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POD Pilot's Guide

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POD Pilot's Guide Pilot’s Handbook for version 2.0 software An in-depth exploration of the revolutionary technologies and pulsing tonal pleasures of POD, plus the insider info on the optional Line 6 foot controllers: the Floor Board and FB4. An electrophonic version is available on the included CD-Rom and at www.line6.com. Revision E. This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. POD, Line 6, Amp Farm, Flextone II, and Line 6 logos are all trademarks of Line 6. Pro Tools and TDM are trademarks of Digidesign. Emagic and SoundDiver are trademarks of Emagic Software. Mackie and 1202VLZ are trademarks of Mackie. Arbiter, Fender, Marshall, Matchless, Mesa Boogie, Soldano, Vox and other amplifier and effect models are all trademarks of their respective owners, which are in no way affiliated or associated with Line 6. These trademarks of other manufacturers are used solely for the purpose of describing certain amplifier tones modeled after some of the most popular sounds of these classic amps and effects. REDUCED SIZE BACK COVER FOLDOUT FOR ELECTROPHONIC PILOT'S GUIDE * AMP MODELS 7 EFFECT SETUPS Amp Model Based on: Volume Pedal Reverb 5 Effect Tap Tweak Notes Line 6 Clean Line 6 21st Century Clean Pre Room 6 PEDAL T 8 Bypass n/a n/a Turns off the effects RIGH T Line 6 Crunch Line 6 Thick Grindage Pre Spring UTPU MID P O OU I /AM T CT DE Compressor n/a Ratio Higher settings Line 6 Drive Line 6 Industrial Strength Overdrive Post Room 5 RE MO DI I.R. A. M "squeeze" your volume 13 ID Line 6 Layer Line 6 Clean meets Psychotic Drive Post Room T IN I EF UT more. L TP Small Tweed 1952 Fender Tweed Deluxe Pre Room U O 14 Tremolo Tremolo Speed Depth The tremolo was Tweed Blues 1959 Fender Bassman Pre Spring 010 010 MIDDLE TREBLE designed with the Black Panel 1964 Blackface Fender Deluxe Pre Spring characteristic Fender Modern Class A 1996 Matchless Chieftain Pre Spring 010 010 shape. P BASSPOD CHAN VOL O 1 Brit Class A 1960 Vox AC 15 Pre Room THE ULTIMATE GUITAR DIRECT BOX W 12 Version 2.0 15 E Chorus 1 Chorus Speed Range of Square wave LFO, R Brit Blues 1964/65 Marshall JTM-45 Pre Room 9 22 21 choruses "rack" type chorus Brit Classic 1968 Marshall “Plexi” Pre Room MANUALMIDI SAVE setup; subtler than Brit Hi Gain 1986 Marshall JCM 800 Post Room 010 010 Chorus 2 DRIVE AB REVERB Rectified 1994 Mesa Boogie Dual Rectifier Post Room NOISE TAP Chorus 2 Chorus Speed Range of Sine wave LFO, approx. EDITED 6 CD TUNER Modern Hi Gain 1989 Soldano SLO Super Lead Overdrive Post Room GATE (HOLD) choruses 10% feedback; emulates 18 19 20 an old Roland CE-1 for Fuzz 1960s Arbiter Fuzz Face Post Room 4 16 Tube Preamp Tube-based instrument preamp Post Room classic stomp box sound. (Hold Tap and turn to this position) for Amp Models 17-32: (AMP MODELS 17– 32)(CAB SELECT) Flanger 1 Flanger Speed Range of Light Flange AMP MODELS EFFECTS flangers (Line 6 Clean) Line 6 Twang Fender Deluxe and Bassman Pre Spring 010 MODERN CLASS A DELAY 010 OUTPUT BLACK PANEL BRIT CLASS A ROTARY DELAY/COMPRESSOR EFFECT Flanger 2 Flanger Speed Range of Heavier flange with (Line 6 Crunch) Line 6 Crunch #2 ’68 Marshall Plexi 50 watt Pre Room 2x12 LEVEL TWEED BLUES BRIT BLUES FLANGER 2 DELAY/TREMOLO TWEAK (Line 6 Drive) Line 6 Blues Marshall JTM-45 meets Budda Twinmaster Pre Room 4x10 flangers more feedback. SMALL TWEED 11 BRIT CLASSIC FLANGER 1 17 DELAY/CHORUS 1 (Line 6 Layer) Line 6 Insane Way too many hours of shredding Post Room Rotary Speaker Rotary Speed Depth This emulates a classic LINE 6 LAYER BRIT HI GAIN CHORUS 2 1x12 DELAY/CHORUS 2 P spinning speaker, a la (Small Tweed) Small Tweed #2 ’60 Tweed Fender Champ Pre Room H LINE 6 DRIVE RECTIFIED O CHORUS 1 DELAY/FLANGER 1 T N U the Leslie E 4x12 P S LINE 6 CRUNCH MODERN HIGAIN (Tweed Blues) Boutique #3 Budda Twinmaster head Pre Room TREMOLO 1x8 DELAY/FLANGER 2 IN OFF LINE 6 CLEAN FUZZ BOX COMPRESSOR DELAY/SWELL Delay Delay Time Delay Level Very quick delays will (Black Panel) Black Panel #2 ’65 Blackface Fender Twin Pre Spring 3 TUBE PREAMP BYPASS 2 (Modern Class A) Brit Class A #3 ’60 Vox AC 15 Pre Room have no repeats for better slapback (Brit Class A) Brit Class A #2 ’60 Vox AC 30 non-Top Boost Pre Room (Brit Blues) California Crunch #1 ’85 Mesa Boogie Mark IIc+ Clean Channel Pre Spring Delay Swell Delay Time Swell Time Volume swell (Brit Classic) California Crunch #2 ’85 Mesa Boogie Mark IIc+ Drive Channel Post Spring (Brit Hi Gain) Boutique #1 Dumble Overdrive Special Clean Channel Pre Room (Rectified) Rectified #2 ’95 Mesa Boogie Dual Rectifier Head Post Room (Modern HiGain) Modern HiGain #2 ’89 Soldano SLO Super Lead Overdrive Post Room (Fuzz Box) Boutique #2 Dumble Overdrive Special Drive Channel Post Room (Tube Preamp) Jazz Clean 1987 Roland JC-120 Jazz Chorus Post Room U 6 29 23 27 25 26 24 28 FLEXTONE: TAP LIT BUTTON FOR TAP TEMPO / HOLD LIT BUTTON FOR MANUAL * Fender, Marshall, Vox, Budda, Dumble, Matchless, Mesa Boogie, Soldano, Roland, Arbiter, and other amplifier and effect models are all trademarks of their respective owners, which are in no way associated or affiliated with Line 6. These trademarks of other manufacturers are used solely for the purpose of describing certain amplifier and effect tones produced using Line 6's modeling technology. Line 6's modeling technology provides POD with a wide variety of sounds and effects modeled after some of the most popular sounds of these classic amps. Line 6, POD, Floor Board, the Line 6 logo and the POD logo are trademarks of Line 6, Inc. set re s P 0 More great sounds for your POD are at www.line6.com . A Big Rectifier with Delay & Room Reverb B Black Panel with Compression & Spring Reverb 2 C Vox AC-30 Top Boost BANK 1 D Marshall JTM-45 with Room Reverb D A Line 6 Clean with Compression B Line 6 Crunch with Room Reverb C Line 6 Drive with Delay O BANK 2 D Line 6 Layer with Light Chorus & Delay A Small Tweed with Room Reverb – modeled after 1952 Fender Deluxe P B Tweed Blues – modeled after 1959 Fender Bassman C Black Panel with Tremolo & Spring Reverb – modeled after 1965 Fender Deluxe BANK 3 D Modern Class A – modeled after 1996 Matchless Chieftain A Brit Class A with Echo – modeled after 1963 Vox AC 30 Top Boost B Brit Blues – modeled after 1965 Marshall JTM-45 C Brit Classic – modeled after 1968 Marshall “Plexi” BANK 4 D Brit Hi Gain – modeled after 1990 Marshall JCM 800 A Rectified – modeled after 1994 Mesa Boogie Dual Rectifier Tremoverb B Modern Hi Gain with Echo & Verb – modeled after 1989 Soldano X88 Preamp C Fuzz Box – modeled after Arbitor Fuzzface BANK 5 D Tube Preamp – for direct recording of non-guitar instruments A Line 6 Twang with Slapback Echo – modeled after Fender Deluxe meets Bassman B Line 6 Crunch #2 with Room Reverb – modeled after Plexi + more tone range C Line 6 Blues – modeled after Marshall JTM-45 meets Budda Twinmaster BANK 6 D Line 6 Insane with Echo & Verb – guaranteed to make you shred! A Small Tweed #2 – modeled after 1960 Fender Champ B Boutique #3 – modeled after Budda Twinmaster C Black Panel #2 – modeled after 1965 Blackface Fender Twin BANK 7 A Brit Class A #3 with Echo – modeled after 1960 Vox AC15 A Brit Class A #2 – modeled after 1960 Vox AC 30 B California Crunch #1 modeled after Mesa Boogie Mark IIC+ Clean Channel C California Crunch #2 modeled after Mesa Boogie Mark IIC+ Drive Channel BANK 8 D Boutique #1 with light slapback – modeled after Dumble Overdrive Special Clean A Rectified #2 modeled after 1995 Mesa Boogie Dual Rectifier Head B Modern Hi Gain #2 modeled after 1989 Soldano SLO Super Lead Overdrive C Boutique #2 – modeled after Dumble Overdrive Special Drive BANK 9 D Jazz Clean with Chorus – modeled after Roland JC 120 Jazz Chorus Fender, Marshall, Vox, Dumble, Matchless, Mesa Boogie, Roland, Soldano, Arbiter, and other Arbiter, Soldano, Roland, Mesa Boogie, Matchless, Dumble, Vox, Marshall, Fender, which are in no way models are all trademarks of their respective owners, amplifier and effect associated or affiliated with Line 6. These trademarks of other manufacturers are used solely the purpose of describingfor certain amplifier tones produced using Line 6's modeling technology. Line 6 products with a wide variety Line 6's modeling technology provides of sounds and effects modeled after some of the most popular sounds these classic amps and effects. Rev D POD POD PILOT'S LOG Draw lines in the empty circles to indicate the knob positions for your favorite original sounds AMP MODELS PATCH NAME EFFECTS BLACK PANEL DELAY TWEED BLUES MODERN CLASS A ROTARY SPEAKER DELAY/COMPRESSOR SMALL TWEED BRIT CLASS A FLANGER 2 DELAY/TREMOLO JAZZ CLEAN BRIT BLUES FLANGER 1 DELAY/CHORUS 1 LINE 6 LAYER BRIT CLASSIC CHORUS 2 DELAY/CHORUS 2 LINE 6 DRIVE BRIT HI GAIN CHORUS 1 DELAY/FLANGER 1 LINE 6 CRUNCH RECTIFIED 010 010 010 010 010 010 010 TREMOLO DELAY/FLANGER 2 LINE 6 CLEAN MODERN HI GAIN COMPRESSOR DELAY/SWELL FUZZ DRIVE BASS MID TREBLE CHAN VOL REVERB FX TWEAK BYPASS HOLD TAP AND TURN KNOBS TO MAKE THE SETTINGS BELOW: 2x12 4x10 ON ON ON 17-32 1x12 OFF OFF OFF 010 010 010 010 4x12 1x8 OFF AMP MODELS DISTORTION DELAY DELAY PRESENCE VOLUME REVERB EFFECT/TAP CAB 17-32 ON/OFF FEEDBACK LEVEL ON/OFF BOOST DECAY SPEED SELECT NOTES: ON ON ON TREM/CHORUS DELAY REVERB AMP MODELS PATCH NAME EFFECTS BLACK PANEL DELAY TWEED BLUES MODERN CLASS A ROTARY SPEAKER
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