Neue Ware Mail-Order Katalog Einzelhandel 08-06 #1
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www.bigeyenews.com - email: [email protected] THE BIG EYE 1 Tel: +44 (0)207 498 4452 /+44 (0)7960 214 527 - Jamaica: 876-981-2973(Office)/ 876-575-8316(Cell) BRITAIN’S FASTEST GROWING BLACK NEWSPAPER 50p WHERE SOLD ISSUETHE 25 BIGyour views our news EYEJULY 08 WWW.BIGEYENEWS.COM - [email protected] -Tel +44 (0) 207 498 4452 / +44 (0) 7960 214 527 BIG EYE & DOMINO TOURNAMENT BRIXTON UK’S NO1 A GRAND DOMINOE CHAMPS NINJA MAN SUCCESS MARCIA GRIFFITHS t was Saturday 14th June 08 the sun was shining nedy Food Products & JWray & Nephew. Iand motor cars and coaches from around the coun- try were gearing up destined for Bristol, yes it was As the best Dominoe teams in the country made the historical day that all DOMINOE lovers had their way into Bristol followed by their loyal fans the anticipated THE BIG EYE in association with JAMA- atmosphere was guaranteed to be explosive. BY 1.30 CIA NATIONAL “One Day Knock Out Dominoe pm the Malcomn X Center was filled to it’s capacity Tournament.” The Event was held at the Malcomn X as most of the coaches had arrived. Every where you RITA MARLEY BERES HAMMOND Centre in St Paul’s Bristol and was also co sponsored looked you could see hundreds of yellow & white by Jewel Isle Rum Punch, Heineken Beer, Grace Ken- BIG EYE /JN Tshirts worn by players & spectators SEE YOUR FAVOURITE REGGAE STAR ENDORSING CONTINUED ON PAGE 4 THE BIG EYE Pages18-19 www.bigeyenews.com - email: [email protected] THE BIG EYE Tel: +44 (0)207 498 4452 /+44 (0)7960 214 527 - Jamaica: 876-981-2973(Office)/ 876-575-8316(Cell) 2 IN THIS PAPER Businesses fail to recognise the PAGE>>>8 spending power of the BME Ethnic mortality Vogue communities. -
Wir Machen Betriebsferien Vom 22.07.2001 Bis Zum 29.07.2001 Sind Unser Mailorder Departement Und Shop Wegen Betriebsferien Geschlossen
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 99 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 04.06.2001 BIS 30.06.2001) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 2,- DM (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTER EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ WIR MACHEN BETRIEBSFERIEN VOM 22.07.2001 BIS ZUM 29.07.2001 SIND UNSER MAILORDER DEPARTEMENT UND SHOP WEGEN BETRIEBSFERIEN GESCHLOSSEN. PLEASE NOTE: OUR MAILORDER DEPARTEMENT AND SHOP WILL BE CLOSED FROM 22.07.2001 TO 29.07.2001 AS WE TAKE OUR BUSINESS HOLIDAY. WIR BITTEN UM BEACHTUNG: SEIT 01.07.2001 HABEN SICH DIE VERSANDPREISE GEÄNDERT. (SIEHE VERSAND/ZAHLUNGSBEDINGUNGEN) PLEASE NOTE: WE HAD TO ADJUST THE SHIPPING COSTS TAKING EFFECT FROM THE 01.07.2001 (CHECK VERSAND/ZAHLUNGSBEDINGUNGEN AT THE BOTTOM OF THE CATALOGUE) IRIE RECORDS GMBH NEUHEITEN-KATALOG 07/2001 SEITE 2 *** CDs *** ADMIRAL TIBBET....(AB 20.07.01)... TRY TO REACH THE TOP.......... BRICKWALL...... (USA) (01/01). 39.95 DM ANTHONY B......................... THAT'S LIFE (+ 4 BONUS)....... VP............. (USA) (01/01). 39.95 DM EVERTON BLENDER (feat. ANTHONY B /TONY REBEL/BEENIE MAN).......... VISIONARY (16 NEW TRACKS!).... HEARTBEAT EUROP (NED) (01/01). -
Jah Stitch, Pioneering Reggae Vocalist, Dies Aged 69
‘Original raggamuffin’ Jah Stitch, pioneering reggae vocalist, dies aged 69 Sound system toaster, DJ and selector, known for his understated delivery and immaculate dress died in Kingston David Katz Thu 2 May 2019 15.03 BSTLast modified on Fri 3 May 2019 09.47 BST FROM: https://www.theguardian.com/music/2019/may/02/original-raggamu ffin-jah-stitch-pioneering-reggae-vocalist-dies-aged-69 Jah Stitch on Princess Street, downtown Kingston in 2011. Photograph: Mark Read The Jamaican reggae vocalist Jah Stitch died in Kingston on Sunday aged 69, following a brief illness. Although not necessarily a household name abroad, the “original raggamuffin” was a sound system toaster and DJ who scored significant hits in the 70s, later working as an actor and appearing in an ad campaign for Clarks shoes. Born Melbourne James in Kingston in 1949, he grew up with an aunt in a rural village in St Mary, northern Jamaica, since his teenage mother lacked the financial means to care for him. He later joined her in bustling Papine, east Kingston, but conflict with his father-in-law led him to join a community of outcasts living in a tenement yard in the heart of the capital’s downtown – territory aligned with the People’s National party and controlled by the notorious Spanglers gang, which James became affiliated with aged 11. As ska and rock steady gave way to the new reggae style on the nascent Kingston music scene, young James became a regular fixture of sound system dances. He drew his biggest inspiration from the Studio One selections presented by Prince Rough on Sir George the Atomic, based in Jones Town, and the microphone skills of Dennis Alcapone on El Paso, based further west at Waltham Park Road. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
The Dub Issue 28 September 2018
1 2 Editorial Dub Cover photo – Natty HiFi (Garvin Dan & Leo B) at Elder Stubbs Festival 2018) Dear Reader, Welcome to issue 28 for the month of Zebulon. Festivals big and small this month – Leo B returned to Boomtown to record their 10th anniversary and interviewed the legendary Susan Cadogan. Meanwhile the Natty HiFi crew returned to the Elder Stubbs Festival, held at Rymers Lane Allotments in Oxford for the tenth year in a row and Dan-I reached Notting Hill Carnival once again. Tune in for reports from the One Love Festival next month. We finally interview one of our own writers this month, giving Steve Mosco his due respect as founder of the Jah Warrior sound and label, as well as the pioneering online reggaemusicstore. I also get to review my teenage heroes Fishbone who came on a brief tour to the UK, now busy supporting the revitalized Toots and the Maytals (who play in Oxford on Saturday 13th October at the O2) and George Clinton’s Parliament/Funkadelic on some of their US dates. We have a new column by the founder of The Dub, Natty Mark Samuels, who brings us African Herbsman, which this month gives us advice from the motherland about herbs for the treatment of asthma. We also have our regular Cornerstone and From The Roots Up columns. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/Dvds) D-48159 MÜNSTER KONTO NR
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 01.02.2003 BIS 01.03.2003) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 1,00 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ *** CDs *** HORACE ANDY....................... OUTTA DE VAULT (14 NEW TRACKS) PLUSH/POP CORN. (USA) (02/03). 20.99EUR MAYA ANGELOU...................... MISS CALYPSO.................. LIBERTY/REV-OLA (GBR) (57/03). 19.49EUR CALY ANTHONY B......................... STREET KNOWLEDGE (16 NEW TR.). ON THE CORNER.. (FRA) (02/03). 18.99EUR HEADLEY BENNETT................... POOLSIDE REGGAE (SAX INSTRUM.) REGGAE TODAY... (USA) (02/03). 19.99EUR BUSHMAN (RE-RELEASE).............. LIVE AT THE OPERA HOUSE....... ON THE CORNER.. (FRA) -
Lot No Description Estimate Estimate Description Lot No
Lot No Description Estimate Lot No Description Estimate 1 E. Leitz Wetzlar monocular microscope, £140-£180 12 A metal "Morgan" advertising sign; the £40-£50 brass and japanned barrel and support, sign depicting two occupied cars and three Leitz objectives, circular rotation the words "Motoring for the Millennium", stage, condenser on a horseshoe base, approx 40 x 30 cms (af), a "Cyclists' with a Leitz Wetzlar zeichenocular, Touring Club" life membership three further objectives and a optical application certificate, the front precision instrument in the original fitted depicting racing cards from year 1931 leather E.Leitz case, the whole to 1941, approx 32 x 26 cms, glazed contained in a mahogany case with key and framed, a framed cork board with a and carry handle. selection of badges pinned to the board, approx 22 x 17 cm, a Crawley 2 Four 19th century French gilt brass £100-£150 Down Coronation Souvenir Programme, plaques, the oval plaques depicting a Harvey & Son, Bridge Wharf Brewery, cherub musicians, approx 30 x 18 cms, Lewes plaque dd 1990, a Catford mounted and framed. Cycling Club Fancy Dress Ball Dance 3 Two antique table top collectors chests, £40-£60 Card, various programmes and with six graduated drawer slides, cigarette cards, an East Grinstead approx 33 x 30 x 25 cms. Cycling Club badge, a Mark Twain Tablet (school items) in a suede pouch, 4 Portrait mIniature of the Queen Mother, £100-£150 a Mazda watch in a round silver metal monogram ML, dated 1954, approx 8 x case, a Schuco Grand Prix model of a 9.5 cms together with a sepia racing car and a toy bicycle. -
Junior Kelly – “Urban Poet”
Junior Kelly – “Urban Poet” Label: Irievibrations Records Produced by: Irievibrations Records Distribution by: Groove Attack Digital Download Release: 09-10-2015 Junior Kelly, who is among Jamaica’s finest Conscious Voices, Songwriter extraordinaire and Reggae Music’s most prolific exponent, is set to release his 10th studio album for Austrian based label Irie Vibrations. It is scheduled for release on October 9, 2015. Junior Kelly feels confident that this album will be a game changer similar to his mega hit “Love so Nice”, and hopes that it will shine a light on Reggae Music and provide Reggae fans with much needed salvation, substance and food for thought, to uplift them in these difficult times. The album is a Masterpiece that Junior Kelly describes as “Pop Culture”, where Roots & Culture meets Pop, which is an eclectic mix culminating with incredible live riddims, exciting musicianship and vocal artistry at its best. Junior Kelly claims it as his best work to date and is extremely happy with the outcome, as it is the first time he was able to have such artistic freedom. He states “it was an absolute pleasure working with Irie Vibrations as they listened to me and gave me full autonomy to express myself.” The album has 16 beautiful tracks which encompass more than just Reggae, a little dancehall, RnB, Soul, Jazz and shows the artiste’s growth and maturity, from the Reggae infused “High Hopes”, “Power to the People”, “Nuh Dig It Up” to the smooth RnB tracks “Sneak Peek”, “Stay With Me” and “In Love” to the soul searching “No one is Higher” and “Everybody Needs Somebody” to the Jazzy “Hooked on Mary”, this album will leave you on a musical high! It was Junior Kelly’s game changing roots reggae mega hit single “Love So Nice” that established him as a star throughout Jamaica in the year 2000. -
Order Form Order Form
CD: £9.49 (Samplers marked* £6.49) LP: £9.49 ORDER FORM Postage &Packing: Jamaican Recording/ Kingston Sounds 1 x CD = 0.95p + 0.35p for every additional item PO BOX 32691 London W14 OWH 1 x LP = £1.95 + .85p for every additional item JAMAICAN www.jamaicanrecordings.com Total x 2 for Europe Total x 3 for Rest of the World (ROTW) RECORDINGS [email protected] If mixed please contact us. CAT NO. TITLE VINLY (QTY) CD (QTY) SUB TOTAL £ JR001 KING TUBBY 'LOST TREASURES' £ JR002 AUGUSTUS PABLO 'DUBBING WITH THE DON' £ JR003 THE REVOLUTIONARIES AT CHANNEL 1 £ JR004 LEE PERRY 'SKANKING WITH THE UPSETTER' £ JR005 THE AGGROVATORS 'DUBBING IT STUDIO STYLE' £ JR006 SLY & ROBBIE MEET BUNNY LEE AT DUB STATION £ JR007 HORACE ANDY'S DUB BOX 1973 - 1976 £ JR008 JAMAICAN RECORDINGS 'DUB SAMPLER' £ JR009 'DUBBING AT HARRY J'S 1970-1975 £ JR010 LINVAL THOMPSON 'DUB STORY' £ JR011 NINEY THE OBSERVER AT KING TUBBY'S £ JR012 BARRY BROWN 'STEPPIN UP DUB WISE' £ JR013 DJ DUBCUTS 'DUBBING WITH THE DJS' £ JR014 RANDY’S VINTAGE DUB SELECTION £ JR015 TAPPA ZUKIE ‘DUB EM ZUKIE’ £ JR016 KING TUBBY ‘DUB MIX UP’ £ JR017 DON CARLOS ‘INNA DUB STYLE’RARE DUBS 1979 - 1980 £ JR018 JAMAICAN RECORDINGS 'DUB SAMPLER' VOL 2 * £ JR019 TREASURE ISLE IN DUB – RARE DUBS £ JR020 LEROY SMART – MR SMART IN DUB £ JR021 MAX ROMEO – CRAZY WORLD OF DUB £ JR022 SOUL SYNDICATE – DUB CLASSICS £ JR023 AUGUSTUS PABLO MEETS LEE PERRY/WAILERS £ JR024 RONNIE DAVIS – ‘JAMMIN IN DUB’ £ JR025 KING JAMMY’S DUB EXPLOSION £ JR026 PROFESSIONALS MEETS THE AGGRAVATORS AT JOE GIBBS £ JR027 DYNAMIC ‘DUBBING AT DYNAMIC SOUNDS’ £ JR028 DJ JAMAICA ‘INNA FINE DUB STYLE’ £ JR029 SCIENTIST - AT THE CONTROLS OF DUB ‘RARE DUBS 1979 - 1980’ £ JR030 JAMAICAN RECORDINGS ‘DUB SAMPLE VOL. -
The Dub Issue 29 October 2018
1 Burning Spear by Ras Haile Mecael. Contact Ras Haile Mecael on Facebook or via the Art of Rastafari group on Facebook for other heart works. 2 Editorial Dub Cover photo – Instrument Of Jah mandala, Dubshack tent, One Love Festival 2018. Painting on slate by Mystys Myth, photo by Dan-I Dear Reader, Welcome to issue 28 for the month of Dan. Firstly, apologies to our regular writer Eric Denham, whose Alton Ellis piece should have appeared in the singer’s birth month of September. Afrikan History Season swings into full gear this month in Oxfordshire, with the opening of the Windrush Years exhibition at the Museum of Oxford and the conference on the legacies of Emperor Haile Selassie I. A huge thank you to the organisers of the One Love Festival and all the artists and performers for making us feel truly welcome. I hope the reviews do the event justice. As for local events, Reggae On Tap goes from strength to strength and new venture Enjoy Yourself starts this month at The Swan in Eynsham on a regular basis thanks to long time The Dub contributor Richie Roots. Finally a big thank you to Prince Jamo and Messenger Douglas for a pair of fantastic interviews, tune in next month for the first in our Tales From Birmingham. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. While this allows for artistic freedom, it also means that money for printing is very limited. -
G-Mac Biography
G-MAC BIOGRAPHY What could it be about fast-rising sing-jay, G-Mac, why he is highly favoured by music industry types, including the big names of the business? From cultural sing-jay Sizzla to crooners Natty King and Bushman, G-Mac has been embraced by some of the most influential music practitioners, several of whom are solidly in his corner, rooting for G-Mac’s ascension to the top. But it is not only music industry types who are impressed with the superstar on the rise, as fans of reggae and dancehall have latched on to the music of the comely sing-jay. His breakout, critically acclaimed number, Vampires, has been burning up the airwaves and flying off the shelves. G-Mac’s follow-up, Girl You Got Me Going On, produced on his very own Royalty Records, has also garnered radio staple status. The singles have been keeping the dancehall crowd dancing, becoming a favourite of the most prominent sound systems and selectors. This newfound success G-Mac accepts with graciousness. “I just give thanks to all the people who have been supporting the cause,” he submits. “I am happy that my works are being appreciated. There is no greater joy than knowing that what I put out there is being accepted.” With disarming good looks, crisp, distinct vocal attributes and personable characteristics, G-Mac is knocking down the doors of superstardom while knocking everyone off their feet. His brand of music spans the gamut from cultural, reality message music to party floor themes and affairs-of-the-heart lovers odes. -
The Riddim Method: Aesthetics, Practice, and Ownership in Jamaican Dancehall1
Popular Music (2006) Volume 25/3. Copyright © 2006 Cambridge University Press, pp. 447–470 doi:10.1017/S0261143006000997 Printed in the United Kingdom The riddim method: aesthetics, practice, and ownership in Jamaican dancehall1 PETER MANUEL† and WAYNE MARSHALL‡ †127 Park Ave, Leonia, NJ 07605, USA ‡88 Holworthy Street, Cambridge, MA 02138, USA Abstract The Jamaican system of recording and performance, from the 1950s to the present, constitutes a distinctive approach to notions of composition, originality and ownership. Emerging from a tradition of live performance practice mediated by (and informing) sound recordings, the relative autonomy of riddims and voicings in the Jamaican system challenges conventional ideas about the integrity of a song and the degree to which international copyright law applies to local conceptions, as enshrined in decades of practice, of musical materials as public domain. With the spread of the ‘riddim method’ to the sites of Jamaican mass migration, as evidenced by similar approaches in hip hop, reggaeton, drum’n’bass and bhangra, reggae’s aesthetic system has found adherents among artists and audiences outside of Jamaica. This paper maps out, through historical description, ethnographic data, and musical analysis, the Jamaican system as a unique and increasingly influential approach to music-making in the digital age. The advent of commercial, mass-mediated popular music genres in the twentieth century has contributed to the spread, in many music cultures worldwide, of a certain conventional ‘mainstream’ form of song, comprising an original, autonomous and reproducible entity with a relatively unique integration of lyrics, melody and chordal accompaniment. In mainstream Western music culture, the thirty-two-bar AABA structure, perhaps repeated twice or thrice with some sort of variation, constituted a quintessential type of this conventional song form.