration of a star, or a language that has lost its last speakers). This state is characterized by a definite break in the consistency of vital processes (nutrition, respiration …) necessary for homeostatic maintenance of the organism, that distinguishes the death of a temporary alteration as in the case of hibernation or some freezing. At the cellular level, death means the cessation of the basic functions of a cell. In multicellular communities, this may be accidental death (necrosis) or controlled or programmed death (apoptosis). However, there are sometimes disorder that challenge this common death: the cell is then said to be immortal because it can be split into daughter cells an unlimited number of times. Unicellular organisms that reproduce by fission are only immortal principle, although after marking it appears that these cells are also aging, which alters their homeostatic and reproductive capacities. In multicellular organisms, sexual cells, called germ, are potentially immortal, unlike their somatic cell envelope eventually die hopelessly under the influence of external pathogenic factors, or because of the phenomenon of aging. Somatic envelope then form what is called a corpse, which then decomposes under the action of oxidation, bacteria and various scavengers and organizations contributing to the recycling of organic and inorganic material.