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Bibliography BIBLIOGRAPHY The complete list of all sources consulted in the making of this book offers a comprehensive over- view of the literature and other materials available about reggae, Rastafari, Bob Marley, and other topics covered herein. Due to the fleeting nature of the Internet, where websites might change or dis- appear at any given time, online sources used at the time of writing might not be available any longer. The bibliography can also be found on the website of the book at www.reggaenationbook.com. Books History and Heritage (pp. 326-335). Routledge. Bennett, A. (2001). Cultures of Popular Music. Open University Press. Adejumobi, S. A. (2007). The History of Ethiopia. Biddle, I., & Knights, V. (Eds.) (2007). Music, National Greenwood Press. Identity and the Politics of Location: Between the Global Akindes, S. (2002). Playing It “Loud and Straight”. and the Local. Ashgate. Reggae, Zouglou, Mapouka, and Youth Bonacci, G. (2015). From Pan-Africanism to Rastafari: Insubordination in Côte d’Ivoire. In M. Palmberg African American and Caribbean ‘Returns’ & A. Kirkegaard (Eds.), Playing with Identities in to Ethiopia. In G. Prunier & E. Ficquet (Eds.), Contemporary Music in Africa (pp. 86-103). Nordic Understanding Contemporary Ethiopia: Monarchy, Africa Institute. Revolution and the Legacy of Meles Zenawi (pp. 147- Alleyne, M. (2009). Globalisation and Commercialisation 158). Hurst & Company. of Caribbean Music. In T. Pietila (Ed.), World Music Boot, A., & Salewicz, C. (1995). Bob Marley. Songs of Roots and Routes. Studies across Disciplines in the Freedom. Bloomsbury. Humanities and Social Sciences 6 (pp. 76-101). Helsinki Bordowitz, H. (2004). Every Little Thing Gonna Be Alright: Collegium for Advanced Studies. The Bob Marley Reader. De Capo Press. Anderson, B. (1983/2006). Imagined Communities: Bourne, R. (2011). Catastrophe: What Went Wrong in Reflections on the Origin and Spread of Nationalism. Zimbabwe? Zed Books. Verso. Boxill, I., & Douglas, E. T. K. (2008). The Lantern and Anderson, B. (2015). Papua’s Insecurity: State Failure in the the Light: Rastafari in Aotearoa (New Zealand). In I. Indonesian Periphery. East-West Center. Boxill (Ed.), The Globalization of Rastafari (pp. 70-97). Barnett, M. (2008). The Globalization of the Rastafari Arawak Publications. Movement from a Jamaican Diasporic Perspective. In Boyce Davies, C. E. (Ed.) (2008). Encyclopedia of the I. Boxill (Ed.), The Globalization of Rastafari (pp. 98- African Diaspora: Origins, Experiences, and Culture. 114). Arawak Publications. ABC-CLIO. Barnett, M. (2014). Rastafari in the New Millennium: A Bousquet, D. (2020). Reggae Outernational: Borders and Rastafari Reader. Syracuse University Press. Trans/National Identity in Jamaican Popular Music. Barrow, S., & Dalton, P. (2004). The Rough Guide to In C. Ross (Ed.), Reading(s) / across / Borders: Studies Reggae. Rough Guides. in Anglophone Borders Criticism (pp. 209-229). Brill/ Baulch, E. (2007). Making Scenes: Reggae, Punk, and Death Rodopi. Metal in 1990s Bali. Duke University. Bradley, L. (2001). Bass Culture: When Reggae Was King. Bendrups, D., Laufiso, P., & Iaheto, H. (2018). ‘Koile, ‘Te Penguin Books. Hua’ and the reggae-fication of cultural heritage. Branch, D. (2011). Kenya: Between Hope and Despair, 1963- In S. Baker, C. Strong, L. Istvandity, & Z. Cantillon 2011. Yale University Press. (Eds.), The Routledge Companion to Popular Music Buck, E. (1993). Paradise Remade: The Politics of Culture BibLIOGRAphy 407 and History in Hawai’i. Temple University Press. Daynes, S. (2004). The Musical Construction of the Burnett, D. (2009). Soul Rebel: An Intimate Portrait of Bob Diaspora: The Case of Reggae and Rastafari. In S. Marley. Insight Editions. Whiteley, A. Bennett, & S. Hawkins (Eds.), Music, Cambre, M-C. (2015). The Semiotics of Che: Affective Space and Place: Popular Music and Cultural Identity (pp. Gateways. Bloomsbury. 25-41). Ashgate. Campbell, H. (1987). Rasta and Resistance: From Marcus Daynes, S. (2010). Time and Memory in Reggae Music: The Garvey to Walter Rodney. Africa World. Politics of Hope. Manchester University Press. Chude-Sokei, L. (2012). Roots, Diaspora and Possible Dawes, K. (2002). Bob Marley: Lyrical Genius. Sanctuary. Africas. In C. Cooper (Ed.), Global Reggae (pp. 221- De Araújo Pinho, O. (2002). “Fogo na Babilônia”: 240). Canoe Press. Reggae, Black Counterculture, and Globalization Clough, B. (1995). Jamming Down-Under. Bob Marley’s in Brazil. In C. A. Perrone & C. Dunn (Eds.), Legacy and Reggae Culture in Australia and Brazilian Popular Music & Globalization (pp. 192-206). New Zealand. In E. Wint & C. Cooper (Eds.), Bob Routledge. Marley: The Man and His Music (pp. 23-33). Arawak De Kloet, J. (2010). China with a Cut: Globalisation, Urban Publications. Youth and Popular Music. Amsterdam University Press. Clough, B. (2010). From Our Brother: Reggae De Santana Pinho, P. (2010). Mama Africa: Reinventing Downunder. In S. Jordan (Ed.), World Music: Global Blackness in Bahia. Duke University Press. Sounds in Australia (pp. 44-54). University of New DeCosmo, J. (1995). Bob Marley: Religious Prophet? In E. South Wales Press. Wint & C. Cooper (Eds.), Bob Marley: The Man and His Clough, B. (2012). Oceanic Reggae. In C. Cooper (Ed.), Music (pp. 59-75). Arawak Publications. Global Reggae (pp. 263-284). Canoe Press. DeCosmo, J. (2008). Globalization and Rastafari Collins, J. (2002). The Generational Factor in Ghanaian Identity in Salvador, Bahia, Brazil. In I. Boxill (Ed.), Music Concert Parties, Highlife, Simpa, Kpanlogo, The Globalization of Rastafari (pp. 52-69). Arawak Gospel and Local Techno-Pop. In M. Palmberg Publications. & A. Kirkegaard (Eds.), Playing with Identities in Dieng, C. A. (2012). Reggae Griots in Francophone Contemporary Music in Africa (pp. 60-74). Nordic Africa. In C. Cooper (Ed.), Global Reggae (pp. 213-220). Africa Institute. Canoe Press. Connell, J., & Gibson, C. (2003). Sound Tracks: Popular Dos Santos Godi, A. J. V. (2002). Reggae and Samba- Music, Identity and Place. Routledge. Reggae in Bahia: A Case of Long-Distance Belonging. Cooper, C. (2004). Sound Clash: Jamaican Dancehall Culture In C. A. Perrone & C. Dunn (Eds.), Brazilian Popular at Large. Palgrave Macmillan. Music & Globalization (pp. 207-219). Routledge. Cooper, C. (2012). Jamaican Popular Music A Yard and Downing, J. D. H. (Ed.) (2011). Encyclopedia of Social Abroad. In C. Cooper (Ed.), Global Reggae (pp. 1-20). Movement Media. Sage. Canoe Press. Dunkley, D. A. (2011). Readings in Caribbean History and Coplan, D. (2008). In Township Tonight! South Africa’s Culture: Breaking Ground. Lexington. Black City Music and Theatre. University of Chicago Dunn, C. (2002). Tropicália, Counterculture, and the Press. Diasporic Imagination in Brazil. In C. A. Perrone & Crook, L. (2002). Turned-Around Beat: Maracatu de C. Dunn (Eds.), Brazilian Popular Music & Globalization baque virado and Chico Science. In C. A. Perrone & (pp. 72-95). Routledge. C. Dunn (Eds.), Brazilian Popular Music & Globalization Dunn, H. S., & Johnson-Brown, S. (2011). Reggae and (pp. 233-244). Routledge. Resistance (Jamaica). In J. D. H. Downing (Ed.) (2011). Crook, L. (2009). Focus: Music of Northeast Brazil. Encyclopedia of Social Movement Media (pp. 438-441). Routledge. Sage. D’Aquino, B. (2014). Reggae in Europe. In P. Prato & D. Edmonds, E. B. (1998). Dread “I” In-a-Babylon: Horn (Eds.), Encyclopedia of Popular Music of the World Ideological Resistance and Cultural Revitalization. In (Volume XI) (pp. 628-634). Bloomsbury. N. S. Murrell, W. D. Spencer & A. A. McFarlane (Eds.), Davis, S. (1985). Bob Marley. Doubleday. Chanting Down Babylon: The Rastafari Reader (pp. 23- Davis, S. (1994). Bob Marley: Conquering Lion of Reggae. 35). Temple University Press. Plexus. Edmonds, E. B. (2003). Rastafari: From Outcasts to Culture Davis, S. & Simon, P. (1977). Reggae Bloodlines: In Search Bearers. Oxford University Press. of the Music and Culture of Jamaica. Da Capo Press. Escalante, A. (1996). Palenques in Colombia. In R. Price Davis, S. & Simon, P. (1982). Reggae International. R&B. (Ed.), Maroon Societies: Rebel Slave Communities in 408 BibLIOGRAphy the Americas (3rd ed.). (pp. 74-81). Johns Hopkins Hebdige, D. (1995). Roots in the Airwaves. Popular University Press. Culture in a Global Context. In E. Wint & C. Cooper Farley, C. J. (2007). Before the Legend. The Rise of Bob (Eds.), Bob Marley: The Man and His Music (pp. 1-11). Marley. Harper Collins Publishers. Arawak Publications. Feld, S. (1995). From Schizophonia to Schismogenesis: Hepner, R. L. (1998). Chanting Down Babylon in the The Discourses and Practices of World Music and Belly of the Beast: The Rastafarian Movement in World Beat. In G. E. Marcus & F. R. Myers (Eds.), The the Metropolitan United States. In N. S. Murrell, W. Traffic in Culture: Refiguring Art and Anthropology (pp. D. Spencer, & A. A. McFarlane (Eds.), Chanting Down 96-126). University of California Press. Babylon. The Rastafari Reader (pp. 199-216). Temple Flaherty, A. (2015). Asserting Identity Through Music: University Press. Indigenous Hip Hop and Self-Empowerment. In Hoefte, R. (2014). Suriname in the Long Twentieth Century: C. Malone & G. Martinez Jr. (Eds.), The Organic Domination, Contestation, Globalization. Palgrave Globalizer: Hip Hop, Political Development, and Macmillan. Movement Culture (pp. 129-147). Bloomsbury. Homiak, J. (1999). Movements of Jah People: From Foster, C. (2013). Jamaican Musical Genres: Innovation Soundscapes to Mediascape. In J. W. Pulis (Ed.), and Transformation. In D. P. Hope
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