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O July 28 We Banjo 3 (Tickets) O July 29 Roosevelt Dime (Tickets) O July o July 28 We Banjo 3 (Tickets) o July 29 Roosevelt Dime (Tickets) o July 30 Boudreaux’s Back Porch (Tickets) o July 31 Tribute to the Everly Brothers with Ryan Humbert & Emily Bates (Tickets) o August 1 Summer Soul Concert (Tickets) o August 1 Blue Lunch (Tickets) o August 2 Rooftop view, Brew, BBQ (Tickets) o August 2 Karaoke Night (Tickets) o August 3 Parachute (Tickets) o August 5 The Thor Platter Band (Tickets) o August 6 The Black Lillies (Tickets) o August 7 Rooftop Dinner Party ~ Farm to Table (Tickets) o August 7 Sinatra Night (Tickets) o August 8 Honeybucket (Tickets) o August 8 Whiskey River Revival Hosted by Hillbilly Idol (Tickets) o August 9 Ahi-Nama (Tickets) o August 12 Harpeth Rising (Tickets) o August 13 The HillBenders Present: Tommy (Tickets) o August 13 Rooftop Wine Tasting (Tickets) o August 14 Adron (Tickets) o August 14 Travis Haddix (Tickets) o August 15 Tropical Cleveland Noch Tropical (Tickets) o August 15 Thornetta Davis (Tickets) o August 16 Tracy and the Tuxedos (Tickets) o August 19 Vicki Chew (Tickets) o August 20 Nikki Hill (Tickets) o August 20 Rasputina (Tickets) o August 21 Miss Alexandra Huntingdon and the Gentlemen’s Intermission (Tickets) o August 26 Hot Djang! (Tickets) o August 27 Jimmy Thackery (Tickets) o August 28 Slowhand: A Tribute to Eric Clapton (Tickets) o August 28 Rachel and the Beatnik Playboys (Tickets) o August 29 Bossa Nova Night with Luca Mundaca (Tickets) o August 29 Old No. 55 (Tickets) o August 30 The Way Down Wanderers (Tickets) o September 3 Motown Night with Nitebridge (Tickets) o September 5 Hank Williams Birthday Bash (Tickets) o September 6 Austin Walkin’ Cane & the Revolution Brass Band (Tickets) o September 10 The Steeldrivers (Tickets) o September 12 The Commonheart (Tickets) o September 13 Mason Jennings (Tickets) o September 13 The T Sisters (Tickets) o September 16 The Show Ponies (Tickets) o September 17 Marcia Ball (Tickets) o September 18 Swamps of Jersey (Tickets) o September 21 Lucinda Williams (Tickets) o September 23 Dirty Bourbon River Show (Tickets) o September 24 Tom Rush (Tickets) o September 24 Dead Winter Carpenters (Tickets) o September 25 Into the Blue (Tickets) o September 25 Brent Kirby and His Luck (Tickets) o October 2 10,000 Maniacs (Tickets) o October 4 Hayes Carll: Acoustic (Tickets) o October 8 Willie Watson (Tickets) o October 9 Del McCoury (Tickets) o October 12 Cleveland Blues Society Jam Night! (Tickets) o October 13 Dustbowl Revival (Tickets) o October 14 David Ramirez (Tickets) o October 17 Loudon Wainwright (Tickets) o October 22 Carbon Leaf (Tickets) o November 4 Kat Edmonson (Tickets) o November 5 Polyphonic Spree (Tickets) o November 7 Tom Paxton (Tickets) o November 6 Sun Ra Arkestra (Tickets) o November 12 Paula Cole (Tickets) o November 19 Cowboy Junkies (Tickets) .
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  • PAUL Mccartney Auf Neuem CLAPTON-Album
    Montag, 22. April 2013 Auch telefonische Info und Bestellung ist möglich: Di. - So. tagsüber Ab 50,00 Euro Bestellwert übernehmen wir die Portokosten. 22. April - IT WAS MANY YEARS AGO TODAY: Dienstag, 22. April 1969: Namensänderung von JOHN WINSTON LENNON in JOHN WINSTON ONO LENNON auf Apple-Haus-Dach. Freitag, 22. April 1977: BEATLES-LP LIVE AT THE STAR CLUB IN HAMBURG, GERMANY 1962 in West-Deutschland. Freitag, 22. April 1977: PERCY „THRILLS“ THRILLINGTON alias PAUL McCARTNEY-Single UNCLE ALBERT-ADMIRAL HALSEY in England. Dienstag, 22. April 2003: RINGO STARR-Album RINGO RAMA in Europa und USA. Hallo M.B.M., hallo BEATLES-Fan! PAUL McCARTNEY auf neuem CLAPTON-Album: Dienstag, 12. März 2013: Doppel-LP (180 Gramm) mit Download Card OLD SOCK. 29,90 € Brushbranch Records (Produktion) und Surfdog Records (Vertrieb) 1-18016, USA. Freitag, 22. März 2013: CD OLD SOCK. 15,90 € Universal Records 3733098, Europa. LP 1, Seite 1: CD: Track 1: Eric Clapton: Further On Down The Road. Track 2: Eric Clapton & J. J. Cale: Angel. Track 3: Eric Clapton: The Folks Who Live On The Hill. LP 1, Seite 2: CD (Fortsetzung): Track 4: Eric Clapton & Chaka Khan: Gotta Get Over. Track 5: Eric Clapton: Till Your Well Runs Dry. Track 6: ERIC CLAPTON & PAUL McCARTNEY (Gesang, Bassgitarre): All Of Me (3:22). LP 2, Seite 1: CD (Fortsetzung): Track 7: Eric Clapton: Born To Lose. Track 8: Eric Clapton & Steve Winwood: Still Got The Blues. Track 9: Eric Clapton: Goodnight Irene. LP 2, Seite 2: CD (Fortsetzung): Track 10: Eric Clapton: Your One and Only Man.
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  • “…Standing by the Crossroads…” Seven Signature Tones from Eric Clapton
    “…standing by the crossroads…” Seven signature tones from Eric Clapton. C R O S S R O A D S ™ • L I M I T E D E D I T I O N Crossroads™ A “Sunshine of Your Lo e” R From v to T A portion of the proceeds from the sale of this pedal is being “Layla Unplugged”…seven signature I donated to Crossroads Centre, an International Centre S of Excellence for the treatment of alcohol, drugs and tones from Eric Clapton in a limited- T other addictive disorders. ® edition DigiTech effects pedal. S E R “Badge” “Layla” n conjunction with Eric Clapton, I Goodbye Layla and Other we have helped recreate some of his E I Assorted Love Songs S “Crossroads” classic tones in a DigiTech pedal by Wheels of “Lay Down Sally” applying our new Production Modeling™ E Fire, Li e at Slowhand v ™ F the Fillmore “Layla” technology to create Crossroads. F “Sunshine of Unplugged, LIVE For the fi rst time, complex studio E Your Love” C and live effects can be accurately Disraeli Gears “Reptile” T Reptile reproduced thanks to Production S Modeling via our AudioDNA® DSP P super-chip. If you’re a Slowhand fan E D or just want to add some unique tones Crossroads™ 7 New DigiTech Production Modeling™ A technology accurately recreates seven signature Eric Clapton tones. to your effects palette, demo the L 7 Legendary “woman tone” 7 Raw “Crossroads” blues captured live limited edition Crossroads pedal 7 Embracing stereo spectrum of a swirling Leslie™ 7 Intimacy of Unplugged 7 Enduring warmth of “Reptile” 7 Custom artist at your DigiTech dealer today.
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  • Here’S One in Every Crowd Erlasting Cultural Statement – Everything You Do from a Lot
    Hittin’ the Note: Bill, did you feel at all a need to vindicate this period of Clapton’s music? Once you’ve It’s OK; you’re safe with me! photo by Sid Smith been labeled “God” – as Clapton was in what began as graffi ti on a London subway wall and grew into an ev- Well, I actually happen to like There’s One in Every Crowd erlasting cultural statement – everything you do from a lot. I understand why it’s overlooked – there’s no big hit that moment is viewed under a microscope. It seems, on there, and the cover was probably not the most striking. I though, that this particular chapter of Eric’s story has think most people don’t realize the business of the business taken some critical heat over the years. – There’s One In Every Crowd and E.C. Was Here were cut out in 1976 because RSO Records left Atlantic and went to Bill Levenson: I think what I came up against right from Polydor. There was a housecleaning of product, and when the start wasn’t a vindication of the music or the artist − it those records got cut out, they didn’t come into print again was the vindication of the There’s One In Every Crowd and for a decade. People think that they were cut out because E.C. Was Here albums. When people talk about this era, they weren’t good or they weren’t selling, but they were cut they invariably talk about 461 Ocean Boulevard – it was out because distribution stopped on the Atlantic side.
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  • Wonderful Tonight Chords by Eric Clapton Tabs @ Ultimate Guitar Archive 09-12-20 16:04
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  • Eric Clapton
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  • Wonderful Tonight #HL 702056
    FENDER PLAYERS CLUB ERIC CLAPTON Music from the book: THE ERIC CLAPTON BOOK Easy Guitar Wonderful Tonight #HL 702056. Book $17.95 (US). Read more... Easy Guitar Arrangement Words and Music by Eric Clapton Copyright © 1977 by Eric Patrick Clapton All Rights for the U.S. Administered by Unichappell Music Inc. International Copyright Secured All Rights Reserved Eric Clapton's laid-back classic "Wonderful Tonight" is from his hit 1977 album, Slowhand, and was written in just a few hours as he waited for his wife to make up her mind about which dress to wear for a party. The song opens with its hook - the string-bending soulful guitar part in the first four measures - and then moves into the verse. However, since this is a beginner lesson, we'll just stick with the strumming, and show you a simplified version of the chords, and show you how to work the strumming pattern. As you progress as a guitarist, you can learn the full version - and in fact, you might be able to figure it out by listening to Clapton's recording and playing along. The Intro and Verse to this song use just four chords: G, C, D and Em (E minor). Those first three major chords are some of the most commonly used in rock music, and the minor chord, Em, gives the song that wistful feeling that leads into the melody's resolution. G D C Em 21 3 132 32 1 12 Here is the strumming pattern to use for this song. In this diagram, the means "downstroke," and the means "upstroke." Strum down for the downstroke, and up for the upstroke.
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  • Eric Clapton
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  • IN the UNITED STATES DISTRICT COURT for the MIDDLE DISTRICT of TENNESSEE ESTATE of ARMETIA CHATMON, A/K/A ARMENTER CHATMON, P/K
    IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF TENNESSEE ESTATE of ARMETIA CHATMON, a/k/a ARMENTER CHATMON, p/k/a “BO CARTER” or “BO CHATMON” Plaintiff, v. Case No.: 3:16-cv-02722 WARNER MUSIC GROUP CORP., Hon. Waverly D. Crenshaw, Jr. SONY/ATV MUSIC PUBLISHING, EMI Hon. Magistrate Judge Barbara D. Holmes MILLS MUSIC, INC., RHINO ENTERTAINMENT COMPANY, d/b/a RHINO RECORDS, VIACOM, INC., d/b/a VIACOM INTERNATIONAL, INC., FOLKWAYS MUSIC PUBLISHERS, INC., HAL LEONARD LLC, J.W. PEPPER & SONS, INC., ERIC CLAPTON, and JOHN DOE NOS. 1-10, Defendants. DEFENDANT ERIC CLAPTON’S MEMORANDUM OF LAW IN SUPPORT OF HIS MOTION TO DISMISS THE AMENDED COMPLAINT FOR LACK OF PERSONAL JURISDICTION Defendant Eric Clapton (“Mr. Clapton”) respectfully submits this memorandum of law in support of his motion to dismiss the First Amended Complaint (Dkt. 90; the “Complaint”) of plaintiff Estate of Armetia Chatmon (a/k/a Armenter Chatmon, p/k/a “Bo Carter” or “Bo Chatmon”) (“Plaintiff”). Notwithstanding the numerous reasons why Plaintiff’s Complaint is deficiently pleaded and devoid of substantive merit – not the least of which includes asserting claims that are preempted by copyright or do not even exist – this action should be dismissed with prejudice as to Mr. Clapton for a much more basic reason. Notwithstanding its amendments to the Complaint, 1 Case 3:16-cv-02722 Document 105 Filed 08/31/17 Page 1 of 21 PageID #: 567 Plaintiff fails to establish, and cannot plausibly establish, personal jurisdiction over Mr. Clapton, warranting dismissal under Federal Rule of Civil Procedure 12(b)(2).
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