Titles Ordered January 26 - February 2, 2018
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SYDNEY OPERA HOUSE PRESENTS a Festival Celebrating the Art Of
SYDNEY OPERA HOUSE PRESENTS A festival celebrating the art of graphic storytelling, illustration, comics, animation and music MONDAY 28 SEPTEMBER, SATURDAY 10 & SUNDAY 11 OCTOBER SYDNEY OPERA HOUSE A festival of graphic storytelling, animation and music featuring: Mad Max: Fury Road - Creating the Apocalypse - George Miller, Brendan McCarthy and Nico Lathouris in conversation; Kevin Smith's Superhero Multiverse with special guest Jason Mewes; Sarah Blasko - Eternal Return Album Preview with Commissioned Visuals by Mike Daly; Ólafur Arnalds + visuals by Máni Sigfússon with 13-piece chamber orchestra and new arrangements by Viktor Orri Árnason; The Walking Dead: Season 6 Premiere – FREE SCREENING FREE TALKS from Brendan McCarthy, Nicola Scott, Animal Logic, Brendan Fletcher, Simon Rippingale and Erica Harrison; FREE SCREENINGS of Warren Ellis’ Captured Ghosts, The Mindscape of Alan Moore, She Makes Comics and Future Shock! 2000 AD; A Cautionary Tail and Oscar Wilde’s The Nightingale & The Rose “The smartest, wisest, most cutting edge festival and celebration of narrative literature and its intersection with culture in the world.” NEIL GAIMAN The Sydney Opera House today announced the program for the fifth GRAPHIC festival, taking place on Monday 28 September and Saturday 10 – Sunday 11 October. Featuring the exclusive commissions, world and Australian premieres that the festival has become synonymous with, this year GRAPHIC will also host ten free film screenings and talks from the most exciting storytellers in print, pixel and pop, on the stages and foyers of the Sydney Opera House. GRAPHIC co-curator and Sydney Opera House Head of Contemporary Music Ben Marshall said, “Sydney Opera House presents Graphic in order to celebrate the high artistic beats in forms of modern storytelling that are often ignored in traditional arts conversations and yet are capable of greatness. -
Would You Understand What I Meant If I Said I Was Only Human?”
”Would you understand what I meant if I said I was only human?” The Image of the Vampire in Stephenie Meyer’s Twilight and Charlaine Harris’s Dead Until Dark Jessica Dimming Fakulteten för humaniora och samhällsvetenskap English IV 15hp Supervisor Magnus Ullén Examiner Adrian Velicu HT 2012 Abstract In this essay I have decided to look at two very popular vampire novels today, Dead Until Dark by Charlaine Harris and Twilight by Stephenie Meyer. The focus of this essay is to look at the similarities and differences between these two novels and compare them to each other but also to the original legend of the vampire; this by using Dracula and other famous vampire stories to get an image of the vampire of pop-culture. I look at the features of the vampires, their abilities and different skills, and also sex and sexuality and how it is represented in these different stories. Even though the novels attract a wide audience they are written for a younger one and have a love story as its center. In this essay I give my opinion and view of the vampires and what I believe to be interesting with the morals and looks of the vampires as one of the different aspects. 2 Content Introduction 3 The Gothic novel 6 The legend of the vampire 7 Setting 10 Narrator 38 Features of the vampires in Twilight 43 Features of the vampires in Dead Until Dark 53 Vampires as sexual objects 67 Love and sexuality in Twilight 75 Love and sexuality in Dead Until Dark 86 Conclusion 95 Works cited 30 3 Introduction Dead Until Dark and Twilight by top selling authors Charlaine Harris and Stephenie Meyer are both novels written for young adults, somewhere between the ages of 14-24, with one major theme in common, vampires. -
Books Added to the Collection: July 2014
Books Added to the Collection: July 2014 - August 2016 *To search for items, please press Ctrl + F and enter the title in the search box at the top right hand corner or at the bottom of the screen. LEGEND : BK - Book; AL - Adult Library; YPL - Children Library; AV - Audiobooks; FIC - Fiction; ANF - Adult Non-Fiction; Bio - Biography/Autobiography; ER - Early Reader; CFIC - Picture Books; CC - Chapter Books; TOD - Toddlers; COO - Cookbook; JFIC - Junior Fiction; JNF - Junior Non Fiction; POE -Children's Poetry; TRA - Travel Guide Type Location Collection Call No Title AV AL ANF CD 153.3 GIL Big magic : Creative living / Elizabeth Gilbert. AV AL ANF CD 153.3 GRA Originals : How non-conformists move the world / Adam Grant. Irrationally yours : On missing socks, pick up lines, and other existential puzzles / Dan AV AL ANF CD 153.4 ARI Ariely. Think like a freak : The authors of Freakonomics offer to retrain your brain /Steven D. AV AL ANF CD 153.43 LEV Levitt and Stephen J. Dubner. AV AL ANF CD 153.8 DWE Mindset : The new psychology of success / Carol S. Dweck. The geography of genius : A search for the world's most creative places, from Ancient AV AL ANF CD 153.98 WEI Athens to Silicon Valley / Eric Weiner. AV AL ANF CD 158 BRO Rising strong / Brene Brown. AV AL ANF CD 158 DUH Smarter faster better : The secrets of prodctivity in life and business / Charles Duhigg. AV AL ANF CD 158.1 URY Getting to yes with yourself and other worthy opponents / William Ury. 10% happier : How I tamed the voice in my head, reduced stress without losing my edge, AV AL ANF CD 158.12 HAR and found self-help that actually works - a true story / Dan Harris. -
PADRAIC Mckinley Editor
PADRAIC McKINLEY Editor FEATURES DIRECTORS PRODUCERS/STUDIOS BOSS LEVEL Joe Carnahan Scott Putman, Frank Grillo Emmett/Furla/Oasis Films WHEELMAN Jeremy Rush George Parra, Frank Grillo / Netflix PRIDE AND PREJUDICE Burr Steers Sue Baden-Powell, Marc Butan, Lauren Selig AND ZOMBIES Allison Shearmur / Lionsgate WILD CARD Simon West Steve Chasman, Brian Pitt, Jib Polhemus Recut Jason Statham / Lionsgate HOMEFRONT Gary Fleder Avi Lerner, John Thompson Open Road Films / Millennium CHARLIE ST. CLOUD Burr Steers Michael Fottrell, Marc Platt Universal Pictures 17 AGAIN Burr Steers Jennifer Gibgot, Adam Shankman Dara Weintraub / New Line Cinema THE EXPRESS Gary Fleder Derek Dauchy, John Davis, Arne Schmidt Davis Entertainment / Universal Pictures ALFIE Charles Shyer Sean Daniel, Diana Phillips, Elaine Pope Paramount Pictures IF ONLY Gil Junger Basil Iwanyk, Jeffrey Silver, Scott Strauss Tapestry Films / Sony IGBY GOES DOWN Burr Steers Lisa Tornell, David Rubin, Marco Weber MGM TELEVISION AMERICAN GODS Season 2 Various Directors Jesse Alexander, Reid Shane Editor, Executive Producer Dante DiLoreto / Fremantle Media / Starz FIGHT WORLD Docu-Series Padraic McKinley Todd Lubin, John Gerstel / Matador / Netflix Editor, Director KINGDOM Pilot & Series Various Directors Byron Balasco, Adam Davidson Supervising Editor, Producer, Director Endemol USA / DirecTV ANIMAL KINGDOM Christopher Chulack Terri Murphy, Lou Wells One Episode Warner Bros. / TNT BEAUTY AND THE BEAST Pilot Gary Fleder Sherri Cooper, Jennifer Levin, Tony Thomas Paul Junger Witt / CBS -
JOE SATRIANI One of Guitar’S Greatest Instrumentalists Unleashes His Inner Extrovert
ISSUE #42 MMUSICMAG.COM Q&A Larry DiMarzio JOE SATRIANI One of guitar’s greatest instrumentalists unleashes his inner extrovert PLAYING GUITAR WITH HIS TEETH chops with a soaring sense of melody. allow me to make creative decisions song by during the fi nal performance of his previous Various side projects—like the acclaimed song,” he says, “exploring unique moods and tour, Joe Satriani had an epiphany. “I thought, supergroup Chickenfoot—have punctuated feelings as they relate to this central character. ‘What am I doing? What part of me rears Satriani’s career, but his solo work remains In that way, it’s both loose and free-form, its head and starts doing stuff like this?’” his top priority. The recipient of 15 Grammy but there’s an overall tone, one of rebirth.” he recalls. “Normally I’m a shy, retiring nominations, he’s also the best-selling rock type of musician, but when I get onstage, guitar instrumentalist of all time. Elaborate on the album’s theme. I fi nd myself feeling like that type of thing is Satriani’s 15th solo studio album, When I perform, it’s like someone else takes perfectly normal.” Shockwave Supernova, ratchets up the over. I felt the songs I was writing represented While Satriani may ponder the adventurous spirit. Seizing on his onstage the different attitudes and memories and motivation behind his showmanship, fans alter ego, the guitarist pumps up his aspirations of not only me, but also perhaps have been dazzled by the musician’s fl amboyant side, embracing the onstage this other character. -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Gary Meets Dave Jack loses Helen’s money that she needs for the school mascot Pam the Ram’s surgery so he tells her it was stolen. The students help Jack try get the cash back. Meanwhile, Stef, Mary and Michelle run into trouble with their mall-walking group. Richie Keen, Directed by A.P. Bio Katie Holmes Day Jack vows to ruin the local holiday, Katie Holmes Day, because he’s jealous that a fellow Toledoan achieved their dreams. Meanwhile, Durbin is determined not to flub his line in the pageant this year. Mary and Stef run the holiday rummage sale. Anu Valia, Directed by B Positive Pilot Drew, a recently divorced father, discovers he needs a kidney and finds his donor in the last person he ever would've imagined. James Burrows, Directed by black-ish Our Wedding Dre Dre's (Anthony Anderson) intimate wedding plans for Pops (Laurence Fishburne) and Ruby (Jenifer Lewis) go awry when Pops' brother, Uncle Norman, (Danny Glover) shows up unexpectedly for the festivities. Meanwhile Ruby refuses Bow's (Tracee Ellis Ross) offer to help with preparations. Eric Dean Seaton, Directed by black-ish Please, Baby, Please Dre tries to soothe baby DeVante back to sleep by reading him a bedtime story that becomes a story expressing his own concerns about the state of our country. Kenya Barris, Directed by Breeders No Fear Luke’s anxiety is becoming a problem at home and school. Would a medical diagnosis make his life easier or harder? Ally faces further tension after her mother Leah is robbed. -
AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020
AXS TV Schedule for Mon. October 12, 2020 to Sun. October 18, 2020 Monday October 12, 2020 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT The Day The Rock Star Died The Big Interview Michael Jackson - Michael Jackson was a singer, songwriter, dancer and known simply as “The The Band’s Robbie Robertson - Jethro Tull’s Ian Anderson sits down with Dan Rather to talk about King of Pop.” His contributions to music, dance, and highly publicized personal life made him a his five decades as a progressive rock idol. global figure in popular culture for over four decades. 9:00 AM ET / 6:00 AM PT 5:30 PM ET / 2:30 PM PT Deep Purple’s: The Ritchie Blackmore Story A Year in Music From his pop roots with The Outlaws and his many session recordings in the sixties, through 1964 - Actor, writer, and musician, Tommy Chong dives into 1964: the year The Beatles took defining hard rock with Deep Purple and Rainbow in the seventies and eighties and on to the over, Motown Records became a driving force, and The Rolling Stones made their debut. Plus, a renaissance rock of Blackmore’s Night, Ritchie has proved that he is a master of the guitar across look at how political and social changes influenced pop music. a multitude of styles. This is the definitive story of a true guitar legend. 6:00 PM ET / 3:00 PM PT 10:20 AM ET / 7:20 AM PT The Big Interview Robert Plant And The Strange Sensation Edward Norton - Academy Award winner Edward Norton’s life is much more than Hollywood. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
URMC V127no26 20170914.Pdf (11.14Mb)
NEWS OPINION A&C COUNCIL DICUSSES HOUSING FIRST INITIATIVE FALL FESTIVALS THIS GAMEDAY SHOWS PROMISE WEEKEND Volume 127, No. 26 Thursday, September 14, 2017 PAGE 6 PAGE 8 PAGE 16 A compilation of quotes by President Donald Trump about immigration. ILLUSTRATION BY AJ FRANKSON COLLEGIAN Dreamers in jeopardy DACA students speak out on program’s repeal By Mason Force @masforce1 on campus fearful of losing the Donald Trump regarding the undocumented who entered allowed to pursue our dreams.” opportunity to work and study termination of the bill in six the country as minors call Maria was brought to the in the U.S., and be deported to a months left students across the themselves Dreamers, and the United States from Mexico City Editor’s Note: The Collegian country they never knew. country reeling as they struggle Dreamers United organization when she was two months old, is not publishing the last names The Deferred Action for to cope with an uncertain future. brings these students at CSU similar to many other Dreamers, of Maria and Anarely due to the Childhood Arrivals Executive There are approximately together. who often remember no country sensitive nature of their stories, Order, or DACA, gives students 189 students at Colorado State According to Maria, other than the United States. and because these students are who are undocumented who University who will be directly undocumented freshman, the “It’s truly like an identity affected by the repeal of the were brought to America as impacted by the decision to title of “dreamer” represents crisis, it truly is,” Maria said. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Josh Blue Opens up About Cerebral Palsy, 'Last Comic Standing'
Cue THURSDAY, OCTOBER 15, 2015 SECTION C Audra McDonald Saturday, October 17th, 8:00 pm TICKETS START AT $40 309.671.1096 peoriasymphony.org PE-4493521_V2 Josh Blue opens up about cerebral palsy, ‘Last Comic Standing’ BY THOMAS BRUCH OF THE JOURNAL STAR PEORIA — One of the best stand-up comedians in the business, Josh Blue, will be performing at the Jukebox Comedy Club this weekend. Blue, 36, won Season Four of “Last Comic Standing” in 2006 and has since been a staple on the stand-up comedy circuit. Though he has earned many plaudits and has been featured frequently in stand-up specials, he might be best known for having cerebral palsy — something he pokes fun at in a self-deprecating manner in his performances. Yet he also talks about it to highlight what you can accomplish while living with the disorder. Blue will appear at the Jukebox at 8 p.m. Thursday, and at 8 p.m. and 10:30 p.m. Friday and Saturday. Tickets cost $20 except for the Thursday show and the late Friday show, which are $15. Tickets can be purchased at the comedy club or online at www.jukeboxcomedy.com. The Journal Star talked to Blue recently about his career, “Last Comic Standing” and another one of his successful endeavors. Q: In retrospect, what’s your opinion on “Last Comic Standing” for younger comedians or comedi- ans who haven’t gotten a shot yet? A: I have mixed feelings about it. Obviously it really helped me blow into the scene. But it’s still a dumb reality show. -
Grant Morrison” and Grantmorrison™
K Scott 1 No Guru, No Method, No Teacher: “Grant Morrison” and GrantMorrison™ 1. Introduction My title comes from Van, not Grant, Morrison; not just because of a fondness for the music of my compatriot, but because it sums up both the worldview of my main subject and my own complex and contradictory responses to his work. As a writer, Morrison attracts admiration and odium in roughly equal measure, a sign generally of his attempts to innovate within the medium of comics, and more specifically of the key element of his work I wish to examine here, the extent to which he foregrounds his own presence within his texts. His work displays a continual questioning of established value systems – religious, political and artistic – and a simultaneous elevation of personae who are clearly meant to be read as avatars of Morrison himself, placed in and acting through his comics. As Jacques Bens wrote in his analysis of Boris Vian’s L’Ecume des jours: Tout écrivain refait le monde, soit parce qu’il est impuissant à restituer parfaitement une réalité don’t la structure complexe échappe à la parole, soit parce qu’il a envie de libérer ses demons familers [my italics] (177). [All authors remake the world, either because it is impossible to perfectly reconstruct a reality of which the structure is too complex to capture in language, or because they wish to loose their personal demons] The “personal demons” (and the occult reference is entirely fitting for a writer who makes much play of the idea of magic as a belief system) Morrison liberates are overwhelmingly linked to the relationship between himself and his writing.