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Outside the Cage: the Political Campaign to Destroy Mixed Martial Arts
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2013 Outside The Cage: The Political Campaign To Destroy Mixed Martial Arts Andrew Doeg University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Doeg, Andrew, "Outside The Cage: The Political Campaign To Destroy Mixed Martial Arts" (2013). Electronic Theses and Dissertations, 2004-2019. 2530. https://stars.library.ucf.edu/etd/2530 OUTSIDE THE CAGE: THE CAMPAIGN TO DESTROY MIXED MARTIAL ARTS By ANDREW DOEG B.A. University of Central Florida, 2010 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2013 © 2013 Andrew Doeg ii ABSTRACT This is an early history of Mixed Martial Arts in America. It focuses primarily on the political campaign to ban the sport in the 1990s and the repercussions that campaign had on MMA itself. Furthermore, it examines the censorship of music and video games in the 1990s. The central argument of this work is that the political campaign to ban Mixed Martial Arts was part of a larger political movement to censor violent entertainment. -
Bowie Mixed Martial Arts LLC 2146 PRIEST BRIDGE CT #7, CROFTON, MD 21114, UNITED STATES│ (240) 286-5219│
Free uniform included with new membership. Bowie Mixed Martial Arts LLC 2146 PRIEST BRIDGE CT #7, CROFTON, MD 21114, UNITED STATES│ (240) 286-5219│ WWW.MMAOFBOWIE.COM BOWIE MIXED MARTIAL ARTS Member Handbook BRAZILIAN JIU-JITSU │ JUDO │ WRESTLING │ KICKBOXING Copyright © 2019 Bowie Mixed Martial Arts LLC. All Rights Reserved. Bowie Mixed Martial Arts LLC 2146 PRIEST BRIDGE CT #7, CROFTON, MD 21114, UNITED STATES│ (240) 286-5219│ WWW.MMAOFBOWIE.COM Free uniform included with new membership. Member Handbook Welcome to the world of Brazilian Jiu-Jitsu. The Brazilian Jiu-Jitsu program consists of a belt ranking system that begins at white belt and progresses to black belt. Each belt level consists of specific techniques in 7 major categories; takedowns, sweeps, guard passes, submissions, defenses, escapes, and combinations. Techniques begin with fundamentals and become more difficult as each level is reached. In addition, each belt level has a corresponding number of techniques for each category. The goal for each of us should be to become a Master, the epitome of the professional warrior. WARNING: Jiu-Jitsu, like any sport, involves a potential risk for serious injury. The techniques used in these classes are being demonstrated by highly trained professionals and are being shown solely for training purposes and competition. Doing techniques on your own without professional instruction and supervision is not a substitute for training. No one should attempt any of these techniques without proper personal instruction from trained instructors. Anyone who attempts any of these techniques without supervision assumes all risks. Bowie Mixed Martial Arts LLC., shall not be liable to anyone for the use of any of these techniques. -
Sag E Arts Unlimited Martial Arts & Fitness Training
Sag e Arts Unlimited Martial Arts & Fitness Training Grappling Intensive Program - Basic Course - Sage Arts Unlimited Grappling Intensive Program - Basic Course Goals for this class: - To introduce and acclimate students to the rigors of Grappling. - To prepare students’ technical arsenal and conceptual understanding of various formats of Grappling. - To develop efficient movement skills and defensive awareness in students. - To introduce students to the techniques of submission wrestling both with and without gi’s. - To introduce students to the striking aspects of Vale Tudo and Shoot Wrestling (Shooto) and their relationship to self-defense, and methods for training these aspects. - To help students begin to think tactically and strategically regarding the opponent’s base, relative position and the opportunities that these create. - To give students a base of effective throws and breakfalls, transitioning from a standing format to a grounded one. Class Rules 1. No Injuries 2. Respect your training partner, when they tap, let up. 3. You are 50% responsible for your safety, tap when it hurts. 4. An open mind is not only encouraged, it is mandatory. 5. Take Notes. 6. No Whining 7. No Ego 8. No Issues. Bring Every Class Optional Equipment Notebook or 3-ring binder for handouts and class notes. Long or Short-sleeved Rashguard Judo or JiuJitsu Gi and Belt Ear Guards T-shirt to train in (nothing too valuable - may get stretched out) Knee Pads Wrestling shoes (optional) Bag Gloves or Vale Tudo Striking Gloves Mouthguard Focus Mitts or Thai Pads Smiling Enthusiasm and Open-mindedness 1 Introduction Grappling Arts from around the World Nearly every culture has its own method of grappling with a unique emphasis of tactic, technique and training mindset. -
The Gracie Clan and the Making of Brazilian Jiu-Jitsu: National Identity, Culture and Performance, 1905 - 2003
The Gracie Clan and the Making of Brazilian Jiu-Jitsu: National Identity, Culture and Performance, 1905 - 2003 By Jose Cairus A dissertation submitted to the Faculty of Graduate Studies of York University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY ©2012 Permission has been granted to a) YORK UNIVERSITY LIBRARIES to lend or sell copies of this dissertation in paper, microfilm or electronic formats, and b) LIBRARY AND ARCHIVES CANADA to reproduce, lend, distribute, or sell copies of this dissertation anywhere in the world in microform, paper or electronic formats and to authorize or procure the reproduction, loan, distribution or sale of copies of this dissertation anywhere in the world in microfilm, paper or electronic formats. Abstract The author reserves other publication rights, and neither the dissertation nor extensive extracts from it may be printed or otherwise reproduced without the author’s written permission. ii iii Abstract This dissertation examines the transformation of a modernized Japanese school of martial arts, alternatively known as jiu-jitsu or Kodokan judo, into a Brazilian combat sport. It encompasses jiu-jitsu’s introduction in the early 1900s, the creation of a native style in the following decades and its globalization under the hybrid form known as “Brazilian jiu-jitsu.” The adoption of jiu-jitsu in the military is part of a larger project of modernization conceived by the Brazilian elite aiming to provide the emergent middle-classes with innovative fitness trends. Around the World War I, however, a branch of the Gracies, a Scottish cum Rio de Janeiro family with genteel pretensions, joined a troupe of Japanese martial artists and adopted jiu-jitsu as part of their circus act. -
Real Fake Fighting: the Aesthetic of Qualified Realism in Japanese Professional Wrestling
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses July 2021 Real Fake Fighting: the Aesthetic of Qualified Realism in Japanese Professional Wrestling Clara Marino University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Communication Technology and New Media Commons, Japanese Studies Commons, Other Theatre and Performance Studies Commons, Social and Cultural Anthropology Commons, and the Sports Studies Commons Recommended Citation Marino, Clara, "Real Fake Fighting: the Aesthetic of Qualified Realism in Japanese Professional Wrestling" (2021). Masters Theses. 1061. https://doi.org/10.7275/22480629.0 https://scholarworks.umass.edu/masters_theses_2/1061 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. REAL FAKE FIGHTING: THE AESTHETIC OF QUALIFIED REALISM IN JAPANESE PROFESSIONAL WRESTLING A Thesis Presented By CLARA EVELYN MARINO Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2021 Japanese REAL FAKE FIGHTING: THE AESTHETIC OF QUALIFIED REALISM IN JAPANESE PROFESSIONAL WRESTLING A Thesis Presented by CLARA EVELYN MARINO Approved as to style and -
Definition of Jujitsu and Sport of Judo
Definition of Jujitsu and Sport of Judo Principles of Jujitsu During the later part of the Min era (China), from 1368-1421 AD, Shiroubei Yoshitoki Akiyama, a pediatrician, and Yoshin Miura were doctors in Hizen Nagasaki, Japan. It is said that they tried to establish the two styles of Yoshin-ryu Jujutsu to help maintain good health. Yoshin Miura always said to his students, “The reason why people get sick is that they eat a lot without exercising. Proper exercise prevents disease.” From 1368 to 1421, Shiroubei Yoshitoki Akiyama went to China as a medical exchange student. In China, he learned the three techniques of “Hakuda” (Chinese martial Art) and the twenty-eight “Kappo” (resuscitation techniques). Chin Gen Chin, a naturalized Chinese living in Japan, lectured at martial arts seminars. Yoshin Miura took these teachings to design jujitsu for the use as medical treatment. Bujutsu (Jujitsu) – Development as Combat Technique During the periods of 1477-1573 (Warring States Period) and 1603-1867 (a 250 year period of national isolation policies), bujutsu (jujitsu) was developed in Japan as combative techniques. It was used in attacking, and self-protection. Jujitsu is a generic name that includes jujutsu, jyuho, kumiuchi, yorigumi, wajutsu, taijutsu, hoshu, kogusoku, koshimawari, kenpo, hakuda, and teshibari. During the Warring States period, fencing and the sword were much more socially popular, but it is important to acknowledge that samurais also needed to learn jujitsu. It was vital that they learned barehanded fighting techniques in the event that they were attacked while they were sleeping or if they broke or dropped their sword. -
MMA Encyclopedia / Jonathan Snowden and Kendall Shields
00MMAEncycl_i-iv__ 02/09/10 3:54 PM Page i ECW Press 00MMAEncycl_i-iv__ 02/09/10 3:54 PM Page ii Copyright © Jonathan Snowden and Kendall Shields, 2010 Published by ECW Press 2120 Queen Street East, Suite 200, Toronto, Ontario, Canada m4e 1e2 416-694-3348 [email protected] All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form by any process — electronic, mechanical, photocopying, recording, or other- wise — without the prior written permission of the copyright owners and ECW Press. The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the authors’ rights is appreciated. library and archives canada cataloguing in publication Snowden, Jonathan, 1975- The MMA encyclopedia / Jonathan Snowden and Kendall Shields. Includes bibliographical references. isbn 978-1-55022-923-3 1. Mixed martial arts--Encyclopedias. i. Shields, Kendall ii. Title. gv1102.7.m59s65 2010 796.81503 c2010-901256-9 Developing Editor: Michael Holmes Cover Design: Dave Gee Text Design: Tania Craan Color Section Design: Rachel Ironstone Typesetting: Gail Nina Photos copyright © Peter Lockley, 2010 Printing: Solisco Tri-Graphic 1 2 3 4 5 The publication of The MMA Encyclopedia has been generously supported by the Government of Ontario through Ontario Book Publishing Tax Credit, by the OMDC Book Fund, an initiative of the Ontario Media Development Corporation, and by the Government of Canada through the Canada Book Fund. -
Understanding and Regulating the Sport of Mixed Martial Arts Brendan Maher University of Connecticut School of Law
University of Connecticut OpenCommons@UConn Faculty Articles and Papers School of Law 2010 Understanding and Regulating the Sport of Mixed Martial Arts Brendan Maher University of Connecticut School of Law Follow this and additional works at: https://opencommons.uconn.edu/law_papers Part of the Administrative Law Commons, Entertainment, Arts, and Sports Law Commons, and the Labor and Employment Law Commons Recommended Citation Maher, Brendan, "Understanding and Regulating the Sport of Mixed Martial Arts" (2010). Faculty Articles and Papers. 179. https://opencommons.uconn.edu/law_papers/179 +(,121/,1( Citation: 32 Hastings Comm. & Ent. L.J. 209 2009-2010 Content downloaded/printed from HeinOnline (http://heinonline.org) Mon Aug 15 17:09:52 2016 -- Your use of this HeinOnline PDF indicates your acceptance of HeinOnline's Terms and Conditions of the license agreement available at http://heinonline.org/HOL/License -- The search text of this PDF is generated from uncorrected OCR text. -- To obtain permission to use this article beyond the scope of your HeinOnline license, please use: https://www.copyright.com/ccc/basicSearch.do? &operation=go&searchType=0 &lastSearch=simple&all=on&titleOrStdNo=1061-6578 Understanding and Regulating the Sport of Mixed Martial Arts BRENDAN S. MAHER* I. Intro d uctio n ............................................................................................................................................ 2 10 II. U nderstanding M ixed M artial A rts ......................................................................................................213 -
Armlocks Free
FREE ARMLOCKS PDF Neil Adams | 96 pages | 01 Oct 1991 | Ippon Books | 9780951845523 | English | Wandsworth, United Kingdom Armlock | Definition of Armlock by Merriam-Webster An armlock that hyperflexes or hyperrotates the shoulder joint is referred to as a shoulder lock, and an armlock that hyperextends the elbow joint Armlocks called an armbar. Depending on the joint flexibility and integrity of a Armlocks, armlocks that hyperrotate the shoulder joint can also hyperrotate the elbow joint, and vice versa. Also known as an arm wrench. The wrestler takes the Armlocks arm and twists it, putting pressure on the shoulder and elbow. The maneuver is a popular rest hold in American wrestling. The wrestler holds an opponent's arm with his arms, pulling the arm across his chest. He is situated perpendicular to and behind the opponent. The wrestler then holds the Armlocks arm with his legs, stretching the Armlocks back in a crucifying position and hyperextending the elbow. The Armlocks begins lying with their back on the bottom Armlocks second rope and facing into the ring. The wrestler runs towards the opponent and jumps through the second and top rope while holding on to the ropes, then swings around and grapevines the opponent's arms, applying a crucifix armbar. Opponent seated, the wrestler essential does Armlocks spinning toehold to an arm before facing his opponent again and grabbing the other arm, pulling it up and underneath the bent arm. Also known as the Byakuya in Japanese wrestling. The opponent's arm is then hooked and pulled back into his body, stretching the forearms, biceps and pectoral muscles. -
Legenden Des Jûdô – Kimura Masahiko
Legenden des Jûdô – Kimura Masahiko – verfasst von Matthias Golinski – Nach dem überwältigenden Zuspruch der „Legenden des Karate“-Reihe sollen von nun an auch gelegentlich herausragende Meister des klassischen Jûdô hier Beachtung finden. Und wer sollte sich zur Eröffnung dieser Reihe besser eignen, als Kimura „Jô-Shô“ Masahiko? Kimura Masahiko wurde am 10. September 1917 in Kumamoto, Japan geboren. Nachdem er im vierten Schuljahr von seinem Lehrer Herr Tagawa auf den Boden geworfen wurde, beschloss er ihm dies heimzuzahlen. Als der junge Kimura dann hörte, dass sein Lehrer den ersten Dan im Jûdô besaß, stand für ihn fest, dass er einfach selbst den zweiten Dan bekommen muss. Dann könnte er, so dachte Kimura, seinen Lehrer ebenso zu Boden werfen. Also begann er wenig später im nahe gelegenen Shodokan Dôjô mit dem Training. Bereits ein Jahr später bestritt er seinen ersten Wettkampf und unterlag einem deutlich schwereren Achtklässer mit Kami-Shihô-Gatame. Doch Kimura hatte das Interesse am Kimura in jungen Wettkampf gewonnen und trainierte eifrig weiter. Jahren In der achten Klasse erreichte er beim Sumô-Turnier der Präfektur nach einer strittigen Entscheidung im Finale den zweiten Platz. Kimuras Leistung beeindruckte Herrn Ogawa, den Direktor der Chinsei Chû-Gakkô (Chinsei-Mittelschule), dermaßen, dass er ihm direkt einen Platz an seiner Schule samt Training in dessen Jûdô-Club anbot. Kimura nahm das Angebot an und wechselte im April 1932 als 1. Kyû die Schule. Von da an trainierte er an der Chinsei und dreimal wöchentlich im Kawakita Dôjô. Durch Zusatztraining im Butokuden und an der „5. kaiserlichen Oberschule“ kam er auf eine Trainingleistung von fünf Stunden pro Tag1. -
Top 30 Myths and Misconceptions About Brazilian Jiu-Jitsu by Roberto
http://global-training-report.com/myths.htm Top 30 Myths and Misconceptions about Brazilian Jiu-Jitsu By Roberto Pedreira March 16, 2016 "Truth is the quality that moves us forward, expands our horizons, and ultimately sets us free. We should never fear it. Those who do, do so perhaps, because they have something to hide. Perhaps they worry that the relentless light of truth may expose the inadequacies or worse, the deliberate deceptions, in their own words."--Rorion Gracie (Gracies in Action 2, 1992) Almost everything everyone believed about Brazilian Jiu-Jitsu (BJJ) up until the recent past derived from three sources, which were Gracies in Action 1 (1988), the 1989 Playboy Rorion Gracie article by Pat Jordan, and Gracies in Action 2 (1992). In all fairness to Rorion, he probably wasn't trying very hard to deceive anyone. He was simply marketing his school while trying to solidify his place in what he knew (if he was successful) would be a stampede of competitors from the ranks of his own family and anyone else who wanted to cash in. He didn't invent the story entirely. His uncle and father were saying most of the same things in Brazil before Rorion went to Hollywood to be a movie star. Rorion's unique contribution was to vastly exaggerate his father's ring record and historical importance, which of course benefited himself and enraged the other factions of the family, who ignored the harsh reality that the demand for Gracie Jiu-Jitsu in America was essentially zero (and near zero in Brazil also, at the time), until Rorion created that demand. -
JUDO NO KENKYU Rafhael Sampaio - 2011
JJUUDDOO NNOO KKEENNKKYYUU Rafhael Sampaio 2011 JUDO NO KENKYU Rafhael Sampaio - 2011 APRESENTAÇÃO Esta compilação de textos foi desenvolvida com o intuito de auxiliar estudantes de Judo na compreensão de fundamentos aprendidos na prática, através de conceitos teóricos aqui descritos. É fruto de uma minuciosa pesquisa realizada por mais de cinco anos pelo professor RAFHAEL SAMPAIO, Faixa Preta SANDAN. Fica proibida a reprodução, distribuição, transmissão, adaptação ou modificação, por qualquer meio e/ou em qualquer forma os conteúdos (textos, imagens, informações, etc..) e outros elementos salvo autorização prévia dos seus legítimos titulares ou quando tal resulte de lei. Contatos: [email protected] [email protected] 2 JUDO NO KENKYU Rafhael Sampaio - 2011 A leitura e pronúncia do Japonês para Brasileiros Para o principiante é um pouco complicado o primeiro contato com os termos técnicos do budo no idioma Japonês tornando difícil sua pronúncia, alguns tendem a perguntar a real necessidade de se preservar o nome original dessas técnicas. Porém a real necessidade consiste na padronização internacional dos termos para que permaneçam inalterados nos inúmeros países que praticam a determinada modalidade marcial. Outro fato é da dificuldade de tradução desses termos para nossa língua, pois as escritas asiáticas são feitas através de símbolos (kanji) onde cada ideograma representa uma idéia. Na atualidade onde a tradição e o respeito são ridicularizados e esquecidos, o praticante do budo demonstra o seu respeito e culto aos criadores dessas artes, ao utilizar as expressões originais. Abaixo algumas informações para a leitura e pronúncia correta dos termos em Japonês citados nesse material. No idioma Japonês, todas as sílabas têm o mesmo tom e não há acentos.