2011 PY Chapter 6

Total Page:16

File Type:pdf, Size:1020Kb

2011 PY Chapter 6 6 Education and Culture Introduction Q uality education and information links the country to progress and economic development thus educational Institutions are constantly improving, providing, equipping and broadening the educational system and the individuals’ knowhow in dealing with his environment. The principles of the Aquino administration on education are guided by the 10 Point Basic Education Agenda. These are: A 12-year basic education cycle, universal pre-schooling for all, establish the Madaris Education as a sub- system in the current educational system, re-introduce technical and vocational education in public high schools, every child a reader by Grade I, improve science and mathematics, expand government assistance to private education, use of mother-language instruction, better textbooks, and build more schools in cooperation with LGUs. CHED in 2010, was on its last year of implementation of the Medium- Term Development Plan for Higher Education 2005-2010 that includes continued acquisition of additional equipment for information systems, and help to promote, direct and support the research and extension function of Higher Education Institutions (HEIs) in order to produce high quality research that will advance learning and national development as well as international comparability of Philippine higher education. Evaluating and monitoring of universities and university system, alternative learning systems, scholarships and student auxiliary services and other CHED Inter-agency linkages were also part of the programs and project of the department. Budgetary allocation for education in 2010 was PhP188.85 billion broken down as follows: DepEd PhP161.19 billion, CHED1.67 billion, State Universities and Colleges PhP22.40 billion, and TESDA PhP2.89 billion. This chapter presents the accomplishments and development programs of the government for the education sector. 6.1 The Philippine Educational System Republic Act 9155 otherwise called the Governance of Basic Education Act transformed the name of the Department of Education, Culture and Sports (DECS) to Department of Education (DepEd) in August 2001. It provides the overall framework for (i) school head empowerment by strengthening their leadership roles and (ii) school-based management within the context of transparency and local accountability. The goal of basic education is to provide the school age population and young adults with skills, knowledge, and values to become caring, self reliant, productive and patriotic citizens. Education and Culture Formal Education Formal education refers to the hierarchically structured and chronologically graded learnings organized and provided by the formal school system and for which a certification is required for the learner to progress through the grades or move to higher levels. K to 12 starts with Universal kindergarten which mandates all public elementary schools to offer kindergarten class and accept 5-year old learners beginning 2011. It is followed by six years of Elementary, four years of Junior High School, and two years of Senior High School where students will pursue their preferred career track depending on their skills and inclination. K to 12 does not preclude students from pursuing a college degree and gives them better preparation for the rigors of higher education. One to two years of postsecondary nondegree technical or vocational education is also considered formal education. Preschool education. Preschool education complements elementary education. This level aims to guide children in the development of their potentials, proper attitude, and behavior through chronologically sequenced learning experiences. Preschool education is mostly offered by the private sector. However, realizing the importance of preschool education in upgrading the quality of education, all public schools starting 2011 are mandated to offer and adopt the policy of requiring schoolchildren to undergo preschool education before admission to the elementary level. Elementary education. Public elementary education is entirely subsidized by the national government as mandated by the Constitution. The elementary education program is designed to give six years of basic literacy, numeracy, thinking, and work skills to enhance the children’s learning capabilities and values. The normal age bracket for schoolchildren in this level is from seven to 12 years old. Starting school year (SY) 1994-95, however, the age of entry for elementary level was lowered to six-and-one-half years old. This was further lowered to six years old in the SY 1996-97. This means that six-year-old children may now be admitted in Grade 1. Top education officials reasoned out that it is ideal for children to go to school at an earlier age because of the children’s high absorption capacity. This policy has long been adopted and implemented by many countries in the world. Secondary education. Graduates of the elementary course are admitted to the secondary course. This level is the continuation of general education given in the elementary level and serves as preparation for vocational or college education. Tertiary education. Students who have completed secondary education can be admitted to the collegiate or university level. The scope of tertiary education covers all postsecondary courses ranging from one- or two-year vocational or technical courses to four- or five-year degree and professional programs (higher NSO 2010 Philippine Yearbook education), including graduate education at the master’s and doctoral levels. Tertiary education is the chief source of professionals, as well as skilled and semiskilled workforce needed by the country. Consistent with the aims of education, tertiary education is geared to enable the Filipinos to develop their full potentials for self-actualization and productivity. Vocational or technical education. Vocational-technical (VT) education is an integral part of the educational program of the country. Students under this program are also required to finish secondary education and undergo the formally organized and structured school system. Its primary objective is the development of a strong and appropriately trained middle-level skilled work force that possesses the capabilities supportive of national development. All postsecondary or nondegree VT courses range from six months to two years. In 2010 enrolment in vocational-technical education in the country, TVET as it is now called, decreased by almost 21 percent from 1,984,646 students in 2009 to 1,568,617 in 2010. More students in the National Capital Region (NCR) availed of the program as they numbered to 305,336 or 19.5 percent of the total. Region IV-A (CALABARZON) followed with 251,000 enrollees or 16.0 percent of the total. No registered enrollees was recorded in Autonomous Region in Muslim Mindanao (ARMM) Meanwhile, about 85.7 percent of the registered students in TVET Program in 2010 graduated at a total of 1,344,371. As expected, NCR, having the highest number of enrollees had also the highest number of graduates (232,661 or 17.3 %). Southern Mindanao had the least number of graduates recorded at 22,330 or only 1.7 percent of the total graduates. Nonformal Education and Training Nonformal education (NFE) is for individuals who are unable to avail of the facilities of formal education. It is any organized, structured, and systematic educational activity going on outside the established formal educational system and provides selected types of learning to particular groups of population. These groups are supplied with instructional materials relevant to their training. NFE is designed to help solve the unemployment and underemployment problems of the country by equipping the adults and youths who are unable to undergo formal schooling with employable skills in short-term nondegree courses. Basic literacy skills, reading, writing, and numeracy skills are likewise strengthened in this system. Enhancing the poor's capacity to engage in self-help and community development is the desired end of all nonformal education programs operating in the country today. To have an extensive strategy for this, the government partners actively with non-government organizations (NGOs) in seeding community-based literacy programs. Education and Culture 6.2 Educational Institutions The country’s educational system is comprised of several institutions varying from government and private preschools, to elementary and secondary schools, colleges and universities, VT schools, and special schools. Free government elementary and secondary schools have been established in many barangays throughout the country. Students who cannot be admitted in government or public high schools may still avail of the free secondary education by enrolling in private schools at government's expense, through a DepEd program. Some of the secondary and postsecondary schools are private-stock (nonsectarian) or nonstock corporations (sectarian schools, foundations, and corporation schools). Public colleges and universities are classified into three categories, as follows: 1. Chartered state universities and colleges are institutions that enjoy autonomy under a self-governing board of regents, chaired by the Secretary of the Department of Education (DepEd) or by his or her designated representative. 2. Nonchartered state colleges and universities are higher educational institutions offering higher education courses. Many of them evolved from technical schools, such as schools of arts and trades (SATs), agriculture, and others.
Recommended publications
  • Music in the Heart of Manila: Quiapo from the Colonial Period to Contemporary Times: Tradition, Change, Continuity Ma
    Music in The Heart of Manila: Quiapo from the Colonial Period to Contemporary Times: Tradition, Change, Continuity Ma. Patricia Brillantes-Silvestre A brief history of Quiapo Quiapo is a key district of Manila, having as its boundaries the winding Pasig River and the districts of Sta. Cruz, San Miguel and Sampaloc. Its name comes from a floating water lily specie called kiyapo (Pistia stratiotes), with thick, light-green leaves, similar to a tiny, open cabbage. Pre-1800 maps of Manila show Quiapo as originally a cluster of islands with swampy lands and shallow waters (Andrade 2006, 40 in Zialcita), the perfect breeding place for the plant that gave its name to the district. Quiapo’s recorded history began in 1578 with the arrival of the Franciscans who established their main missionary headquarters in nearby Sta. Ana (Andrade 42), taking Quiapo, then a poor fishing village, into its sheepfold. They founded Quiapo Church and declared its parish as that of St. John the Baptist. The Jesuits arrived in 1581, and the discalced Augustinians in 1622 founded a chapel in honor of San Sebastian, at the site where the present Gothic-style basilica now stands. At about this time there were around 30,000 Chinese living in Manila and its surrounding areas, but the number swiftly increased due to the galleon trade, which brought in Mexican currency in exchange for Chinese silk and other products (Wickberg 1965). The Chinese, noted for their business acumen, had begun to settle in the district when Manila’s business center shifted there in the early 1900s (originally from the Parian/Chinese ghetto beside Intramuros in the 1500s, to Binondo in the 1850s, to Sta.Cruz at the turn of the century).
    [Show full text]
  • Cruising Guide to the Philippines
    Cruising Guide to the Philippines For Yachtsmen By Conant M. Webb Draft of 06/16/09 Webb - Cruising Guide to the Phillippines Page 2 INTRODUCTION The Philippines is the second largest archipelago in the world after Indonesia, with around 7,000 islands. Relatively few yachts cruise here, but there seem to be more every year. In most areas it is still rare to run across another yacht. There are pristine coral reefs, turquoise bays and snug anchorages, as well as more metropolitan delights. The Filipino people are very friendly and sometimes embarrassingly hospitable. Their culture is a unique mixture of indigenous, Spanish, Asian and American. Philippine charts are inexpensive and reasonably good. English is widely (although not universally) spoken. The cost of living is very reasonable. This book is intended to meet the particular needs of the cruising yachtsman with a boat in the 10-20 meter range. It supplements (but is not intended to replace) conventional navigational materials, a discussion of which can be found below on page 16. I have tried to make this book accurate, but responsibility for the safety of your vessel and its crew must remain yours alone. CONVENTIONS IN THIS BOOK Coordinates are given for various features to help you find them on a chart, not for uncritical use with GPS. In most cases the position is approximate, and is only given to the nearest whole minute. Where coordinates are expressed more exactly, in decimal minutes or minutes and seconds, the relevant chart is mentioned or WGS 84 is the datum used. See the References section (page 157) for specific details of the chart edition used.
    [Show full text]
  • PHILIPPINE Fieen-Yearindex STUDIES (1978-1 992) - - AUTHOR-SUBJECT-TITLE INDEX
    PHILIPPINE Fieen-yearindex STUDIES (1978-1 992) - - AUTHOR-SUBJECT-TITLE INDEX BOOKS REVIEWED 8 1 ABBREVIATIONS: auth. author comp. compiled; compiler ed. edited; editor jt. auth. joint author jt. ed. pint editor R. Reviewer tr. translated; translator Philippine Studits is published quarterly at the Ateneo de Manila University Press, Loyola Heights, Quezon City. Address all communications to P.O. Box 154, Manila 1099, Philippines. This quarterly is not responsible for statements and opinions expressed in signed articles and reviews. Such statements and opinions are the authds own, and do not necessarily reflect the opinion of the editors. Domestic subscription rates: one year PWO;two years P450; single copy P70. Elsewhere: one year US $32; two years $60; single copy $9. All back issues WO, $9. Editor-in-Chief Joseph A. Galdon, S.J. Associate Editors Assistant Editors Evelyn T. CuUamar Viginia G. Abiid Doreen G. Fernandez Rene B. Javellana, S.J. Florentino H. Hornedo Stephen Henry S. Totanes Ma. Luz C. Vies Book Rmim Editor Danton R. Remoto Copy Editor Publicrrtion Consultant Pamela del Rosario Castrillo Esther M. Pacheco CONTRIBUTIO~Sto Philippine Studies are welcome. Send two copies of all manuscripts (and/or diskette if possible) to: The Editor, Philippinc Studis,' Ateneo de Manila University Press, P.O. Box 154, Manila 1099. Entered as second class mail at the Manila Post Office on 25 August 1953. Copyright 1995 by the Ateneo de Manila. All rights rese~ed.ISSN No. 0031-7837. AUTHOR-SUBJECT-TITLE INDEX ABACA INDUSTRY. "American colonial policy and the Japanese abaca in- dustry in Davao, 1898-1941," by S.
    [Show full text]
  • Module 1: Arts and Crafts of Mindanao
    Republic of the Philippines Department of Education Regional Office IX, Zamboanga Peninsula 7 Zest for Progress Zeal of Partnership ARTS Quarter 3 - Module 1: Arts and Crafts of Mindanao Name of Learner: ___________________________ Grade & Section: ___________________________ Name of School: ___________________________ WHAT I NEED TO KNOW In this module, you will be learning the different arts and crafts of Mindanao – the salient features of arts of Mindanao by showing the relationship of the elements of arts and processes among the diverse cultural communities in the country. Thus, you will also learn how lines, shapes, forms, value, color, texture and space give more meaning and significance to an artwork. This module will help you explore the arts of people of Mindanao and how animism and the Islamic religion fused together and produced a uniquely Filipino artistic tradition. The arts and crafts of Mindanao include their cultural attire, textiles, tapestries, crafts, accessories and body ornaments which are a combination of designs from indigenous people that resides in the regions and the colorful and rich influence from their indigenous belief system. Most of their crafts are made of materials that are abundant in their areas. Their designs are derived from their surroundings and represent their cultural community. Some are used for religious activities while some have utilitarian functions and even became large industry for them. Even until now, the skills in weaving, sculpting and crafting have been an important part of their community. Thus, these become the people’s way of living and their means of survival. These are passed on from generation to generation.
    [Show full text]
  • The Workshop 2016 for Protection of Cultural Heritage in Kawit, Cavite and Manila, Republic of the Philippines
    The Workshop 2016 for Protection of Cultural Heritage in Kawit, Cavite and Manila, Republic of the Philippines 10-15 October 2016 &XOWXUDO+HULWDJH3URWHFWLRQ&RRSHUDWLRQ2I¿FH $VLD3DFL¿F&XOWXUDO&HQWUHIRU81(6&2 $&&8 $JHQF\IRU&XOWXUDO$IIDLUV-DSDQ The Workshop 2016 for Protection of Cultural Heritage in Kawit, Cavite and Manila, Republic of the Philippines 10-15 October 2016 Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) Agency for Cultural Affairs, Japan Edited and Published by Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 757 Horen-cho, Nara 630-8113 Japan Tel: +81 (0)742 20 5001 Fax: +81 (0)742 20 5701 e-mail: [email protected] URL: http://www.nara.accu.or.jp Printed by Meishinsha Ⓒ Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) 2017 Cover: Motif of the sun on the National Flag of the Philippines. It symbolises unity, freedom, people's democracy, and sovereignty. Preface The Cultural Heritage Protection Cooperation Office, Asia-Pacific Cultural Centre for UNESCO (ACCU) was established in August 1999 with the purpose of serving as a domestic centre for promoting cooperation in cultural heritage protection in the Asia- Pacific region. Subsequent to its inception, our office has been implementing a variety of programmes to help promote cultural heritage protection activities, maintaining partnerships with international organisations, such as UNESCO and the International Centre for the Study of the Preservation and Restoration of Cultural Property (ICCROM). The ACCU Nara’s activities include, training programmes for the human resources development, the international conference and seminar, the website for the dissemination of information relating to cultural heritage protection, and the world heritage lecture in local high schools.
    [Show full text]
  • August 30, 2013 Reliving the Filipino Classical Music Heritage
    Submitted on: August 30, 2013 Reliving the Filipino Classical Music Heritage: Preservation and Restoration of Philippine Art Music Manuscripts of the University of the Philippines-Diliman College of Music Iyra S. Buenrostro School of Library and Information Studies, University of the Philippines Diliman, Quezon City, Philippines [email protected] Johann Frederick A. Cabbab School of Library and Information Studies, University of the Philippines Diliman, Quezon City, Philippines [email protected] Copyright © 2013 by Iyra S. Buenrostro & Johann Frederick A. Cabbab. This work is made available under the terms of the Creative Commons Attribution 3.0 Unported License: http://creativecommons.org/licenses/by/3.0/ Abstract: This paper presents an overview of the classical era of music in the Philippines and the pre-war art music manuscript collection of the University of the Philippines (UP) College of Music that needs immediate preservation and restoration. The music scores included in this collection were created by renowned Filipino composers and National Artists for Music. It also discusses the initiatives done by the university and concerned faculty members and students to prolong the life and usability of these music scores, as they are still always being played in concert halls. This kind of archival music manuscripts restoration project is the first in the university since the UP College of Music Library does not have its own conservation facility. A simple laboratory was set up by the project proponents and the restoration process involves digital imaging of the originals, evaluation and documentation, deacidification, cleaning, mending, encapsulation and boxing/binding. Keywords: Philippine music, Filipino composers, art music manuscripts, preservation, restoration Music is said to be the language of the soul – a vibrant manifestation of oneself or an expression and evidence of culture and traditions of a group of people or an entire civilization.
    [Show full text]
  • Expressions of Tagalog Imaginary the Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959)
    ISSN: 0041-7149 ISSN: 2619-7987 VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio p. AfricA . UNITAS Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) . VOL. 89 • NO. 2 • NOVEMBER 2016 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Expressions of Tagalog Imaginary The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Antonio P. AfricA since 1922 Indexed in the International Bibliography of the Modern Language Association of America Expressions of Tagalog Imgaginary: The Tagalog Sarswela and Kundiman in Early Films in the Philippines (1939–1959) Copyright @ 2016 Antonio P. Africa & the University of Santo Tomas Photos used in this study were reprinted by permission of Mr. Simon Santos. About the book cover: Cover photo shows the character, Mercedes, played by Rebecca Gonzalez in the 1950 LVN Pictures Production, Mutya ng Pasig, directed by Richard Abelardo. The title of the film was from the title of the famous kundiman composed by the director’s brother, Nicanor Abelardo. Acknowledgement to Simon Santos and Mike de Leon for granting the author permission to use the cover photo; to Simon Santos for permission to use photos inside pages of this study. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November).
    [Show full text]
  • Discordant Order: Manila's Neo Patrimonial Urbanism
    Peter Murphy Pre-Publication Archive This is a pre-publication article. It is provided for researcher browsing and quick reference. The final published version of the article is available at: ‘Discordant Order: Manila’s Neo Patrimonial Urbanism’, Thesis Eleven: Critical Theory and Historical Sociology 112 (London: Sage, 2012), pp 10-34. 1 Discordant Order: Manila’s Neo Patrimonial Urbanism Peter Murphy and Trevor Hogan Manila is one of the world’s most fragmented, privatized and un-public of cities. Why is this so? This paper contemplates the seemingly immutable privacy of the city of Manila, and the paradoxical character of its publicity. Manila is our prime exemplar of the twenty-first century mega-city whose apparent disorder discloses a coherent order which we here call ‘neo- patrimonial urbanism’. Manila is a city where poor and rich alike have their own government, infrastructure, and armies, the shopping malls are the simulacra of public congregations once found in cathedrals and plazas, and where household order is matched by streetside chaos, and personal cleanliness wars with public dirt. We nominate the key characteristics of this uncanny approximation of chaotic and discordant order – a polyphonous and polyrhythmic social order but one lacking harmony – and offer a historical sociology, a genealogy that traces an emblematic pattern across the colonizing periods of its emergent urban forms into the contemporary impositions of gated zones and territories. The enduring legacy of patrimonial power to Manila is to be found in the households and on the streets that undermine and devalue public forms of social power in favour of the patriarch and his householders ( now relabeled as ‘shareholders‘ in ‘public companies’) at the cost of harmonious, peaceable and just public order.
    [Show full text]
  • Nytårsrejsen Til Filippinerne – 2014
    Nytårsrejsen til Filippinerne – 2014. Martins Dagbog Dorte og Michael kørte os til Kastrup, og det lykkedes os at få en opgradering til business class - et gammelt tilgodebevis fra lidt lægearbejde på et Singapore Airlines fly. Vi fik hilst på vore 16 glade gamle rejsevenner ved gaten. Karin fik lov at sidde på business class, mens jeg sad på det sidste sæde i økonomiklassen. Vi fik julemad i flyet - flæskesteg med rødkål efterfulgt af ris á la mande. Serveringen var ganske god, og underholdningen var også fin - jeg så filmen "The Hundred Foot Journey", som handlede om en indisk familie, der åbner en restaurant lige overfor en Michelin-restaurant i en mindre fransk by - meget stemningsfuld og sympatisk. Den var instrueret af Lasse Hallström. Det tog 12 timer at flyve til Singapore, og flyet var helt fuldt. Flytiden mellem Singapore og Manila var 3 timer. Vi havde kun 30 kg bagage med tilsammen (12 kg håndbagage og 18 kg i en indchecket kuffert). Jeg sad ved siden af en australsk student, der skulle hjem til Perth efter et halvt år i Bergen. Hans fly fra Lufthansa var blevet aflyst, så han havde måttet vente 16 timer i Københavns lufthavn uden kompensation. Et fly fra Air Asia på vej mod Singapore forulykkede med 162 personer pga. dårligt vejr. Miriams kuffert var ikke med til Manilla, så der måtte skrives anmeldelse - hun fik 2200 pesos til akutte fornødenheder. Vi vekslede penge som en samlet gruppe for at spare tid og gebyr - en $ var ca. 45 pesos. Vi kom i 3 minibusser ind til Manila Hotel, hvor det tog 1,5 time at checke os ind på 8 værelser.
    [Show full text]
  • SJ-56-3-With-Cover.Pdf
    ARTICLE AUTHOR 1 Silliman Journal A JOURNAL DEVOTED TO DISCUSSION AND INVESTIGATION IN THE HUMANITIES AND SCIENCES VOLUME 56 NUMBER 3 - JULY TO SEPTEMBER 2015 IN THIS ISSUE Lily F. Apura Victor Aguilan Rolando T. Bello Allan B. I. Bernardo Stella Concepcion R. Britanico Ian Rosales Casocot Feorillo A. Demeterio III Josefina T. Dizon Caroline Duque-Piñon Gabriel Jose T. Gonzales, SJ Gail Tan Ilagan Gwee Li Sui Rowell D. Madula Renato G. Maligaya Maria Luisa A. Mamaradlo Alana Leilani C. Narciso Jeffry Ocay Myla June T. Patron Renante D. Pilapil Maria Ana T. Quimbo Lope B. Robin JULY TO SEPTEMBER 2015 - VOLUME 56 NO. 3 2 ARTICLE TITLE The Silliman Journal is published quarterly under the auspices of Silliman University, Dumaguete City, Philippines. Entered as second class mail matter at Dumaguete City Post Office on 1 September 1954. Copyright © 2015 by the individual authors and Silliman Journal All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the authors or the publisher. ISSN 0037-5284 Opinions and facts contained in the articles published in this issue of Silliman Journal are the sole responsibility of the individual authors and not of the Editors, the Editorial Board, Silliman Journal, or Silliman University. Annual subscription rates are at PhP600 for local subscribers, and $35 for overseas subscribers. Subscription and orders for current and back issues should be addressed to The Business Manager Silliman Journal Silliman University Main Library 6200 Dumaguete City, Negros Oriental Philippines Issues are also available in microfilm format from University Microfilms International 300 N.
    [Show full text]
  • A Short History of the Philippine Sarsuwela (1879-2009)
    PHILIPPINE HUMANITIES REVIEW 149 A SHORT HISTORY OF THE PHILIPPINE SARSUWELA (1879-2009) NICANOR G. TIONGSON Introduction In the Philippines, the sarsuwela is a play with songs and dances that is usually written in colloquial prose. Containing from one to fi ve acts, it presents typical Filipino characters moving within the framework of a love story and engaged in confl icts arising from contemporary social, political, economic, or cultural issues. Th e sarsuwela is also called sarsuela, zarzuela, sarsuelet, drama lirico, operetta, sarsuyla, dulang hinonihan, dulang inawitan, or dulang may awit in the various languages of the country. Very typical are the story and characters of the most famous sarsuwela of all time—the phenomenal Dalagang Bukid, a three-act sarsuwela by librettist Hermogenes Ilagan and composer Leon Ignacio, which premiered at the Teatro Zorilla in Manila in 1919. Atang de la Rama, the sarsuwela’s star, claimed that it had at least 1,000 performances before it was restaged at the Manila Grand Opera House in 1940 as a benefi cio for Hermogenes Ilagan. In 1987, the play was restaged for Atang de la Rama by Tanghalang Pilipino of the Cultural Center of the Philippines (CCP) to celebrate Atang’s proclamation as National Artist for Th eatre and Music. pphrhr jjournal2010.inddournal2010.indd SSec1:149ec1:149 111/5/20101/5/2010 99:23:35:23:35 AAMM 150 TIONGSON Act 1 opens at the salon of a nightclub with an interesting set of habitués: senators and congressmen spending money on women; the American John and his Filipina girlfriend Petra; the bailarina (taxidancer) Miling and her admirer Parlong, a married man; and Cobang who arrives with her suitor Paco looking for her husband Parlong.
    [Show full text]
  • Archaeological Survey of Southern Zamboanga and the Sulu Archipelago
    Archaeological Survey of Southern Zamboanga and the Sulu Archipelago Received 24 June I968 ALEXANDER SPOEHR* HE Sulu Archipelago is of archaeological interest in that it. forms a southern route of T entry into the Philippines and in historic times was a trading center for the exchange of goods between the Moluccas, Borneo, Sulu itself, China, and mainland Southeast Asia. At the same time, it has had close relations with the_S9utl1~rn pjl.rt of the ZambQanga_ PeninsUla, aswellas wIth northern coastalBorneo (se;-Fig. I). Previous archaeological explorations in Zamboanga and Sulu are summarized in Beyer (1947:318-338). These had as their primary interest the recovery of Chinese and Southeast Asian trade ceramics, as exemplified by the Michigan survey (Guthe 1929) and the work of resident officials such as F. G. Roth. No stratigraphic excavations have ever been under­ taken in the area. During July and August 1967, I conducted an archaeological survey of the southern tip of Zamboanga Peninsula, J 010, and Siasi for the purpose of locating midden sites suitable for stratigraphic excavations. This note reports on the results of the survey. Survey collections are deposited at the National Museum, Manila. ARCHAEOLOGICAL SURVEY Certain practical problems confront any archaeological survey of the region. The southern tip of Zamboanga Peninsula has a good coastal road system linking the principal barrios. However, the limited road systems of Basilan and Jolo link a few coastal points by roads across each island, which makes land survey difficult, while other islands in the Sulu archi­ pelago lack road systems altogether. Consequently, survey by sea for the Sulu islands is imperative.
    [Show full text]