DOCSLIB.ORG

Big Band E-Catalog Frank Sinatra Count Basie Stan Kenton

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

GIFT HIGHLIGHTS ElectronicBig Band e-Catalog Frank Sinatra Count Basie Stan Kenton Duke Ellington Thad Jones Artie Shaw Now Featuring Sound Samples www.ejazzlines.com [email protected] 1-518-587-1102 1-518-587-2325 (fax) CALL NOW TO ORDER! 1-518-587-1102 OR ORDER BY FAX: 1-518-587-2325 1 NEW TO THIS CATALOG August 2006 Dear Jazz Band Director, Thank you for your interest in our electronic big band arrangement catalog. We are proud of this e-catalog and feel that it is our most complete edition. Why did we go electronic? Well, in reality the cost of printing and mailing catalogs has skyrocketed over the last couple of years, making it difficult to continue to offer our discounted prices and depth of material. In addition, printed catalogs, by nature, are obsolete just about as soon as they are done being printed: our website is updated daily with great new arrangements. We encour- age you to migrate to our website for browsing and purchasing. You can view listings by title, arranger, per- former, style, and even difficulty level. You can also search by any criterion. Recognizing that many of you will still prefer the look and feel of a printed catalog, we came up with this compromise - an electronic version of our annual printed catalog. Within this e-catalog you’ll find sound samples for many of the arrangements. Just click on the musical notes next to the title and the sound sample will play in your preferred media player. In addition, the title for each listing is a link to the same title on our website. If you’ve found something that you want, just click on the title and add that to your basket for checkout. We really feel that we can serve you better with this e-catalog and our website. If you would prefer to have a printed copy of this, please phone or email us - we’re happy to run one off for you. In other news, we have completey re-vamped our website. In addition to a new look and feel, it is much more user friendly and has new features that will make your browsing and shopping experience that much more pleasant. One of the major changes is that we now have the capability of accepting orders from customers who wish to use only a purchase order number. A credit card is not needed to complete your order. We have established accounts in our database for all our educational customers and setup their accounts so that a credit card is not needed. Another great new feature is that our educational customers are setup to receive our discounted pricing on all our products. Discounts vary from 10% to 20% off the retail price. These prices are automatic once you login. Of course, we still accept phone, fax, email, and mail orders from our educa- tional customers. We’re so confident that you’ll be happy with your online shopping experience at ejazzlines.com that we suggest giving it a try. If you have any questions, please feel free to contact us - we pride ourselves on our timely responsiveness. We hope you have a fulfilling Fall and Holiday Season. Thanks for your support from all of us at ejazzlines. Best Regards, Rob DuBoff and Doug DuBoff 2 VISIT US ON THE WEB: WWW.EJAZZLINES.COM COMPLETE POS ONLINE! Charts Listed by Arranger: TABLE OF CONTENTS David Baker ...................................................................... 6 Stan Bann ......................................................................... 7 Doug Beach ...................................................................... 7 Paul Murtha ................................................................... 47 Louie Bellson.................................................................... 8 Oliver Nelson ................................................................. 47 Shelly Berg ....................................................................... 8 Sammy Nestico .............................................................. 49 David Berger .................................................................... 9 Lennie Niehaus .............................................................. 51 Andrew Bishop ................................................................ 9 Edward Partyka .............................................................. 53 Mike Carubia .................................................................... 9 Bill Potts ......................................................................... 53 Dan Cavanagh ................................................................ 10 Kim Richmond ............................................................... 54 Jim Cifelli ........................................................................ 10 Les Sabina....................................................................... 54 Matt Clancy .................................................................... 10 Carl Saunders ................................................................ 55 John Clayton ................................................................... 11 Don Sebesky ................................................................... 55 Chris Culver ................................................................... 11 Bob Sennett .................................................................... 56 Bob Curnow ................................................................... 11 George Shutack ............................................................. 56 Paquito D’Rivera ........................................................... 12 Rick Stitzel ..................................................................... 57 Mike Dana ....................................................................... 12 Dave Snider .................................................................... 57 Rich DeRosa ................................................................... 13 George Stone ................................................................. 58 Don Ellis.......................................................................... 13 Carl Strommen .............................................................. 59 John Fedchock................................................................ 14 Fred Sturm ..................................................................... 59 Neal Finn ........................................................................ 14 Michael Sweeney ........................................................... 59 Dirk Fischer .................................................................... 14 Mark Taylor ..................................................................... 61 Bob Florence .................................................................. 14 Gene Thorne ................................................................... 64 Frank Foster ................................................................... 18 Mike Tomaro ................................................................... 65 Tony Gairo ...................................................................... 21 Chris Walden .................................................................. 67 Antonio Garcia .............................................................. 22 Bob Washut .................................................................... 67 Gordon Goodwin........................................................... 22 David Guidi .................................................................... 22 Charts Listed by Performer: Dan Haerle ..................................................................... 22 Andrews Sisters ............................................................. 68 Tim Hagans .................................................................... 23 Ray Anthony ................................................................... 68 Ryan Haines ................................................................... 23 Charlie Barnet................................................................ 68 Matt Harris ..................................................................... 24 Count Basie .................................................................... 69 Steve Hawk ..................................................................... 24 Louie Bellson.................................................................. 73 Rick Hirsch ..................................................................... 24 Les Brown ....................................................................... 73 Bill Holman .................................................................... 25 Bobby Darin ................................................................... 74 Roger Holmes ................................................................ 25 Tommy Dorsey ............................................................... 74 Andrew Homzy .............................................................. 26 Duke Ellington................................................................ 75 Les Hooper ..................................................................... 26 Maynard Ferguson ......................................................... 80 Rich Iacona ..................................................................... 27 Ella Fitzgerald ................................................................ 81 Jeff Jarvis ......................................................................... 27 Benny Goodman ............................................................ 82 Thad Jones ...................................................................... 28 Glen Gray ....................................................................... 83 Gus Kambeitz ................................................................
Recommended publications
  • Jazzweek with Airplay Data Powered by Jazzweek.Com • July 2, 2007 Volume 3, Number 32 • $7.95

    Jazzweek with Airplay Data Powered by Jazzweek.Com • July 2, 2007 Volume 3, Number 32 • $7.95

    JazzWeek with airplay data powered by jazzweek.com • July 2, 2007 Volume 3, Number 32 • $7.95 Jazz Genre No. 1: Michael Brecker, Smooth Album No. 1: Boney James, Shine Pilgrimage (Heads Up) (Concord) World Music No. 1: Angelique Kidjo, Djin Smooth Single No. 1: Paul Brown, “The Djin (Starbucks/Razor & Tie) Rhythm Method” (Peak) Jazz Genre Chart . 3 Jazz Add Dates. 7 Smooth Jazz Album Chart . 4 Jazz Radio Currents . 8 Smooth Singles Chart . 5 Smooth Jazz Current Tracks. 11 World Music Album Chart. 6 Smooth Jazz Station Panel. 12 Jazz Birthdays July 2 July 12 July 20 Herbie Harper (1920) Will Bradley (1912) Ernie Wilkins (1922) Richard Wyands (1928) Paul Gonsalves (1920) Charles Tyler (1941) Ahmad Jamal (1930) Conte Candoli (1927) July 21 July 3 John Patton (1935) Omer Simeon (1902) Johnny Hartman (1923) July 13 Billy Taylor (1921) Johnny Coles (1926) Leroy Vinnegar (1928) Helen Merrill (1930) Pete Fountain (1930) Pete Escovedo (1935) Sonny Clark (1931) John Klemmer (1946) Albert Ayler (1936) Plas Johnson (1931) John Blake (1947) July 15 July 22 July 5 Philly Joe Jones (1923) Al Haig (1924) Arthur Blythe (1940) Joe Harriott (1928) Bill Perkins (1924) July 7 July 16 Junior Cook (1934) Tiny Grimes (1916) Cal Tjader (1925) Don Patterson (1936) Doc Severinsen (1927) Bobby Previte (1957) Al Di Meola (1954) Joshua Breakstone (1955) Hank Mobley (1930) July 17 Joe Zawinul (1932) George Barnes (1921) July 23 July 8 Ray Copeland (1926) Richie Kamuca (1930) Louis Jordan (1908) Joe Morello (1928) Steve Lacy (1934) Billy Eckstine (1914) Ben Riley (1933) Khan Jamal (1946) July 9 Nick Brignola (1936) L Subramaniam (1947) Frank Wright (1935) Norman W.
  • Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel

    Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel

    Navigating Jazz: Music, Place, and New Orleans by Sarah Ezekiel Suhadolnik A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Musicology) in the University of Michigan 2016 Doctoral Committee: Associate Professor Charles Hiroshi Garrett, Chair Professor David Ake, University of Miami Associate Professor Stephen Berrey Associate Professor Christi-Anne Castro Associate Professor Mark Clague © Sarah Ezekiel Suhadolnik 2016 DEDICATION To Jarvis P. Chuckles, an amalgamation of all those who made this project possible. ii ACKNOWLEDGEMENTS My dissertation was made possible by fellowship support conferred by the University of Michigan Rackham Graduate School and the University of Michigan Institute for the Humanities, as well as ample teaching opportunities provided by the Musicology Department and the Residential College. I am also grateful to my department, Rackham, the Institute, and the UM Sweetland Writing Center for supporting my work through various travel, research, and writing grants. This additional support financed much of the archival research for this project, provided for several national and international conference presentations, and allowed me to participate in the 2015 Rackham/Sweetland Writing Center Summer Dissertation Writing Institute. I also remain indebted to all those who helped me reach this point, including my supervisors at the Hatcher Graduate Library, the Music Library, the Children’s Center, and the Music of the United States of America Critical Edition Series. I thank them for their patience, assistance, and support at a critical moment in my graduate career. This project could not have been completed without the assistance of Bruce Boyd Raeburn and his staff at Tulane University’s William Ransom Hogan Jazz Archive of New Orleans Jazz, and the staff of the Historic New Orleans Collection.
  • EW Hollywood Orchestra Opus Edition User Manual

    EW Hollywood Orchestra Opus Edition User Manual

    USER MANUAL 1.0.6 < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION INFORMATION The information in this document is subject to change without notice and does not represent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2021. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] For technical support for products: http://www.soundsonline.com/Support < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION CREDITS PRODUCERS Doug Rogers, Nick Phoenix, Thomas Bergersen SOUND ENGINEER Shawn Murphy ENGINEERING ASSISTANCE Jeremy Miller, Ken Sluiter, Bo Bodnar PRODUCTION COORDINATORS Doug Rogers, Blake Rogers, Rhys Moody PROGRAMMING / SOUND DESIGN Justin Harris, Jason Coffman, Doug Rogers, Nick Phoenix SCRIPTING Wolfgang Schneider, Thomas Bergersen, Klaus Voltmer, Patrick Stinson
  • The Exotic Rhythms of Don Ellis a Dissertation Submitted to the Peabody Institute of the Johns Hopkins University in Partial Fu

    The Exotic Rhythms of Don Ellis a Dissertation Submitted to the Peabody Institute of the Johns Hopkins University in Partial Fu

    THE EXOTIC RHYTHMS OF DON ELLIS A DISSERTATION SUBMITTED TO THE PEABODY INSTITUTE OF THE JOHNS HOPKINS UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS BY SEAN P. FENLON MAY 25, 2002 © Copyright 2002 Sean P. Fenlon All Rights Reserved ABSTRACT Fenlon, Sean P. The Exotic Rhythms of Don Ellis. Diss. The Peabody Institute of the Johns Hopkins University, 2002. This dissertation examines the rhythmic innovations of jazz musician and composer Don Ellis (1934-1978), both in Ellis’s theory and in his musical practice. It begins with a brief biographical overview of Ellis and his musical development. It then explores the historical development of jazz rhythms and meters, with special attention to Dave Brubeck and Stan Kenton, Ellis’s predecessors in the use of “exotic” rhythms. Three documents that Ellis wrote about his rhythmic theories are analyzed: “An Introduction to Indian Music for the Jazz Musician” (1965), The New Rhythm Book (1972), and Rhythm (c. 1973). Based on these sources a general framework is proposed that encompasses Ellis’s important concepts and innovations in rhythms. This framework is applied in a narrative analysis of “Strawberry Soup” (1971), one of Don Ellis’s most rhythmically-complex and also most-popular compositions. iii ACKNOWLEDGMENTS I wish to extend my heartfelt thanks to my dissertation advisor, Dr. John Spitzer, and other members of the Peabody staff that have endured my extended effort in completing this dissertation. Also, a special thanks goes out to Dr. H. Gene Griswold for his support during the early years of my music studies.
  • The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters

    The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters

    04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS
  • Guide to the Bill Holman Collection

    Guide to the Bill Holman Collection

    Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date:
  • Chief Hadley a Mission to Serve EbiilCrqrob+

    Chief Hadley a Mission to Serve EbiilCrqrob+

    $4 • SEPTEMBER 2009 Chief Hadley A Mission to Serve Ebiilcrqrob+ Klqqllilkd^dl)tebkdil_^ij^ohbqp ^kapq^vcl`rpbalkilkd*qbojlmmloqrkf* tbob fk ^ pbbjfkdiv bkaibpp altkt^oa qfbp ^ka obpriqp+ FqÒp klq ^k fksbpqjbkq pmfo^i) ^sbo^db fksbpqlop tbob kboslrp+ pqo^qbdvqe^q`^k_bq^hbkifdeqivlob^pfiv Pljbm^kf`hbakb^oqeb_lqqlj)ifnrfa^qba bub`rqba+ ?rq fq fp qeb jlpq qfjb*qbpqba qebfo eliafkdp) ^ka Üba ql `^pe+ Elt t^vql`ob^qb^kaprpq^fktb^iqe)^kafqÒp rkcloqrk^qbcloqebj+>qDobbkib^cQorpq) te^q Dobbkib^c Qorpq albp m^oqf`ri^oiv tb hklt j^ohbqp efpqlof`^iiv obt^oa tbii+Qla^vfp^kbta^v+Dfsbrp^`^ii)^ka fksbpqlop tel illh _bvlka qeb jljbkq tbÒiiebimvlrj^hbqebjlpqlcfq+ Cfk^k`f^iPb`rofqvcoljDbkbo^qflkqlDbkbo^qflk /..plrqeolpbpqobbqh^i^j^wll)jf16--4ttt+dobbkib^cqorpq+`lj/36+055+65--5--+1.3+1222 Ebiilcrqrob+ Klqqllilkd^dl)tebkdil_^ij^ohbqp ^kapq^vcl`rpbalkilkd*qbojlmmloqrkf* tbob fk ^ pbbjfkdiv bkaibpp altkt^oa qfbp ^ka obpriqp+ FqÒp klq ^k fksbpqjbkq pmfo^i) ^sbo^db fksbpqlop tbob kboslrp+ pqo^qbdvqe^q`^k_bq^hbkifdeqivlob^pfiv Pljbm^kf`hbakb^oqeb_lqqlj)ifnrfa^qba bub`rqba+ ?rq fq fp qeb jlpq qfjb*qbpqba qebfo eliafkdp) ^ka Üba ql `^pe+ Elt t^vql`ob^qb^kaprpq^fktb^iqe)^kafqÒp rkcloqrk^qbcloqebj+>qDobbkib^cQorpq) te^q Dobbkib^c Qorpq albp m^oqf`ri^oiv tb hklt j^ohbqp efpqlof`^iiv obt^oa tbii+Qla^vfp^kbta^v+Dfsbrp^`^ii)^ka fksbpqlop tel illh _bvlka qeb jljbkq tbÒiiebimvlrj^hbqebjlpqlcfq+ Cfk^k`f^iPb`rofqvcoljDbkbo^qflkqlDbkbo^qflk /..plrqeolpbpqobbqh^i^j^wll)jf16--4ttt+dobbkib^cqorpq+`lj/36+055+65--5--+1.3+1222 2009-10 SEASON Tales from the Field with Jeff Corwin OCTOBER 9 | 8 P.M.
  • The Romantic Trumpet Part Two

    The Romantic Trumpet Part Two

    110 HISTORIC BRASS SOCIETY JOURNAL THE ROMANTIC TRUMPET PART TWO Edward H. Tarr Continued from Historic Brass Society Journal, volume 5 (1993), pages 213-61. The two-part series is an expansion of an article written for Performance Practice Encyclopedia. We thank Roland Jackson, editor of this forthcoming reference work, for permission to we this material in HBSJ. For a Conclusion to Part One, containinga list oferrata, please see followingthe endnotes for the current installment. Summary of Part One In Part One, the author first attempted to show the various types of trumpets, cornets, and flugelhorns, both natural and chromaticized, that existed before the advent of valves, together with their literature. Before there were valved trumpets, for example, natural trumpets, etc., were made chromatic by the technique of hand-stopping or by being fitted with slides or keys. He then showed how the first valved brass instruments—in particular trumpets, and to a lesser extent, comets—were accepted into musical circles. Introduction to Part Two In Part Two, it is the author's aim to raise the flag on a forgotten figure in brass history— one who was reponsible not only for the development ofboth the Vienna valve and the rotary valve, but also for the creation of the first solo compositions for the newly invented valved trumpet: Josef Kail (1795-1871), the first professor of valved trumpet at the Prague Conservatory (served 1826-1867). For this reason, the central part of this study will be devoted to works hitherto unknown, written for the trumpet (and to a lesser extent the cornet, flugelhom, horn, and trombone) during his time.
  • Hilbert Circle Theatre

    Hilbert Circle Theatre

    HILBERTCIRCLETHEATRE KRZYSZTOFURBAŃSKI MUSIC DIRECTOR | JACKEVERLY PRINCIPAL POPS CONDUCTOR Vadim Gluzman Plays Bruch Bronfman Plays Beethoven Sibelius Symphony No. 5 Music of U2 Side-by-Side The Sounds of Simon & Garfunkel MARCH | VOLUME 5 Jump in, IT’SJump PERFECT in, From diving into our heated pool to joining neighbors for a day trip From divingIT’S into our heated PERFECTpool to joining neighbors for a day trip Careful planning, talent and passion are on to taking a dance class, life feels amazingly good here. Add not-for- Fromto taking diving IT’Sa dance into our class, heated life feels PERFECTpool amazingly to joining goodneighbors here. for Add a day not-for- trip pro t ownership, a local board of directors, and CCAC accreditation, display at today’s performance. proFromto t takingownership, diving a danceinto a our local class, heated board life feels pool of directors,amazingly to joining andgood neighbors CCAC here. forAddaccreditation, a daynot-for- trip and Marque e truly is the place to be. proto ttaking ownership, a dance a local class, board lifeand feels ofMarque directors,amazingly e and trulygood CCAC ishere. the accreditation, Add place not-for- to be. pro t ownership, a local board of directors, and CCAC accreditation, At Citizens Energy Group, we understand the value of working hard and Marque e truly is the place to be. behind the scenes to deliver quality on a daily basis. We strive to To learn more, call, visit our websiteand Marque or stop e truly by isour the community. place to be. replicate that ensemble effort in our work and are proud to support To learn more, call, visit our website or stop by our community.
  • Zoot Sims - Bob Brookmeyer Octet Stretching out Mp3, Flac, Wma

    Zoot Sims - Bob Brookmeyer Octet Stretching out Mp3, Flac, Wma

    Zoot Sims - Bob Brookmeyer Octet Stretching Out mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Stretching Out Country: Japan Released: 1993 Style: Cool Jazz MP3 version RAR size: 1374 mb FLAC version RAR size: 1443 mb WMA version RAR size: 1155 mb Rating: 4.1 Votes: 997 Other Formats: ASF MP2 MOD WAV WMA MIDI DTS Tracklist 1 Stretching Out 6:07 2 Now Will You Be Good 5:27 3 Pennies From Heaven 6:14 4 King Porter 4:37 5 Ain't Misbehavin' 6:52 6 Bee Kay 6:38 Companies, etc. Manufactured By – Toshiba EMI Ltd Recorded At – Nola Recording Studios Credits Arranged By – Al Cohn, Bill Potts, Bob Brookmeyer Baritone Saxophone – Al Cohn Bass – Eddie Jones Design [Cover] – Harry Edison Directed By – Jack Lewis Drums – Charlie Persip Engineer [Recording] – Tom Nola* Guitar – Freddie Green Liner Notes – Bob Brookmeyer Piano – Hank Jones Producer – Jack Lewis Tenor Saxophone – Al Cohn, Zoot Sims Trumpet – Harry Edison Valve Trombone – Bob Brookmeyer Notes "Recorded at Nola's penthouse from 10 am to 4pm on a Saturday afternoon in December" Barcode and Other Identifiers Barcode: 4 988006 680210 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year Zoot Sims - Bob United Stretching Out (LP, UAL 4023 Brookmeyer Artists UAL 4023 US 1959 Album) Octet Records Zoot Sims - Bob Zoot Sims - Bob Brookmeyer - Wax Train WT 777 WT 777 Europe 2009 Brookmeyer Stretching Out (LP, Records Album, RE) Zoot Sims - Bob United Stretching Out (LP, 054-2602761 Brookmeyer Artists 054-2602761 Spain 1984 Album, RE) Octet
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor

    Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor

    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
  • February 2008 Editor: Tim Coakley WEBSITE: DAILY Looking Back

    February 2008 Editor: Tim Coakley WEBSITE: DAILY Looking Back

    A P A PLACE FOR JAZZ O R February 2008 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY Looking Back ... and Ahead By Tim Coakley The 2007 season of A Community College. As always, a great share Place for Jazz was one of Baritone saxophonist of our success is due to our most successful, both Gary Smulyan and trom- the contributions of our musically and in terms of bonist Wycliffe Gordon members, who have sup- attendance. The size and made October a memora- ported us through the VOLUNTEER HELP enthusiasm of the years. Your contributions WANTED ble month; Gary with his crowds made it clear that vigorous, swinging quartet played a major part in there is a vigorous and exploring bebop and be- enabling us to mount the dedicated audience for kind of series we had in We need help: yond, and Wycliffe with his jazz in the Capital Region. inimitable playing and 2007, and will be needed With publicity: distributing fliers and It was a season that would singing music from the again this year. posters have pleased our founder, whole spectrum of jazz ... Please take a moment Writing music reviews for the newsletter Butch Conn, who sought and on a borrowed trom- to check out the member- to build just such an audi- bone, yet! ship form on Page 10, and Greeting people and handing out pro- ence over the years. We grams at the concerts find a membership level hope to continue to please that is comfortable for you. and attract those listeners Wrapping it all up on With your support, we feel in the year ahead.