Rasword Puzzle
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rototom Sunsplash 2018 Fait Un Nouveau Fontaines D’Eau Fraîche, Mieux Dans Le Conteneur Gris
16-22 FR AOÛT BENICÀSSIM 2018 25 ANS : LA FAMILLE S’AGRANDIT Le Rototom Sunsplash souffle 25 bougies avec 3,2 millions de partici- pants et plus de 2.300 artistes à l’affiche à son actif, en plus de ce voyage des Alpes italiennes à la mer Mé- diterranée de Benicàs- sim. 25 ans pendant lesquels la famille s’est agrandie, sous l’égide de l’inter-culturalité du genre jamaïcain qui lui a donné vie. 1994 – 2018 SPECTACLES UNIQUES Écouter David Rodi- 25 YEARS gan qui fête ses 40 ans dans le reggae avec des invités spéciaux et un orchestre classique de 25 musiciens. C’est WALKING l’un des spectacles spéciaux que réserve cette édition histo- rique, avec d’autres interventions stellaires TOGETHER comme celle de Ben Harper au format reg- gae en exclusivité pour le festival ou encore Alborosie, qui par- tagera ses 25 ans de carrière au Rototom. SUPER KIT FESTIVALIER L’envie de s’amuser est la première chose qu’il faut mettre dans sa valise en venant au Rototom Sunsplash. Mais il y a d’autres éléments qu’il faut apporter à Benicàssim pour que l’expérience festivalière soit idyllique. Ce guide vous fournit quelques conseils pour passer des vacances ‘de folie’ et compléter votre kit 25 * EUROPEAN REGGAE FESTIVAL parfait. Amb la col.laboració de / Con la colaboración de Le festival DES ALPES ITALIENNES À LA MÉDITERRANÉE DE BENICÀSSIM 25 ANS La première discothèque à Gaio. Le camping Girasole en 1999. DE CHEMIN ENSEMBLE Le collectif Rototom à la discothèque en 1998. -
Lila Iké | Biography Lila Ike (Pronounced Lee-Lah Eye-Kay) Is on the Brink of Stardom. the 26-Year-Old Jamaican Songbird
Lila Iké | Biography Lila Ike (pronounced Lee-lah Eye-kay) is on the brink of stardom. The 26-year-old Jamaican songbird has an edge and ease in her voice that creates an immediate gravitational pull with her listener, fusing contemporary reggae with elements of soul, hip-hop and dancehall. The free-spirited, easy-going singer has already released a handful of velvety smooth songs through In.Digg.Nation Collective, a record label and talent pool for Jamaican creatives, founded by reggae star Protoje. The ExPerience will be Lila Iké’s debut EP for Six Course/RCA Records in a new partnership with In.Digg.Nation Collective. She breathes a delicate testimony of love, infatuation, and spiritual guidance in the 7-track release out this Spring. The EP is padded with previously-released songs such as “Where I’m Coming From” and “Second Chance.” Pivoting from the singles that earned her international acclaim in 2018 and 2019, Lila Iké unveils playful seduction on “I Spy,” her first release of 2020 produced by Izy Beats (the hitmaker behind Koffee’s “Toast”). Beckoning with innocent flirtation over soft guitar licks, Lila in a sweet falsetto sings, “I spy I spy, that you see something you might like. Won’t you come over if you really mean it.” The layers to Lila are in full bloom as she opens up about the daily pressures she faces through her interaction with people and wanting peace of mind in “Solitude” — . On “Stars Align,” Lila flips the instrumental from Protoje’s “Bout Noon” into an anthem about falling in love through the metaphor of making music. -
Heather Augustyn 2610 Dogleg Drive * Chesterton, in 46304 * (219) 926-9729 * (219) 331-8090 Cell * [email protected]
Heather Augustyn 2610 Dogleg Drive * Chesterton, IN 46304 * (219) 926-9729 * (219) 331-8090 cell * [email protected] BOOKS Women in Jamaican Music McFarland, Spring 2020 Operation Jump Up: Jamaica’s Campaign for a National Sound, Half Pint Press, 2018 Alpha Boys School: Cradle of Jamaican Music, Half Pint Press, 2017 Songbirds: Pioneering Women in Jamaican Music, Half Pint Press, 2014 Don Drummond: The Genius and Tragedy of the World’s Greatest Trombonist, McFarland, 2013 Ska: The Rhythm of Liberation, Rowman & Littlefield, 2013 Ska: An Oral History, McFarland, 2010 Reggae from Yaad: Traditional and Emerging Themes in Jamaican Popular Music, ed. Donna P. Hope, “Freedom Sound: Music of Jamaica’s Independence,” Ian Randle Publishers, 2015 Kurt Vonnegut: The Last Interview and Other Conversations, Melville House, 2011 PUBLICATIONS “Rhumba Queens: Sirens of Jamaican Music,” Jamaica Journal, vol. 37. No. 3, Winter, 2019 “Getting Ahead of the Beat,” Downbeat, February 2019 “Derrick Morgan celebrates 60th anniversary as the conqueror of ska,” Wax Poetics, July 2017 Exhibition catalogue for “Jamaica Jamaica!” Philharmonie de Paris Music Museum, April 2017 “The Sons of Empire,” Deambulation Picturale Autour Du Lien, J. Molineris, Villa Tamaris centre d’art 2015 “Lee ‘Scratch’ Perry’s Super Ape,” Wax Poetics, November, 2015 “Don Drummond,” Heart and Soul Paintings, J. Molineris, Villa Tamaris centre d’art, 2012 “Spinning Wheels: The Circular Evolution of Jive, Toasting, and Rap,” Caribbean Quarterly, Spring 2015 “Lonesome No More! Kurt Vonnegut’s -
Jah Stitch, Pioneering Reggae Vocalist, Dies Aged 69
‘Original raggamuffin’ Jah Stitch, pioneering reggae vocalist, dies aged 69 Sound system toaster, DJ and selector, known for his understated delivery and immaculate dress died in Kingston David Katz Thu 2 May 2019 15.03 BSTLast modified on Fri 3 May 2019 09.47 BST FROM: https://www.theguardian.com/music/2019/may/02/original-raggamu ffin-jah-stitch-pioneering-reggae-vocalist-dies-aged-69 Jah Stitch on Princess Street, downtown Kingston in 2011. Photograph: Mark Read The Jamaican reggae vocalist Jah Stitch died in Kingston on Sunday aged 69, following a brief illness. Although not necessarily a household name abroad, the “original raggamuffin” was a sound system toaster and DJ who scored significant hits in the 70s, later working as an actor and appearing in an ad campaign for Clarks shoes. Born Melbourne James in Kingston in 1949, he grew up with an aunt in a rural village in St Mary, northern Jamaica, since his teenage mother lacked the financial means to care for him. He later joined her in bustling Papine, east Kingston, but conflict with his father-in-law led him to join a community of outcasts living in a tenement yard in the heart of the capital’s downtown – territory aligned with the People’s National party and controlled by the notorious Spanglers gang, which James became affiliated with aged 11. As ska and rock steady gave way to the new reggae style on the nascent Kingston music scene, young James became a regular fixture of sound system dances. He drew his biggest inspiration from the Studio One selections presented by Prince Rough on Sir George the Atomic, based in Jones Town, and the microphone skills of Dennis Alcapone on El Paso, based further west at Waltham Park Road. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Dossier Festival Estoesloquehay
DOSSIER DE PRENSA Información general y actividades programadas Para más información: Rosa Casbas - Tel. 657 97 01 70 [email protected] www.estoesloquehay.com Sala de prensa (para descargar información y fotografías) 1. Información general Después de una décima edición especial aniversario en Fonz dedicada a la música negra, llega la undécima edición de Estoesloquehay a la ribera del Cinca para recalar en la población oscense de Zaidín. Estoesloquehay, una muestra artística única por su formato itinerante y multidisciplinar, dedicará esta edición a lo “latino”, programando una docena de interesantes propuestas culturales gratuitas en la localidad oscense de Zaidín entre el 28 y el 30 de junio de 2013. Las actuaciones musicales de esta undécima edición abarcan la latinidad de una forma poliédrica, en múltiples variantes y estilos. Los Coronas , el grupo de surf instrumental español por excelencia, subirá al escenario el 29 de junio en Zaidín (Huesca) como actuación estelar de la XI edición de la muestra. Padrinos de la escena surf actual y considerada una de las mejores bandas instrumentales del momento, su estilo surf con reminiscencias latinas y fronterizas y su vigoroso directo les ha convertido en un cotizado grupo con fans tan ilustres como Steve Van Zandt, el guitarrista de la E-Street Band de Bruce Springsteen. La banda madrileña ofrecerá su actuación en Zaidín dentro de la gira de presentación de su último disco Adiós Sancho (2013), su álbum más abierto, superando fronteras y etiquetas, que han publicado tras el regreso de su exitosa gira por Australia. Además, curiosamente el vídeo promocional de Rockaway Surfers, el primer sencillo de Adiós Sancho, se grabó en la zona de la N-II cercana a Fraga , localidad próxima a Zaidín. -
Order Form Order Form
CD: £9.49 (Samplers marked* £6.49) LP: £9.49 ORDER FORM Postage &Packing: Jamaican Recording/ Kingston Sounds 1 x CD = 0.95p + 0.35p for every additional item PO BOX 32691 London W14 OWH 1 x LP = £1.95 + .85p for every additional item JAMAICAN www.jamaicanrecordings.com Total x 2 for Europe Total x 3 for Rest of the World (ROTW) RECORDINGS [email protected] If mixed please contact us. CAT NO. TITLE VINLY (QTY) CD (QTY) SUB TOTAL £ JR001 KING TUBBY 'LOST TREASURES' £ JR002 AUGUSTUS PABLO 'DUBBING WITH THE DON' £ JR003 THE REVOLUTIONARIES AT CHANNEL 1 £ JR004 LEE PERRY 'SKANKING WITH THE UPSETTER' £ JR005 THE AGGROVATORS 'DUBBING IT STUDIO STYLE' £ JR006 SLY & ROBBIE MEET BUNNY LEE AT DUB STATION £ JR007 HORACE ANDY'S DUB BOX 1973 - 1976 £ JR008 JAMAICAN RECORDINGS 'DUB SAMPLER' £ JR009 'DUBBING AT HARRY J'S 1970-1975 £ JR010 LINVAL THOMPSON 'DUB STORY' £ JR011 NINEY THE OBSERVER AT KING TUBBY'S £ JR012 BARRY BROWN 'STEPPIN UP DUB WISE' £ JR013 DJ DUBCUTS 'DUBBING WITH THE DJS' £ JR014 RANDY’S VINTAGE DUB SELECTION £ JR015 TAPPA ZUKIE ‘DUB EM ZUKIE’ £ JR016 KING TUBBY ‘DUB MIX UP’ £ JR017 DON CARLOS ‘INNA DUB STYLE’RARE DUBS 1979 - 1980 £ JR018 JAMAICAN RECORDINGS 'DUB SAMPLER' VOL 2 * £ JR019 TREASURE ISLE IN DUB – RARE DUBS £ JR020 LEROY SMART – MR SMART IN DUB £ JR021 MAX ROMEO – CRAZY WORLD OF DUB £ JR022 SOUL SYNDICATE – DUB CLASSICS £ JR023 AUGUSTUS PABLO MEETS LEE PERRY/WAILERS £ JR024 RONNIE DAVIS – ‘JAMMIN IN DUB’ £ JR025 KING JAMMY’S DUB EXPLOSION £ JR026 PROFESSIONALS MEETS THE AGGRAVATORS AT JOE GIBBS £ JR027 DYNAMIC ‘DUBBING AT DYNAMIC SOUNDS’ £ JR028 DJ JAMAICA ‘INNA FINE DUB STYLE’ £ JR029 SCIENTIST - AT THE CONTROLS OF DUB ‘RARE DUBS 1979 - 1980’ £ JR030 JAMAICAN RECORDINGS ‘DUB SAMPLE VOL. -
Black Prophet
Fomjam-Music Page 1 of 4 Black Prophet Black Prophet is an Afro - Reggae artist from Ghana and is among one of the first musicians who made conscious reggae from Ghana internationally known. His unique, harmonious reggae beat combined with a glamorous African cadence offers a very distinctive sound to his rhythm. This text will be replaced Repertoire: file://C:\FJ_WEB\Black_Prophet\Black_Prophet.htm 15.01.2013 Fomjam-Music Page 2 of 4 Reggae Biografie: In 2003, the singer and songwriter made his first tour to Europe, where he played on various festivals in the Netherlands and Belgium. In 2006 he released the Album ‘Legal Stranger’ which contains besides hits like ‘Mama Africa’ and ‘Tell me why’ the song ‘Doubting me’ which was nominated ‘Best reggae song of the year’ at the Ghana national Music Awards. In 2008 his third album “Prophecy” was published which was a compilation of powerful songs such as “No pain no gain”, “Give me back all the natural resources” or the hit tune “Hot and Cold” featuring the British – Ghanaian Rapper Sway. As his reputation further grew across continental Europe, Black Prophet has been constantly invited to play at various shows and festivals, such as the Oland Roots festival (Sweden), Rottodom Sunsplash Festival (Spain), Reggae Geel Festival (Belgium) or the Rastaplas Festival (Netherlands). In 2010 the gifted reggae artist won the Benelux – Final of the European Reggae Contest. During his latest European tour with the Jamaican Artist Turbulence in February 2012 the conscious reggae musician showcased his newest album “Tribulations” which offers a unique fusion of African and Jamaican Reggae elements with traditional African music and hip – hop beats. -
The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall1
Popular Music (2006) Volume 25/3. Copyright © 2006 Cambridge University Press, pp. 447–470 doi:10.1017/S0261143006000997 Printed in the United Kingdom The riddim method: aesthetics, practice, and ownership in Jamaican dancehall1 PETER MANUEL† and WAYNE MARSHALL‡ †127 Park Ave, Leonia, NJ 07605, USA ‡88 Holworthy Street, Cambridge, MA 02138, USA Abstract The Jamaican system of recording and performance, from the 1950s to the present, constitutes a distinctive approach to notions of composition, originality and ownership. Emerging from a tradition of live performance practice mediated by (and informing) sound recordings, the relative autonomy of riddims and voicings in the Jamaican system challenges conventional ideas about the integrity of a song and the degree to which international copyright law applies to local conceptions, as enshrined in decades of practice, of musical materials as public domain. With the spread of the ‘riddim method’ to the sites of Jamaican mass migration, as evidenced by similar approaches in hip hop, reggaeton, drum’n’bass and bhangra, reggae’s aesthetic system has found adherents among artists and audiences outside of Jamaica. This paper maps out, through historical description, ethnographic data, and musical analysis, the Jamaican system as a unique and increasingly influential approach to music-making in the digital age. The advent of commercial, mass-mediated popular music genres in the twentieth century has contributed to the spread, in many music cultures worldwide, of a certain conventional ‘mainstream’ form of song, comprising an original, autonomous and reproducible entity with a relatively unique integration of lyrics, melody and chordal accompaniment. In mainstream Western music culture, the thirty-two-bar AABA structure, perhaps repeated twice or thrice with some sort of variation, constituted a quintessential type of this conventional song form. -
Tony Chin Earl Zero Derrick Lara Papa Michigan Johnny Dread Anthony John Fully Fulwood Mellow Movement Iriemag.Com
DEC 2015 CA 01.04 T R A X ROOTS / ROCK / REGGAE / RESPECT featuring HOUSE OF SHEM ARMY RAS D Z-MAN TONY CHIN EARL ZERO DERRICK LARA PAPA MICHIGAN JOHNNY DREAD ANTHONY JOHN FULLY FULWOOD MELLOW MOVEMENT IRIEMAG.COM CA ISSUE #01.04 / DECEMBER 2015 “ If you haven’t confidence in self, you are twice defeated in the race of life. With confidence, you have won even before you have started.” - Marcus Garvey Nicholas ‘Nico’ Da Silva Founder/Publisher & Editor in Chief IRIEMAG.COM MERCH. The Official ‘Rockers’ Tee from Irie Magazine Available in T-Shirts & Hoodies for Men/Women Two styles to choose from: Jamaica or Ethiopia IRIEMAG.COM House of Shem Derrick Lara Papa Michigan Ras D New Zealand Jamaica Jamaica Jamaica Army Fully Fulwood Tony Chin Johnny Dread U.S. Virgin Islands Jamaica Jamaica United States Earl Zero Anthony John Mellow Movement Z-Man United States Jamaica United States United States NZL HOUSE OF SHEM IRIEMAG.COM REGGAE HOUSE OF SHEM House Of Shem is an Aotearoa (New Zealand) based harmony trio comprised of Carl Perkins and his FOLLOW two sons, Te Omeka Perkins and Isaiah Perkins, who are each multi-instrumentalist and producers. House of Shem Formed 2005 in the rural area of Whanganui, the band embodies elements of roots reggae, pacific reggae and traditional maori music with relatable song-writing that connects powerfully with not only New Zealand and Australia audiences, but reggae listeners globally attracting fans from all Featured Album areas of the world. Since bursting onto the music scene with their debut album ‘Keep Rising’ in 2008, House of Shem has released three very successful Albums and built a rapidly growing loyal fan base. -
Various DJ Round-Up Mp3, Flac, Wma
Various DJ Round-Up mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: DJ Round-Up Country: UK Released: 1976 Style: Roots Reggae MP3 version RAR size: 1724 mb FLAC version RAR size: 1445 mb WMA version RAR size: 1532 mb Rating: 4.1 Votes: 196 Other Formats: RA AAC XM MOD AUD VQF DTS Tracklist A1 –Jah Woosh Psalm 121 A2 –Big Youth Phil Pratt Thing A3 –U-Roy Wake The Town A4 –Dennis Alcapone This A Butter A5 –I-Roy My Food Is Ration A6 –Jah Woosh Ital Feast B1 –U-Roy Real Cool B2 –Dennis Alcapone Picture Or No Picture B3 –Big Youth Tell It Black B4 –Jah Woosh Zion Sound B5 –Dennis Alcapone Belch It Off B6 –Dillinger Platt Skank Companies, etc. Recorded At – Channel One Recording Studio Copyright (c) – Trojan Recordings Ltd. Credits Producer – Duke Reid* (tracks: A3), Phil Pratt (tracks: A1, A2, A4 to B4, B6), Sidney Crooks (tracks: B5) Notes Channel One Recording Studio is misspelled "Chanel One Recording Studios" on back cover. Barcode and Other Identifiers Matrix / Runout (Runout Side A): TRLS-135-A-IK Matrix / Runout (Runout Side B): TRLS-135-B-IK Related Music albums to DJ Round-Up by Various Dennis Alcapone / Tommy McCook - The Great Woogie / Buttercup Dennis Alcapone / The Blues Blasters - Power Version / Marjie Denis Alcapone - Rock Them Capone / Version Two Dennis Alcapone & Max Romeo / Ansel Collins - Let It Roll / Clear Blue Cornell Campbell / Dennis Alcapone - My Confession / Musical Occupation Dennis Alcapone / Clue J. & The Blues Blasters - Power (Ver.) / Margie Dennis Alcapone / Phil Pratt All-Stars - This A Butter / Butter (Version) Dennis Alcapone & Ken Boothe / Sound Demention - Home Version / Babylon Rock. -
Guide Du Festival 2019
FR #standupforEarth 16–22 AOÛT 2019 BENICÀSSIM ESPAGNE Plastic-Free Festival junior Avec un slogan comme Stand up for Earth, on ne On lance la Teen Yard dans l’enceinte pour donner pouvait pas faire autrement. Le Rototom Sunsplash Cashless la parole à un segment très particulier du public. se proclame « Festival Plastic-Free » pour sa 26ème Celui qui transite entre l’enfance et l’âge adulte, Le festival s’ouvre à l’univers « cashless ». Tous les édition et élimine les bouteilles et les emballages qui revendique son espace et a beaucoup à dire et à paiements dans l’enceinte se feront uniquement plastiques à usage unique en plus de renforcer les apporter. Les adolescents auront la Teen Yard comme avec le bracelet d’accès, qui fonctionnera comme points de recharge d’eau avec 13 fontaines entre plateforme d’expression. Visites d’artistes du Main une carte de crédit. Il y aura 3 points de recharge l’enceinte et le camping. Il maintient les matériaux Stage, ateliers artistiques, de composition musicale (espèces ou carte, avec un accueil physique) et 6 biodégradables dans tous les bars et son système de et autour des réseaux sociaux donnent vie à l’espace kiosques automatiques dans l’enceinte. verres réutilisables à but social, en plus de toutes les le plus jeune du Rototom Sunsplash. Les générations Il y aura aussi des points de recharge au camping. mesures « Greensplash ». futures prennent le pas. Le public peut récupérer l’argent qu’il reste sur le Joins-toi à l’engagement d’un été sans plastique ! bracelet.