DOCSLIB.ORG

Local Information Provider for Foreigners in Korea Volume 18, Lssue 6

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Local Information Provider for Foreigners in Korea Volume 18, Lssue 6 July 11, 2018 Local Information Provider for Foreigners in Korea Volume 18, lssue 6 Printed by Pyeongtaek Culture Newspaper, a private firm in no way connected with the U.S. Government, under written agreement with U.S. Army Garrison Humphreys. Places to visit in Pyeongtaek Reporter Sang Bae, Lee Pyeongtaek is located in the southwestern part of the city, which reaches to Asan Bay and Pyeongtaek Port. Di- verse range of attractions and foods also makes these places popular. • Balamsae Village & Pyeongtaek Port Balamsae Village is a place where you can feel the scent of rape flowers facing the Jinwi River. Pyeongtaek Agricultural Technology Center near this place is a great place to enjoy flowers in nature. There are sculptures installed around the tulips. In ad- dition, Historic sites and facilities such as Sambong Jeong Do-jeon Memorial Hall, Art Museum of Pyeong- taek Lake are located around here. Pyeongtaek has many places with natural environ- ment. Particularly, the places around Asan Bay where you can enjoy both ocean and nature are impressive. Asan Bay National Tourist Resort is one of the view points with a seawall of Asan Bay and the scenery of West Sea. Watching a sunset here is truly magnificent so it is a perfect place to stroll around and take some great pic- tures with a loved one. Pyeongtaek Lake which is 8 km away from the Pyeong- taek Port has a cruise if you want to experience it. x >> Balamsae Village: 18 Saeak-gil, Godeok-myeon, Pyeong- taek city (17924) >> Pyoengtaek Port: 75 Pyeongtaekhangman-gil, Poseung- eup, Pyeongtaek city (17962) 캠프 험프리스내 유일한 ' 주한미군 정보신문 ' Camp Humphreys My only USFK news paper. “The Korea Culture News” Page 2 July 11, 2018 Published by Pyeongtaek Cultural Newspaper for those serving in the Republic of Korea Chung, JongSoon (Sophia) Chief Executive Officer Lee, SangBae Publisher C.P: 010-5329-9122 Cho, SungNam Design Director Advertisement Inquiry Main Phone: (031) 651-7211 Fax: (031) 651-7210 Location & Mailing Address 3rd Fl, #522, Gyonggi-daero, Pyongtaek City. The Korea Culture News Distribution Area: USAG Humphreys USAG-Yongsan / USAG-Humphreys / OSAN Air Base and all other areas upon requested. Request and submit articles and photos to welcomes new Americans The Korea Culture News Send your stories and photos or request articles and information to [email protected] By Sgt. Christopher Dennis finish and take numerous forms, appli- ning the process to gain his residency. USAG Humphreys cations and interviews to complete. The “To me It means a lot, in terms of Printed by Pyeongtaek Culture Newspaper, majority of those at the ceremony are coming from my country to America, it a private firm in no way connected with the USAG HUMPHREYS, South Korea – currently serving in the U.S. Army, meant the opportunity to start life over U.S. Government, under written agreement with U.S. Army Garrison Humphreys. “I am an American by choice and not by which makes them eligible to apply for and achieve,” said Spencer. “My way of The Pyeongtaek Culture Newspaper is birth and have chosen to serve this naturalization under a special provision showing my appreciation is by serving responsible for all commercial advertising and great nation as a 9-year-old kid in 1975 of the Immigration and Nationality Act. in the Army.” editorial content(e.g. articles, photos and aboard the USS Hancock, because I be- For some in the ceremony, like Pfc. This commitment to the United graphics) that appears in the newspaper. The appearance of advertising in this lieve in everything this country stands Duron Spencer, who is originally from States was also reflected in the speech publication, including inserts or supplements, for,” said Maj. Gen. Viet by Luong earlier in the does not constitute endorsement of the Luong, Eight Army depu- ceremony. products or services advertised by the U.S. ty commanding general “Although we’re immi- Army or The Korea Culture Newspaper. Everything advertised in this publication shall for operations. grants, when it comes to be made available for purchase, use or In a ceremony held defending this great na- patronage without regard to race, religion, June 28, at the Family tion, we will not take a gender, national origin, age, marital status, Theater on U.S. Army back seat to anybody,” physical handicap, political affiliation, or any other non-merit factor Garrison Humphreys, 29 said Luong. of the purchaser, user or patron. new Americans from 14 Since 2001, the U.S. If a violation or rejection of this equal different countries, were Citizenship and Immi- opportunity policy by an advertiser is sworn-in as naturalized confirmed, the printer shall refuse to print gration Services has nat- advertising from that source until the violation United States Citizens. uralized over 10,000 ser- of the equal opportunity policy is corrected. For the ceremony, the vice members and their Oath of Allegiance was families at overseas loca- administered by Jennifer tions. NOTICE Higgins, associate direc- For Soldiers interested tor for Refugee, Asylum and Interna- Spanish Town, Jamaica, now serving as in becoming a U.S. citizen, please con- We are receiving your tional Operations from U.S. Citizenship an aircraft electrician for 602nd Avia- tact your chain of command, post legal manuscripts and Immigration Services in Washing- tion Support Battalion, 2nd Combat office, the Military Help Line at The Korea Culture News is a biweekly ton D.C. Aviation Brigade it took a year to get to 877-CIS-4MIL (877-247-4645) or e-mail information newspaper for those serving in the Republic of Korea. This newspaper will be This ceremony marks the end of a a point where he could even enter to [email protected]. x produced with those who support us. Feel free process that could take up to a year to serve in the U.S. Army, before begin- to send us your photos and stories or request any information and articles you are interested in. ▶Contents must include any of the following : Korea-US interaction activity, Volunteer activity, Tourist attraction, Event, Festival, etc. ▶Email submission : [email protected] ▶TEL : ☏ 031-651-7211~2 -Korean Service Corps Battalion Mr Park, Chi Heon · 등록번호 : 경기다 50640 · 등록일자 : 2018. 05.18 · 인쇄 : 현재오 [ 디엠코리아 ( 주 )] LTC John E. Cooper assumes [ 정기구독신청 ] 031) 651-7211, command of the Korean 구독료 1 개월 5,000 원 / 1 년 6 만원 Service Corps Battalion, 입금계좌 : 중소기업은행 587-041880-01-018 MSC-K, from LTC Adam L. 예금주 : ( 주 ) 평택문화신문사 Lowmaster, the outgoing commander during the change · 발 행 인 : 정 종 순 · 편 집 인 : 이 상 배 of command ceremony · 청소년보호책임자 : 이상배 conducted at Camp · 이 사 : 최덕규 , 최진학 , 박함균 , 신현국 , 오세열 , Humphreys, June 14, 2018 이종욱 , 이규찬 , 이보선 , 양영수 , 원면재 , 송태헌 , 배우학 , 김용전 , 황원자 · 편집위원 : 손종복 경기 평택시 경기대로 522 현대자동차 3 층 대표전화 031) 651-7211 / 팩스 031) 651-7210 www.ptcn.co.kr / [email protected] 본지는 사 ) 한국지역신문협회 회원이며 신문윤리강령 및 그 실천요강을 준수합니다 . July 11, 2018 Advertisement Page 3 Page 4 Advertisement July 11, 2018 July 11, 2018 Page 5 The First Garden in Paju a Cultural Complex with European garden Reporter Jong Soon, Chung The First Garden in Paju is an European-style garden containing tales of Greek and Roman mythology. Enjoy their facilities such as Adonis Garden with 23 different themes, playground Ainori, Garden Train, merry-go-round, Bumper Cars, Space Shot, and challenge activities. In addition, The Hyeyum Cultural Center with garden activity programs, Gaudium Wedding Hall, Italian fine dining Piatto Gourmet, fusion Korean restaurant Si-seon, Cafe Bosco and a gift shop Maison de Bon are available. The First Garden is where you may enjoy all the beauty of four seasons with a theme of spring 'Garden of Spring', summer 'Garden of Water', autumn 'Garden of Fest' and winter 'Garden of Light'. The starlight festival with decorated lightings and traditional folk play are held at the moment. Enjoy a variety of traditional folk game such as archery, ring throwing, Korean board game Yunnori, top-spinning, Korean jumping game Neolttwigi and more If you would like to experience the plays of ancient ancestors. x >> Admission Fee: 10,000 won for adults / 9,000 won for children >> Address: 260 Tapsakgol-gil, Paju city (10911) >> Contact: 031-957-6861 Page 6 Advertisement July 11, 2018 July 11, 2018 Advertisement Page 7 Page 8 Advertisement July 11, 2018 July 11, 2018 Advertisement Page 9 Page 10 July 11, 2018 Luxury Cruising on Han River, Ara Waterway Cruise Reporter Jin Young, Lee dance performance shows. And, fireworks show is held every weekend from 6pm to 8pm. x You may enjoy a luxury cruise sailing along Han >> Hyundai Cruise River with Hyundai Cruise ship. It is the largest http://www.aracruise.co.kr/eng_01.html sightseeing cruise ship in Korea that can >> Direction accommodate 1,000 people and delivers a Ara Gimpo passenger terminal remarkable vacation with its amazing events and 74, Arayuk-ro 270beon-gil, Jeonho-ri, Gochon-eup, joy-filled activities fit for all ages. Gimpo-si, Gyeonggi-do Whether it's performance shows, delicious food (Gaehwa station Line 9 exit2 or Bus number 16 to and fireworks, Hyundai Cruise has it all. Hyundai Premium outlet) Ara waterway is located in the middle of Seoul >> Fare and 30 minutes away from Incheon International Cruise only: Adults 16,000 won, Children10,000 won Airport. The cruise ship passes by Ara waterway, Cruise with Standard Lunch: Adults 26,000 won, Chil- which is consisted of 8 beautiful sightsalong the dren 17,000 won waterway from west sea to middle of Han River. Cruise with Semi Lunch: Adults 36,000 won, Children From the deck of the cruise, you may enjoy 27,000 won beautiful scenery of artificial waterfalls, themed Cruise with Luxury Lunch: Adults 45,000 won, Chil- ecological park and Han River.
Load more

Recommended publications
  • Long-Term Land Cover Changes in the Western Part of the Korean Demilitarized Zone
    land Article Long-Term Land Cover Changes in the Western Part of the Korean Demilitarized Zone Jae Hyun Kim 1,2,3 , Shinyeong Park 2, Seung Ho Kim 2 and Eun Ju Lee 3,* 1 Research Institute for Agriculture and Life Sciences, Seoul National University, Seoul 08826, Korea; [email protected] 2 DMZ Ecology Research Institute, Paju 10881, Korea; [email protected] (S.P.); [email protected] (S.H.K.) 3 School of Biological Sciences, Seoul National University, Seoul 08826, Korea * Correspondence: [email protected] Abstract: After the Korean War, human access to the Korean Demilitarized Zone (DMZ) was highly restricted. However, limited agricultural activity was allowed in the Civilian Control Zone (CCZ) surrounding the DMZ. In this study, land cover and vegetation changes in the western DMZ and CCZ from 1919 to 2017 were investigated. Coniferous forests were nearly completely destroyed during the war and were then converted to deciduous forests by ecological succession. Plains in the DMZ and CCZ areas showed different patterns of land cover changes. In the DMZ, pre-war rice paddies were gradually transformed into grasslands. These grasslands have not returned to forest, and this may be explained by wildfires set for military purposes or hydrological fluctuations in floodplains. Grasslands near the floodplains in the DMZ are highly valued for conservation as a rare land type. Most grasslands in the CCZ were converted back to rice paddies, consistent with their previous use. After the 1990s, ginseng cultivation in the CCZ increased. In addition, the landscape changes in the Korean DMZ and CCZ were affected by political circumstances between South and North Citation: Kim, J.H.; Park, S.; Kim, Korea.
    [Show full text]
  • Sunghong Min Sunghong Min Born in 1972, Seoul, South Korea Curriculum Vitae Lives & Works in Seoul, South Korea
    _CURRICULUM VITAE SUNGHONG MIN _SUNGHONG MIN _BORN IN 1972, SEOUL, SOUTH KOREA CURRICULUM VITAE LIVES & WORKS IN SEOUL, SOUTH KOREA MASTER OF FINE ARTS: PAINTING SAN FRANCISCO ART INSTITUTE, SAN FRANCISCO, CA, USA BACHELOR OF FINE ARTS: PAINTING CHU-GYE UNIVERSITY FOR THE ARTS, SEOUL, SOUTH KOREA PERSONAL EXHIBITIONS YEAR VENUE CITY COUNTRY 2020 Woomin Art Center Cheongju South Korea 2019 Space XX Seoul South Korea 2018 CR Collective Seoul South Korea Art' Loft, Lee-Bauwens gallery Brussels Belgium Artspace Hue Paju South Korea 2017 Mullae Art Factory, Studio M30 Seoul South Korea 2015 Gyunggi-do Museum of Modern Art Ansan South Korea Planet Gallery Seoul South Korea 2013 Sabina Lee Gallery Los Angeles USA 2012 MANO Gallery Seoul South Korea 2011 Art Ga Gallery Seoul South Korea 2008 Sabina Lee Gallery Los Angeles USA 2006 Sabina Lee Gallery Los Angeles USA 2005 Sabina Lee Gallery Los Angeles USA 2004 UC Gallery, University of Montana Missoula USA 2003 Diego Rivera Gallery San Francisco USA E3 Gallery New York USA 2002 Diego Rivera Gallery San Francisco USA COLLECTIVE EXHIBITIONS YEAR VENUE CITY COUNTRY 2020 Culture Station Seoul 284 Seoul South Korea Hapjeong-jigu Seoul South Korea 2019 U Art Space Seoul South Korea Seoul Art Space, Geumcheon PS 333 Seoul South Korea Hyundai Museum of Kids’Books & Art PanGyo South Korea Space K Gwacheon South Korea Incheon Art Platform Gallery B Incheon South Korea Yangpyeong Art Museum Gyunggi-do South Korea _ART’LOFT _36 RUE DU CHARME, 1190 FOREST, BELGIUM LEE-BAUWENS GALLERY +32 (0)475 411 963 WWW.ARTLOFT.EU
    [Show full text]
  • You Dream, We Display 2016-2017 LG Display Sustainability Report About This Report
    You Dream, We Display 2016-2017 LG Display Sustainability Report About This Report This report is the sixth edition of LG Display sustainability report. LG Display issues this report to share our achievement toward ‘Global No.1 Sustainable Company’ with our stakeholders. We have organized this report around our corporate vision ‘You Dream, We Display’ with the accomplishments related to sustainable management issues. LG Display plans to continue to publish our annual sustainability report as a communication channel to our stakeholders. Reporting Scope and Period Reporting regions include LG Display Korea (Seoul head quarter, Gumi, Paju) and LG Display China (CA, Nanjing, Guangzhou, Yantai). This report shows our sustainable management activities from January 1, 2016 to December 31, 2016 with the quantitative performance based on data gathering over three years in order to present the trends more clearly. This report also includes a partial qualitative performance of early 2017. Reporting Principles and Assurance In writing this report, we have faithfully reflected the four reporting principles of the Global Reporting Initiative (GRI) Standards, which are the international standard for sustainability management reports: 'Sustainability Context', 'Materiality', 'Stakeholder Participation' and 'Completeness'. Also, this report was prepared in accordance with the Global Reporting Initiative (GRI) G4 Guidelines at the Core Level and part of the International Integrated Reporting Council (IIRC) framework. Additionally, the credibility of the contents and the integrity of the data used in this report were verified by an independent and objective assurance group to ensure the reliability of the report. The detail information of the assurance group is provided on page 88-89 of this report.
    [Show full text]
  • Metro Lines in Gyeonggi-Do & Seoul Metropolitan Area
    Gyeongchun line Metro Lines in Gyeonggi-do & Seoul Metropolitan Area Hoeryong Uijeongbu Ganeung Nogyang Yangju Deokgye Deokjeong Jihaeng DongducheonBosan Jungang DongducheonSoyosan Chuncheon Mangwolsa 1 Starting Point Destination Dobongsan 7 Namchuncheon Jangam Dobong Suraksan Gimyujeong Musan Paju Wollong GeumchonGeumneungUnjeong TanhyeonIlsan Banghak Madeul Sanggye Danngogae Gyeongui line Pungsan Gireum Nowon 4 Gangchon 6 Sungshin Baengma Mia Women’s Univ. Suyu Nokcheon Junggye Changdong Baekgyang-ri Dokbawi Ssangmun Goksan Miasamgeori Wolgye Hagye Daehwa Juyeop Jeongbalsan Madu Baekseok Hwajeong Wondang Samsong Jichuk Gupabal Yeonsinnae Bulgwang Nokbeon Hongje Muakjae Hansung Univ. Kwangwoon Gulbongsan Univ. Gongneung 3 Dongnimmun Hwarangdae Bonghwasan Sinnae (not open) Daegok Anam Korea Univ. Wolgok Sangwolgok Dolgoji Taereung Bomun 6 Hangang River Gusan Yeokchon Gyeongbokgung Seokgye Gapyeong Neunggok Hyehwa Sinmun Meokgol Airport line Eungam Anguk Changsin Jongno Hankuk Univ. Junghwa 9 5 of Foreign Studies Haengsin Gwanghwamun 3(sam)-ga Jongno 5(o)-gu Sinseol-dong Jegi-dong Cheongnyangni Incheon Saejeol Int’l Airport Galmae Byeollae Sareung Maseok Dongdaemun Dongmyo Sangbong Toegyewon Geumgok Pyeongnae Sangcheon Banghwa Hoegi Mangu Hopyeong Daeseong-ri Hwajeon Jonggak Yongdu Cheong Pyeong Incheon Int’l Airport Jeungsan Myeonmok Seodaemun Cargo Terminal Gaehwa Gaehwasan Susaek Digital Media City Sindap Gajwa Sagajeong Dongdaemun Guri Sinchon Dosim Unseo Ahyeon Euljiro Euljiro Euljiro History&Culture Park Donong Deokso Paldang Ungilsan Yangsu Chungjeongno City Hall 3(sa)-ga 3(sa)-ga Yangwon Yangjeong World Cup 4(sa)-ga Sindang Yongmasan Gyeyang Gimpo Int’l Airport Stadium Sinwon Airprot Market Sinbanghwa Ewha Womans Geomam Univ. Sangwangsimni Magoknaru Junggok Hangang River Mapo-gu Sinchon Aeogae Dapsimni Songjeong Office Chungmuro Gunja Guksu Seoul Station Cheonggu 5 Yangcheon Hongik Univ.
    [Show full text]
  • Pop Culture in Asia Conference Abstracts
    Pop Culture in Asia: Adaptation, Convergence, and Challenges Academic Conference December 10 -12, 2010. In conjunction with the Singapore Toys, Games and Comics Convention Paper Abstracts Panel 1: Makers and Players: Experiencing Comics, Games and Faith in Malaysia and the Philippines Paper 1: Discourse of Accommodation: Philippine Video Game Community Discourse and its Accommodation of Anime, Manga and Cosplay Presenter: Manuel Enverga III Consumption of global popular culture media, such as comic books, video games and anime has led to the formation of subculture groups built on common consumption patterns, with different consumption-based subculture groups producing and articulating their own discourses. These discourses reflect the symbols, meanings and ideas inherent in the group. By emphasizing ideas that are significant to the group and marginalizing what are not, these discourses represent the imaginary of the consumption-based group. This paper examines the Philippine video gaming community's imaginary, and argues that its dominant discourse is one that not only emphasizes video games, but accommodates other popular culture forms such as anime, manga, comic books and even cosplay, which are traditionally considered separate from video games. The paper selected three prominent Philippine video game publications to represent the discourse. These publications are Game!, which is published monthly and is the most widely distributed video gaming print magazine in the country, and has a readership of over 150,000. Also examined was Playground, which, recently shifted from being a print publication to an online one, with its website being updated everyday. The third publication is GameOPS, the oldest online video game publication in the Philippines, which is updated at least once every two days.
    [Show full text]
  • 3LRS 03' TEL COUNCIL Щ Jj C T ^ BER 19 31
    L ._ _ _ G ïïL 0 -, N A T I O N S SUBJECT LI 3 T No. 1 3 6 V . DvC'LL. NTS DISTRIBUTED TU TEE. :^3LRS 03' TEL COUNCIL D U rt Jl r. G ù Jj C t ^ B E R 19 31 (Prepared by the Distribution Branch) Note: Part I contains reference to documents distributed to all -..embers of the League. Part II contains reference to documents distributed to the -.embers of the Council only. The Numbers in parenthesis in Part I are inserted in order to indicate the existence of Council documents to which reference will be found in Part II. § Distributed previously Key to Abbreviations L . $ Assembly A. and A.P. Allied and Associated Powers Add, .addendum, Addenda A d d it * Addition al A d v. Advisory A g r t . agreement Ann o Annex App. Append ix Arb.arjd Se c. G t tee. Arbitration and Security Committee A r r g t . Arrange me nt Ar t . Ar t ic le Ass . Assembly Aug. August C .0é Council C h a p t. Chapter C l . Counc il C .L. 0 Circular Letter C.M, 0 Council and Members Comm. Commission Conf . Conference C o n s u lt. Consultative Conv » Convent ion C . P . J . I . 0 Permanent Court of In te mations! Jus tice Cttee . Committee Deo . December D e l. Delegat ion D is c . Discus s ion D i s t . Distribution and Distributed Doc- Docurre nt Eng. 00 English E r r . Erratum, Err at a E x t r a o r d .
    [Show full text]
  • Economy & Business in Gyeonggi-Do
    [Understanding] The Future of Korea, How Gyeonggi-do Leading the Country more info : www.gyeonggido-korea.com Let's understand about Gyeonggi-do. Not only for Koreans but also people in the world, Gyeonggi-do provides people opportunities and better life. Gyeonggi-do is the province surrounding the capital of South Korea, Seoul. It is the most populated province of Korea having about 13 million inhabitants, more than one-fifth of the entire Korean population. The province has played an important role since 18 BCE when the country was divided into three kingdoms and still plays a vital role for tourism, business, economy and technology in current day South Korea. Economy & Business in Gyeonggi-do Gyeonggi-do is a hub for industry in Korea and ranges from heavy industry (chemical, steel, electronics, machinery) to textile industry, IT, farming, livestock and fisheries. More than a quarter of all Korea’s small and medium-sized companies are located in Gyeonggi-do province and the province is becoming more and more important with the expansion of the Northeast Asian economies. night pangyo Pangyo Techno Valley 1. Gyeonggi-do, the hub of economy and industry Gyeonggi-do lies at the heart of the Korean economy and has the highest GRDP among all other provinces on the South Korean peninsula. Additionally, it has the fastest annual GRDP growth rate in comparison with other provinces and even Seoul Special City. Industry is evenly spread around the province and consists of major companies like Suwon Samsung Semiconductor, Hyundai KIA in Uiwang, Paju's LG Corporation LCD Complex, Icheon's SK Hynix.
    [Show full text]
  • Building the Nation: the Success and Crisis of Korean Civil Religion
    religions Article Building the Nation: The Success and Crisis of Korean Civil Religion Andrew Eungi Kim 1 and Daniel Connolly 2,* 1 Division of International Studies, Korea University, Anam-ro, Seongbuk-gu, Seoul 02841, Korea; [email protected] 2 Division of International Studies, Hankuk University of Foreign Studies, Seoul 02450, Korea * Correspondence: [email protected] Abstract: Civil religion refers to a country’s beliefs, symbols, and rituals that bolster national unity and strengthen its citizens’ sense of identity and belonging. However, the literature on civil religion is divided between those who attribute it to bottom-up cultural spontaneity and those who see it as an ideological top-down construction. Moreover, there has been a relative lack of scholarly attention to Korean civil religion. This paper addresses both issues by arguing that a strong civil religion indeed exists in the country and that it has been an important part of the “nation-building” process since the founding of the Republic of Korea in 1948. The paper highlights how a succession of authoritarian regimes (1948–1987) successfully mobilized a strong civil religion for political purposes. The resulting civil religion targeted economic growth as the national goal to overcome all social ills, focused on the country’s ethnic and cultural homogeneity to boost national confidence and pride, exalted its traditional religions, especially Confucianism, as repositories of Korean traditional culture, and rendered sacred meanings to national symbols such as the flag and national anthem. Even after democratization, Korean civil religion remains largely ideological, as the Korean government is heavily involved in framing, planning, sponsoring, and promoting the country’s civil religion.
    [Show full text]
  • Lee Jinju Born 1980, Busan, Korea Lives and Works in Paju and Seoul
    Lee JinJu Born 1980, Busan, Korea Lives and works in Paju and Seoul M.F.A. Department of Oriental Painting, College of Fine Arts, Hongik Univ., Korea B.F.A. Department of Oriental Painting, College of Fine Arts, Hongik Univ., Korea Solo Exhibitions 2017 Dialogical Self (BAIKART Gallery, Los Angeles) 2017 An Obscure Reply (ARARIO Gallery, Seoul) 2014 JINJU LEE (DOOSAN Gallery NewYork, New York) 2011 Evanescing, In-evanescing (Gallery Hyundai 16bungee, Seoul) 2010 A Way to Remember (Gallery Hyundai Window Gallery, Seoul) 2008 Story of Silence (Gallery JungMiSo, Seoul) 2006 Patternholic (Gallery DOS, Seoul) Duo Exhibitions 2013 片鱗 Glimpse - Li YiWen & Lee Jinju, Space CAN Beijing, Beijing, China 2012 Paths of Clues - Lee Jeongbae & Lee Jinju, Gallery SoSo, Paju, Korea Selected Group Exhibitions 2016 The Evolution of Socialist Realism, American univ.museum, Washington, USA Journey to a Fluid Island, Kumho Museum of Art, Seoul, Korea Club Monster, Asia Culture Center, Gwangju, Korea Falling in Love with Women's Portraits, Sejong Museum of Art, Seoul, Korea 2015 East Asia Feminism: Fantasia, SEOULMuseum of Art, Seoul, Korea Black Hole Sun, Art Center WHITE BLOCK, Paju, Korea 2014 SongEun ArtAward Exhibition, SongEun Artcenter, Korea TOMORROW 2014, DDP, Design Museum, Korea 2013 Permeated Perspective: Young Korean Painters, DOOSAN Gallery New York, USA Girl’s Generation, Space Cottonseed, Singapore Detail, Gallery SiMon, Seoul, Korea Real Landscape, True Reflection, OCI Museum of Art, Seoul, Korea 2012 On Manner of Forming, Edwin’s Gallery, Jakarta,
    [Show full text]
  • The Dmz Tour Course Guidebook
    THE DMZ TOUR COURSE GUIDEBOOK From the DMZ to the PLZ (Peace and Life Zone) According to the Korean Armistice Agreement of 1953, the cease-fire line was established from the mouth of Imjingang River in the west to Goseong, Gangwon-do in the east. The DMZ refers to a demilitarized zone where no military army or weaponry is permitted, 2km away from the truce line on each side of the border. • Establishment of the demilitarized zone along the 248km-long (on land) and 200km-long (in the west sea) ceasefire line • In terms of land area, it accounts for 0.5% (907km2) of the total land area of the Korean Peninsula The PLZ refers to the border area including the DMZ. Yeoncheon- gun (Gyeonggi-do), Paju-si, Gimpo-si, Ongjin-gun and Ganghwa-gun (Incheon-si), Cheorwon-gun (Gangwon-do), Hwacheon-gun, Yanggu- gun, Inje-gun and Goseong-gun all belong to the PLZ. It is expected that tourist attractions, preservation of the ecosystem and national unification will be realized here in the PLZ under the theme of “Peace and Life.” The Road to Peace and Life THE DMZ TOUR COURSE GUIDEBOOK The DMZ Tour Course Section 7 Section 6 Section 5 Section 4 Section 3 Section 2 Section 1 DMZ DMZ DMZ Goseong Civilian Controlled Line Civilian Controlled Line Cheorwon DMZ Yanggu Yeoncheon Hwacheon Inje Civilian Controlled Line Paju DMZ Ganghwa Gimpo Prologue 06 Section 1 A trail from the East Sea to the mountain peak in the west 12 Goseong•Inje 100km Goseong Unification Observatory → Hwajinpo Lake → Jinburyeong Peak → Hyangrobong Peak → Manhae Village → Peace & Life Hill Section 2 A place where traces of war and present-day life coexist 24 Yanggu 60km War Memoria → The 4th Infiltration Tunnel → Eulji Observatory → Mt.
    [Show full text]
  • Krystal Urbano1 Resumo
    COMUN. MÍDIA CONSUMO, SÃO PAULO, V. 17, N. 50, P. 555-573, SET./DEZ. 2020 DOI 10.18568/CMC.V17I50.2164 ARTIGO Krystal Urbano1 Resumo: O artigo discute a presença das produções televisivas japonesas e sul-coreanas no catálogo brasileiro da Netflix. Tendo em vista que nos últimos anos a empresa estadunidense tem investido na diversificação dos países produ- tores, para além dos Estados Unidos, busca-se refletir sobre a participação do Japão e da Coreia do Sul nessa constituição. Através de uma revisão da literatura sobre o tema, combinada com um mapeamento inicial dos títulos japoneses e sul-coreanos que figuram na referida plataforma em sua versão brasileira, ficou perceptível a empreitada em curso da Netflix de se consolidar como uma media- dora audiovisual global e a relevância dos mercados centrais do Leste Asiático e não anglófonos, na constituição do seu catálogo internacional e brasileiro. Palavras-chave: Netflix; produção televisiva; contrafluxos. Abstract: The article discusses the presence and expansion of Japanese and South Korean television productions in the Brazilian Netflix catalog. Bearing in mind that, in recent years, the American company has invested in the diversifica- tion of producing countries, in addition to the United States, we seek to reflect on the participation of Japan and South Korea in this constitution. Through a review of the literature on the topic, combined with an initial mapping of Japanese and South Korean titles that appear on the referred platform in its Brazilian version, it is noticeable Netflix’s ongoing effort to consolidate itself as a global audiovisual mediator and the relevance of the central markets of East Asia and non-English speakers in the constitution of its international and Brazilian catalog.
    [Show full text]
  • Park Chan-Kyong (Korean, B.1965)
    Park Chan-Kyong (Korean, b.1965) Park Chan-Kyong (b. 1965) is a media artist, film director and writer based in Seoul. His work examines Korean society, framing the rapid socioeconomic development of the past century while chronicling the often reckless pursuit of Western modernization and economic growth, through subjects including the Cold War and traditional Korean religions. Park graduated from Seoul National University in 1988 with a BFA in Painting, and the California Institute of the Arts with a MFA in Photography in 1995. He served as the Artistic Director of the SeMA Biennale Mediacity Seoul in 2014. His major works include Manshin: Ten Thousand Spirits (2013), Night Fishing (2011, co-directed by Park Chan-wook), Sindoan (2008), Power Passage (2004) and Sets (2000). Park’s work has been exhibited internationally in numerous solo and group exhibitions including Haus der Kulturen der Welt, Berlin (2017), Taipei Biennial (2016), Anyang Public Art Project (2016), Iniva, London (2015), Art Sonje Center, Seoul (2013), and Atelier Hermès, Seoul (2008, 2012). Park was awarded the Hermès Korea Art Award in 2004, and the Golden Bear for best short film at the Berlin International Film Festival in 2011 for Night Fishing. His works are included in the collection of major art institutions, such as the National Museum of Modern and Contemporary Art, Korea; KADIST, Paris and San Francisco; Musée des Beaux-Arts de Nantes, Nantes; M+, Hong Kong; Leeum, Samsung Museum of Art, Seoul; Seoul Museum of Art; Gyeonggi Museum of Modern Art, Ansan; and
    [Show full text]