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Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
2018-05-Ma-Yang.Pdf
RECONCEPTUALIZATION OF ENGLISH IDEOLOGY IN GLOBALIZING SOUTH KOREA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI’I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ASIAN STUDIES MAY 2018 By Seung Woo Yang Thesis Committee: Young-A Park, Chairperson Cathryn Clayton Patricia Steinhoff Keywords: Korean, English, Globalization, English Ideology, National Competitiveness i ii ACKNOWLEDGEMENTS There are many individuals and organizations I would like to thank for this academic and personal undertaking. The Center for Korean Studies was a big reason why I chose UH Manoa. I owe a great appreciation to the Center for Korean Studies for the remarkable events as well as the opportunity to serve as a graduate assistant. Not only the position provided financial assistance, but I am truly greatful for the learning opportunities it presented. I am also thankful for the opportunity to present this thesis at the Center for Korean Studies. Thank you Director Sang-Hyup Lee, Professor Tae-ung Baik, Mercy, and Kortne for welcoming me into the Center. Thank you, the East-West Center, particularly Dr. Ned Shultz and Kanika Mak-Lavy, for not only the generous funding, but for providing an outside-the-classroom learning that truly enhanced my graduate studies experience. The East-West Center provided the wonderful community and a group of friends where I can proudly say I belong. Thank you Mila and Fidzah. I jokingly believe that I did not finish my thesis on time because of you guys. But I credit you guys for teaching me and redefining the value of trust, generosity, and friendship. -
58 Bab Iii Analisis Cda Fairclough Korean Wave 3.1
BAB III ANALISIS CDA FAIRCLOUGH KOREAN WAVE 3.1. Kemunculan dan Perkembangan Hallyu Kemunculan Korea Selatan sebagai negara yang memproduksi budaya populer tidak langsung serta merta dalam kemunculannya. Sebagai negara yang terlibat perang dengan Korea Utara, Korea Selatan tentunya mengalami berbagai kehancuran akibat dampak perang. Peperangan yang dialami oleh Korea Selatan inilah yang membuka sedikit ruang dalam perkembangan industri hiburan Korea Selatan yang saat ini semakin mengokohkan dirinya. Sejarah mencatat Korea Selatan terlibat perang hingga melibatkan bantuan militer dari dunia Internasional. Korea Selatan mengalami masa kependudukan Jepang pada tahun 1910 -1945 dan perang Korea antara utara dan selatan yang berlangsung pada tahun 1950 – 1953. Adanya pasukan militer asing yang masuk ke Korea Selatan menyebabkan unsur-unsur asing yang memasuki Korea Selatan seperti masuknya agama baru hingga sampai jenis musik asing yang diadopsi. Sebelumnya, Korea yang masih bersifat tradisional penuh dengan pengaruh Buddha, Konfusius, dan pengaruh Tiongkok. Prajurit asing di Korea Selatan membawa masuk pengaruh jenis musik baru di Korea Selatan. Musik Korea Selatan mulai dipengaruhi oleh musik musik—American folk, lush ballads, rock, French chansons, Italian canzone; musik Latin, Cuban, dan Japanese enka1 Perjalanan Korean wave sebagai budaya populer yang menjadi komoditas global melalui perjalanan panjang. Seperti yang disinggung 1Korean Culture and Information Service. 2011. Contemporary Korea No.1; The Korean Wave: A New Pop Culture Phenomenon, hal 11 58 sebelumnya, Korea Selatan sendiri harus mengalami masa-masa kehancuran akibat perang yang dialaminya hingga masa krisis moneter International Monetary Fund (IMF) di tahun 1990-an. Namun, justru pasca krisis moneter itulah industri hiburan Korea Selatan dapat bangkit. Di awal berdirinya Korea Selatan sebagai negara, industri hiburan sama sekali tidak mendapat ruang gerak yang bebas, justru lebih dikendalikan oleh pemerintah. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Christian Communication and Its Impact on Korean Society : Past, Present and Future Soon Nim Lee University of Wollongong
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year Christian communication and its impact on Korean society : past, present and future Soon Nim Lee University of Wollongong Lee, Soon Nim, Christian communication and its impact on Korean society : past, present and future, Doctor of Philosphy thesis, School of Journalism and Creative Writing - Faculty of Creative Arts, University of Wollongong, 2009. http://ro.uow.edu.au/theses/3051 This paper is posted at Research Online. Christian Communication and Its Impact on Korean Society: Past, Present and Future Thesis submitted in fulfilment of the requirements for the award of the degree of Doctor of Philosophy University of Wollongong Soon Nim Lee Faculty of Creative Arts School of Journalism & Creative writing October 2009 i CERTIFICATION I, Soon Nim, Lee, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, in the Department of Creative Arts and Writings (School of Journalism), University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Soon Nim, Lee 18 March 2009. i Table of Contents Certification i Table of Contents ii List of Tables vii Abstract viii Acknowledgements x Chapter 1: Introduction 1 Chapter 2: Christianity awakens the sleeping Hangeul 12 Introduction 12 2.1 What is the Hangeul? 12 2.2 Praise of Hangeul by Christian missionaries -
Analysing the Changing Trajectory of South Korea's ICT Business
Analysing the Changing Trajectory of South Korea’s ICT Business Environment Nigel Callinan Thesis presented for the award of Doctor of Philosophy Supervisors: Professor Bernadette Andreosso & Dr. Mikael Fernström University of Limerick Submitted to the University of Limerick November 2014 Declaration I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of Doctor of Philosophy is entirely my own work, that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ___________________________________ I.D No: 10142886 Date: Monday 10th November 2014 2 Abstract This thesis aims to provide a new perspective on the development of South Korea’s Information and Communications Technologies (ICT) Business Environment by taking a cross-disciplinary look at the area. Most studies on this subject have tended to remain within the boundaries of a single discipline. In this study, an interdisciplinary approach is taken to trace more of the paths that have influenced the development. This will provide a better understanding of the area and this insight should make it easier for any prospective organisation hoping to enter the Korean market to be successful. In little over two generations, South Korea has transformed from being one of the poorest countries in the world into a global business leader. Currently, Information Technology products are at the forefront of exports from the country and the world’s largest electronics company hails from a city just south of Seoul. -
THE GLOBALIZATION of K-POP by Gyu Tag
DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
The Opportunity Is There: South Koreans' Views Of
The Opportunity is There: South Koreans’ Views of China and the Future of the US-ROK Alliance By John Lee ISSUES & INSIGHTS WORKING PAPER V O L . 2 1 , WP6 | A p r i l 202 1 Pacific Forum Based in Honolulu, the Pacific Forum (www.pacforum.org) is a foreign policy research institute focused on the Asia-Pacific Region. Founded in 1975, the Pacific Forum collaborates with a broad network of research institutes from around the Pacific Rim, drawing on Asian perspectives and disseminating project findings and recommendations to global leaders, governments, and members of the public throughout the region. The Forum’s programs encompass current and emerging political, security, economic, and maritime policy issues, and works to help stimulate cooperative policies through rigorous research, analyses and dialogues. TABLE OF CONTENTS ABSTRACT ............................................................................................... IV INTRODUCTION ....................................................................................... 1 II. THE GROWING RIFT BETWEEN SOUTH KOREA AND CHINA ................. 2 III. HISTORY AS CULTURAL IDENTITY ..................................................... 4 IV. COVID-19 ............................................................................................. 5 V. POP-CULTURE WAR............................................................................... 7 VI. REFORGING THE IRONCLAD ALLIANCE .............................................. 8 VII. THE MIRACLE ON THE DAEDONG RIVER ........................................ -
Immortal Song Seventeen Eng Sub 2018
Immortal song seventeen eng sub 2018 Continue Contest South Korean television music program Immortal Songs: Singing LegendGenreMusicPresented Shin Dong-YupCountry OriginsSut Korea Origin (s) Korean No. episodes426 (as of October 19, 2019) ManufacturingInsyant Manufacturer (s)Kwon Yong Taek KBSProduction location (s) South KoreaRunning time110 minutesProduction company (s) KBS EntertainmentReleaseOriginal networkKBSOriginal release4, 2011 - March 31, 2012 (as Immortal Songs 2), April 7, 2012 (2012-04-07) -PresentChronologyPreced byImmortal Songs (2007-2009)External LinksWebsite Immortal Songs: Singing Legends (Korean: 불후의 명곡: 전설을 노래하다; RR: Bulhu-ui Myeong-gok: Jeonseoreul Noraehada), also known as Immortal Song 2 (Korean: 불후의 명곡 2), is a South Korean television music competition program presented by Shin Dong-yup. This is the revival of Immortal Songs (2007-2009), and in each episode there are singers who perform their reimagined versions of the songs. Synopsis Originally aired as Immortal Songs 2 as part of KBS Saturday Freedom, each episode had six idol singers who performed the singer's songs of the episode. After restructuring in 2012, the show returned on April 7 as an independent program and renamed Immortal Songs: Singing the Legend. Each episode now includes seven singers or bands from different walks of life and annual experiences ranging from members of popular idol K-pop bands to legendary solo artists. As before, each of them performs their own reimagined versions of the famous songs of the legendary singer of the episode. The new format features special episodes that revolve around specific topics, such as festivities or festivities. Invited singers sit in the waiting room with three hosts, where they meet the audience. -
Discourses of English As an Official Language in a Monolingual Society: the Case of South Korea
DISCOURSES OF ENGLISH AS AN OFFICIAL LANGUAGE IN A MONOLINGUAL SOCIETY: THE CASE OF SOUTH KOREA OK KYOON YOO Simwon Middle School INTRODUCTION With the advent of globalization, the emergence of new national and international orders has posed linguistic challenges at various levels. Three competing trends—homogenization, heterogenization, and hybridization—are reshaping language situations within and between nations. At a national level, in some Western multilingual countries, linguistic justice has been increasingly argued for by minority groups, whether indigenous or immigrant, against the centripetal forces of the ideology of ‘one nation one language’, as is clear in the recent English- only movement in the US. In the multilingual third world, many countries have been struggling to create linguistic identities out of their ethnic languages and former colonizers’ languages. On the other hand, at a global level, the phenomenal spread of English is considered by some to be a major threat to other ethnic languages in the world and by others to facilitate participation in international communications. In this context, South Korea has recently witnessed recurrent proposals for English as an Official Language (EOL) as a language policy for meeting the demands of globalization. In response, another competing force, nationalism, has formed strong reactions to these proposals, thereby opening up heated debates in the media and publications. Considering that South Korea is a ‘monolingual’ society, not a ‘multilingual one’, that enjoys a very high degree of congruity as a speech community (Coulmas, 1999) and that it is an Expanding Circle country (Kachru, 1989), where English is learned as a ‘foreign’ language, the proposal for EOL in South Korea is an extreme case that focuses only on the need for international communications without critical consideration of its potential effects on domestic language situations. -
Downloading and Streaming Has Been Taking a Toll on Music Producers and Artists
UC Berkeley Berkeley Undergraduate Journal Title Feminist Fans and Their Connective Action on Twitter K-Pop Fandom Permalink https://escholarship.org/uc/item/4c09h7w1 Journal Berkeley Undergraduate Journal, 33(1) ISSN 1099-5331 Author Lee, Yena Publication Date 2019 DOI 10.5070/B3331044275 Peer reviewed|Undergraduate eScholarship.org Powered by the California Digital Library University of California Berkeley Undergraduate Journal 1 FEMINIST FANS AND THEIR CONNECTIVE ACTION ON TWITTER K-POP FANDOM By Yena Lee Feminist Fans and Their Connective Action on Twitter K-pop Fandom 2 Berkeley Undergraduate Journal 3 fandoms5. Mel Stanfill6 questions the broad tendency in fandom studies to cast fans as rebels by showing how fans not only comply but also reinforce the stereotypes that mainstream culture projects against fans. In the same Introduction vein, Sophie Charlotte van de Goor7 reveals the constructed nature of fan communities by studying how members of 4chan/co/ and Supernatural slash communities adhere to the internalized notions of “normal behavior” as The past three years have been a time of painful awakening for Korea as the country has witnessed an unprece- defined by mainstream distinctions of good and bad fan practices. By analyzing the feminist counterpublic on dented polemical gender war in Korean society. Within the K-pop fandom, a series of fan-initiated hashtags such Twitter K-pop fandom in relation to the fandom discourse surrounding the movement, this research expands upon as #WeWantBTSFeedback have publicized the demand for feedback for issues of misogyny in idol start texts1 the aforementioned studies on intra-fandom tension to explore how some K-pop fans protested against and even and the K-pop industry.