Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Graduate School of Arts and Sciences Graduate School of Arts and Sciences Students 2013 Harpists, Flute-players, and the Early Musical Contests at Delphi Daniel J. Crosby Bryn Mawr College,
[email protected] This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/gsas_pubs Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Classical Literature and Philology Commons Citation Crosby, Dan, “Harpists, flute-players, and the early musical contests at Delphi,” Pacific ourJ nal 8 (2013). This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/gsas_pubs/2 For more information, please contact
[email protected]. Pacifi c Journal Harpists, Flute-players, and the Early Musical Contests at Delphi DANIEL CROSBY In ancient Greece, the Olympic Games were the quintessential athletic con- tests and were observed with the greatest enthusiasm. For this reason, the Olym- pics cast a very large historical shadow over the other Panhellenic Games. The result is that sources for and scholarship of these other quadrennial Games, the Pythian, Isthmian, and Nemean, are comparatively sparse. The purpose of this article is to examine one of these, the Pythian Games, and to specifi cally focus on the nature of its early history and its association with Delphic myth and other local festivals. The sources for these musical and athletic contests that took place at Delphi, the site of the famous sanctuary and Oracle of Apollo, are late, few, and mired so deeply in mythology that fact is almost indistinguish- able from fi ction.