Miroslav Ilic

Total Page:16

File Type:pdf, Size:1020Kb

Miroslav Ilic HITOVI MIroslav ilic: Bozanstvena zeno Tebi... Jos te nesto cini izuzetnom Ova noc ima cudnu moc Jedan dan zivota Polomicu case od kristala Vino tocim a vino ne pijem Oj Rado radmila Pozdravi je pozdravi Devojka iz grada Luckasta si ti takav sam i ja Of, Jano Jano Lazu da vreme leci sve Nije zivot jedna zena SABAN SAULIC: Verujem u ljubav Kraljice moga Srca Sneg je opet Snezana S namerom podjoh u veliki grad Golubice Nismo vise tako mladi Kume brate Ako me trazis u nekom drugom Sadrvani Zal Odlazis odlazis Hvala ti za ljubav Sve sam s tobom izgubio Mitar Miric Ne svani zoro mlada Palim zadnju cigaretu Voli me danas vise nego juce Zivela zivela ljubav Nasao sam pravu Umrecu bez tebe Jasar Ahmedovski Ti pripadas samo meni Jednoj zeni za secanje dugo Vencajte me sa njenom lepotom Ljuba alicic Neka kum lumpuje Svirajte mi za Zeljanu Crveno obuci Dva dobra druga Lepa Maro Ti ne licis ni na jednu U Sapcu kraj save Tozovac Oci jedne zene Prazna casa na mom stolu Jesen u mom sokaku Dance Ovamo cigani Danka Ti si me cekala Lepa Vlajna Leno Leno Magdaleno Halid beslic: Put me zove Samo za tebe Beogradjanko mala Zanesen tom lepotom Jabuke su bile slatke Necu necu dijamante Budi budi uvek srecna Eh kad bi ti Prvi poljubac ja bez tebe ne mogu da zivim Okuj me Care Miljacka Luis: slike u oku opa opa Dunjo moja Dudo Lele lele ne idi od mene Sve se osim tuge deli Sto se mala uobrazi Haris Dzinovic Volim te ludo znaj Dajte vina hocu lom hladno je ugrij me Laze mesec Ja ne pijem Nek mi bude zadnja casa Mustuluk Trazi I tebe sam sit kafano Jesu li dunje procvale Ostaricu necu znati Kako mi nedostajes Pariske kapije Toma Zdravkovic Kafana je moja sudbina Ej branka branka Secas li se Sanja Za Ljiljanu Danka Tamburasi tamburasi Sta ce mi zivot Svirajte nocas samo za nju Nocas mi srce pati Jelena Pesme moje Dzej Radjaj sinove Ni jedne usne se ne ljube same Lubenica Ko se s nama druz Da sam Kralj 99 zena da me vole Sunce ljubavi Uspeo sam u zivotu Vetrovi me lome Jedan kao ja Od ljubavi do mrznje Kemal Malovcic: Rekla si mi da ne volis zimu Dosao sam samo da te vidim okrece se kolo srece Mile Kitic Hej vi hitri beli dani Krcma Mi se volimo Kockar Svi kockari gube sve Kolo srece Sampanjac Casa ljubavi Dusko Kulis Ti mene lazes sve Ustaj sine majka zove NAMENSKE - Svadbarske • Šesnaest ti leta beše • Te oči, oči jedne žene • Uz Moravu vetar duva • Srce je moje violina • Svadba Svadba • Danas majko zenis svoga sina • Vodeničarka • Niška banja • Poslednji boem • Dunave,Dunave moje more • Ciganine ti što sviraš • Zvezda tera meseca • Odakle si sele • Obraše se vinogradi • Volim da te volim • Mostovi na Morači • Otkud tebe da se setim • Avlije avlije – Zorica Brunclik • Bato bre – Indi • Bekrija – Ana Bekuta • Branka – TomaZdravković • Brojanica – Ana Bekuta • Ciganine ti što sviraš – Silvana Armenulić • Crna zeno prokleta bila – Željko Šašić • Crven konac oko struka – Ana Bekuta • Čik pogodi – Brena • Čudna žena bese Vera – Edo • Da budemo noćas zajedno – Vesna Zmijanac • Dajte vina hocu lom – Haris Džinović • Danče – Tozovac • Kafanska pevacica – Željko Samardžić • Dođi da mi ruke greješ – Zlata Petrović • Dudo – Louis • Eno dole u kafani – Marko Bulat • Devojko Vestice • Grle me ruke promrzle – Haris Džinović • Hajde da se volimo – Brena • Hej zoro ne svani– Halid Bešlić • Hladno je ugrij me – Haris Džinović • I kad me svi zaborave – Marinko Rokvić • I tebe sam sit kafano – Haris Džinović • Ivanova korita – Merima Njegomir • Ja baraba a ti vila – Blek Pantersi • Ja baraba sve joj džaba – Davor Badrov • Ja hocu sad – Ritam Srca • Ja još spavam u tvojoj majici • Ja nisam rođena da živim sama • Ja stalno pijem – Đani • Jos te sanjam jos me misli vuku • Jelece • Jutro je – Nada Topčagić • Kad sam dečak bio – Ferid Avdić • Kazni me, kazni..Zmijanac • lele, lele • kocko secera • Oči jedne žene • Jesen u mom sokaku • Ne vracam se starim ljubavima • Sestra mi je porucila • Hej zoro • Ja nisam devojka lutalica • Da si moja devojcica • Kosava-zorica B. • Hajde dodji sve ti prastam • Mihajlo, miki, miki • Idem preko zemlje srbije • Beli se beli moj beli biseru • Mokra do koze • Ne mogu bez tebe ja • Kao vuka samotnjaka • Dok ti u kafani pijes druze • Svilen konac • • Ti si zena koju ludo volim • Zbog tebe sam vino pio • A tebe nema ljubav da ti dam • Nije moje srce ludo • Zato-džej • Oprosti-izvini • Mala lisica u noc • Kad sam decak bio • Kraljica budi ja bicu sluga • Nediraj mi noci • Jednoj zeni za secanje dugo • Ti pripadas samo meni • Gledala sam s koma plava • Ivana se kroz Berane seta • Pljevaljski tamburasi • Put me zove • Of Jano, Jano- Miroslav Ilić • Palim zadnju cigaretu • Sto cu casa polomiti- Crni • U ljubavi svi su gresni- Sako • Crveni karanfili • Svat do svata- kum do kuma-Ljubomi Djurovic • Volim momke koji piju rakiju • A ja sam negde rujno vino pio-Tozovac • Nema raja bez rodnoga kraja • Aj veseli se kucni domacine • Trepetljika trepetala • Da budemo srecni dugo- Dragana Mirkovic Pastirica-Rade petrovic Nisam te se nagledao Te oči, oči jedne žene Noćas mi srce pati - Silvana Armenulić Ti si žena mog života - Toma Fato mori dušmanke Čaše lomim Uz Moravu vetar duva - M. Mesec Srce je moje violina - Lepa Lukić Krčma u planini - Nedeljko Bilkić Mali mrav Ramo, Ramo, druže moj - Muharem Serbezovski Vrati se Neno, vrati Nismo vise tako mladi Sneg je opet Snežana - Šaban Šaulić Zbog tebe sam vino pio - Duško Kuliš Prokleta je Amerika - Šaban Bajramović Plava žena topla zima Niška Banja Poslednji boem Bez tebe je gorko vino Grešnica Vino točim,a vino ne pijem Zlatibore pitaj Taru Bele rade Suzo moja Suzana Šta sam ja u tvom životu - Miroslav Dunave,Dunave Ciganine ti što sviraš Zvezda tjera mjeseca Svilen konac Jedna reka u mom kraju Odakle si sele Mito bekrijo Ajde jano kolo da igramo Na uskrs sam se rodila Majko Svilen konac Ja nisam rodjena da zivim sama Veseljak Brojanica Rano moja NOVIJE: Nema te, nema - Aco Pejović Zapišite mi broj - Aca Lukas By Pass - Aca Lukas Još te sanjam - Ðani Ne mogu bez tebe ja - Adil Hajde idi drugome - Darko Lazić Anonimna - Slobodan Vasic Četri strane sveta - Vanesa Uđi slobodno - Brena Tačno je - Ceca Evo sviće zora - Sanja Maletić Kuća laži - Brena Grome moj - Ceca Ostrvo tuge - Selma Bajrami Priđi mi - Alen Mukovic Ljepša od noći - Šako i Dado ej sta sam para konobaru dao Bota Sunce se rađa - Jovan Perišić Rekom bola - Jovan Perišić Ja baraba sve joj džaba - Davor Badrov Momačka - Davor Badrov Ja baraba a ti vila - Pantersi Popij me kao lek - Ceca Ko nekad u osam - Ceca Zabranjeni grad - Ceca Splav - Stoja Istina je da te lažem - Aca Lukas Jelena - Aco Pejović Bio si mi drag - Indira Radić Tamo gde si ti – Zorica brunclik Ja tuđe usne ljubim - Seka Aleksić Nikada više - Rada Manojlovic Zidovi - Dara Bubamara Boli stara ljubav - Seka Aleksić Rođena s vukovima - Seka Aleksić Stani dušo da te ispratim - Ilda Šauli Magla - Bon Ami Seti me se jednog dana - Aco Pejović Taxi - Aco Pejović Muštuluk - Haris Džinović Kruška - Alen Ademović O svemu mi pričaj ti - Topalk Iskoristi moje mane - Seka Aleksić Tako mlada - Tanja Savić Pukni zoro - Topalko Počnite bez mene - Aca Lukas Nisi, nisi ti - Šako Polumenta Litar krvi - Aco Pejović Kao mesec u vodi - Željko Samardžić Opušteno - Aco Pejović Devojka - Željko Joksimović Zato kradem - Željko Samardžić Mali je ovo grad - Željko Šašić Ludujem - Dženan Plavuša - Suzana Jovanović Da li si za sex - Stoja Ljubav fatalna - Ceca Beli biseru - Brena Čija si, nisi - Amadeus band Lažu te - Amadeus band Slike u oku - Louis Opa, opa - Louis Avlije, avlije - Zorica Brunclik Nije od karmina - Dado Polumenta Kažem da te volim - Ceca Ne znaš ti - Džej Ruzmarin - Saša Matić Burma - Dejan Matić Ko te ljubi ovih dana - Saša Matić Bato bre - Indy Nevaljala - Ceca Monotonija - Cec Stariji čovek - Mina Kostić Korak do sna - Darko Lazić Grešan sam prema tebi bio - Jovan Periši Pesma od bola - Aca Lukas Ivana - Medeni Mesec Jovana - Ritam Srca Marija, Marija - Boža Nikolić U ljubavi svi su grešni - Šako Polumenta Skini tu haljinu - Amadeus band Neverna - Aco Pejović Nijedna nije kao ti - Aco Pejović Uvenuće jasmin beli - Aco Pejović Dijabolik - Aca Lukas Bele ruže - Aca Lukas Crno i zlatno - Seka Aleksić Zmaj - Indira Radić Aspirin - Seka Aleksić Kuda idu ljudi kao ja - Aca Lukas Moj živote - Indira Radić Sanjam - Brena Hajde da se volimo - Bren Lepotan - Ceca Nagovori - Ceca Zlato, srećan put - Ceca Dođeš samo kada teško ti je - Ðani Crno meče - Deni Bonestaj Ženske bubice - Viki Miljković Obeležena - Viki Miljković Da li si dobro spavao - Viki Miljković Mutivoda - Sanja Ðorđević Mlađi - Sanja Maletić Volim momke koji piju rakiju - Viki Miljković Zaboravi - Ceca Kafana na balkanu - Anabela Sve mi tvoje nedostaje - Ðani Dodir neba - Baja Mokra do kože - Baja Oficir s ružom - Baja Ala, ala - Sejo Kalač Jesam te voleo - Sejo Kalač Usne vrele kao žar - Nino Miljacka - Halid Bešlić Prvi poljubac - Halid Bešlić Bolujem u sebi - Marina Živković Mesec, nebo, zvezdice - Ceca Bio mi je dobar drug – maja marijana Otkad sam se u tebe zaljubila - Dragana Mirković Sto ću čuda učiniti - Dragana Mirković Ne vraćam se starim ljubavima - Dragana Mirković Manastirska vrata - Mira Škorić Doktor - Ceca Miki, Mićo - Brena Ne diraj mi noći - Aco Pejović Veseljak – Ana Bekuta Avlije avlije – Zorica Brunclik Svi su tu kao nekada – Dara Bubamara Seik – Lepa Brena Miki Mico – Lepa Brena Popij me kao lek – Ceca Zlatiborske zore – Ana Bekuta Ko nekad u 8 – Ceca Cik pogodi – Lepa Brena Sto cu cuda uciniti – Dragana Mirkovic Znam – Ceca Zaboravi – Ceca Tamo gde si ti – Seka Aleksic Cik pogodi – Lepa Brena Poslednje vece – Dragana
Recommended publications
  • Folk,Narodne,Starogradske Karaoke
    060/3471 - 575 061/30 - 560 - 30 [email protected] Списак Folk-narodnih-starogradskih караока на матрицама : 1. Aj berem grožđe – Zorica Brunclik 66.Ja stalno pijem – Đani 124.Nijedne usne se ne ljube same – Džej 184.Sliku tvoju ljubim - Toma Zdravković 2.Aj po gradini (bv) -Čeda Marković 67.Jedan, dva – Džej 125.Nikad nikom nisam reko – Medeni 185.Snijeg pade – Narodna 3.Aj pa pukni zoro – Montevideo 68.Jesen u mom sokaku – Tozovac mesec 186.Splavovi – Novica Zdravković 4.Al nema nas – Nikola Rokvić 69.Još ovu noć – Šaban Šaulić 126.Nikada više -Radmila Manojlović 187.Srce gori jer te voli – S. Armenulić 5.Anonimna – Slobodan Vasić 70.Još uvek slutim -Milan Stanković 127.Niko ne mora da sluša- N. Vojvodić 188.Srce je moje violina – Lepa Lukić 6.Avlije,avlije – Zorica Brunclik 71.Jovano, Jovanke – Makedonska 128.Nikom nije žao kao meni – Džej 189.Srce od silikona -Darko Lazic 7.Beli zora – Marinko Rokvić 72.Kad bi znali kako mi je – Miloš Bojanić 129.Niška banja – Narodna 190.Stani dušo da te ispratim – Ilda 8.Bez tebe je gorko vino - Duško Kuliš 73.Kad ja pođoh aman -Safet Isović 130.Nikom nije žao kao meni – Džej Šaulić 9.Bež Milane -Viki Miljković 74.Kad te ne volim -Katarina Živković 131.Niška banja – Narodna 191.Stani mome da zaigraš – 10.Biljana – Aca Matić 75.Kafana je moja sudbina – Toma 132.Nosim tugu ko okove – G. Božinovska Makedonska 11.Blago meni -Ana Bekuta Zdravković 133.Osvemu mi pričaj ti -Milan Topalović 192.Sto ću čaša polomiti - Crni 12.Blagujno Dejče – Cune Gojković 76.Kako ti je kako živiš – Šaban & Zorica 134.Obeležena – Viki Miljković 193.Sve moje njeno je – Sanja Đorđević 13.Bolje ona nego ja – R.
    [Show full text]
  • Scotti Poesie.Qxd
    in.folio.asterios 12 Giacomo Scotti I figli del vento Asterios Editore Trieste Prima edizione: aprile 2004 © Asterios Editore srl via Pigafetta, 1 - 34148 Trieste tel. 040811286 - fax 040825455 e-mail: [email protected] I diritti di memorizzazione elettronica, di riproduzione e di adattamento tota - le o parziale con qualsiasi mezzo (compresi i microfilm e le copie fotostati - che) sono riservati. Stampato in Italia ISBN: 88-86969-55-4 La storia, la diaspora, la vita dei Romi, gli uomini color del rame. Con un’antologia della loro poesia orale. Vi accingete a leggere un libro “ibrido”, diviso in due parti. La prima, suddivisa a sua volta in quattro capitoli, comincia con una mini-antologia di miti e leggende dei Romi. Questi testi, con la loro provocazione fantastica, favoriscono l’approccio con il mondo tzigano, rivelando al tempo stesso significati cul - turali profondi e connessioni con la cultura degli altri popoli. Negli altri tre capitoli il lettore compierà un rapidissimo viaggio attraverso la storia dei Romi, il loro patrimonio culturale e gli aspetti peculiari della loro vita. La seconda parte presenta una consistente antologia della poesia orale dei Romi, la prima del genere ad essere pubblicata in lingua italiana. In realtà, l’intera prima parte del volume è una presentazione che intende preparare il lettore alla comprensio - ne e al godimento della poesia dei Romi. Indice Prima parte Leggende e favole. Un po’ di storia. La cultura Leggende e favole L’origine di Dio e della vita.................................................
    [Show full text]
  • Various Stand Up, People (Gypsy Pop Songs from Tito's Yugoslavia 1964-1980) Mp3, Flac, Wma
    Various Stand Up, People (Gypsy Pop Songs From Tito's Yugoslavia 1964-1980) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Folk, World, & Country Album: Stand Up, People (Gypsy Pop Songs From Tito's Yugoslavia 1964-1980) Country: Germany Released: 2013 Style: Gypsy Jazz MP3 version RAR size: 1891 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1661 mb Rating: 4.8 Votes: 401 Other Formats: MP1 VQF AC3 AHX FLAC DXD DMF Tracklist A1 –Muharem Serbezovski Ramajana 4:29 A2 –Šaban Bajramović Kada Zvona Zvone 3:18 A3 –Hajra Sučurija* Miro Ostišao As Zenom Kao Turist 2:58 A4 –Esma Redžepova Durdevan, Durdevan 2:51 A5 –Duet Durić-Runjaić* Amen Sama But Roma 2:14 B1 –Muharem Serbezovski Ramu, Ramu 3:20 B2 –Usnija Redžepova Selime Ternie 3:05 B3 –Šaban Bajramović Džemila 3:06 B4 –Esma Redžepova Pesma Šeher Sarajevu 5:28 C1 –Bedrije Misin Mo Vogi Dukalla 2:46 C2 –Trajko Ajdarević Tahir Mangala 3:22 C3 –Nehat Gaši Našti Tadav Ki Šutka Tedikav 2:36 C4 –Ava Selimi Ah Bre Devla 3:11 C5 –Selime Bajrami Gilava Amare Romenge 3:23 D1 –Esma Redžepova Abre Babi Sokerdzan 3:42 D2 –Šaban Bajramović Umirem, Umirem 2:42 D3 –Nehat Gaši Alo Dive Me Romja Te Mukav 2:55 D4 –Medo Čun Žanino Kolo 4:42 D5 –Ansambl Montenegro Djelem, Djelem 2:39 Companies, etc. Licensed To – Asphalt Tango Records GmbH Copyright (c) – Vlax Records Ltd. Mastered At – The Carvery Credits Design – Venetia Thorneycroft Liner Notes [Translated From Romani] – SH Liner Notes [Translated From Serbian] – Mirko Perović Mastered By [Restoration & Mastering] – Frank Merritt Research, Liner Notes, Compiled By – Nathaniel Morris , Philip Knox Transferred By [Vinyl Transfers] – Milan Milovanović Notes Gatefold sleeve with liner notes in CD-Booklet.
    [Show full text]
  • Domaće Pesme
    SPISAK KARAOKE PESAMA Domaće pesme Sanja - Sindy 064 / 11 55 735 www.facebook.com/SindyKaraoke www.sindykaraoke.com [email protected] DOMAĆE PESME SINDY KARAOKE Sanja 064/11-55-735 najveći izbor domaćih i stranih karaoke pesama (engleskih, italijanskih, francuskih, španskih, ruskih) IZVOĐAČ PESMA IZVOĐAČ PESMA 187 Nikada nećeš znati Aleksandra Radović Ako nikada Aca i Mira Vrati nam se, druže Aleksandra Radović Čuvaj moje srce * Aca Ilić Lepe oči zelene Aleksandra Radović Jesam te pustila Aca Lukas Bele ruže Aleksandra Radović Još danas Aca Lukas Burbon Aleksandra Radović Kao so u moru Aca Lukas Čaše moje polomljene Aleksandra Radović Karta za jug Aca Lukas Dijabolik Aleksandra Radović Nisi moj Aca Lukas Hiljadu puta Aleksandra Radović Zažmuri Aca Lukas Imate li dušu tamburaši Aleksandra Ristanović Dočekaj me sa osmehom Aca Lukas Ista kao ja Alen Islamović Ispod kaputa Aca Lukas Ja živim sam Alen Slavica Dao sam ti dušu Aca Lukas Jagnje moje Alen Vitasović Bura Aca Lukas Koma Alisa Sanja Aca Lukas Kuda idu ljudi kao ja Alka i Džej Da si sada tu Aca Lukas Lična karta Alka i Stavros Zrak, zemlja, zrak Aca Lukas Na žalost Alka i Vuco Kad bi opet Aca Lukas Ne pitaj Alka Vuica Bolje bi ti bilo Aca Lukas Nešto protiv bolova Alka Vuica Ej, šta mi radiš Aca Lukas Niko jedan, dva i tri Alka Vuica Kriva Aca Lukas Otrov sipala Alka Vuica Laži me Aca Lukas Pao sam na dno Alka Vuica Nek’ ti jutro miriše na mene Aca Lukas Pesma od bola Alka Vuica Od kad te nema Aca Lukas Poljem se širi miris tamjana Alka Vuica Profesionalka Aca Lukas Pustinja
    [Show full text]
  • Kafana Singers: Popular Music, Gender and Subjectivity in the Cultural Space of Socialist Yugoslavia
    Nar. umjet. 47/1, 2010, pp. 141161, A. Hofman, Kafana Singers: Popular Music, Gender Original scienti c paper Received: Dec. 31, 2009 Accepted: March 5, 2010 UDK 78.036 POP:316](497.1)"195/196"(091) 78.036 POP:39](497.1)"195/196"(091) ANA HOFMAN Department for Interdisciplinary Research in Humanities, SRC SASA, Ljubljana KAFANA SINGERS: POPULAR MUSIC, GENDER AND SUBJECTIVITY IN THE CULTURAL SPACE OF SOCIALIST YUGOSLAVIA This article explores the phenomenon of kafana singers in the light of the of cial socialist discourses on popular music and gender during the late 1950s and 1960s in the former Yugoslavia. It seeks to understand how/did the process of estradization along with the socialist gender policy in uence the shift in (self)representation of the female performers in the public realm. By focusing on the dynamic of controversial discourses on folk female singers, the article aims to show how the changes in the of cial discourse helped their profession to become an important resource of their subject actualizations, implicated in the creation of a new sense of social agency. As controversial musical personas, kafana singers personal and professional lives show nuanced interplay between socialist culture policy and its representational strategies. Key words: kafana singers, popular music, socialist culture policy, estradization, gender politics Petar Lukoviþ, a journalist, writes about the folk singer Lepa Lukiþ in his book Bolja prolost: prizori iz muziĀkog ivota Jugoslavije 19401989 [A Better Past: Scenes from Yugoslav Music Life 19401989], making the following observation: In the future feminist debates, Lepa Lukiþ will occupy a special place: before her, women in estrada were more or less objecti ed, primarily treated like disreputable persons.
    [Show full text]
  • Turbofolk Reconsidered
    Alexander Praetz und Matthias Thaden – Turbofolk reconsidered Matthias Thaden und Alexander Praetz Turbofolk reconsidered Some thoughts on migration and the appropriation of music in early 1990s Berlin Abstract This paper’s aim is to shed a light on the emergence, meanings and contexts of early 1990s turbofolk. While this music-style has been exhaustively investigated with regard to Yugoslavia and Serbia, its appropriation by Yugoslav labour migrants has hitherto been no subject of particular interest. Departing from this research gap this paper focuses on “Ex-Yugoslav” evening entertainment and music venues in Berlin and the role turbofolk possessed. We hope to contribute to the ongoing research on this music relying on insights we gained from our fieldwork and the interviews conducted in early and mid-2013. After criticizing some suggestions that have been made regarding the construction of group belongings by applying a dichotomous logic with turbofolk representing the supposedly “inferior”, this approach could serve to investigate the interplay between music and the making of everyday social boundaries. Drawing on the gathered interview material we, beyond merely confirming ethnic and national segmentations, suggest the emergence of new actors and the increase of private initiatives and regional solidarity to be of major importance for negotiating belongings. In that regard, turbofolk events – far from being an unambiguous signifier of group loyalty – were indeed capable to serve as a context that bridged both national as well as social cleavages. Introduction The cultural life of migrants from the former Yugoslavia is a subject area that so far has remained to be widely under-researched.
    [Show full text]
  • The Balkans of the Balkans: the Meaning of Autobalkanism in Regional Popular Music
    arts Article The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music Marija Dumni´cVilotijevi´c Institute of Musicology, Serbian Academy of Sciences and Arts, 11000 Belgrade, Serbia; [email protected] Received: 1 April 2020; Accepted: 1 June 2020; Published: 16 June 2020 Abstract: In this article, I discuss the use of the term “Balkan” in the regional popular music. In this context, Balkan popular music is contemporary popular folk music produced in the countries of the Balkans and intended for the Balkan markets (specifically, the people in the Western Balkans and diaspora communities). After the global success of “Balkan music” in the world music scene, this term influenced the cultures in the Balkans itself; however, interestingly, in the Balkans themselves “Balkan music” does not only refer to the musical characteristics of this genre—namely, it can also be applied music that derives from the genre of the “newly-composed folk music”, which is well known in the Western Balkans. The most important legacy of “Balkan” world music is the discourse on Balkan stereotypes, hence this article will reveal new aspects of autobalkanism in music. This research starts from several questions: where is “the Balkans” which is mentioned in these songs actually situated; what is the meaning of the term “Balkan” used for the audience from the Balkans; and, what are musical characteristics of the genre called trepfolk? Special focus will be on the post-Yugoslav market in the twenty-first century, with particular examples in Serbian language (as well as Bosnian and Croatian). Keywords: Balkan; popular folk music; trepfolk; autobalkanism 1.
    [Show full text]
  • Disillusioned Serbians Head for China's Promised Land
    Serbians now live and work in China, mostly in large cities like Beijing andShanghai(pictured). cities like inlarge inChina,mostly andwork live Serbians now 1,000 thataround andsomeSerbianmedia suggest by manyexpats offered Unofficial numbers +381 11 4030 306 114030 +381 Belgrade in Concern Sparks Boom Estate Real Page 7 Issue No. No. Issue [email protected] 260 Friday, October 12 - Thursday, October 25,2018 October 12-Thursday, October Friday, Photo: Pixabay/shanghaibowen Photo: Skilled, adventurous young Serbians young adventurous Skilled, China – lured by the attractive wages wages attractive the by –lured China enough money for a decent life? She She life? adecent for money enough earning of incapable she was herself: adds. she reality,” of colour the got BIRN. told Education, Physical and Sports of ulty Fac Belgrade’s a MAfrom holds who Sparovic, didn’t,” they –but world real the change glasses would rose-tinted my thought and inlove Ifell then But out. tryit to abroad going Serbia and emigrate. to plan her about forget her made almost things These two liked. A Ivana Ivana Sparovic soon started questioning questioning soonstarted Sparovic glasses the –but remained “The love leaving about thought long “I had PROMISED LAND PROMISED SERBIANS HEAD HEAD SERBIANS NIKOLIC are increasingly going to work in in towork going increasingly are place apretty just than more Ljubljana: Page 10 offered in Asia’s economic giant. economic Asia’s in offered DISILLUSIONED love and had a job she ajobshe had and love in madly was She thing. every had she vinced con was Ana Sparovic 26-year-old point, t one FOR CHINA’S CHINA’S FOR - - - BELGRADE INSIGHT IS PUBLISHED BY INSIGHTISPUBLISHED BELGRADE for China.
    [Show full text]
  • Dehexing Postwar West Balkan Masculinities: the Case of Bosnia, Croatia, and Serbia, 1998 to 2015 Marko Dumancic, Western Kentucky University
    Western Kentucky University From the SelectedWorks of Marko Dumančić January 12, 2016 Dehexing Postwar West Balkan Masculinities: The Case of Bosnia, Croatia, and Serbia, 1998 to 2015 Marko Dumancic, Western Kentucky University Available at: https://works.bepress.com/marko-dumancic/3/ The analysis of post-Yugoslav and West Balkan masculinities remains, perhaps unsurprisingly, tethered to the study of interethnic warfare, postconflict reconciliation, and radical right-wing politics (Milojevic´ 2012; Pavlovic´ 1999; Irvine and Lilly 2007; Bracewell 2000; Hayden 2000; Munn 2008).1 Although recent scholarship has explored more fully the position of men who do not benefit from the so-called patriarchal dividend (Milicevic´ 2006; Zarkov 2001), West Balkan men are by and large studied as participants (whether active or passive) in a range of oppressive sociopolitical structures (Capriqi 2012; Rosic´ 2012). Although the scholarship analyzing the correlation between violence and West Balkan masculinity adds a unique and relevant nuance to the study of globalized violence, scholars too often study and depict traditional Balkan masculinities as an exclusively conservative bulwark against modernization writ large without advancing alternative understandings of West Balkan masculinity.2 For the local intelligentsia and urban media outlets too, Balkan masculinity represents forces of isolationism and exclusivist ethno-nationalism, especially in the context of European integration. If one were to judge by current Bosnian, Croatian, or Serbian media commentary, the West Balkans are, no less than they were a hundred years ago, at the crossroads between traditionalization and modernization, with the patriarchal system actively sabotaging modernity’s successful evolution in the region. Thus in both Western scholarship and West Balkan media outlets, masculine identities stand in for antimodern forces: backwardness, parochialism, and (neo-) traditionalism.
    [Show full text]
  • Zar Ne Jelena Karleusa Mp3 Download
    Zar ne jelena karleusa mp3 download Buy Zar ne: Read Digital Music Reviews - jelena karleusa zar ne, beznadezan slucaj, nije ona, istina je da te lazem teatro size: MB - Duration: - Bitrate: Kbps - FileType: mp3. Watch the video, get the download or listen to Jelena Karleusa – Zar Ne for free. Zar Ne appears on the album JK Diamond Collection. Discover more music, gig. Jelena Karleusa - Zar Ne tekst lyrics: Zar ne, a rekao siodmah sutra zvaces mei dvesta puta ako trebasto da ne, sto da neRef. 2xSvi me zovu, mama, non stop. Streaming Jelena Karleusa - Zar Ne (Official Song Release - HQ) mp3 and download new album of Jelena Karleusa - Zar Ne (Official Song Release - HQ) for. Streaming Jelena Kareuša - Zar Ne TEKST mp3 and download new album of Jelena Kareuša download mp3 Jelena Karleuša - - Nisi U Pravu TEKST. Listen & Download jelena karleusa zar ne Mp3. Bitrate: kbps - File Type: MP3 - Source: Chords for Jelena Karleuša Zar Ne / Јелена Карлеуша Зар Не. Play along with guitar, ukulele, or piano with interactive chords and diagrams. Includes. Jelena Karleusa Lazes Bijelo Dugme LIVE AmiG Show. Jelena Karleusa The Diamond Collection 7 Downloads. 3 29 Karleusa Zar Ne kbps Mp3. Milena Ceranic - Devojke vole dijamante, Zar ne (Jelena Karleusa) UZIVO Ja se ne mogu. Artist: Jelena Karleusa, Song: So ft Nesh, Duration: , Size: MB, Download Jelena Karleusa - So ft Nesh № Jelena Karleusa Zar ne. JK - Zar ne - Duration: JKtheDIVA 3,, views · · Jelena Karleusa - Nije ona. Zar ne Lyrics: Zar ne, a rekao si / Odmah sutra zvaćeš me / I puta ako treba / Što da ne, što da ne / (x2) / Svi me zovu, mama, non-stop traže me / Svima reci.
    [Show full text]
  • Pojam Balkana U Popularnoj Glazbi
    Pojam Balkana u popularnoj glazbi Pavelić, Marko Master's thesis / Diplomski rad 2015 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet u Rijeci Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:485612 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-06 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository Sveučilište u Rijeci Filozofski fakultet u Rijeci Odsjek za kulturalne studije Marko Pavelić Pojam Balkana u popularnoj glazbi Diplomski rad Rijeka, studeni 2015. Sažetak: Sama riječ Balkan vro je komplicirana jer se od poprilično neprecizne geografske odrednice pretvorila u politizirani pojam kojeg krase mnogi, vrlo često negativni atributi. Tijekom godina o Balkanu su se rađali mnogi zapadnjački mitovi koji su ga orijentarizirali i stavljali, a i danas ga stavljaju, na rub civiliziranog svijeta. Posebno je u tom svijetlu zanimljivo vidjeti položaj Hrvatske kao istovremeno balkanske i europske zemlje, s čvrstim argumentima za obje pozicije. Balkan je mjesto gdje su se kroz povijest uvijek rađali snažni identiteti. Do pred kraj prošlog stoljeća, na snazi je bio jugoslavenski identitet, da bi početkom 90ih došlo do snažnog rasta nacionalnih identiteta. Ipak, smirivanjem ratnim strasti, ponovno sve više na snagu stupa jedinstveni, balkanski identitet. Jak činitelj identiteta svih ljudi zasigurno je glazba i ove se činjenice očituju i u njoj. Upravo je glazba snažno pozivala ljude na jedinstvo svih Jugoslavena, zatim na rat i obranu kako hrvatske, tako i srpske kulture i vjere, a danas poziva na stvaranje jedne nove balkanske kulture i društva; kulture užitaka i alkohola s jedne, ali i društva koje živi u bijedi, siromaštvu i koje se treba boriti protiv političkih elita.
    [Show full text]
  • The Death of Serbian Music by Bogdan Cikic
    REGIONALNI CENTAR ZA TALENTE VRANJE ---------------------------------------------------------------------------- THE DEATH OF SERBIAN MUSIC SMRT SRPSKE MUZIKE Author: BOGDAN ČIKI Ć, III/1, Gimnazija ,,Stevan Jakovljevi ć’’ Mentor: BILJANA PIPOVI Ć, English teacher Vlasotince 2014. Content Abstract ..................................................................................................... 3 Introduction ............................................................................................... 4 Pre-romanticism ....................................................................................... 4-5 Romanticism ............................................................................................. 5-7 Post romanticism ...................................................................................... 7-8 Serbian music in the second half of 20 th century .................................... 9-14 An Interview with a teacher of music, Mr. Igor Ran ñelovi ć ................. 14-15 Conclusion ................................................................................................ 16 Appendix .................................................................................................. 16 Literature .................................................................................................. 16 THE DEATH OF SERBIAN MUSIC SMRT SRPSKE MUZIKE Author: BOGDAN ČIKI Ć, III/1, Gimnazija ,,Stevan Jakovljevi ć’’ Mentor: BILJANA PIPOVI Ć, English teacher ABSTRACT With this essay, I want to present music styles
    [Show full text]