THE ANNALS of IOWA 78 (Spring 2019)
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REYNOLDS, Brian
BRIAN J. REYNOLDS DIRECTOR OF PHOTOGRAPHY https://vimeopro.com/user5249916/brian-j-reynolds-director-of-photography TELEVISION DOLLY PARTON’S HEARTSTRINGS: Netflix Prod: Patrick Sean Smith, Sam Haskell, Dir: Joe Lazarov THESE OLD BONES (Anthology Feature) Dolly Parton, Hudson Hickman DO UNTO OTHERS (MOW) Lifetime Prod: Julie Jarrett-Insogna, Stefanie Ziev Dir: Seth Jarret DOLLY PARTON’S (MOW) NBC/Warner Bros. Prod: Sam Haskell, Hudson Hickman Dir: Stephen Herek CIRCLE OF LOVE COAT OF MANY COLORS (MOW) NBC/Warner Bros. Prod: Sam Haskell, Hudson Hickman Dir: Stephen Herek MANHATTAN LOVE STORY (Season 1) ABC Prod: Jeff Lowell, Peter Traugott, Robin Schwartz Dir: Michael Fresco 90210 (Seasons 4 & 5) CBS/The CW Prod: Michael Pendell, Patricia Carr, Lara Olsen Dir: Various UNITED STATES OF TARA (Eps. 305-308) DreamWorks/Showtime Prod: Darryl Frank, Dan Kaplow Dir: Various THE GOOD GUYS (Pilot & Series) Fox TV Studios/FOX Prod: Matt Nix Dir: Tim Matheson BETTER OFF TED (Season 2) 20th Century Fox/ABC Prod: Marc Solakian, Michael Shipley Dir: Michael Fresco LIMELIGHT (Pilot) Warner Bros./ABC Prod: K.J. Steinberg, McG Dir: David Semel THE CLOSER (Seasons 1-4) Warner Bros./TNT Prod: Michael Robin, Greer Shephard Dir: Michael Robin CLEANER (Pilot) CBS Paramount/A&E Prod: Jonathan Prince, Robert Paul Munic Dir: David Semel TRUST ME (Pilot) Warner Horizon/TNT Prod: Hunt Baldwin, John Coveny Dir: Michael Robin THE VIRGIN OF AKRON OHIO (Pilot) Fox TV Studios/Lifetime Prod: Cary Brokaw, Jordan Budde Dir: Randall Zisk IMPERFECT UNION (Pilot) TNT Prod: -
Literariness.Org-Mareike-Jenner-Auth
Crime Files Series General Editor: Clive Bloom Since its invention in the nineteenth century, detective fiction has never been more pop- ular. In novels, short stories, films, radio, television and now in computer games, private detectives and psychopaths, prim poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fiction. Every aspect of crime writing, detective fiction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. Titles include: Maurizio Ascari A COUNTER-HISTORY OF CRIME FICTION Supernatural, Gothic, Sensational Pamela Bedore DIME NOVELS AND THE ROOTS OF AMERICAN DETECTIVE FICTION Hans Bertens and Theo D’haen CONTEMPORARY AMERICAN CRIME FICTION Anita Biressi CRIME, FEAR AND THE LAW IN TRUE CRIME STORIES Clare Clarke LATE VICTORIAN CRIME FICTION IN THE SHADOWS OF SHERLOCK Paul Cobley THE AMERICAN THRILLER Generic Innovation and Social Change in the 1970s Michael Cook NARRATIVES OF ENCLOSURE IN DETECTIVE FICTION The Locked Room Mystery Michael Cook DETECTIVE FICTION AND THE GHOST STORY The Haunted Text Barry Forshaw DEATH IN A COLD CLIMATE A Guide to Scandinavian Crime Fiction Barry Forshaw BRITISH CRIME FILM Subverting -
Download the Report
Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture. -
Jay Richardson Brushes Away Snow That's Drifted Around
When popular Beaumont deejay J.P. Richardson died on Feb. 3, 1959, with Buddy Holly and Ritchie Valens, he left behind more than ‘Chantilly Lace’ … he left a briefcase of songs never sung, a widow, a daughter and unborn son, and a vision of a brave new rock world By RON FRANSCELL Feb. 3, 2005 CLEAR LAKE, IOWA –Jay Richardson brushes away snow that’s drifted around the corpse-cold granite monument outside the Surf ballroom, the last place his dead father ever sang a song. Four words are uncovered: Their music lives on. But it’s just a headstone homily in this place where they say the music died. A sharp wind slices off the lake under a steel-gray sky. It’s the dead of winter and almost nothing looks alive here. The ballroom – a rock ‘n’ roll shrine that might not even exist today except for three tragic deaths – is locked up for the weekend. Skeletal trees reach their bony fingers toward a low and frozen quilt of clouds. A tattered flag’s halyard thunks against its cold, hollow pole like a broken church bell. And not a word is spoken. Richardson bows his head, as if to pray. This is a holy place to him. “I wish I hadn’t done that,” he says after a moment. Is he still haunted by the plane crash that killed a father he never knew? Can a memory be a memory if it’s only a dream? Why does it hurt him to touch this stone? “Cuz now my damn hand is cold,” Richardson says, smiling against the wind. -
Fugitive Slaves and the Legal Regulation of Black Mississippi River Crossing, 1804–1860
Strengthening Slavery’s Border, Undermining Slavery: Fugitive Slaves and the Legal Regulation of Black Mississippi River Crossing, 1804–1860 BY JESSE NASTA 16 | The Confluence | Spring/Summer 2017 In 1873, formerly enslaved St. Louisan James master’s consent, or of the passenger’s free status, P. Thomas applied for a United States passport. persisted until the Civil War.3 After collecting the passport at his attorney’s office, Yet, while the text of the Missouri statute Thomas hurried home “to take a look at it” because remained fairly constant, its meaning changed over he had “never expected to see” his name on such a the six tumultuous decades between the Louisiana document. He marveled that this government-issued Purchase and the Civil War because virtually passport gave him “the right to travel where he everything else in this border region changed. The choose [sic] and under the protection of the American former Northwest Territory, particularly Illinois, flag.” As Thomas recalled in his 1903 autobiography, was by no means an automatic destination for those he spent “most of the night trying to realize the great escaping slavery. For at least four decades after the change that time had wrought.” As a free African Northwest Ordinance of 1787 nominally banned American in 1850s St. Louis, he had been able to slavery from this territory, the enslavement and cross the Mississippi River to Illinois only when trafficking of African Americans persisted there. “known to the officers of the boat” or if “two or three Although some slaves risked escape to Illinois, reliable citizens made the ferry company feel they enslaved African Americans also escaped from this were taking no risk in carrying me into a free state.”1 “free” jurisdiction, at least until the 1830s, as a result. -
1 United States District Court
UNITED STATES DISTRICT COURT EASTERN DISTRICT OF TENNESSEE AT CHATTANOOGA JAMES A. BARNETT, ) ) Plaintiff,) v. ) No. 1:06-cv-235 ) Edgar/Lee LENDA CLARK; KEN COX; ) DEPUTY SILER; SHERIFF BILLY LONG; ) JIM HART, CHIEF OF CORRECTIONS; ) HAMILTON DISTRICT ATTORNEY BILL ) COX; ) ) Defendants. ) MEMORANDUM James A. Barnett ("Plaintiff"), a former Tennessee inmate brings this pro se complaint for damages pursuant to 42 U.S.C. § 1983, contending that he was illegally extradited to Tennessee in violation of his constitutional rights. Plaintiff has been released and now resides in Georgia (Court File # 67). The defendants are Lt. Lenda Clark ("Lt. Clark"), Ken Cox ("Deputy Cox"), Deputy Siler ("Deputy Siler"), Sheriff Billy Long ("Sheriff Long"), and Jim Hart, Chief of Corrections at Hamilton County Jail ("Chief Hart"). Hamilton County District Attorney Bill Cox was dismissed from this litigation by previous Order of this Court (Court File #53). Plaintiff asserts Defendants violated his constitutional rights when they extradited him from Georgia to Tennessee in absence of a signed Governor's extradition warrant, wavier of extradition rights, or habeas hearing. Plaintiff contends he is entitled to damages for these constitutional violations. Defendants contend that a violation of the procedures provided in the Uniform Criminal 1 Case 1:06-cv-00235 Document 76 Filed 01/22/08 Page 1 of 21 PageID #: <pageID> Extradition Act (“UCEA”), codified in Tennessee at Tenn. Code Ann. § 40-9-101 et. seq.1 does not create a cognizable constitutional claim under § 1983 in the Sixth Circuit and the release of Plaintiff in September of 2006 to the Hamilton County Sheriff’s Department is governed by the UCEA. -
Society for Historical Archaeology
Historical Archaeology Volume 46, Number 42 2012 Journal of The Society for Historical Archaeology J. W. JOSEPH, Editor New South Associates, Inc. 6150 East Ponce de Leon Avenue Stone Mountain, Georgia 30083 InN assocASSOCIATIONIatIon wWITHIth aRudreyEBECCA h ornALLENIng,, JcAMIEhrIs BMRANDONatthews, ,C MHRISargaret MATTHEWS Purser, , andPAUL g MraceULLINS ZIes, DIngELLA, a ssocSCOTTIate-I RETONedItors, B; RENT WEISMAN, GRACE ZEISING, rASSOCIATEIchard V eEItDITORS, reVIews; CHARLES edItor ;E MWENary, RBEVIEWSeth reed EDITOR, co;- eMdARYItor BETH REED, CO-EDITOR Published by THE SOCIETY FOR HISTORICAL ARCHAEOLOGY Front Matter - 46(2) for print.indd i 9/7/12 9:28 AM HISTORICAL ARCHAEOLOGY IS INDEXED IN THE FOLLOWING PUBLICATIONS: ABSTRACTS OF ANTHROPOLOGY; AMERICA: HISTORY AND LIFE; ANTHROPOLOGICAL LITERATURE; ART AND ARCHAEOLOGY TECHNICAL ABSTRACTS; ARTS AND HUMANITIES INDEX; BRITISH ARCHAEOLOGICAL ABSTRACTS; CURRENT CONTENTS/ ARTS AND HUMANITIES; HISTORICAL ABSTRACTS; HUMANITIES INDEX; AND INTERNATIONAL BIBLIOGRAPHY OF THE SOCIAL SCIENCES. Copyediting by Richard G. Schaefer Composition by OneTouchPoint/Ginny’s Printing Austin, Texas ©2012 by The Society for Historical Archaeology Printed in the United States of America ISSN 0440-9213 The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences–Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Contents Volume 46, No. 4, 2012 MEMORIAL RODERICK SPRAGUE 1933–2012 1 ARTICLES “Their Houses are Ancient and Ordinary”: Archaeology and Connecticut’s Eighteenth-Century Domestic Architecture ROSS K. HARPER 8 Evaluating Spanish Colonial Alternative Economies in the Archaeological Record AMANDA D. ROBERTS THOMPSON 48 Pueblo Potsherds to Silver Spoons: A Case Study in Historical Archaeology from New Mexico MELISSA PAYNE 70 Hard Labor and Hostile Encounters: What Human Remains Reveal about Institutional Violence and Chinese Immigrants Living in Carlin, Nevada (1885–1923) RYAN P. -
Appendixg Fugitive Dust Control Plan
APPENDIXG FUGITIVE DUST CONTROL PLAN As required by §324.5524 a fugitive dust control plan has been prepared. Pertinent sections are as follows: (1) The provisions of this section, including subsection (2), shall apply to any fugitive dust source at all mining operations. (2) Except as provided in subsection (8), a person responsible for any fugitive dust source regulated under this section shall not cause or allow the emission of fugitive dust from any road, lot, or storage pile, including any material handling activity at a storage pile, that has an opacity greater than 5% as determined by reference test method 9d. Except as otherwise provided in subsection (8) or this section, a person shall not cause or allow the emission of fugitive dust from any other fugitive dust source that has an opacity greater than 20% as determined by test method 9d. The provisions of this subsection shall not apply to storage pile material handling activities when wind speeds are in excess of25 miles per hour (40.2 kilometers per hour). (3) In addition to the requirements of subsection (2), and except as provided in subdivisions (e), (f), and (g), a person shall control fugitive dust emissions in a manner that results in compliance with all of the following provisions: (iv) All unloading and transporting operations of materials collected by pollution control equipment shall be enclosed or shall utilize spraying, pelletizing, screw conveying, or other equivalent methods. (v) Crushers, grinding mills, screening operations, bucket elevators, conveyor transfer points, conveyor bagging operations, storage bins, and fine product truck and railcar loading operations shall be sprayed with water or a surfactant solution, utilize choke-feeding, or be treated by an equivalent method in accordance with an operating program required under subsection (4). -
Stars Over Clear Lake D Loretta Ellsworth
Stars Over Clear Lake d Loretta Ellsworth Thomas Dunne Books St. Martin's Press New York 053-66526_ch00_5P.indd iii 2/20/17 6:56 AM This is a work of fi ction. All of the characters, organ izations, and events portrayed in this novel are either products of the author’s imagination or are used fi ctitiously. thomas dunne books. An imprint of St. Martin’s Press. stars over clear lake. Copyright © 2017 by Loretta Ellsworth. All rights reserved. Printed in the United States of Amer i ca. For information, address St. Martin’s Press, 175 Fifth Ave nue, New York, N.Y. 10010. www . thomasdunnebooks . com www . stmartins . com Title-page photo courtesy of freeimages.com The Library of Congress Cataloging-in- Publication Data is available upon request. ISBN 978-1-250-09703-3 (hardcover) ISBN 978-1-250-09704-0 (e-book) Our books may be purchased in bulk for promotional, educational, or business use. Please contact your local bookseller or the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, extension 5442, or by e-mail at MacmillanSpecialMarkets@macmillan. com. First Edition: May 2017 10 9 8 7 6 5 4 3 2 1 053-66526_ch00_5P.indd iv 2/20/17 6:56 AM One d 2007 haven’t been inside this place in fi fty years,” I say softly as I pause in Ifront of the sand-colored brick building. The outside of the Surf Ballroom hasn’t changed from when it opened in 1948, its rounded roof making it look like a roller derby from the outside. -
Who Killed Buddy Holly ?
SpringerBriefs in Business For further volumes: http://www.springer.com/series/8860 Ronnie J. Phillips Rock and Roll Fantasy? The Reality of Going from Garage Band to Superstardom Ronnie J. Phillips Colorado State University Fort Collins, CO, USA ISSN 2191-5482 ISSN 2191-5490 (electronic) ISBN 978-1-4614-5899-9 ISBN 978-1-4614-5900-2 (eBook) DOI 10.1007/978-1-4614-5900-2 Springer New York Heidelberg Dordrecht London Library of Congress Control Number: 2012951330 © Springer Science+Business Media New York 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, speci fi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on micro fi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied speci fi cally for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. The use of general descriptive names, registered names, trademarks, service marks, etc. -
IN the UNITED STATES DISTRICT COURT for the DISTRICT of KANSAS UNITED STATES of AMERICA, Plaintiff, Vs. No. 98-40107-01-SAC TODD
IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF KANSAS UNITED STATES OF AMERICA, Plaintiff, Vs. No. 98-40107-01-SAC TODD C. MOORE, Defendant. MEMORANDUM AND ORDER The defendant Todd C. Moore appearing pro se has filed a motion for early termination of his supervised release. (Dk. 376). Released from incarceration in May of 2012, the defendant began serving his five-year term of supervised release. The defendant argues for early termination based on his continuous employment, starting his own businesses, his drug- free condition since December of 2014, and his completion of mental health counseling and the MRT program in 2014. The government opposes the motion summarizing from the earlier revocation proceedings that the defendant had tested positive for marijuana in drug tests in 2013 and 2014 and had failed to cooperate in 2014 with U.S. Marshals Service in locating a federal fugitive with whom the defendant admitted his association with the fugitive and knowledge of the fugitive’s location. The government also has learned from the defendant’s supervising officer that in July of 2015 the defendant was found in possession of a stolen riding lawn mower and that the defendant had recently ignored his officer’s warning not to have contact with a federal fugitive. By statute, the court may terminate a defendant’s supervised release after one year “if it is satisfied that such action is warranted by the conduct of the defendant release and the interest of justice.” 18 U.S.C. § 3583(e)(1). The statute commits this determination to the discretion and exclusive authority of the sentencing court. -
"/Title/Tt3702160/": {"Director": [["Kimberly Jessy"]], "Plot": ["\Nbeautiful D Anger Is an Animated 3D Made for TV/Short Film
{"/title/tt3702160/": {"director": [["Kimberly Jessy"]], "plot": ["\nBeautiful D anger is an Animated 3D Made for TV/Short Film. It's a Thriller that combines, M TV's Teen Wolf, Pretty Little Liars, Gossip Girl, Sorcery, Twilight, in one film , Epic fight scenes, No-one is who you think they are, Alternate Universes, Teen Young Adult Action Good Verses Evil, flick with tons of Cliff Hangers! It takes place In Dark Oak, CA were the typical mean girl with magical powers tries to t ake over the school with her mean girl clique. Brooke Charles Takes on Kimberly Jesika and her good girl team. Death Becomes Brook cause she keeps coming back, Think Katherine Vampire Diaries. Kimberly has magical powers and so does her cla n. It's a match to the death. No one is who they seem or who they appear to be! Excitement and sitting on the edge of your seat. Written by\nKimb erly Jessy "], "imdb_rating": [], "mpaa_rating": [], "poster_link": [], "stars": [["Kimberly Jessy"], ["Helena Evans"], ["Chloe Benoit"]], "title": "Beautiful D anger 3D Animated Teen Thriller", "genre": [[" Animation"]], "release_date": [], "writer": [["Kimberly Jesika"], ["Doll Face Animated Films"]]}, "/title/tt25692 02/": {"director": [["Emily Gossett"]], "plot": ["\nThe last year of high school has been barely tolerable for Maggie Masters. After being dumped by her three y ear relationship with Chad, to be traded in for a football dream at UF, she has to succumb to her mother leaving for a better life. Maggie is left to pick up th e remains of her fragmented life. When fate intervenes by the touch from the mys terious and handsome Caleb Jacobson, whom she saves, leaves Maggie breathless, s tartled and captivated.