Adele Firth Hair & Make-Up Designer

Total Page：16

File Type：pdf, Size：1020Kb

Adele Firth Hair & Make-up Designer Agents Silvia Llaguno Associate Agent Shannon Black [email protected] +44 (0) 20 3214 0889 Credits Film Production Company Notes I CAME BY Two & Two Pictures / Netflix Dir: Babak Anvari 2021 Prod: Lucan Toh THE RAILWAY Studiocanal Dir: Morgan Matthews CHILDREN RETURN Prod: Jemma Rodgers HAIR & MAKE-UP DESIGNER 2022 ARMY OF THIEVES The Stone Quarry / Dir: Matthias Schweighöfer HAIR & MAKE-UP Pantaleon Films / Netflix Prods: Matthias Schweighöfer, Dan Maag, DESIGNER Zack Snyder, Deborah Snyder, Wesley Coller, 2021 Misha Bukowski, Michael Scheel THE SECRET GARDEN Heyday Films / StudioCanal Dir: Marc Munden HAIR & MAKE-UP Prods: Rosie Alison, David Heyman SUPERVISOR 2020 SAY YOUR PRAYERS Aimimage Productions / Dir: Harry Michell HAIR & MAKE-UP Guinea Pig Productions Prod: Helen Simmons DESIGNER 2020 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes MAKE UP BFI / BBC Films / Creative Dir: Claire Oakley HAIR & MAKE-UP England / Quiddity Films / Prod: Emily Morgan DESIGNER iFeatures 2019 Television Production Company Notes ANNE World Productions / ITV Dir: Bruce Goodison HAIR & MAKE-UP Prod: Julia Stannard DESIGNER 2021 LIFE Drama Republic / BBC One Dirs: Iain Forsyth / Kate Hewitt / Jane HAIR & MAKE-UP Pollard DESIGNER Prod: Kate Crowther 2020 ALMA'S NOT NORMAL Expectation Dir: Andrew Chaplin (PILOT) Entertainment / BBC Two Prod: Gill Isles HAIR & MAKE-UP DESIGNER 2020 DEVS DNA Films / FX Dir: Alex Garland HAIR & MAKE-UP Productions Prod: Sara Desmond SUPERVISOR 2020 SCARBOROUGH BBC Studios Dir: Derren Litten HAIR & MAKE-UP Prod: Gill Isles DESIGNER 2019 ENTERPRICE Fudge Park Productions / Dir: Nida Manzoor HAIR & MAKE-UP BBC Three Prod: Phil Gilbert DESIGNER 2018 FREE REIN Netflix Prod: Angelo Abela HAIR & MAKE-UP * Nominated: Outstanding DESIGNER Hairstyling, Daytime Emmy Awards 2018 2019 TIMEWASTERS Big Talk Productions Dir: George Kane HAIR & MAKE-UP Prod: Josh Cole DESIGNER 2017 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE EVERMOOR Disney Channel / Dir: Paul Cotter CHRONICLES 2 All3Media / Lime Pictures Prod: Tim Compton HAIR & MAKE-UP DESIGNER 2017 BACK (PILOT) Big Talk Productions Dir: Ben Palmer HAIR & MAKE-UP Prods: Kate Crowther DESIGNER 2017 THE MINIATURIST The Forge / BBC One Dir: Guillem Morales MAKE-UP SUPERVISOR Prod: Gethin Scourfield 2017 SNATCH Little Island Productions / Dirs: Nick Renton, Lawrence Gough, MAKE-UP SUPERVISOR Crackle Geoffrey Sax 2017 Prod: Helen Flint DOWNTON ABBEY Carnival Film & Television Dirs: Catherine Morshead, Minkie Spiro, (SERIES 5 AND 6) / ITV Philip John, Michael Engler, David Evans MAKEUP SUPERVISOR Prod: Chris Croucher 2015 - 2016 * Won: Outstanding Hairstyling for a Single-Camera Series, Primetime Emmy Awards 2016 RAISED BY WOLVES Big Talk Productions Dir: Ian Fitzgibbon (SERIES 1) Prod: Caroline Norris MAKE-UP SUPERVISOR 2015 United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].

Copy Link

Recommended publications

Green Ribbon Schools: Highlights from the 2018 Honorees
Highlights from the 2018 Honorees U.S. Department of Education - 400 Maryland Ave, SW - Washington, DC 20202 www.ed.gov/green-ribbon-schools - www.ed.gov/green-strides Table of Contents Table of Contents ....................................................................................................... 2 Introduction ................................................................................................................ 7 Honorees at a Glance .............................................................................................. 13 2018 Director’s Award .............................................................................................. 14 2018 U.S. Department of Education Green Ribbon Schools ................................... 15 Alabama ..................................................................................................................... 15 Legacy Elementary School, Madison, Ala. .............................................................. 15 Woodland Forrest Elementary School, Tuscaloosa, Ala. ........................................ 17 Jacksonville State University, Jacksonville, Ala. ..................................................... 19 California .................................................................................................................... 23 Monterey Road Elementary School, Atascadero, Calif. ........................................... 23 Top of the World Elementary School, Laguna Beach, Calif. .................................... 26 Maple Village Waldorf School,
[Show full text]
50C 25C 19 PERSONS DROWNED AS STEAMER
y • • • ♦ - ^ St, A v ik A o in formeM eatkdl I e l ’ Jaasa T. Paaeoe, Watkins Broth Mr. and Mrs. George Jchnsoa of Saturday, taorsaasa tha ........................I ill I II siMlIid ^ l i^kiiak Temple ers Interior decorator, sailed this 47 Bigelow street are apendliig the hourly wags from 40 to 48 cents cz> afternoon on the Monarch at Ber week-end In Weyne^ Pa., •viattiag SOME TOWN MEN ^t for employaez doing garbag* 5,801 doaily taalght aad their mm, George, who la atudirlng ooUaotlng aad aawage dl^oeal pJaat ABEL’S HEN ONliT. muda for a two weeks holiday In AUTO and TBDOK KKPAnuMG teyi wanaer. Bltttac of Fire Chu Bermuda. at the fVnrge Military work, none of whom rscelva Is Academ y. AO Work Qaarsatoedl 8«tara^r> Oet. IT, ItM, GETPAYRAISE than 80 oeats aa hour. MANtM ESTER-A CITT OF VILLAGE CHARM I. nt— , nfrahmeati. Hairy Anderson of Hartford who The 'tncreaee la the miiiiniiiiii ■aar M Oeepar Street All membeik of the Luther Lea j . wags of polioenMB to gs a day did A ta tm km aSe. witnaased the 19S8 Olympic games __ i m ^ a a fa g • U k | (TWELVE PAGES) PRICE THREE in Berlin will be the speaker:er at the gue of the Emanuel Lutheran church I not take effect this week, when the VOL. LVL, NO. 16 BIANCHESTBR, CONN., MONDAY, OCTOBER 19,19S« Monday noon meeting of the Man- who are taking part in the Church ebeeka for the first half of October oheeter Kiwanis club. Tbe’ prize Paper Week drive arc reminded that Those in Lower Brackett In were distributed.
[Show full text]
Beyond Dichotomies: Representing and Rewriting Prisoner Functionaries in Holocaust Historiography
Beyond Dichotomies: Representing and Rewriting Prisoner Functionaries in Holocaust Historiography Allison Ann Rodriguez A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirem ents for the degree of Master in the Department of History. Chapel Hill 2007 Approved by: Christopher Browning Karen Hagemann Konrad Jarausch Abstract Allison Ann Rodriguez: Beyond Dichot omies: Representing and Rewriting Prisoner Functionaries in Holocaust Historiography (Under the Direction of Christopher Browning) This paper focuses on the representation of prisoner functionaries in the traditional historiography. Starting with Eugen K ogon, it traces the development of the “good political” versus “bad criminal.” Using prisoner and prisoner functionary testimonies, it demonstrates that this current representation is too simplistic and must be re -evaluated. Prisoner functionaries were b oth prisoners and functionaries , and wore a Janus face at all times. This meant they hurt some as they saved others - all within the confines of their limited power. The paper ends with Primo Levi’s The Gray Zone and a call for the understanding to be app lied to future works on prisoner functionaries. II Table of Contents Chapter I. Introduction. 1 II. The Camp Structure. .5 III. Historiography. .7 IV. Kapos . .16 Majdanek. 17 Bergen -Belsen. 25 V. Prisoner Perceptions. .29 VI. Representations of Kapos. 40 Film. 40 Literature. 44 VII. “The Gray Zone”. 47 Bibliography. 51 III Chapter One Introduction Siegfried Halbreich arrived at Sachsenhausen in early October 1939. He was a Polish Jew who had briefly fought in the Polish Army one month prior. Several years and transfers later, Halbreich arriv ed at Auschwitz.
[Show full text]
Hall Johnson's Choral and Dramatic Works
Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939) The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Wittmer, Micah. 2016. Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939). Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:26718725 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939) A dissertation presented by Micah Wittmer To The Department of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Music Harvard University Cambridge, Massachusetts January, 2016 © 2016, Micah Wittmer All rights reserved. Dissertation Advisor: Professor Carol J. Oja Micah Wittmer -- Performing Negro Folk Culture, Performing America: Hall Johnson’s Choral and Dramatic Works (1925-1939) Abstract This dissertation explores the portrayal of Negro folk culture in concert performances of the Hall Johnson Choir and in Hall Johnson’s popular music drama, Run, Little Chillun. I contribute to existing scholarship on Negro spirituals by tracing the performances of these songs by the original Fisk Jubilee singers in 1867 to the Hall Johnson Choir’s performances in the 1920s-1930s, with a specific focus on the portrayal of Negro folk culture.
[Show full text]
A Look Back at a Year for the Ages!
A LOOK BACK AT A YEAR FOR THE AGES! winter 2016 • Volume 25 • Number 4 I recently met some seasoned travelers who treat Walt Disney World Resorts as second homes, returning year after year and passing down their vacation traditions from generation to generation. They receive world-class service from dedicated Cast Members despite no cash changing hands at the end of their stay, and while they’re here, they make a lot of babies. Wait, you thought I was talking about Members? Sorry, I should’ve clarified. I’m talking about birds – purple martins, to be specific. Each year, these agile aerial acrobats fly more than 3,000 miles from the Brazilian Amazon to Walt Disney World Resort, where they settle into specially created accommodations perched on pedestals before finding mates and…well…you know the rest. You can learn more about these curious creatures through the latest installment of our “Quiz Ed” feature on pages 7-8. I mention the birds here because, like many stories in the pages ahead, theirs is as much about where they’re going as where they’ve been. Our community hasn’t just celebrated the past 25 years in 2016; we’ve celebrated 25 years and beyond. So where does Membership Magic go in that great “beyond?” For starters, it sees some of the most popular elements of our 25th anniversary celebration continue in the New Year (pages 3-4), it sees Members sail the Rhine in distinctive fashion (pages 5-6) and it sees one of the most beloved resorts in our neighborhood blaze new trails through the wilderness (page 9).
[Show full text]
Durchstarten
17. MAI 2021 | B 7230 C www.blickpunktfilm.de Nachrichten, Analysen & Trends aus der Filmwirtschaft #20 Bereit für den Neustart Fensterfragen Wir gehen damit um »The Mopes« Die Zukunft des Kinos nach Ein neuer Zusammenschluss Tanja Ziegler und Susa Kusche Wie Ipek und Christian Zübert Covid-19 steht im Fokus von sucht Verhandlungen auf über ihren aktuellen Kinodreh eine bittersüße Serie aus dem Kino 2021 Digital Augenhöhe zu den Fristen unter Corona-Bedingungen Thema Depressionen machten BALD IM KINO ix © 2021 AFTER WE FELL, LLC. ALL RIGHTS RESERVED. DURCHSTARTEN SashaFilmproduktion Bühler über die beideutsche Netfl EDITORIAL Neustart Kino echs lange Monate gilt nun brauchen Auswertungsbedingungen, die schon der Total-Lockdown sich wirtschaftlich rechnen lassen. Nicht für die Kinobranche. Für zuletzt der Druck auf Verleihseite, den Mai zeichnen sich wieder Lockdown aus eigener Kraft zu überste- S erste Öff nungsperspektiven hen, hat dazu geführt, dass eine Handvoll ab. Was es jetzt braucht, ist Titel ihren Weg direkt auf die Streaming- Fairness, von Politik und Partnern. Weil plattformen genommen haben. Und mit die verspätete Impfk ampagne endlich diesen Plattformen werden sich die Kinos Fahrt aufnimmt, und die Inzidenzwer- beim Neustart arrangieren müssen. Denn te gemächlich sinken, darf wohl als letz- die großen Studios haben über sie direk- te Maßnahme auch an den Neustart der ten Zugang zu einem fi lm- und serienbe- Kultur gedacht werden. Nachdem alle geisterten Publikum bekommen, das zu Länder um uns herum bei deutlich hö- einem Teil schon vor der Pandemie nicht heren Werten den Kinos schon vor Wo- mehr den Weg in die Kinos gefunden hat. chen ein planbares Öff nungsszenario für Die Kinoketten in den USA haben sich mit Mitte Mai in Aussicht gestellt haben, den- den Studios schon auf die neuen Bedin- ken nun auch bei uns erste Bundesländer gungen verständigt: kürzere exklusive ULRICH HÖCHERL laut darüber nach, den Kinos eine Überle- Auswertungsfenster gegen bessere Kon- Herausgeber und Chefredakteur benschance einzuräumen.
[Show full text]
The Making of the Man's Man: Stardom and the Cultural Politics of Neoliberalism in Hindutva India
Southern Illinois University Carbondale OpenSIUC Dissertations Theses and Dissertations 6-1-2021 THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA Soumik Pal Southern Illinois University Carbondale, [email protected] Follow this and additional works at: https://opensiuc.lib.siu.edu/dissertations Recommended Citation Pal, Soumik, "THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA" (2021). Dissertations. 1916. https://opensiuc.lib.siu.edu/dissertations/1916 This Open Access Dissertation is brought to you for free and open access by the Theses and Dissertations at OpenSIUC. It has been accepted for inclusion in Dissertations by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal B.A., Ramakrishna Mission Residential College, Narendrapur, 2005 M.A., Jadavpur University, 2007 PGDM (Communications), Mudra Institute of Communications, Ahmedabad, 2009 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Doctor of Philosophy Degree College of Mass Communication and Media Arts in the Graduate School Southern Illinois University Carbondale May 2021 DISSERTATION APPROVAL THE MAKING OF THE MAN’S MAN: STARDOM AND THE CULTURAL POLITICS OF NEOLIBERALISM IN HINDUTVA INDIA by Soumik Pal A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the field of Mass Communication and Media Arts Approved by: Dr. Jyotsna Kapur, Chair Dr. Walter Metz Dr. Deborah Tudor Dr. Novotny Lawrence Dr.
[Show full text]
1144 05/16 Issue One Thousand One Hundred Forty-Four Thursday, May Sixteen, Mmxix
#1144 05/16 issue one thousand one hundred forty-four thursday, may sixteen, mmxix “9-1-1: LONE STAR” Series / FOX TWENTIETH CENTURY FOX TELEVISION 10201 W. Pico Blvd, Bldg. 1, Los Angeles, CA 90064 [email protected] PHONE: 310-969-5511 FAX: 310-969-4886 STATUS: Summer 2019 PRODUCER: Ryan Murphy - Brad Falchuk - Tim Minear CAST: Rob Lowe RYAN MURPHY PRODUCTIONS 10201 W. Pico Blvd., Bldg. 12, The Loft, Los Angeles, CA 90035 310-369-3970 Follows a sophisticated New York cop (Lowe) who, along with his son, re-locates to Austin, and must try to balance saving those who are at their most vulnerable with solving the problems in his own life. “355” Feature Film 05-09-19 ê GENRE FILMS 10201 West Pico Boulevard Building 49, Los Angeles, CA 90035 PHONE: 310-369-2842 STATUS: July 8 LOCATION: Paris - London - Morocco PRODUCER: Kelly Carmichael WRITER: Theresa Rebeck DIRECTOR: Simon Kinberg LP: Richard Hewitt PM: Jennifer Wynne DP: Roger Deakins CAST: Jessica Chastain - Penelope Cruz - Lupita Nyong’o - Fan Bingbing - Sebastian Stan - Edgar Ramirez FRECKLE FILMS 205 West 57th St., New York, NY 10019 646-830-3365 [email protected] FILMNATION ENTERTAINMENT 150 W. 22nd Street, Suite 1025, New York, NY 10011 917-484-8900 [email protected] GOLDEN TITLE 29 Austin Road, 11/F, Tsim Sha Tsui, Kowloon, Hong Kong, China UNIVERSAL PICTURES 100 Universal City Plaza Universal City, CA 91608 818-777-1000 A large-scale espionage film about international agents in a grounded, edgy action thriller. The film involves these top agents from organizations around the world uniting to stop a global organization from acquiring a weapon that could plunge an already unstable world into total chaos.
[Show full text]
Open Armengot Final Dissertation.Pdf
The Pennsylvania State University The Graduate School College of the Liberal Arts TYPOLOGY AND THE PROMISED LAND IN TWENTIETH-CENTURY INTER-AMERICAN LITERATURE AND FILM A Dissertation in Comparative Literature by Sara Scott Armengot © 2008 Sara Scott Armengot Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2008 ii The dissertation of Sara Scott Armengot was reviewed and approved* by the following: Djelal Kadir Edwin Erle Sparks Professor of Comparative Literature Thesis Adviser Chair of Committee Thomas O. Beebee Professor of Comparative Literature and German Sophia A. McClennen Associate Professor of Comparative Literature, Spanish, and Women’s Studies Anne C. Rose Professor of History, Religious Studies, and Jewish Studies Caroline D. Eckhardt Professor of Comparative Literature and English Head of the Department of Comparative Literature *Signatures are on file in the Graduate School iii Abstract This study addresses the role of typology in twentieth-century works of literature and film from the Americas, in Spanish, English, French, and Portuguese, that deal with the meaning of America and of American history. Existing scholarship has focused on typological thought in colonial Latin America and Puritan New England, but rarely on other periods. This project, however, explores religious and secular concepts of America by examining how twentieth- century works employ imagery, structures, and themes that can be read as typological. The works analyzed in this study have been selected based on their contributions to the larger conversation about the typologically derived concept of the Americas as a providential New World. Many of the works foreground typological representations of a new covenant between God and America; some employ types in hybridized forms that can be read through the lens of typology as tools to resist oppression.
[Show full text]
PANTALEON Films and the Stone Quarry Production ARMY of THIEVES by and Starring Matthias Schweighöfer Launches Worldwide on Netflix on October 29
PANTALEON Films and The Stone Quarry production ARMY OF THIEVES by and starring Matthias Schweighöfer launches worldwide on Netflix on October 29 • ARMY OF THIEVES is the prequel to the Netflix success film ARMY OF THE DEAD of Hollywood producer and director Zack Snyder • Matthias Schweighöfer produces, directs and takes the lead role • Music legend Hans Zimmer creates the soundtrack together with co-composer Steve Mazarro Munich, August 24, 2021. PANTALEON Films, a fully owned film production subsidiary of PANTAFLIX AG (GSIN: A12UPJ, ISIN: DE000A12UPJ7), and Zack Snyder's production company The Stone Quarry Production present: ARMY OF THIEVES. Co-produced exclusively for Netflix, the spin-off from Zack Snyder's ARMY OF THE DEAD universe will be available worldwide on the streaming service from October 29, 2021. Matthias Schweighöfer takes the lead role of safecracker Ludwig Dieter and directed the film. ARMY OF THE DEAD already achieved records on Netflix: after just one week, the film had reached more than 72 million households worldwide, making it one of the ten most-watched Netflix films ever. The trailer for ARMY OF THIEVES, released at the end of July, expands the universe and already has more than 2.3 million clicks and around 75,000 likes on the Netflix YouTube channel. ARMY OF THIEVES is a prequel to the zombie heist movie ARMY OF THE DEAD. Small-town banker Ludwig Dieter is recruited by a mysterious woman to crack safes in a legendary heist across Europe. Besides Matthias Schweighöfer, the top-class cast includes Nathalie Emmanuel (Game of Thrones), Ruby O.
[Show full text]
Joan Didion the White Album 1979
Joan Didion The White Album 1979 Contents I. THE WHITE ALBUM The White Album II. CALIFORNIA REPUBLIC James Pike, American Holy Water Many Mansions The Getty Bureaucrats Good Citizens Notes Toward A Dreampolitik III. WOMEN The Women’s Movement Doris Lessing Georgia O’Keeffe IV. SOJOURNS In The Islands In Hollywood In Bed On The Road On The Mall In Bogotá At the Dam V. ON THE MORNING AFTER THE SIXTIES On the Morning After the Sixties Quiet Days In Malibu I. THE WHITE ALBUM The White Album 1 WE TELL OURSELVES stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea. The naked woman on the ledge outside the window on the sixteenth floor is a victim of accidie, or the naked woman is an exhibitionist, and it would be “interesting” to know which. We tell ourselves that it makes some difference whether the naked woman is about to commit a mortal sin or is about to register a political protest or is about to be, the Aristophanic view, snatched back to the human condition by the fireman in priest’s clothing just visible in the window behind her, the one smiling at the tele-photo lens. We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the “ideas” with which we have learned to freeze the shifting phantasmagoria which is our actual experience.
[Show full text]
1214 10/01 Issue One Thousand Two Hundred Fourteen Thursday, October One, Mmxx
LAST UPDATED: WEDNESDAY, JANUARY 27, 2021 8:02:37 PM #1214 10/01 issue one thousand two hundred fourteen thursday, october one, mmxx “ACCUSED AND ON THE RUN” Telefilm 09-24-20 ê ACCUSED PRODUCTIONS INC. 3876 Norland Avenue, Burnaby, BC V5G 4T9 [email protected] PHONE: 604-421-4355 STATUS: October 7 LOCATION: Vancouver PRODUCER: Navid Soofi DIRECTOR: Troy Scott PM: Darren Robson PC: Jeff Desmarais CD: Judy JK Lee QUBEFILM 1197 Howe Street, Vancouver, BC V6Z 2X4 604-568-2823 [email protected] “ACTS OF CRIME” Pilot / ABC ESMAIL CORP 8536 National Blvd., Culver City, CA 90232 [email protected] PHONE: 310-558-6087 STATUS: Active Development PRODUCER: Chad Hamilton WRITER/DIRECTOR: Sam Esmail UNIVERSAL CONTENT PRODUCTIONS 100 Universal City Plaza, Universal City, CA 91608 818-777-1000 The drama is described as a unique spin on the crime procedural. “AFRICAN HISTORY Y” Feature Film ABOVE THE SEA 830 Linda Flora Dr., Los Angeles, CA 90049 [email protected] PHONE: 310-498-8510 STATUS: Active Development LOCATION: Africa PRODUCER: DeForrest Taylor ([email protected]) - Marc Le Chat - Raymond J. Markovich WRITER: Tony Kaye - Charles Chanchori - Jason Corder DIRECTOR: Tony Kaye CAST: Djimon Hounsou A story of tragedy and redemption. “AFTER WE FELL” Feature Film 09-03-20 ê PRODUCTION OFFICE PHONE: +359-8 999 83878 STATUS: October 2020 LOCATION: Sofia, Bulgaria PRODUCER: Jennifer Gibgot - Mark Canton - Courtney Solomon - Anna Todd - Brian Pitt DIRECTOR: Castille Landon PM: Harrison Huffman ([email protected]) CAST: Josephine Langford - Hero Fiennes Tiffin CD: Chelsea Bloch - Marisol Roncali OFFSPRING ENT. - BREAKTHROUGH FILMS 2016 Broadway Santa Monica, CA 90404 424-268-5881 [email protected] CALMAPLE FILMS 844 Seward Street, Los Angeles, CA 90038 310-432-2763 - 310-270-4260 FRAYED PAGES ENTERTAINMENT 11400 W Olympic Blvd., Suite 590, Los Angeles, CA 90064 [email protected] WATTPAD STUDIOS 6121 Sunset Blvd.
[Show full text]