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Xin Bấm Vào Đây Để Mở Hoặc Tải Về
HOÀI NAM (Biên Soạn) NHỮNG CA KHÚC NHẠC NGOẠI QUỐC LỜI VIỆT (Tập Bốn) NHẠC ĐÔNG PHƯƠNG – NHẠC PHIM Trình Bày: T.Vấn Tranh Bìa: Mai Tâm Ấn Bản Điện Tử do T.Vấn & Bạn Hữu Thực Hiện ©Tủ Sách T.Vấn & Bạn Hữu 2021 ©Hoài Nam 2021 ■Tất cả những hình ảnh sử dụng trong bài đều chỉ nhằm mục đích minh họa và chúng hoàn toàn thuộc về quyền sở hữu theo luật quốc tế hiện hành của các tác giả hợp pháp của những hình ảnh này.■ MỤC LỤC TỰA THAY LỜI CHÀO TẠM BIỆT Phần I – Nhạc Đông Phương 01- Ruju (Người Tình Mùa Đông, Thuyền Tình Trên Sóng) 006 02- Koibito Yo (Hận Tình Trong Mưa, Tình Là Giấc Mơ) 022 03- Ribaibaru (Trời Còn Mưa Mãi, Tiễn Em Trong Mưa) 039 04- Ánh trăng nói hộ lòng tôi (Ánh trăng lẻ loi) 053 05- Hà Nhật Quân Tái Lai (Bao Giờ Chàng Trở Lại,. .) 067 06- Tsugunai (Tình chỉ là giấc mơ, Ước hẹn) 083 Phần II – Nhạc Phim 07- Dẫn Nhập 103 08- Eternally (Terry’s Theme, Limelight) 119 09- Que Será Será (Whatever will be, will be) 149 10- Ta Pedia tou Pirea /Never On Sunday) 166 11- The Green Leaves of Summer, Tiomkin & Webster 182 12- Moon River, Henri Mancini & Johnny Mercer 199 13- The Shadow of Your Smile, Johnny Mandel & . 217 14- Somewhere, My Love (Hỡi người tình Lara/Người yêu tôi đâu 233 15- A Time For Us (Tình sử Romeo & Juliet), 254 16- Where Do I Begin? Love Story, (Francis Lai & Carl Sigman) 271 17- The Summer Knows (Hè 42, Mùa Hè Năm Ấy) 293 18- Speak Softly, Love (Thú Đau Thương) 313 19- I Don’t Know How To Love Him (Chuyện Tình Xưa) 329 20- Thiên Ngôn Vạn Ngữ (Mùa Thu Lá Bay) 350 21- Memory (Kỷ Niệm) 369 22- The Phantom of the Opera (Bóng ma trong hí viện) 384 23- Unchained Melody (Tình Khúc Rã Rời,. -
Oldies—Post 1920
Oldies—Post 1920 Accentuate the Positive ................................................................................................... 6 After You’ve Gone ........................................................................................................... 7 Ain’t She Sweet ............................................................................................................... 9 Ain’t We Got Fun? ......................................................................................................... 10 All I Have to Do is Dream .............................................................................................. 11 All of Me ........................................................................................................................ 12 All of Me (in G) .............................................................................................................. 13 Any Time ....................................................................................................................... 14 As Time Goes By .......................................................................................................... 15 Bei Mir Bist Du Schön (Means That You’re Grand) ....................................................... 16 Bésame Mucho ............................................................................................................. 17 Bewitched ...................................................................................................................... 18 Beyond the Sea ............................................................................................................ -
SING-A-LONG BOOK (Revision Two, August, 2007)
AN UNOFFICIAL ALLEY SING-A-LONG BOOK (Revision Two, August, 2007) AN UNOFFICIAL ALLEY SING-A-LONG BOOK (Revision Two, August 2007 Acknowledgments: Original Concept, Research, Layout and Design: Robert V. Carey Assistant: Joanne M. Binder Edited by: Robert V. Carey & Paul Rose Revision One Research and Layout: Paul Rose Revision Two Research and Layout: Paul Rose Special Appreciation for Sponsorship: Richard McCall, Dave Chapman, Kitty Explanation of Abbreviations (w) “words by” (P) “Popularized by” (CR) "Cover Record" i.e., a (m) “music by” (R) “Rerecorded by” competing record made of the same (wm) “words and music by” (RR) “Revival Recording” song shortly after the original record (I) “Introduced by” (usually the first has been issued record) NARAS Award Winner –Grammy Award The contents of this volume are intended solely for entertainment purposes. The contents contained herein are not to be distributed in whole or in part for commercial use. All copyrights, international and otherwise are secured and reserved by the copyright holders. For all works contained herein: Unauthorized copying, arranging, adapting, recording or public performance for commercial gain is an infringement of copyright. If you “accidentally” take this book home, shame on you. These books have been donated by other patrons of The Alley. Please know that each copy cost one of your fellow singers about $14. CALL ME IRRESPONSIBLE .......................... 12 A CAN’T HELP FALLING IN LOVE WITH YOU ..................................................................... 14 A, YOU’RE ADORABLE (THE ALPHABET CAN’T HELP LOVIN’ DAT MAN .................. 13 SONG) ........................................................... 1 CAN’T WE BE FRIENDS ............................... 14 ABA DABA HONEYMOON, THE ..................... 1 CAROLINA IN THE MORNING .................... -
“Quote... Unquote” NEWSLETTER
THE“Quote... Unquote” NEWSLETTER Publisher & Editor: Nigel Rees Vol. 16, No. 1, January 2007 AMBITIONS, ASPIRATIONS, DESIRES I think it was when Antony Jay was working on the first edition of his Oxford Dictionary of Political Quotations (1996) that the question arose as to who had said, ‘The real tragedy of the poor is the poverty of their aspirations’ (Q314). Tony thought he had heard it attributed to Adam Smith but had not found it. Geoffrey Wheatcroft said he had heard the phrase given as ‘poverty of ambition’ and attributed to both those old Labour Party stalwarts, Aneurin Bevan and Ernest Bevin. It would seem, however, that Bevin tended to quote it as ‘poverty of desire.’ And that is where things rested until the ever-persistent Joe Kralich googled his way to a book called Interpreting the Labour Party: Approaches to Labour Politics and History by John Callaghan, Steven Fielding and Steve Ludlam (2003). These authors refer to Bevin’s annoyance at poor people’s ‘poverty of desire’ and note that the phrase ‘was borrowed until he resigned at the outbreak of war in 1914. Until from John Burns [the redoubtable Labour MP] who in a now, the Burns remark that is in all the quotation books is 1902 pamphlet – “Brains Better than Bets or Beer” – ar- this one: gued that “the curse of the working class is the fewness of their wants, the poverty of their desires”.’ They further ‘I have seen the Mississippi. That is muddy water. I note that their information came from Chris Waters, British have seen the St Lawrence. -
Onmercer12pt Copy
1 “ON MERCER” Rediscovering The Genius of the American Songwriter, Johnny Mercer, Giant Of The Great American Songbook: [Up Close, Moving and Personal] by Frank Gagliano [email protected] ONE: MERCER RESTART My Johnny Mercer journey started — well, restarted — sometime in the 1990s, when I first read “Roses In The Morning,” browsing in a bookstore in Pittsburgh. This was the title of an essay in Gene Lees’s book, “Singers and The Song.” (Oxford Press, 1987). The title of the essay referred to songwriter Johnny Mercer’s ritual of sending a dozen roses in the morning to people Mercer had insulted the night before, when he was very drunk. What first attracted me to “Singers and The Song,” however, was the cover: The iconic Frank Driggs photo of a young, skinny Frank Sinatra, standing on a stage, in front of a 1940s vintage microphone, in the midst (probably) of singing one of his signature ballads, arms down and out from his sides, palms up, head tilted to his left shoulder, eyes shut tight, wearing a tailored double breasted grey pinstripe suit with floppy grey bow tie, in full spotlight, against a black background, with only a portion of the accompanying white piano catching part of Sinatra’s spotlight. Whatever that venue, one could almost hear the bobbysoxers in the audience, squealing and swooning. 2 In the bookstore, I thumbed through the Sinatra essay and saw, immediately, that the chapter dealt with the artistry of the singer, and how Sinatra had revived the public’s interest in America’s greatest popular songs, and how Sinatra had also revolutionized the art of singing those songs. -
Learning English Trough Video
Іванова О.В., Тарасова В.В. Практичний курс основної іноземної мови: LEARNING ENGLISH TROUGH VIDEO Навчальний посібник для підготовки фахівців зі спеціальності “Філологія” Київ – 2016 Learning English Through Video Ivanova O.V., Tarasova V. V. УДК 811.111 (076/086.8) ББК 81.43 Я7 І20 Рекомендовано Міністерством освіти і науки України як навчальний посібник для студентів вищих навчальних закладів (Лист № 1/11-16905 від 24.10.2014) Рецензенти: Кияк Тарас Романович – доктор філологічних наук, професор, завідувач кафедри теорії і практики перекладу з німецької мови Національного університету імені Тараса Шевченка Голобородько Євдокія Петрівна – член-кореспондент НАПН України, доктор педагогічних наук, професор, професор кафедри педагогіки і психології Комунального вищого навчального закладу «Херсонська академія неперервної освіти» Херсонської обласної ради Бялик Василь Дмитрович –доктор філологічних наук, професор, завідувач кафедри комунікативної лінгвістики та перекладу Чернівецького національного університету імені Юрія Федьковича Іванова О.В., Тарасова В.В. Практичний курс основної іноземної мови: Learning English Through Video. Навчальний посібник. – Київ: ДДП «Експо- Друк», 2016. – 400 с. 3-тє видання, доповнене і виправлене. У навчальному посібнику розкрито методологічні засади вивчення англійської мови за допомогою автентичних художніх фільмів, пропонуються розробки спеціальних технологій застосування художніх відеофільмів Великобританії й США, комплекси вправ до них, схеми аналізу фільмів. Рекомендується для студентів фахових факультетів вищих закладів освіти України, філологів, викладачів, а також усіх, хто цікавиться вивченням іноземної мови. ISBN 978-617-7202-14-0 © Іванова О.В., Тарасова В.В. 2 Learning English Through Video Ivanova O.V., Tarasova V. V. ЗМІСТ УМОВНІ ПОЗНАЧЕННЯ 5 ПЕРЕДМОВА 6 ЧАСТИНА І. ЗАСТОСУВАННЯ АВТЕНТИЧНИХ ХУДОЖНІХ 9 ФІЛЬМІВ У НАВЧАЛЬНОМУ ПРОЦЕСІ: МЕТОДИЧНІ РЕКОМЕНДАЦІЇ 1.1. Можливості використання відеотехнічних засобів у навчанні 9 іноземних мов 1.2. -
Shrink&Jazz Meets Gabriela Tanner
Shrink&Jazz meets Gabriela Tanner Hochzeitsapéro Hüntwangen. 23. Juni 2012. Gabriela Tanner (voc), Erwin Widmer (tp, ss), 2012-6-22 As Long As I Live / Come Rain or Come Quiet Nights of Quiet Stars 21 Shine 2 Music & Lyics by Antonio Carlos Jobim 1962 Music by Harold Arlen Lyrics by Ted Koehler 1934 Music by Harold Arlen Lyrics by Johnny Mercer 1946 Samba pra vincius 22 Music by Vincius Toquinho Barque de Holland & Lyrics by S. As Time Goes By 3 Bardotti 19?? Music and Lyrics by Herman Hupfeld Film: Casablanca 1941 The Second Time Around 23 Autumn Leaves 4 Music by James Van Heusen Lyrics by Sammy Cahn 1960 Music by Joseph Kosma Lyrics by Jacques Prévert (French), Johnny Mercer (English) 1947/50 The Shadow of Your Smile 24 Music by Johnny Mandel Lyrics by Paul Francis Webster 1956 Besame Mucho 5 Music Consuelo Velazquez & Lyrics by Sunny Skylar 1941 Smile 25 Music & Lyrics by Phillips, Parsons, and Charlie Chaplin 1929 Crazy He Calls Me 6 Music: Carl Sigman Lyrics: Bob Russell 1949 Taking a Chance on Love 26 Music by Vernon Duke Lyrics by John LaTouche and Ted Fet- Cry Me a River 7 ter 1940 Music and Lyrics by Arthur Hamilton 1953 Chappell That Ole Devil Called Love 27 Desafinado 8 Music & Lyrics Allen Roberts & Doris Fisher 1944 Music by Antonio Carlos Jobim Lyrics by Norman Gimbel & Vincius DeMoraes 1965 That’s All 28 Music and Lyrics by Alan Brandt and Bob Haymes 1953 Dream a Little Dream of Me 9 Music by Gus Kahn Lyrics by Wilbur Schwandt & Fabian An- What a Diff’rence a Day Made 29 dree 1931 Music Maria Grever Lyrics Stanlay Adams -
Big Band E-Catalog Frank Sinatra Count Basie Stan Kenton
GIFT HIGHLIGHTS ElectronicBig Band e-Catalog Frank Sinatra Count Basie Stan Kenton Duke Ellington Thad Jones Artie Shaw Now Featuring Sound Samples www.ejazzlines.com [email protected] 1-518-587-1102 1-518-587-2325 (fax) CALL NOW TO ORDER! 1-518-587-1102 OR ORDER BY FAX: 1-518-587-2325 1 NEW TO THIS CATALOG August 2006 Dear Jazz Band Director, Thank you for your interest in our electronic big band arrangement catalog. We are proud of this e-catalog and feel that it is our most complete edition. Why did we go electronic? Well, in reality the cost of printing and mailing catalogs has skyrocketed over the last couple of years, making it difficult to continue to offer our discounted prices and depth of material. In addition, printed catalogs, by nature, are obsolete just about as soon as they are done being printed: our website is updated daily with great new arrangements. We encour- age you to migrate to our website for browsing and purchasing. You can view listings by title, arranger, per- former, style, and even difficulty level. You can also search by any criterion. Recognizing that many of you will still prefer the look and feel of a printed catalog, we came up with this compromise - an electronic version of our annual printed catalog. Within this e-catalog you’ll find sound samples for many of the arrangements. Just click on the musical notes next to the title and the sound sample will play in your preferred media player. In addition, the title for each listing is a link to the same title on our website. -
Tin Pan Alley Featuring Johnny Mercer (Will Robinson) Tin Pan Alley As
Tin Pan Alley featuring Johnny Mercer (Will Robinson) Tin Pan Alley as most of you probably know is a term associated with what is considered the golden age of American popular song. It began around 1885 going all the way through to the 1950s, which is around the time when early rock n roll, i.e. Elvis, started to appear and make the Tin Pan style of song outdated. Tin Pan Alley refers to a physical area in Manhattan, on West 28th between 5th and 6th streets, where the publishing companies set up shop, hired songwriters, and produced popular music. And even though Stephen Foster predated the Tin Pan Alley years, I want to mention him because he was really a pioneer for the era to come and for the main subject of my talk. Foster was the first of many subsequent songwriters whose fathers told him that songwriting was a low life waste of time and there was no money in it. Foster proved his father half right, because Foster made a huge name for himself but unfortunately no money..that went to his publishers, who were literally the publishers of the sheet music. In the very earlier days of Tin Pan Alley it was all about printed sheet music. Back then the local commercial printing centers were in cities like Chicago, Boston, St Louis, and my hometown New Orleans.. and as songs would become popular locally, the New York music publishers would buy the rights to them. Eventually they started creating the atmosphere to produce and market songs themselves, hence the genesis of Tin Pan Alley. -
The Alphabet Song) (1948) 1-1 Each Night He Would Find Her There Swinging in the Coconut Tree
Aquellos Ojos Verdes 2-21 Aba Daba Honeymoon, The (1914) 1-1 See Green Eyes on page 46. (wm) Arthur Fields, Walter Donovan (RR) in the 1951 film: Two Weeks With Love by Debbie Reynolds & Carlton Carpenter 42nd Street Verse: See Forty-Second Street on page 42. ‘Way down in the Congo land lived a happy chimpanzee. She loved a monkey with a long tail. Lordy, how she loved him! A, You’re Adorable (The Alphabet Song) (1948) 1-1 Each night he would find her there swinging in the coconut tree. (wm) Buddy Kaye, Fred Wise, Sid Lippman (P) Perry Como. And the monkey gay, at the break of day, Loved to hear his Chimpie say: When Johnny Jones was serenading Mary He sure could quote a lot of poetry Chorus: “Aba, daba, daba, daba, daba,daba, dab,” But he’d much rather tell her Said the Chimpie to the Monk What he learned in his speller “Baba, daba, daba, daba, daba, daba, dab,” When they both attended PS 33 Said the Monkey to the Chimp All night long they’d chatter away, “A” you’re adorable All day long they’re happy and gay, “B” you’re so beautiful Swinging and singing in their honky, tonky way. “C” you’re a cutie full of charm “D” you’re a darling “Aba, daba, daba, daba, daba, daba, dab,” “E” you’re exciting Means “Monk, I love but you.” “F” you’re a feather in my arm “Baba, daba, dab,” in monkey talk “G” you look good to me Means “Chimp, I love you too.” “H” you’re so heavenly Then the big baboon, one night in June “I” you’re the one I idolize He married them and very soon “J” we’re like Jack and Jill They went upon their Aba Daba Honeymoon. -
Ring of Fire (Fire) Have You Ever Seen the Rain? (Water)
Ring of Fire (fire) Merle Kilgore & June Carter, 1963, as sung by Johnny Cash Love is a burning thing And it makes a fiery ring Bound by wild desire I fell into a ring of fire [CHORUS – 2x] I fell into a burning ring of fire I went down, down, down and the flames went higher It burns, burns, burns… that ring of fire, that ring of fire The taste of love is sweet When hearts like ours meet I fell for you like a child Ohhh but the fire went wild [CHORUS – 2x] End: Repeat “that ring of fire, that ring of fire” Have You Ever Seen the Rain? (water) Creedence Clearwater Revival, written by John Fogerty, 1970 Someone told me long ago There's a calm before the storm, I know And it's been coming for some time When it's over, so they say It'll rain a sunny day, I know Shining down like water [Chorus] I wanna know, have you ever seen the rain I wanna know, have you ever seen the rain Coming down on a sunny day Yesterday and days before Sun is cold and rain is hard, I know Been that way for all my time 'Til forever on it goes Thru the circle fast and slow, I know And it can't stop, I wonder [Chorus 2x] DRAFT: Burning Love Sing Along with Eva Moon • So Bazaar, Redmond 9/29/19 If I Only Had a Brain (change) The Wizard of Oz, written by Harold Arlen and Yip Harburg, 1939 I could while away the hours conferrin' with the flowers, consultin' with the rain And my head I'd be scratchin' while my thoughts were busy hatchin' If I only had a brain! I'd unravel any riddle for any individ'le in trouble or in pain With the thoughts I’d be thinkin' I could be another -
Download the Song Lyrics
toelichting (NL) - notes de programme (FR) - programme notes (EN) Begin the Beguine Cole Porter (music & lyrics) When they begin the beguine It brings back the sound of music so tender It brings back a night of tropical splendour It brings back a memory ever green I'm with you once more, under the stars And down by the shore, an orchestra's playing And even the palms seem to be swaying When they begin the beguine To live it again is past all endeavour Except when that tune clutches my heart And there we are, swearing to love forever And promising never, never to part What moments divine, what rapture serene 'Till clouds came along to disperse the joys we had tasted And now when I hear people curse the chance that was wasted I know but too well what they mean So don't let them begin the beguine Let the love that was once a fire remain an ember 1 Let it sleep like the dead desire I only remember When they begin the beguine Oh yes, let them begin the beguine, make them play 'Till the stars that were there before return above you 'Till you whisper to me once more, “darling, I love you” And we suddenly know What heaven we're in When they begin the beguine I WIsh You Love Charles Trenet & Léo Chauliac (music) & Albert Beach (lyrics) Goodbye, no use leading with our chins My breaking heart and I agree This is where our story ends That you and I could never be Never lovers, ever friends So with my best, my very best I set you free Goodbye, let our hearts call it a day, But before you walk away I wish you shelter from the storm I sincerely