New Music Composers
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1 MAPEH 10-MUSIC HANDOUTS WEEK 2 Quarter 3 New Music Composers Composers of experimental New Music in the Philippines include Josefino “Chino” Toledo, Lucrecia Kasilag, Jerry Dadap, Manuel Maramba, Jonas Baes, Ramon Santos, Francisco Feliciano and Jose Maceda. These composers retained the Filipino spirit by incorporating traditional music forms as well as indigenous rhythms and instruments in their compositions. Josefino “Chino” Toledo (1959) Born: March 6, 1959 Musical Style: is the founding music director of the Metro Manila Community Orchestra, the UP Festival Orchestra, and the Crosswave Symphony Orchestra. He is noted for conducting the premiere performances of the works of Filipino composers as well as other Asian composers. His own musical compositions have been performed by well-known international artists and ensembles. Compositions: Oyog-oyog, 2nd Og-og, Abe, Ako ang Daigdig, Alitaptap, Aliw-iw, Awiting Bayan, Barasyon, Asia, Kah-non, Humigit Kumulang, Lima, Mi-sa, Missa de Gallo, Musika para sa Pasyon ay Buhay,Pompyang, Pintigan,Pilipino Komiks, Sigaw, Tatluhan, Auit, Ub-og, Ug-nay, Tula-li. Lucrecia R. Kasilag- (1918-2008) National Artist for Music Born: August 31, 1918 in San Fernando La Union. Musical Style: demonstrated a fusion of Eastern and Western styles in using instruments, melody, harmony, and rhythm. She is particularly known for incorporating indigenous Filipino instruments into orchestral productions. Compositions : Toccata for Percussion and Winds, The Legend of the Sarimanok, Divertissement and Concertante, Dularawan. Passed away: August 2008 in Manila. Jerry A. Dadap- (1935) Born: November 5, 1935 in Hinunangan, Southern Leyte. Musical Style: The first Filipino composer to conduct his own works at the Carnegie Recital Hall in New York City, started composing when he was still studying at Silliman University in southern city of Dumaguete. Compositions: Andres Bonifacio, Ang Dakilang Anak Pawis, Mangamuyo, Tubig ng Buhay, Dakilang Pagpapatawad, Ang Pag-ibig ng Diyos, Lam-ang Epic, Lorenzo Ruiz, Dios Ama ay Purihin. Fr. Manuel P. Maramba, OSB- (1936) Born: July 4, 1936 in Pangasinan. Musical Style: one of the most accomplished musicians in the Philippines, is best known as a liturgical composer whose body of works leans towards religious figures and events. His versatility as a pianist, composer, arranger, theorist, and teacher is widely recognized. Compositions: Aba! Sto. Nino, La Naval, Lord Takayama Ukon, Awakening; Seven Mansion; Papal Mass for World Youth Day 1995; Mass in Honor of San Lorenzo Ruiz; Mass in Honor of Sto. Nino; Three Psalm; Pugad Lawin; Ang Sarswela sa San Salvador Jonas Baes (1961) Born: in Los Banos, Laguna in 1961 Musical Style: Associate Professor in Composition and Theory, ethnomusicologist, cultural activist, and writer, has explored innovative territories and unusual musical treatments in his works. He is known for writing music utilizing unorthodox musical instruments such as bean pod rattles, leaves, iron-nail chimes, various Asian instruments such as bamboo scrapers and bamboo flutes, and vocal music using Asian vocal techniques. Compositions: WALA(Nothingless), DALUY(Flow), IBON-IBON(Birdwoman), SALAYSAY, PATANGIS BUWAYA (And the Crocodile Weeps), PANTAWAG (Music for Calling People), BASBASAN (Blessing). Ramon P. Santos- (1941) National Artist for Music Born: February 25, 1941 in Pasig. Musical Style: features chromaticism, music seria, and electronic components, combined with indigenous Philippine music elements. He held the position of Dean of the UP College of music from 1978 to 1988. At present, he is the head of the UP Center of Ethnomusicology and was appointed Professor Emeritus of the same institution. Compositions: Ding Ding nga Diyawa, Nabasag na Banga, at iba’t iba pang Pinag- ugpong-ugpong na Pananalita sa Wikang Pilipino para sa labing anim na tinig; L’BAD Francisco F. Feliciano- (1942-2014) National Artist for Music Born: February 19, 1942 in Morong, Rizal. Musical Style: is one of Asia’s leading figures in liturgical music, having composed hundreds of liturgical pieces, Mass settings, hymns, and songs for worship. At the Asian Institute for liturgy and Music, a school for church musicians which he founded, he supervised the publication of a new Asian hymnal containing mostly works of Asian composers. Compositions: Sikhay sa Kabilang Paalam; La Loba Negra; Prelude and Toccata; Fragments; The Life of Wartime Filipino Hero; Jose Abad Santos; Transfiguration; Missa Mysterium; Pokpok Alimpako; Salimbayan; Umiinog, Walang Tinag; Pamugun; Restless. Jose M. Maceda- (1917-2004) National Artist for Music Born: January 17, 1917 in Manila. Musical style: profoundly influenced when he encountered the music of the indigenous tribes of Mindoro in 1953. He then embarked on his life’s work, dedicated to the understanding and preservation of Filipino traditional music. His extensive research and fieldwork resulted in an immerse collection of recorded music taken from the remote mountain villages and far-flung inland communities in the Philippines. Compositions: Ugma-ugma, Agungan, Pagsamba, Ugnayan, Udlot-udlot. Passed away: May 5, 2004 in Manila Activity 1 Describe Me! Direction: Point out the characteristics of the musical style of the above-mentioned Filipino composers. 1. Jose Maceda ____________________________________ 2. Lucrecia Kasilag ____________________________________ 3. Jerry Dadap ____________________________________ 4. Fr. Manuel Maramba ____________________________________ 5. Ramon Santos ____________________________________ 6. Francisco Feliciano ____________________________________ 7. Josefino Toledo ____________________________________ 8. Jonas Baes ____________________________________ Activity 2: I Can See Your Voice! Directions: Listen, study and sing the song “Kay Ganda Ng Ating Musika” by Ryan Cayabyab and record your performance to your mobile phone and send it to our MAPEH-10 Group Chat. Be guided with the provided rubrics below. Here is the link of Kayganda ng Ating Musika: https://www.youtube.com/watch?v=fzv2FsJFmqA Rubrics for the Singing Performance (Let’s sing it!) Criteria Excellent Very good Average Poor 20 points 17 points 14 points 12 points Pitch/Melody Pitch is Matches Heavy voice Shouting accurate pitch with voice few error Rhythm/Beat Rhythm and Rhythm and Sometimes Oftentimes beat is beat are too fast or are too fast or accurate mostly too slow too slow accurate Vocal/Timber Sing entire Sings with1- Sings with Sing entire song with 2 lapses 3-4 lapses song out of vocal tone vocal tone Expression/Phrasing Expression Expression Sometimes Inappropriate is is generally appropriate expression appropriate appropriate has limited to the song has breath being sung adequate control breath control WEEK 2 P.E. Active Recreation Quarter 3 (Street and Hip-hop Dances) Points to remember Street dance refers to dance styles that have evolved outside of dance studios. It is performed in streets, dance parties, parks, school yards, or in any available space. It is often improvisational and social in the nature, encouraging interaction and contact with spectators and other dancers. A full street dance is a collection of various similar dance moves and styles put together into one practice and regarded as the same dance. Hip-hop is a cultural movement best known for its impact on music in the form of the musical genre of the same name. It has its origins in the Bronx, in New York City, during the 1970s, mostly among African Americans and some influence of Latin Americans. Hip-hop culture is composed of the pillars such as DJ- ing, rapping, breakdancing, and graffiti art Hip-hop dance, on the other hand, refers to street dance styles primarily performed to hip- hop music or that have evolved as part of hip-hop culture. Hip-hop music incorporates a number of iconic elements, most notably DJing and rapping, along with things like beat boxing, sampling, and juggling beats on turntables STREET AND HIP-HOP DANCE STYLES B-Boying B-boying or breaking, also called breakdancing, is a style of street dance and the first hip-hop dance style that originated among Black and Puerto Rican youths in New York City during the early 1970s. A practitioner of this dance is called a b-boy, b-girl, or breaker. Although the term breakdance is frequently used to refer to the dance, b-boying and breaking are the original terms. Four Movements: Toprock footwork - oriented steps performed while standing up Downrock - footwork performed with both hands and feet on the floor Freezes - stylish poses done on your hands Power moves - comprise full-body spins and rotations that give the illusion of defying gravity Popping Popping was popularized by Samuel Boogaloo Sam Solomon and his crew the Electric Boogaloos. It is based on the technique of quickly contracting and relaxing muscles to cause a jerk in a dancer’s body. Popping forces parts of the body outwards, similar to an explosion within parts of your body. Popping also contracts muscles, but it is followed by relaxation that gives it the jerking appearance of popping Locking Locking or campbellocking, was created by Don Campbellock in 1969 in Los Angeles, California. It was popularized by his crew, The Lockers. Locking can be identified by its distinctive stops. It is usually performed by stopping the fast movement that you are doing, locking your body into a position, holding it, and then continuing at the same speed as before. In locking, dancers hold their positions longer. The lock is the primary move used in locking. It is similar to a freeze or a sudden pause. A locker’s dancing is characterized by frequently locking in place and after a brief freeze moving again. Krumping Krumping is a form of dancing that originated in the African-American community of South Central Los Angeles, California and is a relatively new form of the “Urban” Black dance movement. It is free, expressive and highly energetic. Most people paint their faces in different designs. Krumping is a dance style to release anger. It is reported that gang riots in the United States decreased because of krumping style. Tutting It is a creative way of making geometric shapes forming right angle using your body parts.