DOCSLIB.ORG

Ivo Varbanov - Piano

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ivo Varbanov - Piano IVO VARBANOV - PIANO Ivo Varbanov is a leading figure of Bulgarian music and culture abroad. After a forced stop from performing from 2009 to 2012 due to Leukaemia he has returned to the stage with impressive performances at Royal Festival Hall with the Royal Philharmonic Orchestra, King’s Place in the Brahms Unwrapped season, and at Cadogan Hall. He is a recipient of the Ivan Vazov Award for the popularisation of Bulgarian Culture abroad, and in 2011 he was also awarded the Silver Lion Award from the Ministry of Foreign Affairs. His performances have been broadcast on Bulgarian National Radio, BBC Radio, RAI 3, Classic FM+, Spanish National Radio, Slovak National Radio, Bulgarian National TV, BTV, and TV Bulgaria. In 2014 with his wife Fiammetta Tarli, Ivo started an independent audiophile record label, ICSM Records (Independent Creative Sound and Music Records). He started to play the piano at the age of 6 in his home town with Eleonora Karamisheva. Subsequently he studied with Riccardo Bertazzolo and in Milan with the Hungarian pianist Ylonka Deckers from 1987 to 1993. After his graduation at the age of 20, he came to England to work with Sulamita Aronowsky at the RNCM in Manchester and with Frank Wibaut at the Royal Academy of Music, completing his postgraduate studies in 1998 (on a Rotary Foundation Scholarship). He also studied privately with Dennis Lee and was inspired in masterclasses by great artists and teachers such as Alexander Lonquich, Barry Douglas, and Lev Naumov. He has been leading masterclasses himself at the Bulgarian National Music School in Sofia, at the Hochschule für Musik Luzern in Switzerland, and at the Radom National Music School in Poland. His first CD of piano works by Mussorgsky (Gega New) had excellent reviews in BBC Music Magazine, Suono, HFN&RR, In Tune, and Kultura. His second CD with Seeli Toivio, released in 2004 (Gega New), was a world première of works for cello and piano by Ildebrando Pizzetti. In 2001 with Michal Drewnowski (piano), Christo Yotzov and Eti Kukudov (percussion), he created the Voland Quartet, a two pianos and percussion ensemble dedicated to Twentieth Century and contemporary music, with whom he recorded a twentieth-century programme (Gega New, 2006). His fourth recording, again released by Gega New (2007) featured solo piano works by Johannes Brahms. Six more recordings are released in 2014, 2015 and 2016 by ICSM Records: the integrale of the four-hand waltzes by Brahms with Fiammetta Tarli (Brahms on the piano volume 1 – ICSM 001), solo piano works by Brahms (Brahms on the piano volume 2 – ICSM 004), another solo programme including late works by Beethoven, Schumann and Brahms (ICSM 002), Stravinsky Petrouchka and Rite of Spring for piano four hands in the composer original transcription (with Fiammetta Tarli – ICSM 006), Brahms Cello and Piano Sonatas Op. 38 and Op. 99 with Jozef Lupták (Brahms on the piano volume 3 – ICSM 008), and Brahms Sonata Op. 34b and Haydn Variations Op. 56b for 2 pianos with Fiammetta Tarli (Brahms on the piano volume 4 – ICSM 010). His performances include concertos, recitals and chamber music in Bulgaria, Italy, the UK, France, Spain, Ireland, Slovakia, Germany, Holland, Poland, Russia, Turkey, and the USA. Career highlights include multiple performances at the Royal Festival Hall, Wigmore Hall, King’s Place, Cadogan Hall and St. John’s Smith Square in London, Carnegie Recital Hall in New York, Bulgaria Concert Hall in Sofia, and Philharmonic Hall in St. Petersburg. He has performed extensively in the UK, in venues such as the Royal Concert Hall in Glasgow, RNCM Concert Hall in Manchester, St George’s Bristol, West Road in Cambridge, Holywell Music Room in Oxford. In the last two seasons he has been partnering in chamber music concerts with his wife Fiammetta Tarli and Konstantin Lifschitz (two pianos/four hands), as well as with the violinist Ofer Falk, cello players László Fenyö, Jozef Lupták and Hillel Zori, and the Allegri Quartet. During the last two seasons, Ivo has performances in England, Italy, Spain, Germany, Poland, Bulgaria, and Hungary. In 2015-2016 he performed in Bulgaria, Slovakia, Poland, Italy, Spain, and a 8 concerts tour of the United Kingdom. He did record further 2 albums for ICSM Records and a recording of the Dimitar Nenov Piano Concerto and Ballade for Piano and Orchestra No 2 with the Royal Scottish National Orchestra and Maestro Emil Tabakov for Hyperion Records. Highlights of the season 2017-2018 include concerts in Bulgaria, Italy, UK, France, Luxembourg, Austria, Finland and the Czech Republic..
Load more

Recommended publications
  • Radio Evolution: Conference Proceedings September, 14-16, 2011, Braga, University of Minho: Communication and Society Research Centre ISBN 978-989-97244-9-5
    Oliveira, M.; Portela, P. & Santos, L.A. (eds.) (2012) Radio Evolution: Conference Proceedings September, 14-16, 2011, Braga, University of Minho: Communication and Society Research Centre ISBN 978-989-97244-9-5 Euranet: a Case Study of Pan-European Radio MANUEL FERNÁNDEZ SANDE AND J.IGNACIO GALLEGO PÉREZ Universidad Complutense de Madrid / Universidad Carlos III de Madrid [email protected] / [email protected] Abstract: From its early beginnings as a single idea to its current status as an organisation of 27 member states, the European Union has suffered from the lack of a common cultural identity. This debility has greatly hindered the progress of European consolidation and convergence, which to the present day has been manifested mainly through economic and policy agreements. The European Union has achieved many goals during the last 25 years, including the implementation of a common currency that has led to a real economic union between member states and the transfer of various national competences to European institutions. However, the construction of a real European civil society has proved to be a greater challenge; Europeans still cling to their individual national, regional and local identities and have not developed a greater sense of European citizenship. The Euranet Project—an initiative to create a pan-European radio network—began in December 2007 as a joint proposal put forth by 13 national and regional radio stations operating in 12 European countries. Its stated mission when it went on air on April 1, 2008 was to broadcast European news from a transnational perspective to local communities within the European Union.
    [Show full text]
  • Reuters Institute Digital News Report 2020
    Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media.
    [Show full text]
  • European Public Service Broadcasting Online
    UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36
    [Show full text]
  • The Public Service Broadcasting Culture
    The Series Published by the European Audiovisual Observatory What can you IRIS Special is a series of publications from the European Audiovisual Observatory that provides you comprehensive factual information coupled with in-depth analysis. The expect from themes chosen for IRIS Special are all topical issues in media law, which we explore for IRIS Special in you from a legal perspective. IRIS Special’s approach to its content is tri-dimensional, with overlap in some cases, depending on the theme. terms of content? It offers: 1. a detailed survey of relevant national legislation to facilitate comparison of the legal position in different countries, for example IRIS Special: Broadcasters’ Obligations to Invest in Cinematographic Production describes the rules applied by 34 European states; 2. identifi cation and analysis of highly relevant issues, covering legal developments and trends as well as suggested solutions: for example IRIS Special, Audiovisual Media Services without Frontiers – Implementing the Rules offers a forward-looking analysis that will continue to be relevant long after the adoption of the EC Directive; 3. an outline of the European or international legal context infl uencing the national legislation, for example IRIS Special: To Have or Not to Have – Must-carry Rules explains the European model and compares it with the American approach. What is the source Every edition of IRIS Special is produced by the European Audiovisual Observatory’s legal information department in cooperation with its partner organisations and an extensive The Public of the IRIS Special network of experts in media law. The themes are either discussed at invitation-only expertise? workshops or tackled by selected guest authors.
    [Show full text]
  • A Pillar of Democracy on Shaky Ground
    Media Programme SEE A Pillar of Democracy on Shaky Ground Public Service Media in South East Europe RECONNECTING WITH DATA CITIZENS TO BIG VALUES – FROM A Pillar of Democracy of Shaky on Ground A Pillar www.kas.de www.kas.dewww.kas.de Media Programme SEE A Pillar of Democracy on Shaky Ground Public Service Media in South East Europe www.kas.de Imprint Copyright © 2019 by Konrad-Adenauer-Stiftung Media Programme South East Europe Publisher Konrad-Adenauer-Stiftung e.V. Authors Viktorija Car, Nadine Gogu, Liana Ionescu, Ilda Londo, Driton Qeriqi, Miroljub Radojković, Nataša Ružić, Dragan Sekulovski, Orlin Spassov, Romina Surugiu, Lejla Turčilo, Daphne Wolter Editors Darija Fabijanić, Hendrik Sittig Proofreading Boryana Desheva, Louisa Spencer Translation (Bulgarian, German, Montenegrin) Boryana Desheva, KERN AG, Tanja Luburić Opinion Poll Ipsos (Ivica Sokolovski), KAS Media Programme South East Europe (Darija Fabijanić) Layout and Design Velin Saramov Cover Illustration Dineta Saramova ISBN 978-3-95721-596-3 Disclaimer All rights reserved. Requests for review copies and other enquiries concerning this publication are to be sent to the publisher. The responsibility for facts, opinions and cross references to external sources in this publication rests exclusively with the contributors and their interpretations do not necessarily reflect the views or policies of the Konrad-Adenauer-Stiftung. Table of Content Preface v Public Service Media and Its Future: Legitimacy in the Digital Age (the German case) 1 Survey on the Perception of Public Service
    [Show full text]
  • The Politicization of Music During the Period of Totalitarian Rule in Bulgaria (1944 – 1989)
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Serbian Academy of Science and Arts Digital Archive (DAIS) DOI https://doi.org/10.2298/MUZ1825179D UDC 78:316.75(497.2)"1944/1989" 78.071.1(497.2)"1944/1989" The Politicization of Music During the Period of Totalitarian Rule in Bulgaria (1944 – 1989) Stanimira Dermendzhieva1 Independent scholar, Corfu, Greece Received: 15 September 2018 Accepted: 1 November 2018 Original scientific paper Abstract: Since this is a phenomenon of recent times, the signifcance of the politicization of music during the period of totalitarian rule in Bulgaria (1944–1989) is still unexplored. Tis paper focuses on the interplay between the political regime, musical life in Bulgaria, and the status of Bulgarian composers. Many books, articles, conferences and PhDs have been presented recently in the feld of cultural studies, promoting a multidisciplinary approach in several felds. A new approach tothis dynamic period would clarify the overall development of Bulgarian musical culture in the twentieth century. Keywords: music, political aspects, Bulgaria, history of the twentieth century, Bulgarian composers Introduction This article focuses on the interplay between the political regime, musical life in Bulgaria and the status of Bulgarian composers between 1944 and 1989. My interest in the history and problems of Bulgarian composers and specifically in the politicization of music during the period of totalitarian rule in Bulgaria (1944–1989) stems from the early days of my musical career and my childhood. Music written by Bulgarian composers has significantly influenced me over the period of my formal education.
    [Show full text]
  • Must-Carry Rules, and Access to Free-DTT
    Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT
    [Show full text]
  • Radio Broadcasting Since the 90S, from Radio E to Euranet Plus
    J. Ignacio Gallego The communication policy of the [email protected] Assistant Professor. Faculty of European Commission: radio Humanities, Communication and Library Sciences. Carlos III broadcasting since the 90s, University of Madrid. Spain. from Radio E to Euranet Plus Manuel Fernández Sande [email protected] Abstract Associate Professor. Faculty of In the middle of the most pronounced economic crisis since its Media and Communication inception, many of the communication policies initiated by the Science. Complutense European Union in recent decades must be evaluated and University of Madrid. Spain. redefined considering the future of the Union. The challenge to define Europe and create a common identity that respects the Ariane Demonget diversity of cultures within the Union has been attempted [email protected] through various media policies. We explore the recent evolution Associate Researcher. University of Perpignan. France. of European radio policies, considering a range of projects from the global to network levels (e.g. Radio E, Euranet and Euranet Plus) that are fundamental to our understanding of the use of Submitted April 5, 2014 media in the development of a European identity that respects Approved the diversity of cultures within the Union. November 28, 2014 Keywords © 2015 Communication & Society Radio broadcasting, European Commission, public policies, ISSN 0214-0039 diversity, communication E ISSN 2386-7876 doi: 10.15581/003.28.1.13-25 www.communication-society.com 1. Introduction 2015 – Vol. 28(1), At present, in the midst of the most pronounced economic crisis since pp. 13-25 the inception of the European Union (EU), Europe has an opportunity to reconsider its common future.
    [Show full text]
  • Tribune Internationale Des Compositeurs 2009
    Paris, 12.VI.2009 TRIBUNE INTERNATIONALE DES COMPOSITEURS 2009 2009 INTERNATIONAL ROSTRUM OF COMPOSERS Paris, 8 – 12 VI 2009 LISTE FINALE DES PARTICIPANTS / FINAL LIST OF PARTICIPANTS Président / Chairman : Heikki Valsta (Finlande/Finland) PAYS/ ORGANISME DE RADIODIFFUSION/ DELEGUE(S)/ COUNTRY BROADCASTING ORGANISATION DELEGATE(S) ALLEMAGNE/ Rundfunk Berlin-Brandenburg (sans délégué) GERMANY Deutschlandradio Kultur Rainer PÖLLMANN ARGENTINE/ Radio Universidad Nacional LM María Vanesa RUFFA ARGENTINA AUSTRALIE/ Australian Broadcasting Corporation Duncan YARDLEY AUSTRALIA AUTRICHE/ ORF Austrian Broadcasting Corporation Ursula STRUBINSKY AUSTRIA BRESIL/BRASIL Radio MEC sans délégué/ Without delegate BULGARIE/ Bulgarian National Radio Maria Vassileva POPOVA BULGARIA CANADA Canadian Broadcasting Corporation/ Sans délégué/ Société Radio-Canada Without delegate DANEMARK/ DR- Danish Broadcasting Corporation Max FAGE-PEDERSEN DENMARK ESPAGNE/ Radio Nacional de España Ana Vega TOSCANO SPAIN ESTONIE/ Estonian Public Broadcasting Tiia TEDER ESTONIA FINLANDE/ Finnish Broadcasting Co. Karoliina VESA FINLAND FRANCE Radio France Jurjen SOETING CHINE/HONG KONG SAR/ Radio Television Hong Kong (RTHK) Man-Ngai TANG CHINA/HONG KONG SAR IRLANDE/ RTÉ Lyric fm Eoin O KELLY IRELAND ISLANDE/ Icelandic National Broadcasting Bergljót HARALDSDÓTTIR ICELAND Service (RUV) LITUANIE/ Lithuanian Radio Jurate KATINAITE LITHUANIA MEXIQUE/ Radio UNAM Alejandro CASTAÑOS MEXICO NORVEGE/ Norwegian Broadcasting Organization Håkon HEGGSTAD NORWAY NOUVELLE ZELANDE/ Radio New Zealand
    [Show full text]
  • Ivajla Kirova – Biography
    Piano Jack Price Managing Director 1 (310) 254-7149 Skype: pricerubin [email protected] Rebecca Petersen Executive Administrator 1 (916) 539-0266 Skype: rebeccajoylove [email protected] Olivia Stanford Marketing Operations Manager [email protected] Contents: Karrah O’Daniel-Cambry Biography Opera and Marketing Manager [email protected] Curriculum Vitae Reviews Mailing Address: Press 1000 South Denver Avenue Interviews Suite 2104 Repertoire Tulsa, OK 74119 YouTube Video Links Website: Photo Gallery http://www.pricerubin.com Complete artist information including video, audio and interviews are available at www.pricerubin.com Ivajla Kirova – Biography Ivajla Kirova is an initiator for establishment of the Association for promotion of Bulgarian Music in Germany and Artistic Director of the “Bulgarian music evenings in Munich” festival. “The young Bulgarian pianist is an example of how the Bulgarian art can be developed and supported even beyond the country’s frontiers”… announces the Deutsche Welle Radio. Ms. Kirova started playing a piano at the age of 7 and at 16 she was the youngest student at the Sofia Music Academy in Bulgaria. Her career started early when she won prizes for talented pianists (for example the prize awarded by the Polish Culture Institute in Sofia, Artist Award by Bel Canto Festival in Kuala Lumpur etc.). She has graduated the Sofia Music Academy with excellent grades diploma and has master diplomas for piano and chamber music issued by the Munich University of Music and Theater. Since 1999 she lives in Germany after she has been invited to become an associate professor at the Munich University of Music and Theater at the age of 24 years.
    [Show full text]
  • Television Across Europe
    media-incovers-0902.qxp 9/3/2005 12:44 PM Page 4 OPEN SOCIETY INSTITUTE EU MONITORING AND ADVOCACY PROGRAM NETWORK MEDIA PROGRAM ALBANIA BOSNIA AND HERZEGOVINA BULGARIA Television CROATIA across Europe: CZECH REPUBLIC ESTONIA FRANCE regulation, policy GERMANY HUNGARY and independence ITALY LATVIA LITHUANIA Summary POLAND REPUBLIC OF MACEDONIA ROMANIA SERBIA SLOVAKIA SLOVENIA TURKEY UNITED KINGDOM Monitoring Reports 2005 Published by OPEN SOCIETY INSTITUTE Október 6. u. 12. H-1051 Budapest Hungary 400 West 59th Street New York, NY 10019 USA © OSI/EU Monitoring and Advocacy Program, 2005 All rights reserved. TM and Copyright © 2005 Open Society Institute EU MONITORING AND ADVOCACY PROGRAM Október 6. u. 12. H-1051 Budapest Hungary Website <www.eumap.org> ISBN: 1-891385-35-6 Library of Congress Cataloging-in-Publication Data. A CIP catalog record for this book is available upon request. Copies of the book can be ordered from the EU Monitoring and Advocacy Program <[email protected]> Printed in Gyoma, Hungary, 2005 Design & Layout by Q.E.D. Publishing TABLE OF CONTENTS Table of Contents Acknowledgements ........................................................ 5 Preface ........................................................................... 9 Foreword ..................................................................... 11 Overview ..................................................................... 13 Albania ............................................................... 185 Bosnia and Herzegovina ...................................... 193
    [Show full text]
  • Kosta P. Manojlović (1890–1949) and the Idea of Slavic and Balkan Cultural Unification
    KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić SLAVIC AND BALKANSLAVIC CULTURAL UNIFICATION KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF P. KOSTA Institute of Musicology SASA Institute of Musicology SASA This collective monograph has been published owing to the financial support of the Ministry of Education, Science and Technological Development of the Republic of Serbia KOSTA P. MANOJLOVIĆ (1890–1949) AND THE IDEA OF SLAVIC AND BALKAN CULTURAL UNIFICATION edited by Vesna Peno, Ivana Vesić, Aleksandar Vasić Institute of Musicology SASA Belgrade, 2017 CONTENTS Preface 9 INTRODUCTION 13 Ivana Vesić and Vesna Peno Kosta P. Manojlović: A Portrait of the Artist and Intellectual in Turbulent Times 13 BALKAN AND SLAVIC PEOPLES IN THE FIRST HALF OF THE 20TH CENTURY: INTERCULTURAL CONTACTS 27 Olga Pashina From the History of Cultural Relations between the Slavic Peoples: Tours of the Russian Story Teller, I. T. Ryabinin, of Serbia and Bulgaria (1902) 27 Stefanka Georgieva The Idea of South Slavic Unity among Bulgarian Musicians and Intellectuals in the Interwar Period 37 Ivan Ristić Between Idealism and Political Reality: Kosta P. Manojlović, South Slavic Unity and Yugoslav-Bulgarian Relations in the 1920s 57 THE KINGDOM OF SERBS, CROATS AND SLOVENES/YUGOSLAVIA BETWEEN IDEOLOGY AND REALITY 65 Biljana Milanović The Contribution of Kosta P. Manojlović to the Foundation and Functioning of the Južnoslovenski pevački savez [South-Slav Choral Union] 65 Nada Bezić The Hrvatski pjevački savez [Croatian Choral Union] in its Breakthrough Decade of 1924–1934 and its Relation to the Južnoslovenski pevački savez [South-Slav Choral Union] 91 Srđan Atanasovski Kosta P.
    [Show full text]