Rousseau and the Problem of Uman Relations
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Jean-Jacques Rousseau (1712-2012)
É T U D E 5 5 U R L E 1 8' 5 1 È ( L E X V 1 1 1 Revue fondée par Ro land Mortier et Hervé Hasquin DIRECTEURS Valérie André et Brigitte D'Hainaut-Zveny COMITt tDITORIAL Bruno Bernard, Claude Bruneel (Université catholique de Louvain), Carlo Capra (Università degli studi, Milan), David Charlton (Roya l Holloway College, Londres), Manuel Couvreur, Nicolas Cronk (Vo ltaire Foundation, University of Oxford), Michèle Galand, Jan Herman (Katholi eke Universiteit Leuven), Michel Jangoux, Huguette Krief (Un iversité de Provence, Aix-en-Provence), Christophe Loir, Roland Mortier, Fabrice Preyat, Dan iel Rabreau (U niverSité de Paris l, Panthéon-Sorbonne), Daniel Roche (Collège de France), Raymond Trousson et Renate Zedinger (Universitat Wien) GROUPE D'ÉTUDE D U 1 8' 5 1 È ( L E tCRIREÀ Valérie André [email protected] Brigitte D'Hainaut-Zveny Brigitte.D Hainaut @ulb.ac.be ou à l'adresse suivante Groupe d'étude du XVIII' siècle Université libre de Bruxelles (CP 175/01) Avenue F.D. Roosevelt 50 • B -1050 Bruxelles JEAN-JACQUES ROUSSEAU (1712-2012) MATÉRIAUX POUR UN RENOUVEAU CRITIQUE Publié avec l'aide financière du Fonds de la recherche scientifique - FNRS Ë T U DES 5 URL E 1 8' 5 1 È ( L E x v 1 1 1 JEAN-JACQUES ROUSSEAU (1712-2012) MATÉRIAUX POUR UN RENOUVEAU CRITIQUE VOLUME COMPOSÉ ET ÉDITÉ PAR CHRISTOPHE VAN STAEN 2 0 1 2 ÉDITIONS DE L'UNIVERSITÉ DE BRUXELLES DAN 5 L A M Ê M E COLLECTION Les préoccupations économiques et sociales des philosophes, littérateurs et artistes au XVIII e siècle, 1976 Bruxelles au XVIIIe siècle, 1977 L'Europe et les révolutions (1770-1800), 1980 La noblesse belge au XVIIIe siècle, 1982 Idéologies de la noblesse, 1984 Une famille noble de hauts fonctionnaires: les Neny, 1985 Le livre à Liège et à Bruxelles au XVIIIe siècle, 1987 Unité et diversité de l'empire des Habsbourg à la fin du XVIIIe siècle, 1988 Deux aspects contestés de la politique révolutionnaire en Belgique: langue et culte, 1989 Fêtes et musiques révolutionnaires: Grétry et Gossec, 1990 Rocaille. -
Mignolo-And-Walsh-20
On Decoloniality On Decoloniality interconnects a diverse array of perspectives from the lived experiences of coloniality and decolonial thought/praxis in dif er ent local histories from across the globe. The series identifies nd examines decolonial engagements in Eastern Eu rope, the Ca rib bean, the Amer i cas, South Asia, South Africa, and beyond from standpoints of feminisms, erotic sovereignty, Fanonian thought, post- Soviet analyses, global indigeneity, and ongoing ef orts to delink, relink, and rebuild a radically distinct praxis of living. Aimed at a broad audience, from scholars, students, and artists to journalists, activists, and socially engaged intellectuals, On Decoloniality invites a wide range of participants to join one of the fastest-growing debates in the humanities and social sciences that attends to the lived concerns of dignity, life, and the survival of the planet. A ser ies ed ited by Walter Mignolo & Catherine Walsh 1 2 3 4 Concep t s 5 6 Anal ytics 7 8 On Decoloniality Pra xis 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Wal ter D. Mignol o 25 26 and 27 28 Cather ine E. Wals h 29 30 31 32 33 34 35 36 37 duke univers it y pr ess Durham and London 2018 38 © 2018 Duke University Press All rights reserved Printed in the United States of Amer i ca on acid- free paper ∞ Designed by Matt Tauch Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging- in- Publication Data Names: Mignolo, Walter, author. | Walsh, Catherine E., author. -
ANCY the MINSTREL and Other Love Poems
ANCY THE MINSTREL and Other Love Poems by Jose Antonio Cangco TABLE OF CONTENTS The Fairy's Touch - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - -- 3 Love Moves On - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - 4 Sentimental Calling - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- -- - - - - - - - - - - - - - - 5 Fancy the Minstrel - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 6 Eternity - - - - - - - - - - - - - - - -- - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 7 Summer Interlude - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 8 Hope Eternal - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 9 Sweet Endearment - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 10 First Love Never Dies - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 11 Daffodils - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 12 Love's Eternal Spring - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - 13 Gemini - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 14 Love After - - - - - - - - - - -- - - - - - - -- - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 15 Our -
By Virgil W Topazio
VOLTAIRE AND ROUSSEAU: HUMANISTS AND HUMANITARIANS IN CONFLICT by Virgil W Topazio Whether judged as men, philosophers, or writers, it would be difficult to imagine two persons more different than Voltaire and Rousseau, yet they were both literary giants of the eighteenth-century Enlightenment who believed they had devoted most of their adult lives to the cause of political and moral freedom and justice. Voltaire was the beneficiary of a formal classical education that served as a solid base to his broad cultural background and wide reading. He un- abashedly enjoyed the flourishing eighteenth-century salon life with its pre- mium on wit, conversational skills, and intellect. And despite his capacities for strong emotions, his manner of coping with the overriding problen~of injustice was through the exercise of reason and intellect. Theodore Bester- man informs us in his recent biography of Voltaire: "The truth is that this nlost profound conviction (i.e., love of justice) was the fruit of Voltaire's reason, but it was expressed with all the deepest passions of his being.. Indeed, Voltaire was utterly a man of the mind."' Rousseau, on the other hand, possessed neither the classical education nor the broad systematic learning of Voltaire, though he was an unusually well- read autodidact in the eyes of Marguerite Reichenburg.' What is more important, Rousseau was by nature much more introverted than his extra- verted contenlporary, lacked Voltaire's conversational skills and sharp wit, and what is more, notwithstanding his protestations, was almost totally devoid of a sense of humor. He himself would probably have admitted that in his youth he had sold his soul to a Mephistophelian Paris. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Biography of Sismondi
1 BIOGRAPHY OF SISMONDI HELMUT O. PAPPE I. Jean Charles Léonard Simonde was born on the 9th May 1773 into a Genevan family. In later life he changed his family to de Sismondi after an old Pisan aristocratic family from which he believed the Simondis to be descended. Charles’s parents were the pasteur Gèdèon François Simonde and his wife Henriette Ester Gabriele Girodz; a sister, Sara, called Serina by the family and her friends, saw the light of day two years later. The families of both parents were du haut the Simondes being on the borderline between nobility and upper bourgeoisie, the Girodz being members of the well-to-do upper bourgeoisie. Both the Simondes and the Girodz had come to Geneva as members of the second éimgration after the revocation of the Edict of Nantes in 1685, that is, both families were Protestant fugitives from religious persecution in France. The Girodz had come to Geneva from Chàlons-sur-Saône in 1689. Henriette’s father, Pierre Girodz, became a successful and highly respected businessman engaged in various commercial enterprises connected with the watchmaking trade. He owned a substantial town house close to the cathedral in the Bourg-de-Four and an imposing country seat ‘Tourant’ at Chênes, both to be the residences of Sismondi after his return from exile in Italy. On the occasion of the marriage of his daughter on the 12th January 1770 Pierre Girodz was able to give her a dowry his town house worth 30,000 Livres as well as 10,000 Livres in cash and 2,000 Livres worth of jewellery. -
ICON3 Complete Album Lyrics
ICON3 complete album lyrics Twice The Man I Was Strolling down Atlantic Avenue I'm looking for adventure, something new And there is not a single thing I wouldn't do I'm looking at the way it used to be Things are clear that I could never see And the world is now the way it was meant to be And I'm Twice The Man I Was I'm so tired of drivin' down a one way street I live on the island where three rivers meet I hated myself for the way I was But now I can forgive myself because I'm Twice The Man I Was Oh so good to be back home again And I'm so relieved I missed the bitter end Cos the gratitude on which my life depends Says I'm Twice The Man I Was Well I bathed in the fountain of eternal youth Prayed on the mountain where Jesus soothed Chastised the Devil where the prophets stood One foot in Eden, one in Hollywood I loved all the women that I never should You know it's all because I'm Twice The Man I Was Simple situations used to baffle me Blind to the colours that I couldn't see I stared in the face of death a thousand times Slid down the razor blade of public life I was broken and beaten, now I'm energized I'm Twice The Man I Was Destiny Mama, I was just a kid I would always take the blame, for things I never did Later on, and the world was in my hands When I threw it all away, I knew that you'd understand Someday I will see When final waves wash over me That there is only One who can command me I know myself, and I know where I belong I don't believe in looking back, for that's all dead and gone For now, in the present I reside I free my soul of everything, I have nothing to hide Someday, I will see When the final waves crash over me That I am just a teardrop in the ocean My destiny...dictates to me I know, it's not up to me, whatever will be, will be Our destiny.. -
PMA Polonica Catalog
PMA Polonica Catalog PLACE OF AUTHOR TITLE PUBLISHER DATE DESCRIPTION CALL NR PUBLICATION Concerns the Soviet-Polish War of Eighteenth Decisive Battle Abernon, De London Hodder & Stoughton, Ltd. 1931 1920, also called the Miracle on the PE.PB-ab of the World-Warsaw 1920 Vistula. Illus., index, maps. Ackermann, And We Are Civilized New York Covici Friede Publ. 1936 Poland in World War I. PE.PB-ac Wolfgang Form letter to Polish-Americans asking for their help in book on Appeal: "To Polish Adamic, Louis New Jersey 1939 immigration author is planning to PE.PP-ad Americans" write. (Filed with PP-ad-1, another work by this author). Questionnaire regarding book Plymouth Rock and Ellis author is planning to write. (Filed Adamic, Louis New Jersey 1939 PE.PP-ad-1 Island with PE.PP-ad, another work by this author). A factual report affecting the lives Adamowski, and security of every citizen of the It Did Happen Here. Chicago unknown 1942 PA.A-ad Benjamin S. U.S. of America. United States in World War II New York Biography of Jan Kostanecki, PE.PC-kost- Adams , Dorothy We Stood Alone Longmans, Green & Co. 1944 Toronto diplomat and economist. ad Addinsell, Piano solo. Arranged from the Warsaw Concerto New York Chappell & Co. Inc. 1942 PE.PG-ad Richard original score by Henry Geehl. Great moments of Kosciuszko's life Ajdukiewicz, Kosciuszko--Hero of Two New York Cosmopolitan Art Company 1945 immortalized in 8 famous paintings PE.PG-aj Zygumunt Worlds by the celebrated Polish artist. Z roznymi ludzmi o roznych polsko- Ciekawe Gawedy Macieja amerykanskich sprawach. -
Steve's Karaoke Songbook
Steve's Karaoke Songbook Artist Song Title Artist Song Title +44 WHEN YOUR HEART STOPS INVISIBLE MAN BEATING WAY YOU WANT ME TO, THE 10 YEARS WASTELAND A*TEENS BOUNCING OFF THE CEILING 10,000 MANIACS CANDY EVERYBODY WANTS A1 CAUGHT IN THE MIDDLE MORE THAN THIS AALIYAH ONE I GAVE MY HEART TO, THE THESE ARE THE DAYS TRY AGAIN TROUBLE ME ABBA DANCING QUEEN 10CC THINGS WE DO FOR LOVE, THE FERNANDO 112 PEACHES & CREAM GIMME GIMME GIMME 2 LIVE CREW DO WAH DIDDY DIDDY I DO I DO I DO I DO I DO ME SO HORNY I HAVE A DREAM WE WANT SOME PUSSY KNOWING ME, KNOWING YOU 2 PAC UNTIL THE END OF TIME LAY ALL YOUR LOVE ON ME 2 PAC & EMINEM ONE DAY AT A TIME MAMMA MIA 2 PAC & ERIC WILLIAMS DO FOR LOVE SOS 21 DEMANDS GIVE ME A MINUTE SUPER TROUPER 3 DOORS DOWN BEHIND THOSE EYES TAKE A CHANCE ON ME HERE WITHOUT YOU THANK YOU FOR THE MUSIC KRYPTONITE WATERLOO LIVE FOR TODAY ABBOTT, GREGORY SHAKE YOU DOWN LOSER ABC POISON ARROW ROAD I'M ON, THE ABDUL, PAULA BLOWING KISSES IN THE WIND WHEN I'M GONE COLD HEARTED 311 ALL MIXED UP FOREVER YOUR GIRL DON'T TREAD ON ME KNOCKED OUT DOWN NEXT TO YOU LOVE SONG OPPOSITES ATTRACT 38 SPECIAL CAUGHT UP IN YOU RUSH RUSH HOLD ON LOOSELY STATE OF ATTRACTION ROCKIN' INTO THE NIGHT STRAIGHT UP SECOND CHANCE WAY THAT YOU LOVE ME, THE TEACHER, TEACHER (IT'S JUST) WILD-EYED SOUTHERN BOYS AC/DC BACK IN BLACK 3T TEASE ME BIG BALLS 4 NON BLONDES WHAT'S UP DIRTY DEEDS DONE DIRT CHEAP 50 CENT AMUSEMENT PARK FOR THOSE ABOUT TO ROCK (WE SALUTE YOU) CANDY SHOP GIRLS GOT RHYTHM DISCO INFERNO HAVE A DRINK ON ME I GET MONEY HELLS BELLS IN DA -
Why Do Helvétius' Writings Matter? Rousseau's Notes Sur De L'esprit
Why do Helvétius’ writings matter? Rousseau’s Notes sur De l’esprit Sophie Audidière To cite this version: Sophie Audidière. Why do Helvétius’ writings matter? Rousseau’s Notes sur De l’esprit. British Journal for the History of Philosophy, Taylor & Francis (Routledge), 2016, Varieties of Early Modern Materialism, 24 (5), pp.983-1001. 10.1080/09608788.2016.1186596. halshs-02077783 HAL Id: halshs-02077783 https://halshs.archives-ouvertes.fr/halshs-02077783 Submitted on 26 Mar 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Why do Helvétius’ writings matter? Rousseau’s Notes sur De l’esprit Sophie Audidière Université de Bourgogne-Franche Comté Helvétius had a dubious reputation among eighteenth-century French Philosophes, being accused of exposing other writers who were more vulnerable to the threat of censorship, condemnation and ar- rest, by publishing works on materialism which drew attention to them indiscriminately. Despite considerable differences between Helvétius, Diderot and Rousseau from a sociological as well as from a philosophical point of view, Rousseau tended to lump the former two together for philoso- phical attention. With his book On Mind (De l’esprit), which earned him this dubious reputation, Helvétius had tried to stake out ground within the circle of eighteenth century philosophers. -
Genre Artist Song Funk, Soul, Contemporary R&B Christina
Genre Artist Song Funk, Soul, Contemporary R&B Christina Aguilara Ain't no Other Man Avicii Wake me Up Bee Gees Stayin' Alive Justin Bieber Sorry, What Do You Mean Beyonce Crazy in Love, Single Ladies Black Eyed Peas Let's Get it Started, I Gotta Feeling Black Street No Diggity James Brown I Feel Good Cameo Word up Chic Freak Out Cobra Starship You make me feel Natalie Cole This will be The Commadores Brick House Sam Cooke Twistin' The Night Away Taio Cruz Dynamite DNCE Cake by the Ocean Drake One Dance Enrique Iglesias I Like It Earth Wind and Fire Lets Groove, September Aretha Franklin Respect Flo Rida Club Can't Handle Me Michael Franti Say Hey The Gap Band Party Train Marvin Gaye I Heard It Through The Grapevine Ariana Grande Problem Selena Gomez Hands to Myself Cee Lo Green Forget You! Calvin Harris This is what you Came For Janet Jackson Black Cat Michael Jackson Don’t Stop Til You Get Enough, Billy Jean Jackson 5 ABC, I Want You Back Jennifer Lopez Let's Get Loud Demi Lovato Neon Lights Mackelmore Thrift Shop, Can't Hold Us Bruno Mars Uptown Funk, Marry You, Treasure, 24 K Magic Shawn Mendes Stitches George Michael Faith Kylie Minogue Can't Get You Outta My Head Nelly Hot In Here One Direction Drag Me Down Outkast Hey Ya!, The Way You Move Owl City Good Time Katy Perry California Girls, Firework, Hot n Cold Pharrell Happy Wilson Picket Knock on Wood, In The Midnight Hour Phillip Phillips Gone, Gone, Gone Pitbull Fireball, Give me Everything, Timber Prince Kiss Martha Reeves Dance in the Streets Rihanna Don’t Stop the Music, Umbrella, Only Girl In the World Lionel Richie All Night Long Diana Ross I'm Coming Out, Upside Down Sister Sledge We Are a Family Britney Spears Toxic Spinners Then Came You Spiral Staircase More Than Yesterday Gwen Stefani Sweet Escape Rick James Give It to Me Baby, Super Freak Carley Rae Jepson Call Me Maybe Montel Jordan This Is How We Do It Alicia Keyes No One, Girl On Fire, Ellie King Ex's and O's Evelyn C. -
“TOLERANCIA” EN LOS ESCRITOS DE VOLTAIRE (1760–1770) } Adrián Ratto } Universidad De Buenos Aires, CONICET, Argentina]
............................................................. LOS LÍMITES DE LA IDEA DE “TOLERANCIA” EN LOS ESCRITOS DE VOLTAIRE (1760–1770) } Adrián Ratto } Universidad de Buenos Aires, CONICET, Argentina] Resumen Entre 1760 y 1770, Voltaire desarrolló una serie de actividades en defensa de la idea de “tolerancia”. El objetivo de este artículo es evaluar, a la luz de las críticas que el filósofo dirige a Jean-Jacques Rousseau en el Sentiment des citoyens (1764), el alcance de dicho concepto en sus escritos durante esa década. Se demuestra que su posición con respecto al tema está atravesada por tensiones y que, en todo caso, de sus textos se desprende una idea de tolerancia limitada, que resulta difícil articular con la imagen que lo presenta como el “apóstol de la tolerancia”, una figura forjada en el mismo siglo XVIII, que se convirtió en un lugar común con el paso del tiempo. Palabras clave: tolerancia; ateísmo; fanatismo; religión; siglo de las Luces. Recibido: 21 de noviembre de 2016. Aprobado: 13 de julio de 2017. Praxis Filosófica Nueva serie, No. 46 enero-junio 2018: 243 - 260 DOI: 10.25100/pfilosófica.v0i46.6214 (D): 2389-9387 (I): 0120-4688 / ISSN ISSN Limits of the concept of tolerance in Voltaire’s work (1760–1770) Abstract Between 1760 and 1770, Voltaire developed a series of activities in order to defend the concept of “tolerance”. The aim of this article is to assess the extension of this concept in his writings over that decade, in light of the philosopher’s criticism of Jean-Jacques Rousseau in Sentiment des citoyens (1764). His position on the issue is shown to be fraught with tensions and his writings put forth, if anything, an idea of limited tolerance which is hard to equate with his standing as the “champion of tolerance”, an image cultivated during the 18th century, which has become commonplace over time.