DOCSLIB.ORG

Glyn Johns Selected Producer, Engineer & Mixercredits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Glyn Johns Selected Producer, Engineer & Mixercredits GLYN JOHNS SELECTED PRODUCER, ENGINEER & MIXERCREDITS: Benmont Tench (2014) You Should Be So Lucky (Blue Note) M The Rolling Stones (2012) "Doom and Gloom" & "One More Shot" (ABKCO/Universal) M Aaron Neville (2012) My True Story (Blue Note) M Ethan Johns (2012) If Not Now Then When (Three Crows) M Band of Horses (2012) Mirage Rock (Columbia) P E M The Staves (2012) Dead & Born & Grown (Atlantic) Co-P M The Staves (2012) The Motherlode: EP (Atlantic) Co-P M The Clash (2008) Live at Shea Stadium (Epic) E Andy Fairweather Low (2006) Sweet Soulful Music (Proper Records) P E Luther Russel (2007) Repair (Adrenaline Music) E The Beatles (2006) Love (Capitol) E Traffic (2001) Traffic (Island) E The Clash (2000) Combat Rock (Sony) M Linda Ronstadt & EmmyLou Harris Western Wall | The Tuscon Sessions (Asylum) The Warm Jets (1998) Future Signs (Polygram Records) M Crosby, Stills & Nash (1994) After The Storm (Atlantic) P E M The Subdudes (1994) Annuciation (High Street) P E David Crosby (1993) Thousand Roads (Atlantic) P E Steve Miller (1991) Sailor (Capitol) P E John Hiatt (1990) Stolen Moments (A&M) P E Joan Armatrading (1989) Track Record (A&M) P E Nanci Griffith (1988) Storms (MCA Records) P Eric Clapton (1988) Crossroads (Polydor) P E Pete Townshend (1987) Another Scoop (Atco) E The New Model Army (1986) Ghost of Cain (EMI) P E M Bob Dylan (1984) Real Live (Columbia) P The Who (1982) It's Hard (Polydor/Wanrer Bros.) P E Jools Holland (1981) Jools Holland and the Millionaires (IRS Records) P E 1Eric Clapton (1978) BacklessP-Producer (Polydor) E-Engineer M-Mixer P E GLYN JOHNS SELECTED PRODUCER, ENGINEER & MIXERCREDITS: Joan Armatrading (1978) To the Limit (A&M) P E The Who (1978) Who Are You (Polydor) P Eric Clapton (1977) Slowhand (RSO) P Joan Armatrading (1977) Show Some Emotion (A&M) P E Eric Clapton (1977) Slowhand (RSO) M Pete Townshend (1977) Rough Mix (MCA/Polydor) P E Bernie Leadon (1977) Natural Progressions (Wounded Bird Records) P Joan Armatrading (1976) Joan Armatrading (A&M) P E Faces (1976) Snakes & Ladders (Warner Bros.) P The Eagles (1976) The Eagles (1976) The Who (1975) Who by Numbers (MCA/Polydor) P The Eagles (1975) One of These Nights (Asylum) P E The Eagles (1974) On the Border (Asylum) P E The Rolling Stones (1974) It's Only Rock 'n' Roll (Atlantic) M Eric Clapton (1973) Eric Clapton's Rainbow Concert (RSO) E Paul McCartney (1973) Red Rose Speedway (Apple/EMI) E The Eagles (1973) Desperado (Asylum) P E The Who (1973) Quadrophenia (MCA Records) P E Faces (1973) Ooh La La (Warner Bros.) P E The Rolling Stones (1972) Jamming with Edward! (Rolling Stone/Atlantic) P The Eagles (1972) Eagles (Asylum) P E The Rolling Stones (1972) Exile on Main St. (Rolling Stone/Atlantic) E Rod Stewart (1972) Never a Dull Moment (Mercury) E The Rolling Stones (1971) Sticky Fingers (Rolling Stone/Atlantic) E The Who (1971) Who's Next (Track/Decca) P E M Spooky Tooth (1971) Tobacco Road (A&M) E Ron Wood (1976) Mahoney's Last Stand (Atlantic) E Faces (1971) Nod Is as Good as a Wink…to a Blind Horse (Warner Bros.) P E Humble Pie (1971) Rock On (A&M) P E M Leon Russel (1971) Leon Russel and the Shelter People (Shelter) E The Rolling Stones (1970) Get Yer Ya-Ya's Out! (Decca) P E M Joe Cocker (1970) Mad Dogs and Englishmen (A&M) P E M 2The Beatles (1970) Let It Be P-Producer(Apple) E-Engineer M-Mixer E GLYN JOHNS SELECTED PRODUCER, ENGINEER & MIXERCREDITS: The Band (1970) Stage Fright (Capitol) M Leon Russel (1970) Leon Russel (Shelter Music) E Led Zeppelin (1969) Led Zeppelin (Atlantic) E Steve Miller (1969) Your Saving Grace (Capitol) P Steve Miller (1969) Brave New World (Capitol) P Jimmy Page (1968) No Introduction Necessary (Magnum America) E The Rolling Stones (1968) Beggars Banquet (Decca) E The Rolling Stones (1967) Their Satanic Majesties Request (Decca) E The Rolling Stones (1966) Got Live If You Want It! (London/ABKCO) E The Rolling Stones (1965) Out of Our Heads (Decca) E Contact: Jerimaya Grabher or Andrew DiDio GPS | Global Positioning Services 3435 Ocean Park Blvd, Ste 107-191 Santa Monica, CA 90405 Tel 310.656.1350 [email protected] | [email protected] www.globalpositioningservices.net 3 P-Producer E-Engineer M-Mixer .
Load more

Recommended publications
  • Octubre-Desembre 2008
    BUTLLETÍ DE NOVETATS DISCOGRÀFIQUES Octubre-Desembre 2008 CJCMJPUFDB QÞCMJDBBMJDBOUF ÍNDICE 0. MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES 3-10 1. JAZZ 11-15 2. ROCK, POP, MÚSICA LIGERA 16-24 3. MÚSICA CLÁSICA 25-31 5. MÚSICA FUNCIONAL. BANDAS SONORAS VARIAS 32-35 7. REGISTROS PARA NIÑOS 36-42 ÍNDICES 43-49 0 MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES 1 1958 - 2008 [Grabación sonora] : 50 años de Bossa Nova. La colección defi nitiva. -- [Madrid] : Universal Music Spain, D.L. 2008. -- 2 discos compactos (ca. 64, 59 min.) : digital ; 12 cm + 1 folleto Contiene: CD 1: 1. Mas, que nada! / Jorge Ben ; 2. Pra Dizer Adeus / Edú Lobo & Maria Bethânia ; 3. So por amor (Instrumental) / Odette Lara & Vinícius de Moraes ; 4. Ela é carioca de os Cariocas ; 5. Batida diferente / Tamba Trio ; 6. Só tinha de ser com você / Elis Regina, Antonio Carlos Jobim ; 7. Desafi nado / Gal Costa ; 8. Tristeza / Baden Powell ; 9. How Insensitive / Diana Krall ; 10. The Girl From Ipanema / Stan Getz, João Gilberto & Astrud Gilberto ; 11. O barquinho / Nara Leão & Roberto Menescal ; 12. Coisa mais linda (Remixed Original Album) / Caetano Veloso ; 13. Ilusão à toa ; O que é amar / Leila Pinheiro ; 14. Corcovado Live / Oscar Peterson ; 15. Oi Lá! / Toquinho & Vinícius de Moraes ; 16. Aquarela do Brasil, Nega do cabelo duro / Elis Regina ; 17. Caminhos cruzados, Citações: Águas de Março, Wave, Inútil paisagem / Zizi Possi -- CD 2: 1. Desafi nado / Tom Jobim, Stan Getz & João Gilberto ; 2. A felicidade / Astrud Gilberto ; 3. Maria Ninguém / Carlos Lyra ; 4. Por causa de você, menina / Jorge Ben ; 5. Amor em paz / Sylvia Telles ; 6.
    [Show full text]
  • 1974 Tour with the Band
    BOB DYLAN / THE BAND (a collectors guide to the 74 Tour) BOB DYLAN / THE BAND - a collectors guide to the 74 Tour “There are two problems with the 1974 tour: the tapes are crap and Dylan‟s performances are crap.” – C. Heylin, Telegraph 32 pg 86. Introduction This booklet / File (like the anonymous companion volume “Songs of the Underground” for RTR) is intended to document the audio resources available to collectors concerning the 1974 tour with the Band. It is intended to supplement and possibly correct the three major resources available to collectors (Krogsgaard, Dundas & Olof‟s files). Several PA tapes have emerged since Krogsgaard was last updated, and (I believe) there are errors in Dundas (concerning the PA tapes from 11 Feb 1974) that I wished to address. Additionally, none of these references (except for one full listing in Krogsgaard) include the Band sets. While details are difficult to obtain, I have included details of about three- quarters of the Band sets. It is hoped that readers on the web may contribute more information. I believe that the Band was a significant contributor to the 1974 Tour and should be included in any 1974 Tour documentation. I have also identified the sources for the Vinyl and CD bootlegs, where my resources allowed. Often the attributions on Bootlegs are misleading, incomplete or wrong. As an example „Before and After the Flood‟ claims to be from MSG NYC 30.1.1974 when it is actually a combination of the PA tapes from 31.1.74 (evening) and 11.2.74 (evening).
    [Show full text]
  • August Troubadour
    FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news November 2005 www.sandiegotroubadour.com Vol. 5, No. 2 what’s inside Welcome Mat ………3 The Ballad of Mission Statement Contributors Indie Girls Music Fests om rosseau Full Circle.. …………4 Counter Culture Coincidence Recordially, Lou Curtiss Front Porch... ………6 Tristan Prettyman Traditional Jazz Riffs Live Jazz Aaron Bowen Parlor Showcase …8 Tom Brosseau Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Of Note. ……………12 Crash Carter D’vora Amelia Browning Peter Sprague Precious Bryant Aaron Bowen Blindspot The Storrow Band See Spot Run Tom Brosseau ‘Round About ....... …14 November Music Calendar The Local Seen ……15 Photo Page NOVEMBER 2005 SAN DIEGO TROUBADOUR welcome mat In Greek mythology Demeter was the most generous of the great Olympian goddesses, beloved for her service to mankind with the gift of the harvest, the reward for cultivating the soil. Also known as Ceres in Roman mythology, Demeter was credited with teaching humans how to grow, preserve, and prepare grain. Demeter was thought to be responsible for the fertility of the land. She was the only Greek SAN DIEGO goddess involved in the lives of the common folk on a day-to-day basis. While others occasionally “dabbled” in human affairs when it ROUBADOUR suited their personal interests, or came to the aid of “special” mortals they favored, Demeter was truly the nurturer of mankind. She was Alternative country, Americana, roots, folk, also the only Greek goddess who could truly empathize with human suffering and grief, having fully experienced it herself.
    [Show full text]
  • SHAC Continues Fight for Independence
    uwMrOSi The Student-Run Independent Newspaper at the University of Wisconsin-Milwaukee Alderman Nik Kovak visits UWM to get to know students Side-by-side They almost comparisons of Obama and McCain lost her News pgs 3 & 5 The Post speaks with Molitor s friends, family SHAC President Nikki Senrick, left, and the SHAC executive board discuss budgeting issues during Sunday night's meeting in Sandburg Hall. Post photo by Sam Hogerton. Beastie Boys, Ben SHAC continues fight Harper to perform in Milwaukee for for independence 'Get out and vote' University Student Court grants temporary CD reviews: restraining order The Clash Live at Lauren Molitor 3y Jo Rey Lopez Shea Statium Staff Writer By Kevin Lessmiller and Jonathan Anderson posed takeover. The SA Senate passed "A Resolution Copeland You Are Streamers and balloons hung with love At its Sunday Oct.-26 meeting, the Denning [SHAC]" at its Sept. 21 meeting, and joy greeted Lauren Molitor as she was University of Wisconsin - Milwaukee essentially establishing SHAC as a stand­ My Sunshine welcomed home Oct. 17 from a 41-day stay Student Housing Administrative Council ing committee of the SA. Since, SHAC at Froedtert Memorial Hospital. (SHAC) failed to meet quorum needed to has threatened to take the matter to the For now, Molitor is recovering in a make­ pass legislation, including a letter to the University Student Court if the SA did not fringe pgs 13 & 15 shift bedroom in the family's dining room Student Association (SA) rejecting its pro­ so she doesn't have to climb stairs while See SHAC page 8 her lungs recuperate.
    [Show full text]
  • IN WHATEVER WRECKAGE REMAINS by Maeve Kirk
    In whatever wreckage remains Item Type Thesis Authors Kirk, Maeve Download date 24/09/2021 15:50:49 Link to Item http://hdl.handle.net/11122/6617 IN WHATEVER WRECKAGE REMAINS By Maeve Kirk RECOMMENDED: Advisory Committee Chair Richard Carr, PhD Chair, Department of English --- ---^ APPROVED: ------ Todd Sherman, MFA IN WHATEVER WRECKAGE REMAINS A Thesis Presented to the Faculty of the University of Alaska Fairbanks in Partial Fulfilment of the Requirements for the degree of Masters of Fine Arts by Maeve Kirk, B.A. Fairbanks, Alaska May 2016 Abstract In Whatever Wreckage Remains is a collection of realistically styled short stories that examines both the danger and potential of change. These pieces are driven by the psychology of the men and woman roaming these pages, seeking to provide insight into the unique weight of their personal wreckage. From a woman craving motherhood who combs through forests searching for the unclaimed body of a runaway to a spitfire retiree’s struggle to accept her husband’s failing health, the individuals in these narratives are all navigating transitional spaces in their lives, often unwillingly. Along the way, they must balance the pressures of familial roles, romantic relationships, and personal histories while attempting to reshape their understanding of self. These stories explore the shifting landscape of identity, belonging, and the sometimes conflicting responsibilities we hold to others and to ourselves. v vi Dedication This manuscript is dedicated to my parents, who read me so many stories. vii viii
    [Show full text]
  • Daylight Is I TIME 'I
    , .J" ~. DAYliGHT is I TIME 'I .. $APRil 4 ,I APR 0 1 ,2004 WAYNE PUBUC L1BMR" Sections ~ 3 'Pages~ 20 ,:l ~~ . , • Quick Look A , I ·Coui!p#apprql!es·t~pqllJif}gl()an:fund·a[JplicCition.·· L,. ~.~.·)r~IN~EDW;T·. : "'~''''';J' By Clara ()st~l ' . Public I hearin&,s "i'e~~aisQ' h~ld at .ameI,lds the city's snow e~ergency ordi-' s~id she and h~r husband' Jeff"have ~ SoYtf'ill o.'. , ...t-........... _......... '. '. - Of the H~r~ld " . Tue&day meeting; for: tll~· purpose. of nance. "".tried to work the situation out ~nd have We use 'newsprint"witb recycled fiber. Ail' appllcation froni Terry and Leslie updating the City;of\VayIle Zoning Map . Considerable. discussion was held on atte~pted to build a garage to hous~ "m;~ '. {i ./,,' Please recycle after use. Schulz of Schulz Land Surveying was and to consider a btexception per- .an agenda item. designed' to amend a the truck and have in1stalled a niUffler approved during Tuesday's meeting of mit for.Jim Milliken {q).lse abuilding at, section of th~ city' code dealing with on the truck to. reduce the amount of 'ditiilJtb~~C()ffee the Wayne City C01incil. .'. .' . 118 East Secmld Stieet (or warehous- - trUck parking in the city. The proposed' noise created.' . .. ~', .':. " WAYNE .:..- 'This week's , The pusines~ plans to purchase GPS .' ing! mini-storage:" '~"., '.. '. "or<;linancewolild 'impose a ,weigh, Hniit 'During the discussiori;Couhcil: ID'em­ Chamber Coffee will be held equipment used for surveying and add .' No one' frOID the;rpu,qlic spoke at on trucks parked within the city.
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • ROADVOWS the Lights Went Down Year's Model' Sessions - It on This Tour, for Iwo and We Were Treated to However It's This Very Reasons, Three Films
    Record Mirror, December 16. 1978 75 thrown away and all better prospect, not that's left Is i'space having got rave reviews ALBERTOS Y Junk" I'm confused and exactly, so 1 was sub- LOST think I've been mentally sequently surprised to TRIOS I l raped, but then again that find myself cheering up. PARANOIAS/ could Just be the symp- I can Understand the POLICE ' - toms of Devo itus. What lack di enthusiasm for Bath - University o can one say? They came. their singles which they played, they sounded like Outak es THUMBS conquered 'This DOWN for the from Costello's Aibertne they've blown ROADVOWS The lights went down Year's Model' sessions - It on this tour, for Iwo and we were treated to However It's this very reasons, three films. 'Come Back lack of depth that makes Johnny', 'Satisfaction' them such a good live Firstly, the baste and 'Jocko Homo'. Then band, playing easily problem with any music they came on and took assimilated pop songs Comedy routine is that It Edinburgh by storm. you can whistle on the has to be carefully Predictably they were way home. Who cares if planned to get the op- dressed in those awful the lyrics are all timum response from yellow boiler sults. It Is romance, yeah yeahs and both music and humour, hard to try to explain girls' names. that doesn't which is no easy balance L to to achieve Devo. they really have stop you dancing be seen to be believed. Mention should be Sure, the Albertos were It's like being In some made of the first group.
    [Show full text]
  • Impex Records and Audio International Announce the Resurrection of an American Classic
    Impex Records and Audio International Announce the Resurrection of an American Classic “When Johnny Cash comes on the radio, no one changes the station. It’s a voice, a name with a soul that cuts across all boundaries and it’s a voice we all believe. Yours is a voice that speaks for the saints and the sinners – it’s like branch water for the soul. Long may you sing out. Loud.” – Tom Waits audio int‘l p. o. box 560 229 60407 frankfurt/m. germany www.audio-intl.com Catalog: IMP 6008 Format: 180-gram LP tel: 49-69-503570 mobile: 49-170-8565465 Available Spring 2011 fax: 49-69-504733 To order/preorder, please contact your favorite audiophile dealer. Jennifer Warnes, Famous Blue Raincoat. Shout-Cisco (three 200g 45rpm LPs). Joan Baez, In Concert. Vanguard-Cisco (180g LP). The 20th Anniversary reissue of Warnes’ stunning Now-iconic performances, recorded live at college renditions from the songbook of Leonard Cohen. concerts throughout 1961-62. The Cisco 45 rpm LPs define the state of the art in vinyl playback. Holly Cole, Temptation. Classic Records (LP). The distinctive Canadian songstress and her loyal Jennifer Warnes, The Hunter. combo in smoky, jazz-fired takes on the songs of Private-Cisco (200g LP). Tom Waits. Warnes’ post-Famous Blue Raincoat release that also showcases her own vivid songwriting talents in an Crosby, Stills, Nash & Young, Déjá Vu. exquisite performance and recording. Atlantic-Classic (200g LP). A classic: Great songs, great performances, Doc Watson, Home Again. Vanguard-Cisco great sound. The best country guitar-picker of his day plays folk ballads, bluegrass, and gospel classics.
    [Show full text]
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 11th September at 4pm On View Thursday 10th September 10am-7pm and from 9am on the morning of the sale Catalogue web site: WWW.LSK.CO.Uk Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Your contact at the saleroom is: Glenn Pearl [email protected] 01284 748 625 Image this page: 673 Chartered Surveyors Glenn Pearl – Music & Film Memorabilia specialist 01284 748 625 Land & Estate Agents Tel: Email: [email protected] 150 YEARS est. 1869 Auctioneers & Valuers www.lsk.co.uk C The first 91 lots of the auction are from the 506 collection of Jonathan Ruffle, a British Del Amitri, a presentation gold disc for the album writer, director and producer, who has Waking Hours, with photograph of the band and made TV and radio programmes for the plaque below “Presented to Jonathan Ruffle to BBC, ITV, and Channel 4. During his time as recognise sales in the United Kingdom of more a producer of the Radio 1 show from the than 100,000 copies of the A & M album mid-1980s-90s he collected the majority of “Waking Hours” 1990”, framed and glazed, 52 x 42cm. the lots on offer here. These include rare £50-80 vinyl, acetates, and Factory Records promotional items. The majority of the 507 vinyl lots being offered for sale in Mint or Aerosmith, a presentation CD for the album Get Near-Mint condition – with some having a Grip with plaque below “Presented to Jonathan never been played.
    [Show full text]
  • PAUL Mccartney Auf Neuem CLAPTON-Album
    Montag, 22. April 2013 Auch telefonische Info und Bestellung ist möglich: Di. - So. tagsüber Ab 50,00 Euro Bestellwert übernehmen wir die Portokosten. 22. April - IT WAS MANY YEARS AGO TODAY: Dienstag, 22. April 1969: Namensänderung von JOHN WINSTON LENNON in JOHN WINSTON ONO LENNON auf Apple-Haus-Dach. Freitag, 22. April 1977: BEATLES-LP LIVE AT THE STAR CLUB IN HAMBURG, GERMANY 1962 in West-Deutschland. Freitag, 22. April 1977: PERCY „THRILLS“ THRILLINGTON alias PAUL McCARTNEY-Single UNCLE ALBERT-ADMIRAL HALSEY in England. Dienstag, 22. April 2003: RINGO STARR-Album RINGO RAMA in Europa und USA. Hallo M.B.M., hallo BEATLES-Fan! PAUL McCARTNEY auf neuem CLAPTON-Album: Dienstag, 12. März 2013: Doppel-LP (180 Gramm) mit Download Card OLD SOCK. 29,90 € Brushbranch Records (Produktion) und Surfdog Records (Vertrieb) 1-18016, USA. Freitag, 22. März 2013: CD OLD SOCK. 15,90 € Universal Records 3733098, Europa. LP 1, Seite 1: CD: Track 1: Eric Clapton: Further On Down The Road. Track 2: Eric Clapton & J. J. Cale: Angel. Track 3: Eric Clapton: The Folks Who Live On The Hill. LP 1, Seite 2: CD (Fortsetzung): Track 4: Eric Clapton & Chaka Khan: Gotta Get Over. Track 5: Eric Clapton: Till Your Well Runs Dry. Track 6: ERIC CLAPTON & PAUL McCARTNEY (Gesang, Bassgitarre): All Of Me (3:22). LP 2, Seite 1: CD (Fortsetzung): Track 7: Eric Clapton: Born To Lose. Track 8: Eric Clapton & Steve Winwood: Still Got The Blues. Track 9: Eric Clapton: Goodnight Irene. LP 2, Seite 2: CD (Fortsetzung): Track 10: Eric Clapton: Your One and Only Man.
    [Show full text]
  • Sly & Robbie – Primary Wave Music
    SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound.
    [Show full text]