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Plot? What Is Structure?
Novel Structure What is plot? What is structure? • Plot is a series of interconnected events in which every occurrence has a specific purpose. A plot is all about establishing connections, suggesting causes, and and how they relate to each other. • Structure (also known as narrative structure), is the overall design or layout of your story. Narrative Structure is about both these things: Story Plot • The content of a story • The form used to tell the story • Raw materials of dramatic action • How the story is told and in what as they might be described in order chronological order • About how, and at what stages, • About trying to determine the key the key conflicts are set up and conflicts, main characters, setting resolved and events • “How” and “when” • “Who,” “what,” and “where” Story Answers These Questions 1. Where is the story set? 2. What event starts the story? 3. Who are the main characters? 4. What conflict(s) do they face? What is at stake? 5. What happens to the characters as they face this conflict? 6. What is the outcome of this conflict? 7. What is the ultimate impact on the characters? Plot Answers These Questions 8. How and when is the major conflict in the story set up? 9. How and when are the main characters introduced? 10.How is the story moved along so that the characters must face the central conflict? 11.How and when is the major conflict set up to propel them to its conclusion? 12.How and when does the story resolve most of the major conflicts set up at the outset? Basic Linear Story: Beginning, Middle & End Ancient (335 B.C.)Greek philosopher and scientist, Aristotle said that every story has a beginning, a middle, and an end. -
University Microfilms, a XERQ\Company, Ann Arbor, Michigan
72- 15,293 SHARP, Nicholas Andrew, 1944- SHAKESPEARE'S BAROQUE COMEDY: THE WINTER'S TALE. The Ohio State University, Ph.D., 1971 Language and Literature, modern University Microfilms, A XERQ\Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED SHAKESPEARE'S BAROQUE CŒEDY: THE V/INTER'S TALE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas Andrew Sharp, B,A., M,A, ***** The Ohio State University 1971 Approved by Id^iser Department of English PLEASE NOTE: Some pages have indistinct print. Filmed as received. University Microfilms, A Xerox Education Company Acknowledgraent I am extremely grateful to my adviser, Professor Rolf Soellner, for his advice, suggestions, and constant encouragement. ii VITA January 24, 1944 . Born— Kansas City, Missouri 1966 ......... B.A., The University of Kansas, Lawrence, Kansas 1966-1970........... NDEA Fellow, The Ohio State University, Columbus, Ohio 1968-1969, 1971-1972 . Teaching Associate, Department of English, The Ohio State University, Columbus, Ohio 1968 .......... M.A., The Ohio State University, Columbus, Ohio iii TABLE OF CONTENTS Page ACKNOWLEDGMENT..................................... ii VITA ..................................... .•.......... iii INTRODUCTION: BAROQUE AS AN HISTORICAL CONCEPT .... 1 Chapter I. THE JACOBEAN SETTING AND THE BAROQUE AESTHETIC 16 II. THE THEME OF SKEPTICAL FIDEISM............... 45 III. THE STRUCTURE............................... -
De Draagbare Wikipedia Van Het Schrijven – Verhaal
DE DRAAGBARE WIKIPEDIA VAN HET SCHRIJVEN VERHAAL BRON: WIKIPEDIA SAMENGESTELD DOOR PETER KAPTEIN 1 Gebruik, verspreiding en verantwoording: Dit boek mag zonder kosten of restricties: Naar eigen inzicht en via alle mogelijke middelen gekopieerd en verspreid worden naar iedereen die daar belangstelling in heeft Gebruikt worden als materiaal voor workshops en lessen Uitgeprint worden op papier Dit boek (en het materiaal in dit boek) is gratis door mij (de samensteller) ter beschikking gesteld voor jou (de lezer en gebruiker) en niet bestemd voor verkoop door derden. Licentie: Creative Commons Naamsvermelding / Gelijk Delen. De meeste bronnen van de gebruikte tekst zijn artikelen van Wikipedia, met uitzondering van de inleiding, het hoofdstuk Redigeren en Keuze van vertelstem. Deze informatie kon niet op Wikipedia gevonden worden en is van eigen hand. Engels In een aantal gevallen is de Nederlandse tekst te kort of non-specifiek en heb ik gekozen voor de Engelse variant. Mag dat zomaar met Wikipedia artikelen? Ja. WikiPedia gebruikt de Creative Commons Naamsvermelding / Gelijk Delen. Dit houdt in dat het is toegestaan om: Het werk te delen Het werk te bewerken Onder de volgende voorwaarden: Naamsvermelding (in dit geval: Wikipedia) Gelijk Delen (verspreid onder dezelfde licentie als Wikipedia) Link naar de licentie: http://creativecommons.org/licenses/by-sa/3.0/deed.nl Versie: Mei 2014, Peter Kaptein 2 INHOUDSOPGAVE INLEIDING 12 KRITIEK EN VERHAALANALYSE 16 Literaire stromingen 17 Romantiek 19 Classicisme 21 Realisme 24 Naturalisme 25 -
The Comic in the Theatre of Moliere and of Ionesco: a Comparative Study
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1965 The omicC in the Theatre of Moliere and of Ionesco: a Comparative Study. Sidney Louis Pellissier Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pellissier, Sidney Louis, "The omicC in the Theatre of Moliere and of Ionesco: a Comparative Study." (1965). LSU Historical Dissertations and Theses. 1088. https://digitalcommons.lsu.edu/gradschool_disstheses/1088 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 66-744 PELLISSIER, Sidney Louis, 1938- s THE COMIC IN THE THEATRE OF MO LI ERE AND OF IONESCO: A COMPARATIVE STUDY. Louisiana State University, Ph.D., 1965 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan THE COMIC IN THE THEATRE OF MOLIHRE AND OF IONESCO A COMPARATIVE STUDY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Foreign Languages btf' Sidney L . ,') Pellissier K.A., Louisiana State University, 19&3 August, 19^5 DEDICATION The present study is respectfully dedicated the memory of Dr. Calvin Evans. ii ACKNO'.-'LEDGEKiNT The writer wishes to thank his major professor, Dr. -
Apostle Last Days
Apostle of the Last Days The Life, Letters and Theology of Paul Apostle of the Last Days The Life, Letters and Theology of Paul By C. Marvin Pate kregel DIGITAL EDITIONS www.kregeldigitaleditions.com Apostle of the Last Days: The Life, Letters and Theology of Paul © 2013 by C. Marvin Pate Kregel Digital Editions is an imprint of Kregel Publications, P.O. Box 2607, Grand Rapids, MI. This is a Kregel Academic ebook. Use of this ebook is limited to the personal, non-commercial use of the purchaser only. This ebook may be printed in part or whole for the personal use of the purchaser or transferred to other reading devices or computers for the sole use of the purchaser. The purchaser may display parts of this ebook for non-commercial, educational purposes. Except as permitted above, no part of this ebook may be reproduced, displayed, copied, trans- lated, adapted, downloaded, broadcast, or republished in any form including, but not limited to, distribution or storage in a system for retrieval. No transmission, publication, or commercial exploitation of this ebook in part or in whole is permitted without the prior written permission of Kregel Publications. All such requests should be addressed to: [email protected] This ebook cannot be converted to other electronic formats, except for personal use, and in all cases copyright or other proprietary notices may not modified or obscured. This ebook is protected by the copyright laws of the United States and by international treaties. Scripture quotations marked niv are taken from the Holy Bible, New International Version®, niv®. -
Sachgebiete Im Überblick 513
Sachgebiete im Überblick 513 Sachgebiete im Überblick Dramatik (bei Verweis-Stichwörtern steht in Klammern der Grund artikel) Allgemelnes: Aristotel. Dramatik(ep. Theater)· Comedia · Comedie · Commedia · Drama · Dramaturgie · Furcht Lyrik und Mitleid · Komödie · Libretto · Lustspiel · Pantragis mus · Schauspiel · Tetralogie · Tragik · Tragikomödie · Allgemein: Bilderlyrik · Gedankenlyrik · Gassenhauer· Tragödie · Trauerspiel · Trilogie · Verfremdung · Ver Gedicht · Genres objectifs · Hymne · Ideenballade · fremdungseffekt Kunstballade· Lied· Lyrik· Lyrisches Ich· Ode· Poem · Innere und äußere Strukturelemente: Akt · Anagnorisis Protestsong · Refrain · Rhapsodie · Rollenlyrik · Schlager · Aufzug · Botenbericht · Deus ex machina · Dreiakter · Formale Aspekte: Bildreihengedicht · Briefgedicht · Car Drei Einheiten · Dumb show · Einakter · Epitasis · Erre men figuratum (Figurengedicht) ·Cento· Chiffregedicht· gendes Moment · Exposition · Fallhöhe · Fünfakter · Göt• Echogedicht· Elegie · Figur(en)gedicht · Glosa · Klingge terapparat · Hamartia · Handlung · Hybris · Intrige · dicht . Lautgedicht . Sonett · Spaltverse · Vers rapportes . Kanevas · Katastasis · Katastrophe · Katharsis · Konflikt Wechselgesang · Krisis · Massenszenen · Nachspiel · Perioche · Peripetie Inhaltliche Aspekte: Bardendichtung · Barditus · Bildge · Plot · Protasis · Retardierendes Moment · Reyen · Spiel dicht · Butzenscheibenlyrik · Dinggedicht · Elegie · im Spiel · Ständeklausel · Szenarium · Szene · Teichosko Gemäldegedicht · Naturlyrik · Palinodie · Panegyrikus -
Eschatology in John's Gospel
Criswell Theological Review 3.1 (1988) 79-99. Copyright © 1988 by The Criswell College. Cited with permission. ESCHATOLOGY IN JOHN'S GOSPEL W. ROBERT COOK Western Seminary Portland, OR 97215 I. Introduction It would seem that the subject, "Eschatology in John's Gospel," is so straightforward as to allow us to get on immediately with the study. Certainly there is general agreement about what document is in view under the title "John's Gospel." At this point, however, any agreement ends. Traditional study of eschatology has recognized that there are two sets of last things (e@sxata) which the Bible addresses: individual eschatology and corporate eschatology (e.g., the parousia, the tribula- tion, the millennial kingdom, etc.). The first category of information relates to matters of personal destiny, while the second deals more with God's future plans for the world in general. In practice, however, attention seems to be given to one or the other in theological writing rather than to both. Further, there is no agreement as to whether eschatology should be limited simply to "last things" in a quantitative sense, that is, strictly to end-time things, or whether it is to be understood as predominantly "realized," that is, relating more to this age than to the age yet to come. A balanced view which takes all of the biblical data into con- sideration, will need to give place to all these elements. There is much revelation relating to both individual destiny and the future of Israel and the nations. There is an emphasis upon both this age and the age to come with interplay between the two. -
Piecing Together the Puzzle of Contemporary Spanish Fiction: a Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez
Bard College Bard Digital Commons Senior Projects Spring 2016 Bard Undergraduate Senior Projects Spring 2016 Piecing Together the Puzzle of Contemporary Spanish Fiction: A Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez Madeleine Renee Calhoun Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2016 Part of the Reading and Language Commons, and the Spanish and Portuguese Language and Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Calhoun, Madeleine Renee, "Piecing Together the Puzzle of Contemporary Spanish Fiction: A Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez" (2016). Senior Projects Spring 2016. 224. https://digitalcommons.bard.edu/senproj_s2016/224 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Piecing Together the Puzzle of Contemporary Spanish Fiction: A Translation and Critical Analysis of Fricciones by Pablo Martín Sánchez Senior Project Submitted to The Division of Languages and Literature of Bard College by Madeleine Calhoun AnnandaleonHudson, New York May 2016 Acknowledgements First and foremost, I would like to thank my advisor, Patricia LópezGay, for her unwavering support and encouragement throughout the past year. -
Your Kingdom Come: the Doctrine of Eschatology Lesson Guide
1 Your Kingdom Come: The Doctrine of Eschatology Lesson Guide LESSON ONE THE GOAL OF CREATION © 2013 by Third Millennium Ministries For videos, manuscripts, and other resources, visit Third Millennium Ministries at thirdmill.org. www.thirdmill.org 2 CONTENTS HOW TO USE THIS LESSON GUIDE ......................................................................... 3 NOTES ............................................................................................................................... 4 I. INTRODUCTION (0:20)........................................................................................... 4 II. OLD TESTAMENT EXPECTATIONS (2:16) ......................................................... 4 A. Creation (3:25) ..................................................................................................... 4 B. Redemption (8:38) ............................................................................................... 5 1. Adam (11:13) ................................................................................................. 6 2. Noah (12:12) .................................................................................................. 6 3. Abraham (13:48) ............................................................................................ 7 4. Moses (15:14) ................................................................................................ 7 5. David (20:02) ................................................................................................. 8 C. Eschaton (21:57) ................................................................................................. -
Science Fiction Review 37
SCIENCE FICTION REVIEW $2.00 WINTER 1980 NUMBER 37 SCIENCE FICTION REVIEW (ISSN: 0036-8377) Formerly THE ALIEN CRITZ® P.O. BOX 11408 NOVEMBER 1980 — VOL.9, NO .4 PORTLAND, OR 97211 WHOLE NUMBER 37 PHONE: (503) 282-0381 RICHARD E. GEIS, editor & publisher PAULETTE MINARE', ASSOCIATE EDITOR PUBLISHED QUARTERLY FEB., MAY, AUG., NOV. SINGLE COPY — $2.00 COVER BY STEPHEN FABIAN SHORT FICTION REVIEWS "PET" ANALOG—PATRICIA MATHEWS.40 ASIMOV'S-ROBERT SABELLA.42 F8SF-RUSSELL ENGEBRETSON.43 ALIEN THOUGHTS DESTINIES-PATRICIA MATHEWS.44 GALAXY-JAFtS J.J, WILSON.44 REVIEWS- BY THE EDITOR.A OTT4I-MARGANA B. ROLAIN.45 PLAYBOY-H.H. EDWARD FORGIE.47 BATTLE BEYOND THE STARS. THE MAN WITH THE COSMIC ORIGINAL ANTHOLOGIES —DAVID A. , _ TTE HUNTER..... TRUESDALE...47 ESCAPE FROM ALCATRAZ. TRIGGERFINGER—an interview with JUST YOU AND Ft, KID. ROBERT ANTON WILSON SMALL PRESS NOTES THE ELECTRIC HORSEMAN. CONDUCTED BY NEAL WILGUS.. .6 BY THE EDITOR.49 THE CHILDREN. THE ORPHAN. ZOMBIE. AND THEN I SAW.... LETTERS.51 THE HILLS HAVE EYES. BY THE EDITOR.10 FROM BUZZ DIXON THE OCTOGON. TOM STAICAR THE BIG BRAWL. MARK J. MCGARRY INTERFACES. "WE'RE COMING THROUGH THE WINDOW" ORSON SCOTT CARD THE EDGE OF RUNNING WATER. ELTON T. ELLIOTT SF WRITER S WORKSHOP I. LETTER, INTRODUCTION AND STORY NEVILLE J. ANGOVE BY BARRY N. MALZBERG.12 AN HOUR WITH HARLAN ELLISON.... JOHN SHIRLEY AN HOUR WITH ISAAC ASIMOV. ROBERT BLOCH CITY.. GENE WOLFE TIC DEAD ZONE. THE VIVISECTOR CHARLES R. SAUNDERS BY DARRELL SCHWEITZER.15 FRANK FRAZETTA, BOOK FOUR.24 ALEXIS GILLILAND Tl-E LAST IMMORTAL.24 ROBERT A.W, LOWNDES DARK IS THE SUN.24 LARRY NIVEN TFC MAN IN THE DARKSUIT.24 INSIDE THE WHALE RONALD R. -
Adaptive Landscapes and Protein Evolution
Adaptive landscapes and protein evolution Maurício Carneiro and Daniel L. Hartl1 Department of Organismic and Evolutionary Biology, Harvard University, Cambridge, MA 02138 Edited by Diddahally R. Govindaraju, Boston University School of Medicine, and accepted by the Editorial Board August 31, 2009 (received for review July 10, 2009) The principles governing protein evolution under strong selection results with expectations based on computer simulations in are important because of the recent history of evolved resistance which the fitness of each combination of mutant sites is assigned to insecticides, antibiotics, and vaccines. One experimental ap- at random. We find that, in each case, mutant combinations in proach focuses on studies of mutant proteins and all combinations actual proteins show significantly more additive effects than of mutant sites that could possibly be intermediates in the evolu- would be expected by chance. These results are discussed in the tionary pathway to resistance. In organisms carrying each of the wider context of fitness landscapes in protein space. engineered proteins, a measure of protein function or a proxy for fitness is estimated. The correspondence between protein se- The Roads Not Taken quence and fitness is widely known as a fitness landscape or For every realized evolutionary path in sequence space there are adaptive landscape. Here, we examine some empirical fitness other roads not taken. General discussions of evolutionary landscapes and compare them with simulated landscapes in which pathways began ≈80 years ago in the work of Haldane (8) and the fitnesses are randomly assigned. We find that mutant sites in Wright (9). Wright’s article is far better known than Haldane’s, real proteins show significantly more additivity than those ob- probably because Wright’s had been written in response to a tained from random simulations. -
Lad Spelling List: Grades 7 & 8
LAD SPELLING LIST: GRADES 7 & 8 abacus affectionate appellation audiometer abbreviation agonize appendicitis audition abdicate agronomist appendix auditorium ablutions aileron appraise auger aboard airborne appraiser auk abominable alary apprehend austere abrasion albatross apprentice authoritarianism absent alcoves apron authorship absentmindedly alfalfa aqueduct autonomy abstention allegiance arability avalanche abstract allegro arachnoid aviator absurd allergenic archipelago awkward abundant allocation ardent awry abysmal aloft arduous axle academic alphanumerical armoire azimuth accelerate altiplano aromatic backhoe accent altitude arrogant badgers acclimatization ambiguity arthritis baffling accountant ambrosia article bailiff accreditation amendment ascertain balalaika acknowledging amnesia askance balcony acoustics amphibious askew ballast acquaintance amphora asparagus ballistic acquiescence ample aspartame balminess acre amplitude assailant balsalm acrid amuse assassinate banality acrimonious analyze assertive banjo acrobat anarchy assess bargain actinic anhinga assiduously baroscope actuary anise asterisk barracks acumen annoyance asthmatic bassoon acute annuity astigmatism bayou addenda antagonist astounding beaker adjacent anterior astrolabe behemoth admiringly anteroom astrophysicist belligerent adversary anthem atmosphere benediction aerobatics anthropologist atmospheric benevolent aerodynamic antipasto atoll besom aeronautics antiphony atrium betrothal aerophone apartheid auction bewildering affectation apparition audience