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Programme0.indd 1 22/10/18 09:24 29/10 Paranimf [UB, Edifici històric] 29/10 9.00 Registration 9.00 9.30 Welcome Back to the Future / The Future in the Past 9.30 9.45 Keynote lecture #1 / Mireia Freixa Industrial Arts vs Arts and Crafts: Parallels and Contrasts Between Catalonia and Great Britain in the 19th and 20th Centuries icdhs 10th + 1 Conference · Barcelona 2018 9.45 10.45 Coffee break 10.45 11.30 2nd Registration[Can Jaumandreu] Some long titles of papers have been shortened and even adapted to fit in this Confer- 11.30 Room 1 [Can Jaumandreu] Room 2 [Can Jaumandreu] Room 3 [Can Jaumandreu] Room 4 [Can Jaumandreu] Room 5 [Can Jaumandreu] Room 6 [Can Jaumandreu] ence planner. Authors, please accept our apologies; attendees, please check the book of abstracts for full information. 12.00 1.3 Mediterranean / Tevfik Balcıoğlu 1.2 Southern / Priscila L. Farias 1.8 Global [1/5] Yuko Kikuchi 2.2 Policies [1/4] Pekka Korvenmaa [No session.] 3 Open Session [1/9] Isabel Campi 12.00 12.00 R. Carullo, A. Labalestra Sifting Time Be- J.C. Buitrago aladi (Latin American Design Sarah Teasley ‘Excavation or Export’: De- Strand titles have also been shortened: 12.00 tween Design and the History of Design Association) as an Interpretive Community sign Policy in Wartime Japan, 1937–1940 1.1 Territories (Territories in the Scene of Globalised Design: Localisms and Cosmo- 12.30 M. Ferrara, A.C. Russo Mediterranean-­ness Maria Alcántara Globalization and Nation- Rie Mori Kimono Design in Southeast Asia Carlos Bártolo Two Books of the National P. Camargo, Z. Anastassakis Past, Present politanisms) 12.30 Between Identity and Genius Loci al Identity in Mexican Design from the Late 19th to the Mid-20th Century Campaign for the Education of Adults, 1956 and Future at Centro Carioca de Design 1.2 Southern (Designing the Histories of Southern Designs) 1.3 Mediterranean (Mediterranean-ness: An Inquiry into Design and Design History) 13.00 Shinsuke Omoya Why Flower Patterns? Mads N. Folkmann Danish Design on Exhibi- Gabriele Oropallo Fauna of the Anthropo- 1.4 Post-Socialist (From Ideology to Methodology: Design Histories and Current De- 13.00 Product Design History in Post-war Japan tion. Cultural Politics of Staging the Everyday cene: The Plastic Bag in Its Natural Habitat velopments in Post-Socialist Countries) 13.30 Lunch 1.5 Bauhaus ([100th Anniversary of the Bauhaus Foundation]: Tracing the Map of the 13.30 15.00 1.1 Territories / Anders V. Munch 1.2 Southern / Wendy S. Wong 1.10 Type [1/4] Oriol Moret 2.3 Digital [1/2] Tingyi S. Lin 1.6 Gatekeeper [1/6] Helena Barbosa 3 Open Session [2/9] Barbara Adams Diaspora of its Students) 15.00 1.6 Gatekeeper (Design History: Gatekeeper of the Past and Passport to a Meaningful 15.00 Anna Calvera, Isabel Campi From Local to Diana M. Hurtado Trujillo Historiography Isabella R. Aragão The Brazilian Modern Toke Riis Ebbesen The Mediatization of Li Zhang Navigating in the Gap: Designing Future?) 15.00 Global: Roca Corporation’s First 100 Years of Industrial Design in Colombia Letterpress Printing Scene Design on Social Network Media Historical Fiction and Speculating the Present 1.7 — (Constructivism and Deconstructivism: Global Development and Criticism) 15.30 Deniz Hasırcı, Zeynep Tuna Ultav The Ini- L. do M. N. Cunha, F. Kaizer, J. de Souza Igor Ramos, Helena Barbosa The History A. Díaz, Mª J. Balcells Relational Memory Niki Sioki Physical Artefact: Thoughts on R. Efrem, B. Falqueto, T. Alves Female Gra- 1.8 Global (An Expanded Global Framework for Design History) 15.30 tial Steps of Interior Architecture in Turkey National Design and Desenho Industrial of Opening Titles in Portuguese Cinema of Design at Barcelona Design Museum the History of Book Design and its Future phic Designers in adg Brasil Biennial Catalogs 1.9 Museums (Design Museums Network: Strengthening Design by Making it Part of 16.00 Mariko Kaname British Avant-garde and Sergio Rybak Redefinition of the Origin of P.L. Farias, D.K. Hanns, I.R. Aragão, C. Dixon Isabel Campi Design History Foundation: Cultural Legacy) 16.00 Print Media in the Early 20th Century the History of Industrial Design in Argentina Early History of Typography in Brazil Topics in the Past, Present and Future 1.10 Type (Types and Histories: Past and Present Issues of Type and Book Design) 16.30 Coffee break 2.1 Aesthetics (Design Aesthetics: Beyond the Pragmatic Experience and Phenome- 16.30 nology) 17.00 1.1 Territories / Anders V. Munch 1.2 Southern / Tingyi S. Lin 1.10 Type [2/4] Oriol Moret [No session.] 1.6 Gatekeeper [2/6] Jonathan Woodham 3 Open Session [3/9] M. Àngels Fortea 2.2 Policies (Public Policies on Design and Design-driven Innovation) 17.00 17.00 Josep M. Fort Mediterranean Design. The Cristina CavalloArt-recycling and Popular Chiara Barbieri The Scuola del Libro in Mi- Jenny Grigg How Paper Figures in the His- Peter Vetter No Style. Ernst Keller (1891– 2.3 Digital (Digital Humanities: How Does Design in Today’s Digital Realm Respond to 17.00 Barcelona-Design System Expression in Brazilian Material Culture lan at the Center of a Typographic Quarrel tory of Design Ideation 1968)—Teacher & Pioneer of ‘Swiss Style’ What We Need?) 17.30 Yoshinori Amagai Japanese Concepts of Maria Beatriz Ardinghi Material Culture Mila Waldeck Statements and Fluxshoe Helena Barbosa History of Portuguese De- C. Delamadeleine The Business Face of 2.4 Studies (Design Studies: Design Methods and Methodology, the Cognitive Ap- 17.30 Modern Design in the 1950s in the State of São Paulo, Brazil Add End A: Artist’s Bookvs Crystal Goblet sign as a Tool for Understanding Practice Swiss Graphic Design: Studio Hollenstein proach) 2.5 Criticism (Vehicles of Design Criticism) 18.00 M.X. Dorado, J.C. Buitrago Modernity and Verónica Devalle Design in Argentina from N. Tarazona, O. Ampuero, J. Gonzalez, B. Jonas Berthod Casting the Net: Early Ca- 3 Open Session (Open Session: Research and Works in Progress) 18.00 Postmodernity in Colombian Design 1944 to 1957 Jorda Textual-type or Visual-type? reer Projects and Network Creation 18.30 Anna Calvera Memorial 18.30 20.30 Gala Dinner [The Gates Hotel Diagonal Barcelona] 20.30 30/10 Room 7 [Museu del Disseny] Room 8 [Museu del Disseny] 30/10 9.00 1.3 Mediterranean / Marinella Ferrara 1.2 Southern / Priscila L. Farias 1.8 Global [2/5] Yuko Kikuchi 2.2 Policies [2/4] Pekka Korvenmaa [No session.] 3 Open Session [4/9] Monica Gaspar 1.9 Museums [1/1] Pilar Vélez 2.1 Aesthetics [1/4] Fátima Pombo 9.00 9.00 Chiara Lecce Italian Design for Colonial Mitha Budhyarto, Vikas Kailankaje Voca- Saurabh Tewari Visions of/on Design from Edrei Ibarra Martínez The Act of Care in F. Bulegato, E. Bonini, A. Bassi, E. Charans Mads Nygaard Folkmann The End of the 9.00 Equipment (1931–1942) tional Education in Indonesia and Singapore the Events, Declarations and Policies in India Participatory Design The Museum of the Ski Boot and Sports Shoe Beautiful? Aesthetic Categories in Design 9.30 Assumpta Dangla Fabrics of Barcelona: M. Farkas, L. Cesio, M. Sprechmann, M. Yongkeun Chun Commercial Art in 1930s Ariyuki Kondo Scottish Independence and Erika Cortés, Aura Cruz Generative Design Paul Atkinson The Role of Design History in Nuria Peist Rojzman Design Aesthetics as 9.30 The Future in the Past Sterla Development of Design in Uruguay Colonial Korea Design Education as Tool for Social Innovation the Museology of Computing Technology a Tool for Analysis and Social Change 10.00 Josep Puig Perceiving the Future: Experi- Eleanor Herring British State-sponsored De- Silvina Félix, Nuno Dias, Violeta Clemente Francesco E. Guida Micro-histories: aiap’s Augusto Solórzano Guidelines for an Aes- 10.00 mental Design at elisava 1986–1992 sign and Politically Driven Decision-making Additive Manufacturing Artefacts Graphic Design Documentation Centre thetic of Design 10.30 Coffee break Coffee break 10.30 11.00 1.3 Mediterranean / Tomas Macsotay 1.2 Southern / Wendy S. Wong 1.8 Global [3/5] Oscar Salinas-Flores 2.2 Policies [3/4] Javier Gimeno-Martínez 2.4 Studies [1/3] Pau Solà-Morales 3 Open Session [5/9] M. Àngels Fortea [No session.] 2.1 Aesthetics [2/4] Augusto Solórzano 11.00 11.00 M.I. del Río Jordi Vilanova, Identity of a Tom Spalding When We Were Modern; Sabine Junginger Public Sector Redefines Carla F. Fontana Livraria José Olympio’s T.D.O. Tvedebrink, A.M. Fisker, A.E.U. Heil­ 11.00 Mediterranean Character in Spanish Design Corporate Identity in Cork Pubs 1960–69 our Notion of Design-driven Innovation Book Covers in the 1930s and the 1940s mann, N. Bagger Tales of Past Tables 11.30 Vera Renau The Design Phenomenon in P.L. Farias, D.K. Hanns, I.R. Aragão, C. Dixon E.R. Peixoto, J.A. Costa Junior The Itama- Florencia Adriasola Future Scenarios for Violeta Clemente, Rui Vieira, Katja Tschim- Alfonso Ruiz, Noa Real The Criteria of Good Ana M. Rebelo, Fátima Pombo Photography 11.30 Castellón: The Ceramic Tile Industry Early History of Typography in Brazil raty Palace and Brazilian Modern Furniture Innovation Methodologies in Latin America mel A Metaphoric Thinking Style Taxonomy Design in Posters of Traditional Festivals and Designed Space: A Shift in Perspective 12.00 C.A. Reyes Printing Plates Collection, Na- Dora Souza Dias Cosmopolitanism and Geo­ Julio Frías Peña Design, a Strategic Tool Silvia Escursell, Holly Blondin New Mate- Pedro Álvarez Loss of Aura and Devalua- Şölen Kipöz Inter-Cross-Multi-disciplinary 12.00 tional Library of Colombia (1930–1960) political Identities in icograda for Creating Welfare in Latin-America rials as Creative Boosters tion of the Chilean Poster in the Digital Age Design Practices—Fashion and Architecture 12.30 Keynote lecture #2 / Alain Findeli with Nesrine Ellouze A Tentative Archeology of Social Design 12.30 13.30 Lunch Lunch 13.30 15.00 1.1 Territories / Jilly Traganou 1.4 Post-Socialist (1/2) Jelena Prokopljević 1.10 Type [3/4] José María Cerezo 2.3 Digital [2/2] Paul Atkinson 2.5 Bauhaus [1/2] Oscar Salinas-Flores 3 Open Session [6/9] Isabel Campi 1.6 Gatekeeper [3/6] Pekka Korvenmaa 2.5 Criticism [1/2] Fredie Floré 15.00 15.00 Tomoko Kakuyama The Acceptance of Or- Anna Ulahelová Development of Graphic Fátima Finizola, Solange Coutinho, Damião R. Godinho-Paiva, R. Contreras User’s Re- Toshino Iguchi Design for Militarization in Chiara Barbieri, Davide Fornari Unidesign: Giuliano Simonelli, Vanessa Monna The 15.00 nament in Modern Design: Vienna 1920s Design Education in Slovakia after 1989 Santana Sign Painters of Pernambuco view and the Open Device Lab Community Wartime: Bauhäusler Immigrants in the US Archival Research and Oral History at Work Landscape of Coworking Spaces 15.30 Annette Svaneklink Jakobsen Material In- Iva Kostešić Tracing the Influence of the Emre Yıldız, Metehan Özcan Apartment Stina Teilmann-Lock, N.B. Thylstrup Digital Hideo Tomita Examining the Methodology José Carneiro The Photographer’s Eye and Kaisu Savola Developing a Socially Con- A. Can Ozcan, O. Mengi Industrial Design 15.30 tensities in Sanaa’s Architecture Hochschule für Gestaltung in Socialism Nameplates as Typographic Heritage Transformations in the Age of Google Books of Arieh Sharon’s Kibbutz Planning (1938–50) the Circulation of a Music-related Archive scious Design Practice in 1960s Finland at the Edge of Dissociative Identity Disorder 16.00 Alfonso Ruiz Rallo The Strange Case of Ra- Marcos Dopico, Natalia Crecente The Case P. Martins, D. Prata, A.P. Pontes Parameters Mi-Hye Kim, Min-Soo Kim Brassard Design: E. Bonini, F. Bulegato Design History and the Andrea Facchetti Critical Design and Re- 16.00 tionalist Architecture in the Canary Islands of Galician Typography as Identity Assertion and Digital Strategies in Brazilian Museums The History of Symbolic Power in Korea Design Studio in an Educational Experience presentation of Conflicts 16.30 Coffee break Coffee break 16.30 17.00 1.1 Territories / Jilly Traganou 1.4 Post-Socialist (2/2) Feđja Vukić 1.10 Type [4/4] José María Cerezo [No session.] 2.5 Bauhaus [2/2] Haruhiko Fujita 3 Open Session [7/9] Monica Gaspar 1.6 Gatekeeper [4/6] Jonathan Woodham 2.5 Criticism [2/2] Josep M. Fort 17.00 17.00 William Cruz Bermeo Institutional Roles Rita Paz Torres ute Graphic Workshop Chiara Barbieri, Davide Fornari The Lost Noemí Clavería Design for All. The Past Keisuke Takayasu What is Good Design? 17.00 in Fashion Design in Colombia (1968–1973)­ and University Reform in Chile Typefaces of Xanti Schawinsky that Provides a Future Five Considerations for Design Assessment 17.30 Nieves Fernández, Begoña López de Abe- Gian Nicola Ricci Socialist Architectural Her- Simoné Malacchini Typography at the End Oscar Salinas-Flores Beyond Bauhaus: The Anders V. Munch Poul Henningsen and Luciana Gunetti Albe Steiner’s Research for Marlene Ribeiro, F. Providência João Ma­ 17.30 rasturi Glocal Design in Spain itage and Design: Modernism in Warsaw of the 19th Century: Chilean Broadsheets Fertile Creation of the Alberses in Mexico the Myths of Scandinavian Twilight a Graphic Design History’s Active Learning chado: The Communicator of Beauty 18.00 Hiroka Goto Cutting and Sewing East Asia Oriol Moret, Enric Tormo Babbling Type Sofia Diniz Furniture for Public Services in Rita Cruz, Fátima PomboDaciano da Cos- 18.00 in British Art Deco Fashion Bodies (Barcelona, 1507–1529) Portugal (1940–1970) ta: Portuguese Furniture Design 18.30 Visit to BD Barcelona Design Visit to BD Barcelona Design 18.30 31/10 31/10 9.00 1.1 Territories / Anders V. Munch 1.2 Southern / Tingyi S. Lin 1.8 Global [4/5] Yuko Kikuchi 2.2 Policies [3/4] Javier Gimeno-Martínez 2.4 Studies [2/3] Alain Findeli 3 Open Session [8/9] Monica Gaspar 1.6 Gatekeeper [5/6] Helena Barbosa 2.1 Aesthetics [3/4] Fátima Pombo 9.00 9.00 Meghen Jones American Potters’ Inter- João de Souza Leite A Two-folded Source Rebecca Houze Cultural Heritage at Mary Neus Moyano, Gillermo Zuaznabar The HfG Laura Scherling Reassessing Labor and Jonathan Woodham Design and Design 9.00 ventions with the Tea Bowl of Brazilian Modern Visual Design Colter’s Hopi House, Arizona, 1905 Ulm and the Teaching of Design in Barcelona Work Models in Communication Design History in Post Brexit Britain 9.30 Viviane M. Nicoletti, Maria Cecilia L. dos Eduardo Castillo Francisco Otta: A Multi- E. Dellapiana, P. Tamborrini Genealogies B.A. Candela Sanjuán, C. Jiménez-Martínez V. Clemente, K. Tschimmel, F. Pombo Meth- Tevfik Balcıoğlu Rebirth of an Old Otto- Noel David Waite Adding Value Through Chiaki Yokoyama From Drawing to Design: 9.30 Santos Vernacular Artifacts in Brazil disciplinary Pioneer in 20th Century Chile in between Architecture and Design Regional Design Policy in the Canary Islands odologies in Doctoral Research in Design man Primary School: Urla Design Library and To Design: Lessons from New Zealand John Ruskin’s Teaching and Morris & Co. 10.00 Suna Jeong, Min-Soo Kim The Meaning of Silvia García Rogério Duarte and the Tro- Nicole Cristi The Chaîne Opératoire as a Jani Galland, Aura Cruz Rhizomatic Design Alejandra Poblete drs Conferences: Barom- Christof Breidenich, Lisa Bildgen The Cre- 10.00 Integrated Fonts in a Local Standpoint picalismo Movement in Brazil Methodology to History of Design for Survival and Inclusion eter and Mirror of Theoretical Reflection ative Potential of the Avant-garde 10.30 Coffee break Coffee break 10.30 11.00 1.1 Territories / Jilly Traganou 1.2 Southern / Priscila L. Farias 1.8 Global [5/5] Oscar Salinas-Flores [No session.] 2.4 Studies [3/3] Pau Solà-Morales 3 Open Session [9/9] Barbara Adams 1.6 Gatekeeper [6/6] Jonathan Woodham 2.1 Aesthetics [4/4] Augusto Solórzano 11.00 11.00 Francesco E. Guida A Restless Soul. The R.M. Correia, A. Paio, F. Brandão Transdisci- Kristina H. Hadberg Publishing Distorted Ana F. Curralo, Helena Barbosa Exhibition 11.00 Contributions of Almerico De Angelis plinarity in Architecture as a Digital Change History: Danish Interior Design Magazines Structures: Displaying Portugal 11.30 Takuya Kida A Designer Co-working with Carola Ureta, Pedro Álvarez Art Nouveau Yuko Kikuchi East Asian Design History in Daniela Brisolara The Teaching of Semio- Edrei Ibarra Martínez The Visible Future Mariana Almeida, Helena Barbosa Her- Rachapoom Punsongserm, Shoji Sunaga, 11.30 Local Handicrafts Industry: Toshiyuki Kita in Chilean Illustrator Luis Fernando Rojas English through a Critical Reader tics for Design: How Do We Do Today? Dichotomy of Design meneutics of the Port Wine Poster Hisayasu Ihara Roman-like Thai typefaces 12.00 Marina Parente, Carla Sedini Experiences Julia Contreiras, Clice de Toledo Sanjar Wendy S. Wong Cultural Nationalism in Leslie Atzmon Intelligible Design: The Ori- Alfonso Ruiz Rallo Design for the Future 12.00 of Design for Territories Mazzilli Cecília Jucá, Graphic Artist Mapping Modern East Asian Design History gin and Visualization of Species of Mankind 12.30 Keynote lecture #3 / Pilar Vélez The Museu del Disseny de Barcelona 12.30 13.30 Lunch Lunch 13.30 15.00 ICDHS General Meeting. Conference conclusions 15.00 16.30 Coffee break 16.30 17.00 Keynote lecture #4 / Feđja Vukić A Theory Good Enough for Design Practice? 17.00 18.30 End of the Conference. Let’s have a drink: Copa i tapa [MDB Cafeteria] 18.30

Programme0.indd 2 22/10/18 09:24