Lexicon Van Drama En Theater
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The Fox Van Den
Of Reynaert the Fox Text and Facing Translation of the Middle Dutch Beast Epic Van den vos Reynaerde Edited by André Bouwman and Bart Besamusca amsterdam university press Of Reynaert the Fox Of Reynaert the Fox Text and Facing Translation of the Middle Dutch Beast Epic Van den vos Reynaerde Edited with an introduction, notes and glossary by André Bouwman and Bart Besamusca Translated by Th ea Summerfi eld Includes a chapter on Middle Dutch by Matt hias Hüning and Ulrike Vogl Th e production of this book was made possible by Hendrik Muller’s Vaderlandsch Fonds en NLPVF (Foundation for the Production and Translation of Dutch Literature) Cover: Kok Korpershoek, Amsterdam, the Netherlands Front cover: detail from Chester Beatt y Library, Dublin, Ms. 61 (psalterium, Flanders, s. XIII-2, border decoration f. 61r: Reynaert and Cuwaert cf. ll. 144-48). © Chester Beatt y Library. Back cover: fox. © Jochum Kole, Heerenveen, the Netherlands Lay-out: V3Services, Baarn, the Netherlands ISBN 978 90 8964 024 6 E-ISBN 978 90 4850 233 2 NUR 113 © Besamusca, Bouwman, Summerfi eld/Amsterdam University Press, 2009 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitt ed, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the writt en permission of both the copyright owner and the author of the book. Table of contents Acknowledgements 7 Introduction 9 1. Literary tradition 9 2. Th e author 14 3. Th e text 17 3.1 Th e prologue 17 3.2 Th e plot 18 3.3 Words and deeds 19 3.4 Literary space 23 3.5 Justice and its perversion 24 4. -
Plot? What Is Structure?
Novel Structure What is plot? What is structure? • Plot is a series of interconnected events in which every occurrence has a specific purpose. A plot is all about establishing connections, suggesting causes, and and how they relate to each other. • Structure (also known as narrative structure), is the overall design or layout of your story. Narrative Structure is about both these things: Story Plot • The content of a story • The form used to tell the story • Raw materials of dramatic action • How the story is told and in what as they might be described in order chronological order • About how, and at what stages, • About trying to determine the key the key conflicts are set up and conflicts, main characters, setting resolved and events • “How” and “when” • “Who,” “what,” and “where” Story Answers These Questions 1. Where is the story set? 2. What event starts the story? 3. Who are the main characters? 4. What conflict(s) do they face? What is at stake? 5. What happens to the characters as they face this conflict? 6. What is the outcome of this conflict? 7. What is the ultimate impact on the characters? Plot Answers These Questions 8. How and when is the major conflict in the story set up? 9. How and when are the main characters introduced? 10.How is the story moved along so that the characters must face the central conflict? 11.How and when is the major conflict set up to propel them to its conclusion? 12.How and when does the story resolve most of the major conflicts set up at the outset? Basic Linear Story: Beginning, Middle & End Ancient (335 B.C.)Greek philosopher and scientist, Aristotle said that every story has a beginning, a middle, and an end. -
University Microfilms, a XERQ\Company, Ann Arbor, Michigan
72- 15,293 SHARP, Nicholas Andrew, 1944- SHAKESPEARE'S BAROQUE COMEDY: THE WINTER'S TALE. The Ohio State University, Ph.D., 1971 Language and Literature, modern University Microfilms, A XERQ\Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED SHAKESPEARE'S BAROQUE CŒEDY: THE V/INTER'S TALE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas Andrew Sharp, B,A., M,A, ***** The Ohio State University 1971 Approved by Id^iser Department of English PLEASE NOTE: Some pages have indistinct print. Filmed as received. University Microfilms, A Xerox Education Company Acknowledgraent I am extremely grateful to my adviser, Professor Rolf Soellner, for his advice, suggestions, and constant encouragement. ii VITA January 24, 1944 . Born— Kansas City, Missouri 1966 ......... B.A., The University of Kansas, Lawrence, Kansas 1966-1970........... NDEA Fellow, The Ohio State University, Columbus, Ohio 1968-1969, 1971-1972 . Teaching Associate, Department of English, The Ohio State University, Columbus, Ohio 1968 .......... M.A., The Ohio State University, Columbus, Ohio iii TABLE OF CONTENTS Page ACKNOWLEDGMENT..................................... ii VITA ..................................... .•.......... iii INTRODUCTION: BAROQUE AS AN HISTORICAL CONCEPT .... 1 Chapter I. THE JACOBEAN SETTING AND THE BAROQUE AESTHETIC 16 II. THE THEME OF SKEPTICAL FIDEISM............... 45 III. THE STRUCTURE............................... -
De Draagbare Wikipedia Van Het Schrijven – Verhaal
DE DRAAGBARE WIKIPEDIA VAN HET SCHRIJVEN VERHAAL BRON: WIKIPEDIA SAMENGESTELD DOOR PETER KAPTEIN 1 Gebruik, verspreiding en verantwoording: Dit boek mag zonder kosten of restricties: Naar eigen inzicht en via alle mogelijke middelen gekopieerd en verspreid worden naar iedereen die daar belangstelling in heeft Gebruikt worden als materiaal voor workshops en lessen Uitgeprint worden op papier Dit boek (en het materiaal in dit boek) is gratis door mij (de samensteller) ter beschikking gesteld voor jou (de lezer en gebruiker) en niet bestemd voor verkoop door derden. Licentie: Creative Commons Naamsvermelding / Gelijk Delen. De meeste bronnen van de gebruikte tekst zijn artikelen van Wikipedia, met uitzondering van de inleiding, het hoofdstuk Redigeren en Keuze van vertelstem. Deze informatie kon niet op Wikipedia gevonden worden en is van eigen hand. Engels In een aantal gevallen is de Nederlandse tekst te kort of non-specifiek en heb ik gekozen voor de Engelse variant. Mag dat zomaar met Wikipedia artikelen? Ja. WikiPedia gebruikt de Creative Commons Naamsvermelding / Gelijk Delen. Dit houdt in dat het is toegestaan om: Het werk te delen Het werk te bewerken Onder de volgende voorwaarden: Naamsvermelding (in dit geval: Wikipedia) Gelijk Delen (verspreid onder dezelfde licentie als Wikipedia) Link naar de licentie: http://creativecommons.org/licenses/by-sa/3.0/deed.nl Versie: Mei 2014, Peter Kaptein 2 INHOUDSOPGAVE INLEIDING 12 KRITIEK EN VERHAALANALYSE 16 Literaire stromingen 17 Romantiek 19 Classicisme 21 Realisme 24 Naturalisme 25 -
Living the Dream Antwerp’S Adventurer Marc Sluszny
WHERE NEWS & BUSINESS MEET GLAMOUR & GOOD TI MES #16 /MarcH 2010 Living the dream Antwerp’s Adventurer Marc sluszny pArIs FAsHIOn WEEK renzo rosso and vivienne westwood MARRAKeCH ‘red City’, red carpet, fantasy hotel COMPETItIONS Alexandre de paris and davidrose EDITORIAL Perchance to dream ‘Living the dream’ – it’s a concept Morocco’s finest hotel, Sofitel Marrakech. that may seem singularly at odds And, can a country ‘live the dream’? Well, Emma Portier Davis takes a look at how Belgium is making a with the dark, cold days of the comeback on the world stage, big-time, following its new year’s beginning, but we at much-heralded near-demise of not so long ago. Together disagree, and we want to share what we’ve learned about In a new column, Sensual Secrets, Kimberley Lovato making your dream life a reality. takes a look at the trials and triumphs of seduction, and, in Eat Together, discusses her soon-to-be released culinary travel book, Walnut Wine & Truffle hen it comes to living Groves, about the Dordogne region of France, with dangerously and ‘who dares our co-editor Colin Moors. Colin also casts a cold eye wins’, there are few who know over two of the latest ‘dream’ gadgets, in Must- more about living on the edge Haves. than Antwerp-born commodities-trader, author and adventurer Marc W As usual, there are interviews galore – Michael Gaio Sluszny. In his own words: “I want to taste all the speaks with fashion giants Andrea cannelloni and dreams and big adventures of this world – that Jeremy Hackett, and Federico Grandesso chats to would be something extraordinary to accomplish Reinze Rosso and Vivienne Westwood. -
The Comic in the Theatre of Moliere and of Ionesco: a Comparative Study
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1965 The omicC in the Theatre of Moliere and of Ionesco: a Comparative Study. Sidney Louis Pellissier Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pellissier, Sidney Louis, "The omicC in the Theatre of Moliere and of Ionesco: a Comparative Study." (1965). LSU Historical Dissertations and Theses. 1088. https://digitalcommons.lsu.edu/gradschool_disstheses/1088 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 66-744 PELLISSIER, Sidney Louis, 1938- s THE COMIC IN THE THEATRE OF MO LI ERE AND OF IONESCO: A COMPARATIVE STUDY. Louisiana State University, Ph.D., 1965 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE COMIC IN THE THEATRE OF MOLIHRE AND OF IONESCO A COMPARATIVE STUDY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Foreign Languages btf' Sidney L . ,') Pellissier K.A., Louisiana State University, 19&3 August, 19^5 DEDICATION The present study is respectfully dedicated the memory of Dr. Calvin Evans. ii ACKNO'.-'LEDGEKiNT The writer wishes to thank his major professor, Dr. -
Eurovision Song Comtest Complete 88 89
1980s !1 Eurovision Song Contest 1988 Björn Nordlund !1 Björn Nordlund 10 juni 2018 1988 Ne Partez pas sans moi Eurovision, sida !1 Björn Nordlund 10 juni 2018 1988 Suddenly it happens For you all whom read all the pages my number one song each year not exactly celebrate grand success. So all of a sudden it happens my favorite song ended up as number one, and lets face it… WOW, who knew anything about Celine Dion back in 1988? The Swiss entry, ”Ne partez pas sans moi” stole the crown this year at the end of the voting, thanks to Yugoslavias jury for some reason agreed with the French singer Gerard Lenorman that his entry was of the same class as ”My way” (”Comme d´habitude”). And I can imagine that the UK singer Scott Fitzgerald was a bit surprised over the outcome. In ans case, not only Celine Dion started her way to success this year, also Lara Fabian entered, but for Luxembourg. So how did my list compare to the final result this year. We had some really good entries but 1988 must be seen as a middle year even if songs like ”Pu og peir”, ”Nauravat Silmät muistetaan”, ”La chica que yo quiro” and ”Ka du se hva jeg sa”. Sweden sent our number one musical star Mr Tommy Körberg who went from the stages of the London musical scene to Eurovision (his second try) and for Swedish media it was all in the bag, Eurovision from Sweden 1989.. It turned out to be very wrong and the Swedish delegation blamed Tommys bad cold and voice problems. -
Sachgebiete Im Überblick 513
Sachgebiete im Überblick 513 Sachgebiete im Überblick Dramatik (bei Verweis-Stichwörtern steht in Klammern der Grund artikel) Allgemelnes: Aristotel. Dramatik(ep. Theater)· Comedia · Comedie · Commedia · Drama · Dramaturgie · Furcht Lyrik und Mitleid · Komödie · Libretto · Lustspiel · Pantragis mus · Schauspiel · Tetralogie · Tragik · Tragikomödie · Allgemein: Bilderlyrik · Gedankenlyrik · Gassenhauer· Tragödie · Trauerspiel · Trilogie · Verfremdung · Ver Gedicht · Genres objectifs · Hymne · Ideenballade · fremdungseffekt Kunstballade· Lied· Lyrik· Lyrisches Ich· Ode· Poem · Innere und äußere Strukturelemente: Akt · Anagnorisis Protestsong · Refrain · Rhapsodie · Rollenlyrik · Schlager · Aufzug · Botenbericht · Deus ex machina · Dreiakter · Formale Aspekte: Bildreihengedicht · Briefgedicht · Car Drei Einheiten · Dumb show · Einakter · Epitasis · Erre men figuratum (Figurengedicht) ·Cento· Chiffregedicht· gendes Moment · Exposition · Fallhöhe · Fünfakter · Göt• Echogedicht· Elegie · Figur(en)gedicht · Glosa · Klingge terapparat · Hamartia · Handlung · Hybris · Intrige · dicht . Lautgedicht . Sonett · Spaltverse · Vers rapportes . Kanevas · Katastasis · Katastrophe · Katharsis · Konflikt Wechselgesang · Krisis · Massenszenen · Nachspiel · Perioche · Peripetie Inhaltliche Aspekte: Bardendichtung · Barditus · Bildge · Plot · Protasis · Retardierendes Moment · Reyen · Spiel dicht · Butzenscheibenlyrik · Dinggedicht · Elegie · im Spiel · Ständeklausel · Szenarium · Szene · Teichosko Gemäldegedicht · Naturlyrik · Palinodie · Panegyrikus -
Piecing Together the Puzzle of Contemporary Spanish Fiction: a Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez
Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 Piecing Together the Puzzle of Contemporary Spanish Fiction: A Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez Madeleine Renee Calhoun Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Reading and Language Commons, and the Spanish and Portuguese Language and Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Calhoun, Madeleine Renee, "Piecing Together the Puzzle of Contemporary Spanish Fiction: A Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez" (2016). Senior Projects Spring 2016. 224. https://digitalcommons.bard.edu/senproj_s2016/224 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Piecing Together the Puzzle of Contemporary Spanish Fiction: A Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez Senior Project Submitted to The Division of Languages and Literature of Bard College by Madeleine Calhoun AnnandaleonHudson, New York May 2016 Acknowledgements First and foremost, I would like to thank my advisor, Patricia LópezGay, for her unwavering support and encouragement throughout the past year. -
Till Eulenspiegel As a “Recurring Character” in the Works of Hans Sachs
Narrative Arrangement in 16th-Century Till Eulenspiegel Texts: The Reinvention of Familiar Structures A Dissertation SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Isaac Smith Schendel IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advisor: Dr. Anatoly Liberman June 2018 © Isaac Smith Schendel 2018 i Acknowledgements First and foremost, I would like to thank my doctoral advisor, Dr. Anatoly Liberman, for his kind direction, ideas, and guidance through the entire process of graduate school, from the first lectures on Middle High German grammar and Scandinavian Literature, to the preliminary exams, prospectus and multiple thesis drafts. Without his watchful eye, advice, and inexhaustible patience, this dissertation would have never seen the light of day. Drs. James A. Parente, Andrew Scheil, and Ray Wakefield also deserve thanks for their willingness to serve on the committee. Special gratitude goes to Dr. Parente for reading suggestions and leadership during the latter part of my graduate school career. His practical approach, willingness to meet with me on multiple occasions, and ability to explain the intricacies of the university system are deeply appreciated. I have also been helped by a number of scholars outside of Minnesota. The material discussed in the second chapter of the dissertation is a reformulated, expanded, and improved version of my article appearing in Daphnis 43.2. Although the central thesis is now radically different, I would still like to thank Drs. Ulrich Seelbach and Alexander Schwarz for their editorial work during that time, especially as they directed my attention to additional information and material within the S1515 chapbook. -
Marianne Van Den Boomen Trans Coding the Digital How Metaphors Matter in New Media
MARIANNE VAN DEN BOOMEN TRANS CODING THE DIGITAL HOW METAPHORS MATTER IN NEW MEDIA A SERIES OF READERS PUBLISHED BY THE INSTITUTE OF NETWORK CULTURES ISSUE NO.: 14 MARIANNE VAN DEN BOOMEN TRANSCODING THE DIGITAL HOW METAPHORS MATTER IN NEW MEDIA Theory on Demand #14 Transcoding the Digital: How Metaphors Matter in New Media Author: Marianne van den Boomen Editorial support: Miriam Rasch Design and DTP: Katja van Stiphout Publisher: Institute of Network Cultures, Amsterdam 2014 Printer: ‘Print on Demand’ First 200 copies printed at Drukkerij Steenman, Enkhuizen ISBN: 978-90-818575-7-4 Earlier and different versions of Chapter 2 has been published in 2008 as ‘Interfacing by Iconic Metaphors’, in Configurations 16 (1): 33-55, and in 2009 as ‘Interfacing by Material Metaphors: How Your Mailbox May Fool You’, in Digital Material: Tracing New Media in Everyday Life and Technology, edited by Marianne van den Boomen, Sybille Lammes, Ann-Sophie Lehmann, Joost Raessens, and Mirko Tobias Schäfer. Amsterdam: Amsterdam University Press, p. 253-266. An earlier and different version of Chapter 6 has been published in 2006 as ‘Transcoding Metaphors after the Mediatic Turn’, in SPIEL 25 (h.1): 47-58. Contact Institute of Network Cultures Phone: +31 20 5951865 Email: [email protected] Web: http://www.networkcultures.org This publication is available through various print on demand services. For more information, and a freely downloadable PDF: http://networkcultures.org/publications This publication is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-SA 4.0). TRANSCODING THE DIGITAL 3 TRANSCODING THE DIGITAL HOW METAPHORS MATTER IN NEW MEDIA De transcodering van het digitale Hoe metaforen ertoe doen in nieuwe media (met een samenvatting in het Nederlands) PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. -
Science Fiction Review 37
SCIENCE FICTION REVIEW $2.00 WINTER 1980 NUMBER 37 SCIENCE FICTION REVIEW (ISSN: 0036-8377) Formerly THE ALIEN CRITZ® P.O. BOX 11408 NOVEMBER 1980 — VOL.9, NO .4 PORTLAND, OR 97211 WHOLE NUMBER 37 PHONE: (503) 282-0381 RICHARD E. GEIS, editor & publisher PAULETTE MINARE', ASSOCIATE EDITOR PUBLISHED QUARTERLY FEB., MAY, AUG., NOV. SINGLE COPY — $2.00 COVER BY STEPHEN FABIAN SHORT FICTION REVIEWS "PET" ANALOG—PATRICIA MATHEWS.40 ASIMOV'S-ROBERT SABELLA.42 F8SF-RUSSELL ENGEBRETSON.43 ALIEN THOUGHTS DESTINIES-PATRICIA MATHEWS.44 GALAXY-JAFtS J.J, WILSON.44 REVIEWS- BY THE EDITOR.A OTT4I-MARGANA B. ROLAIN.45 PLAYBOY-H.H. EDWARD FORGIE.47 BATTLE BEYOND THE STARS. THE MAN WITH THE COSMIC ORIGINAL ANTHOLOGIES —DAVID A. , _ TTE HUNTER..... TRUESDALE...47 ESCAPE FROM ALCATRAZ. TRIGGERFINGER—an interview with JUST YOU AND Ft, KID. ROBERT ANTON WILSON SMALL PRESS NOTES THE ELECTRIC HORSEMAN. CONDUCTED BY NEAL WILGUS.. .6 BY THE EDITOR.49 THE CHILDREN. THE ORPHAN. ZOMBIE. AND THEN I SAW.... LETTERS.51 THE HILLS HAVE EYES. BY THE EDITOR.10 FROM BUZZ DIXON THE OCTOGON. TOM STAICAR THE BIG BRAWL. MARK J. MCGARRY INTERFACES. "WE'RE COMING THROUGH THE WINDOW" ORSON SCOTT CARD THE EDGE OF RUNNING WATER. ELTON T. ELLIOTT SF WRITER S WORKSHOP I. LETTER, INTRODUCTION AND STORY NEVILLE J. ANGOVE BY BARRY N. MALZBERG.12 AN HOUR WITH HARLAN ELLISON.... JOHN SHIRLEY AN HOUR WITH ISAAC ASIMOV. ROBERT BLOCH CITY.. GENE WOLFE TIC DEAD ZONE. THE VIVISECTOR CHARLES R. SAUNDERS BY DARRELL SCHWEITZER.15 FRANK FRAZETTA, BOOK FOUR.24 ALEXIS GILLILAND Tl-E LAST IMMORTAL.24 ROBERT A.W, LOWNDES DARK IS THE SUN.24 LARRY NIVEN TFC MAN IN THE DARKSUIT.24 INSIDE THE WHALE RONALD R.