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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Willy Wonka to Wind in the Willows: How Children's Books Reveal Inequality
Dorling, D., Lucas, C., Shukla, N. Penny, L. and Dawson, J. (2017) Willy Wonka to Wind in the Willows: how children's books reveal inequality, The Observer (New Review), December 3rd https://www.theguardian.com/inequality/2017/dec/03/willy-wonka-to-wind-in-the- willows-how-childrens-books-reveal-inequality Willy Wonka to Wind in the Willows: how children's books reveal inequality As kids, reading offers an early insight into the forces of class and poverty that can shape our adult lives. Caroline Lucas, Danny Dorling, Nikesh Shukla, Laurie Penny and Juno Dawson share the children’s books that influenced them Sunday 3 December 2017 08.00 GMT Danny Dorling I first learned about inequality from books, but not from righteous polemics or academic screeds. I didn’t get incensed by The Ragged Trousered Philanthropists or The Road to Wigan Pier as a teenager. What I read were children’s stories, and from them I gained a sense of just how bad we humans had been and could be. I learned to read late, so perhaps came to classic children’s stories a little older than most. Or perhaps they were read to me with a little more emphasis on the inequalities they revealed. Growing up in the 70s and early 80s, the stories we learned at school were lessons in snobbery and arrogance, albeit often inadvertently. Think of all those children’s stories that featured animals. Almost always they could talk, and their species signified their rank and allegiance in the order of things. Inequality was being explained in these stories, usually as being inevitable and for the good, the natural order of things. -
Jacksonville Public Library “Whatever You Want to Do in This World, It Is Achievable
Jacksonville Public Library “Whatever you want to do in this world, it is achievable. The most important thing that I've found… is be passionate and enthusiastic in the direction that you choose in life, and you'll be a winner.” – Steve Irwin Issue #152 June 2021 Important Tails & Tales Summer Reading Program Dates st th June 1 – July 10 Library Board This year, we will have several fun virtual shows on Meeting Fridays from Lew-E the Clown, Animal Tales, the th Anniston Museum & Alabama Department of History! June 16 Each will have different rules on how you can watch; information will be @ 4:30pm posted online, but the best way to be notified is to sign up for the Summer Changes posted Reading Program. Children & teens will sign up online at jacksonvillepubliclibrary.org/srp_kids.html , while adults will sign up in the on the library’s library for a physical BINGO card. bulletin board Raptors Live! Club Meetings Presented by the Southeastern Raptor Center Library th Jacksonville June 12 @ 10am Statistics Photography Club October 2nd April 2021 at Jacksonville Community Center @ 8:30am 1787 books, ebooks, Experience live raptors up-close while learning about audiobooks & movies checked out their natural history, featuring a selection of raptor Scrapbook Club ambassadors including a Golden Eagle! 211 internet computer users Sewing Class 105 wi-fi users Tails & Tales Virtual Storytime Thursdays @ 10am Photos & videos of This summer, storytime will continue to be virtual! Every Thursday, patrons are taken at we’ll share a new video filled with stories read by our friends library programs; these & neighbors, including some extra special guests! After watching the images may be used on video, be sure to log into ReadSquared to complete the the library’s website, “Storytime Tails & Tales” mission for the week to be Facebook page, and entered into a door prize drawing. -
Building Community by Producing Honk! Jr., a Musical Based on the Glu Y Duckling Heidi Louise Jensen
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Theses Student Research 5-1-2013 Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The glU y Duckling Heidi Louise Jensen Follow this and additional works at: http://digscholarship.unco.edu/theses Recommended Citation Jensen, Heidi Louise, "Two hundred year old lesson in bullying: building community by producing Honk! Jr., a musical based on The Ugly Duckling" (2013). Theses. Paper 38. This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2013 HEIDI LOUISE JENSEN ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School A TWO HUNDRED YEAR OLD LESSON IN BULLYING: BUILDING COMMUNITY BY PRODUCING HONK! JR., A MUSICAL BASED ON “THE UGLY DUCKLING” A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts Heidi Louise Jensen College of Performing and Visual Arts School of Theatre Arts and Dance Theatre Education May 2013 This Thesis by: Heidi Louise Jensen Entitled: A Two Hundred Year Old Lesson in Bullying: Building Community by Producing HONK! Jr., A Musical Based on “The Ugly Duckling”. has been approved as meeting the requirement for the Degree of Master of Arts in College of Performing and Visual Arts in School of Theatre and Dance, Program of Theatre Educator Intensive Accepted by the Thesis Committee _______________________________________________________ Gillian McNally, Associate Professor, M.F.A., Chair, Advisor _______________________________________________________ Mary J. -
STEVEN EDIS Freelance Composer/Arranger/Musical Director/Pianist Contact 07973 691168 / [email protected] Agent Clare Vidal Hall 020 8741 7647
STEVEN EDIS Freelance composer/arranger/musical director/pianist contact 07973 691168 / [email protected] agent Clare Vidal Hall 020 8741 7647 New musical theatre composition: Where Is Peter Rabbit? (lyrics by Alan Ayckbourn) – preparing for its 4 th year at The Old Laundry Theatre, Bowness I Capture The Castle (lyrics by Teresa Howard) – co-produced by (& at) Watford Palace Theatre and Bolton Octagon The Silver Sword (lyrics (also!) by Steven Edis) – Belgrade, Coventry and national tour Possessed (lyrics by Teresa Howard) – Oxford Playhouse / Camden People's Theatre The Choker One-act opera co-composed with Jude Alderson – Tête-a-tête Festival. King's Cross A Christmas Carol (lyrics by Susie McKenna and Steven Edis) – Hackney Empire / Arts Theatre, London Other theatre work: Composer Agnes Colander Ustinov,Bath/Jermyn St Theatre Trevor Nunn Composer Aladdin Chipping Norton Theatre John Terry MD/conductor Fiddler On The Roof Guildhall School Martin Connor MD By Jeeves Old Laundry Theatre, Bowness Alan Ayckbourn Co-arranger Promises, Promises Southwark Playhouse Bronagh Lagan Arranger/mus.supervisor Crush Belgrade, Coventry + tour Anna Linstrum MD/arranger A Christmas Carol Noel Coward Phelim McDermott Musical director I Love You, You're Perfect... Frinton Summer Theatre Ben Stock Composer Volpone RSC, Swan Trevor Nunn Composer/research/MD The Captain of Köpenick NT, Olivier Adrain Noble MD/conductor Grand Hotel Guildhall School Martin Connor Arranger Oklahoma UK tour Rachel Kavanaugh Composer Richard III York/Nottingham Loveday Ingram -
Redgrove Papers: Letters
Redgrove Papers: letters Archive Date Sent To Sent By Item Description Ref. No. Noel Peter Answer to Kantaris' letter (page 365) offering back-up from scientific references for where his information came 1 . 01 27/07/1983 Kantaris Redgrove from - this letter is pasted into Notebook one, Ref No 1, on page 365. Peter Letter offering some book references in connection with dream, mesmerism, and the Unconscious - this letter is 1 . 01 07/09/1983 John Beer Redgrove pasted into Notebook one, Ref No 1, on page 380. Letter thanking him for a review in the Times (entitled 'Rhetoric, Vision, and Toes' - Nye reviews Robert Lowell's Robert Peter 'Life Studies', Peter Redgrove's 'The Man Named East', and Gavin Ewart's 'The Young Pobbles Guide To His Toes', 1 . 01 11/05/1985 Nye Redgrove Times, 25th April 1985, p. 11); discusses weather-sensitivity, and mentions John Layard. This letter is pasted into Notebook one, Ref No 1, on page 373. Extract of a letter to Latham, discussing background work on 'The Black Goddess', making reference to masers, John Peter 1 . 01 16/05/1985 pheromones, and field measurements in a disco - this letter is pasted into Notebook one, Ref No 1, on page 229 Latham Redgrove (see 73 . 01 record). John Peter Same as letter on page 229 but with six and a half extra lines showing - this letter is pasted into Notebook one, Ref 1 . 01 16/05/1985 Latham Redgrove No 1, on page 263 (this is actually the complete letter without Redgrove's signature - see 73 . -
KIPPS the NEW HALF a SIXPENCE MUSICAL Based on the H.G
“We Try To Please” and “Pleased To Try” MONDAY 5th - SATURDAY 10th JULY 2021 Mountview by arrangement with Cameron Mackintosh presents KIPPS THE NEW HALF A SIXPENCE MUSICAL Based on the H.G. Wells novel “KIPPS: The Story of a Simple Soul” and the original musical by BEVERLEY CROSS and DAVID HENEKER Original Songs by DAVID HENEKER Book by JULIAN FELLOWES New Songs and Additional Music and Lyrics by GEORGE STILES and ANTHONY DREWE Orchestrations by WILLIAM DAVID BROHN Co-created by CAMERON MACKINTOSH This amateur production is presented by arrangement with Music Theatre International (Europe). All authorised performance materials are also supplied by MTI Europe. mtishows.co.uk Director STEPHEN JAMESON Musical Director ANDREW HILTON Choreographer EMMA WOODS Set and Costume Designer PJ MCEVOY Lighting Designer BEN ORMEROD Sound Designer MATT MCKENZIE Photo by RULER ABOUT MOUNTVIEW Excellence, Access and Innovation in dramatic training are at the heart of our work. Since 1945, we have trained the very best performers, directors, theatre production artists and producers. We are committed to ensuring our community of over 500 students is representative and that drama training is accessible to all. Opened in 2018, our home in Peckham was conceived in partnership with Southwark Council as a truly 21st-century drama school and a creative arts hub for all. Our state-of-the-art facilities include the 200-seat Mountview Theatre (made possible by a £1m donation from Sir Cameron Mackintosh), the 80-seat Backstage Theatre, 21 acting/dance studios, TV and radio suites and production workshops. In recognition of their extraordinary work in establishing Mountview’s new home and for their commitment to promoting inclusivity, Joint Chief Executives Stephen Jameson and Sarah Preece were presented with Olivier Awards in 2020. -
The Performing Arts Industry – Selling a Show This Sheet Will Give You Useful Links and Resources to Help You Start Your Project
The Performing Arts Industry – Selling a Show This sheet will give you useful links and resources to help you start your project. There are four stages to this project: 1. Research- finding out all about how marketing and publicity works in the performing arts industry. Choosing your production. 2. Idea development- creating ideas for your poster, ticket and review using information gathered from the research stage. You can create your poster and ticket on computer or on paper. 3. Evaluation- showing the work to your family, receiving suggestions for improvements. 4. Adjustment / improvement- making adaptations to your work based on your evaluation of the comments you have received. Use the links below to find out more about each show: The Lion King: https://thelionking.co.uk/london/about-the-show/ Matilda: http://uk.matildathemusical.com/about/the-story/ Wicked https://www.wickedthemusical.co.uk/london/about/synopsis School of Rock https://uk.schoolofrockthemusical.com/the-show/ Use the links below for examples of posters: https://www.google.com/search?q=west+end+posters&rlz=1C1CHBF_en- GBGB865GB865&source=lnms&tbm=isch&sa=X&ved=2ahUKEwi96Je0sL3oAhWKX8AKHVhMDWsQ_ AUoAXoECAwQA Information that should be included on posters (remember that your show will be staged at the Lyceum theatre in Sheffield: Title of production Venue Ticket price- adult / concession Box office telephone number Website address / email address A line from your review- 'Four stars, great production!' Use the link below for examples of tickets https://www.google.com/search?q=theatre+tickets&tbm=isch&ved=2ahUKEwixks6Ssb3oAhXE0OAK -
Voice Training and the Royal National Theatre Rena Cook
Spring 1999 165 Voice Training and the Royal National Theatre Rena Cook I stepped off the double-decker bus at Waterloo Station with my map in hand, walked several blocks and found the Old Vic quite easily. But the Royal National Theatre Studio, where the orientation was to take place, was nowhere in sight. "Next to the Old Vic," I had been told. With address and directions in my pocket, I surveyed the area as my internal compass spun out of control. After a brief moment of panic, I went to the box office and asked for help. "Out this door, two steps to your left and through the iron gate." I had traveled to London to participate in a course entitled "International Voice Intensive" with Patsy Rodenburg. As I walked up the steps of the studio on that chilly Sunday afternoon, with jet lag hanging heavily on my limbs, I had little idea that in my two weeks study I was about to experience a Zeitgeist of contemporary London theatre, training and practice. The focus was, of course, the voice work under the tutelage of master teacher Patsy Rodenburg, who currently heads the voice departments at the Royal National Theatre and Guildhall School of Music and Drama. In addition, the course participants were exposed to and interacted with some of the finest artists working in Western theatre today, including Trevor Nunn, Richard Eyre, and Judi Dench. Following each exhaustive day of study, workshop, and discussion, we attended theatre, viewing five of the six productions currently in repertory at the National. -
Bhasker Patel
Bhasker Patel Bhasker is currently a regular in ITV's Emmerdale. Agents Olivia Homan Associate Agent [email protected] Gabriella Capisani Actors [email protected] Roles Film Production Character Director Company KAL JISNE DEKHA LEE & THOMPSON BARE FACTS Clive Rohan Tully Brunswick Studios THE MAN INSIDE Rajiv Patel Dan Turner Man Inside Ltd TWENTY8K Uncle Sati Neil Thompson Twenty8K PIERCING BRIGHTNESS Naseer Khan Shezad Dawood Ubik Productions ASHES Indian Man Mat Whitecross Ashes SNOWDEN Sacha Oliver Stone Endgame Entertainment PULP Stan Shaun Magher & Pulp Films Bode O'Toole JUNKHEARTS Hasan Tinge Krishnan Coded Pictures ANUVAHOOD Shopkeeper Adam Deacon Anuvahood The Movie Ltd. DON'T STOP DREAMING Karan Saluja Media...What Else Ltd KIDULTHOOD Menhaj Huda A Stealth & Cipher Films Ltd PARTITION Ken McMullen Bandung / Channel 4 Films United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company IN DER KNEIPE Rose Seller C.Cay Wesnigk C.Cay Wesnigk Films TRANSATLANTIS Featured Christian Wagner Christian Wagner Films DAS LETZE ZIEGEL Featured Stefan Dahnert Jost Hering Film Production IMMACULATE Featured Jamil Dehlavi Film Four Int / C'est La CONCEPTION Vie Films A BUSINESS AFFAIR Jabool Charlotte Brandstorm Business Affair Prods. SPICY RICE/ DRAGON'S Shejad / Lead Jan Schutte / Novoskop Film / ZDF FOOD Thomas Strittmatter WILD WEST Co-Star David Attwood / Film Four Int / Initial Films Harwant Bains BEING HUMAN -
Radio 4 Extra Listings for 15 – 21 May 2021 Page 1 of 10 SATURDAY 15 MAY 2021 Producer: Jill Waters Comedy Chat Show About Shame and Guilt
Radio 4 Extra Listings for 15 – 21 May 2021 Page 1 of 10 SATURDAY 15 MAY 2021 Producer: Jill Waters comedy chat show about shame and guilt. First broadcast on BBC Radio 4 in June 1998. Each week Stephen invites a different eminent guest into his SAT 00:00 Planet B (b00j0hqr) SAT 03:00 Mrs Henry Wood - East Lynne (m0006ljw) virtual confessional box to make three 'confessions' are made to Series 1 5. The Yearning of a Broken Heart him. This is a cue for some remarkable storytelling, and 5. The Smart Money No sooner has Lady Isabel been betrayed by the wicked Francis surprising insights. John and Medley are transported to a world of orgies and Levison than she is left unrecognisably disfigured by a terrible We’re used to hearing celebrity interviews where stars are circuses, where the slaves seek a new leader. train crash. persuaded to show off about their achievements and talk about Ten-part series about a mystery virtual world. What is to become of her? their proudest moments. Stephen isn't interested in that. He Written by Paul May. Mrs Henry Wood's novel dramatised by Michael Bakewell. doesn’t want to know what his guests are proud of, he wants to John ...... Gunnar Cauthery Mrs Henry Wood ... Rosemary Leach know what makes them ashamed. That’s surely the way to find Lioba ...... Donnla Hughes Lady Isabel ... Moir Leslie out what really makes a person tick. Stephen and his guest Medley ...... Lizzy Watts Mr Carlyle ... David Collings reflect with empathy and humour on things like why we get Cerberus ..... -
June 2015 President: Vice President: Price 50P When Sold Simon Russell Beale CBE Nickolas Grace
No. 491 - June 2015 President: Vice President: Price 50p when sold Simon Russell Beale CBE Nickolas Grace WHAT A SWELL PARTY IT WAS! Liz Schafer reviews Shakespeare’s Birthday Party 2015 This year’s Shakespeare’s Birthday Party was marked by a ‘can do’ spirit of improvisation and the result was a thoroughly enjoyable event. The Old Vic circle bar, where the party is normally held these days, was full of props and so there was no room for the party. Crisis! But Ned Seago, the Old Vic doorman, arranged for the party to be held instead backstage in the rehearsal room. Once the rehearsal room had been commandeered, Nickolas Grace stood outside the theatre greeting guests with his usual charm and directing us to the Webber Street Stage Door entrance. After we had all recovered from the lift, which probably should be granted ancient monument status – it had lovely wooden panelling and a sign sternly warning Maria Friedman with Jamie Parker and The Bard everyone that ‘weight must be evenly distributed’, we were able to relax in the open, airy rehearsal room. This, as members with long memories reminded us, used to be the venue for the VWA parties. I would certainly vote for parties being held there in the future if at all possible. As Nick pointed out, although the floorboards were now sanded down, they were the very ones trodden by stars such as Olivier, Ashcroft, Gielgud in their days at the Vic, when they were in rehearsal. Nick certainly had plenty of interesting memories of working in that room.