Guitar Soundings, V.55
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“Love God with the Guitar”
“Love God With the Guitar” Renato Bellucci Classical Guitarist & Author “To My Divine Wife Belén and our 7 children” The life of classical guitarist Renato Bellucci, his teaching, life experience, Catholic faith, and an introduction to the classical guitar technique. www.mangore.com This work is published for the greater Glory of God. The book is the intellectual property of Renato Bellucci and may not be reproduced, in whole or in part, without written permission by the Publisher. Contact Renato Bellucci for permission: [email protected] 1 TABLE OF CONTENT 1. VOCATION ..................................................................................... 4 2. AN ENCOUNTER WITH GOD ........................................................... 7 3. S.D.G. Soli Deo Gloria ............................................................... 11 4. MY GUITAR HISTORY ................................................................... 14 5. ANDRES SEGOVIA ........................................................................ 16 6. NARCISO YEPES ........................................................................... 26 7. BACH ............................................................................................ 39 8. THE CHACONNE ........................................................................... 44 9. ABEL CARLEVARO ...................................................................... 48 10. GIVING CONCERTS .................................................................... 61 11. ANXIETY ................................................................................... -
Cgsunynewsletter Volume 17 # 1 the Classical Guitar Society of Upstate New York
! CGSUNYNewsletter Volume 17 # 1 The Classical Guitar Society of Upstate New York www.cgsuny.org Phone: 607-865-8775 Address: P.O. Box 151 Unadilla, NY 13849 President’s Message Greetings one and all, I am very pleased to announce that it is now official that our featured soloist at this year’s (our 17th!) Fall Festival will be Gohar Vardanyan. Anyone interested in her, her playing, or her teaching can see several helpful lessonettes at the Strings By Mail website. I am very excited. I recently recalled a silly but actually helpful scene in a Hollywood movie. In Runaway Bride there is a scene where one of the Julia Roberts character’s jilted fiancés, a major Grateful Dead fan, upon finding out that her devotion to him (and to the Dead) was not what he thought, asked: “What would Jerry (Garcia) do?” The answer came back: “Play”. As we watch trouble of all kinds all around the world we should play- for ourselves and for others- and we should listen. Sharing music truly helps dispel the darkness. Paul Sweeny, CGSUNY President 2016 Headline Concert and Masterclass Review 2016 CGSUNY Fall Festival Concert and Masterclass with Celil Refik Kaya by Giancarlo Sidoli This year’s featured performer, Celil Refik Kaya presented a phenomenal concert. Beginning with brilliant performances of Mauro Giuliani’s Sonata Eroica op. 150, two well-arranged sets of keyboard transcriptions of J. S. Bach’s Goldberg Variations and Enrique Granados’ Valses Poeticos. The second half consisted of Celil’s own Sonatina, Rodrigo’s Toccata, the Eighteenth Caprichoso de Goya by Castelnuovo-Tedesco and ending with an amazing encore-a Turkish piece in which one could almost hear the oud and rebab’s instrumental influence! Celil, a student of 2014 featured performer Adam Holzman, is currently pursuing his DMA at the Butler School of Music at the University of Texas at Austin. -
Toccata Classics TOCC0168 Notes
P GUSTAVO LEONE ON HIMSELF AND HIS MUSIC I am a porteño, a native of Buenos Aires, but since 1987 I have lived in Chicago, where I am a professor in the Department of Fine and Performing Arts of Loyola University Chicago. Before that, from 1994 to 2007, I was on the faculty at Columbia College, also in Chicago. I began my musical career as a classical guitarist in Argentina, studying with Luis Ainsestad, Adriana Ardizzone and Miguel Ángel Girollet. I attended the Guitar International Seminars at the University of Palestrina in Porto Alegre, Brazil, from 1976 to 1978, where I enjoyed Abel Carlevaro’s guitar-technique seminars as well as master-classes by eminent guitarists such as Sérgio Abreu and Eduardo Fernandez. In the USA I performed as a guitarist with Collegium Musicum, the Contemporary Chamber Players, San Luis Obispo Chamber Orchestra, Harper Symphony, Kaia String Quartet, and CUBE Ensemble. My composition studies began at the Catholic University of Argentina in Buenos Aires with Roberto Caamaño, Marta Lambertini and Gerardo Gandini, in whose composition workshops outside the university I advanced my technique. It was in 1987 that I moved to Chicago, to pursue graduate studies in composition at the University of Chicago, studying with Ralph Shapey, Shulamit Ran, John Eaton and Howard Sandroff. My music has been performed by ensembles such as the Wiener KammerOrchester, Grant Park Festival Orchestra, Symphonic Orchestra of Michoacán, Czech National Symphony Orchestra, Fox Valley Symphony Orchestra, Civic Orchestra of Chicago, Pro Musica, Concertante di Chicago, Chicago Sinfonietta, Rembrandt Chamber Players, Avalon String Quartet, Spektral Quartet, Contemporary Chamber Players, CUBE Ensemble and Sonic Inertia. -
Classical Guitarathon June 3, 8 P.M
MGS Mission Statement Promote the guitar in all its stylistic and cultural diversity through sponsorship of public forums, concerts, and workshops. Serve as an educational and social link between the community and amateur and professional guitarists of all ages. A Publication of the Minnesota Guitar Society • P.O. Box 14986 • Minneapolis, MN 55414 may / june 2017 VOL. 33 nO. 3 Classical Guitarathon June 3, 8 p.m. Tony Hauser with David Gregory, cajon - all works by Tony Hauser Lament for Jonathan Kaminsky Rondobout Two Choros Seven Days in Sevilla (Sevillanas) Jeff Lambert Etude 1 – Giulio Regondi Etude 9 – Giulio Regondi F’ête villageoise (Rondo Caprice), Op. 20 – Giulio Regondi Milena Petkovic Suite Koyunbaba – Carlo Domeniconi Jacob Jonker El Decameron Negro – Leo Brouwer Maja Radovanlija & Linda Chatterton, flute Sonatina Op. 205 – Mario Castelnuovo Tedesco Paçoca (Choro) – Celso Machado James Flegel, classical guitar Theme, Variations, and Finale – Manuel M. Ponce Fantasia-Sevillana – Joaquin Turina About our performers: Tony Hauser Guitarist Tony Hauser’s love for the guitar was born at the age of ten when he began studying with his brother, flamenco guitar- ist, Michael Hauser, with whom he has concertized extensively. As a youth he established solid foundations as both a classical and fla- menco guitarist studying both in Minnesota with Albert Bellson and Jeffrey Van, and in Spain with the legendary flamenco guitarists Niño Ricardo and Luis Maravilla. Under the tutelage of Andres Segovia‘s protege, Jesus Silva, he received his Bachelor of Music degree from the North Carolina School of the Arts. Lessons and master classes with Maestro Segovia, John Williams, Abel Carlevaro and Cuban compos- er-guitarist Leo Brouwer followed. -
With Elbio Barilari Broadcast Schedule — Spring 2017
FIESTA! with Elbio Barilari Broadcast Schedule — Spring 2017 PROGRAM #: FST 17-01 RELEASE: April 2, 2017 Spanish Music and Visual Arts Spanish composers seem to have a strong predilection for the visual arts. One would say this is not surprising in a country that gave us Diego Velázquez, Goya and Picasso among many other first rate artists. Enrique Granados composed his monumental “Goyescas” (after Francisco Goya) in 1911, as a piano suite and in 1915 used its movements as the skeleton for his opera of the same title. In this program we present a selection of the original piano suite recorded by Cuban pianist Jorge Luis Prats. Goya also receives a tribute from Cuban born Spanish composer Eduardo Morales-Caso. The title of the piece, “Volavérunt”, refers to a 1799 painting by Goya from the series “Los Caprichos.” The meaning of the word is unknown and it was also the focus of an award-winning novel by the Uruguayan writer Antonio Larreta. Catalonian composer Xavier Montsalvatge pays tribute, an ironic tribute it may be said, to Salvador Dalí. His “Folia daliniana” alludes at the same time to the ancient tradition of the 16th century tradition of the “folias” and to the flashy surrealist painter of the famous moustache. Finally, three more Catalonians, Joan Saura, Nuno Rebello and Xavier Maristany, provide a miniature based on the contemporary graphics of the cartoons. This piece is part of a series of improvisations they did during the 1990s. Enrique Granados: Suite from Goyescas- Los requiebros, Coloquio la reja, Quejas o La maja y el ruisenor, El pelele (Jorge Luis Prats, piano) Decca 478 2732 Eduardo Morales-Caso: Volavérunt (Duo Sonidos) Verso VRS 2109 Xavier Montsalvatge: Folia daliniana (Perspectives Ensemble; Sato Moughalian, flute; Angel Gil-Ordoñez, conductor) Naxos 8.573101 Joan Saura/Nuno Rebello/ Xavier Maristany: Cartoons (Joan Saura, Nuno Rebello, Xavier Maristany: guitars, samplers, toys) NCM9 PROGRAM #: FST 17-02 RELEASE: April 9, 2017 Easter 2017 Latin America has developed its own and strong Easter musical traditions. -
Guitar Soundings, V.54
Guitar Soundings A PUBLICATION OF THE SEATTLE CLassIC GUITAR SOCIETY Volume 54, Number #4 Established 1958 July/August 2013 ANNOUNCING THE SEATTLE CLASSIC GUITAR SOCIETY 2013-2014 INTERNATIONAL CONCERT SERIES All performances take place at the Illsley Ball Nordstrom Recital Hall at Benaroya Hall, 7:30 PM ANDREW YORK - SATURDay, SEPT. 28TH, 2013, 7:30 PM The Seattle Classic Guitar Society is thrilled to present Andrew York for the opening concert of the International Series. Andrew York is one of today’s most visible and innova- tive classical guitar composers, winning a GRAMMY with the Los Angeles Guitar Quartet during their sixteen-year partnership. Andrew’s discography includes “California Breeze,” a recording for Sony Japan, three solo CD’s for the GSP label, ten CD’s with the LAGQ on Delos, Sony and Telarc labels, as well as inclusion on Rhino Records “Legends of Guitar” and numerous other compilations. For the last decade, Andrew’s concert touring schedule has spanned more than thirty countries. Recent concerts include Bogotá Columbia, Ankara Turkey, Czech Republic and Andrew’s eleventh tour of Japan. In 2006 Andrew recorded and performed with the Atlanta symphony for the opera “Ainadamar” by Osvaldo Golijov. The recording of “Ainadamar” (Deutsche Gramophone) won two GRAMMY awards. York’s compositions have been recorded by guitar luminaries John Williams and Chris- topher Parkening, and Japanese pianist Mitsouko Kado. As a published composer, York’s works appear in print worldwide through Alfred Publications, Hal Leonard, Mel Bay Publications, Guitar Solo Publications, Doberman-Yppan in Canada, Ricordi in London, and Gendai in Japan. -
SELECTED REVIEWS “A First Rate Guitarist
Rua Fernandes Vieira, 634 / 1101 90035-090 - Porto Alegre, RS - Brazil Phone: +55 51 3311-4130 Mobile: +55 51 9965-0069 e-mail: [email protected] CURRICULUM One of Brazil’s most acclaimed and versatile musicians, Daniel Wolff is a Bachelor of Music from the Uruguayan University in Montevideo. Wolff was later awarded full scholarships from the Brazilian government to obtain the Master of Music and Doctor of Music degrees from New York’s prestigious Manhattan School of Music, where he was given the Helen Cohn Award for outstanding achievement. He became thus the first Brazilian to receive a doctorate in guitar performance. A Professor of Music at the Brazilian Federal University (UFRGS), where he created the Master and Doctor of Music Degrees in Guitar Performance, he is in constant demand to teach in universities and music festivals in the United States, Germany, Portugal, México, Colombia, Bolívia, Peru, Brazil, Uruguay and Argentina. Daniel was also a Guest Professor at Berlin’s Universität der Künste. Winner of guitar competitions in Brazil and the United States, he has performed widely in Europe, South America and the United States, where he appeared at New York’s Carnegie Recital Hall. His main guitar teachers were Eduardo Fernández, Abel Carlevaro and Manuel Barrueco. As an arranger and composer, he had his works performed and recorded by orchestras and chamber ensembles in Europe and the Americas. His arrangements have been recorded by a variety of artists, culminating in a Grammy Award and twice the Açorianos Prize for best arranger. He has also written various prize-winning film scores and ballets; his ballet Quadressencias was released in DVD by the UCS Symphony Orchestra with the Caxias do Sul Dance Company. -
Enciclopedia De La Guitarra B
- 166 - BABILONI Manuel BABILONI Manuel n. 1959 en Castellón de la Plana (España) Concertista y profesor de guitarra. Se inició en la música con su padre Manuel Babiloni Alicart. A los ocho años comenzó los estudios de guitarra en el Conservatorio Superior de Música de Valencia, donde consiguió los PREMIOS EXTRAORDINARIOS FIN DE GRADO MEDIO y FIN DE GRADO SUPERIOR. En 1981 ingresa como profesor en el Conservatorio Profesional de Música de Castellón e inicia su carrera como concertista profesional. A partir de este momento, asiste durante varios años a las clases del maestro José Luis González. También recibe clases de interpretación de la compositora Matilde Salvador, esposa de Vicente Asencio. Durante varios años fue becario de la Fundación "Balaguer- Gonel". En 1983, ganó el Premio Especial a la mejor interpretación de la obra de Francisco Tárrega en la XVIII edición del CERTAMEN INTERNACIONAL DE GUITARRA "FRANCISCO TÁRREGA", en Benicasim. En 1986, asiste a la XXIV edición del Concurso Internacional de Música Española en Santiago de Compostela, donde consigue el premio ''RUIZ MORALES" al alumno más destacado y el premio "RAMIREZ" al mejor guitarrista. Su carrera internacional comenzó en Irlanda, actuando en Belfast y Dublin, donde fue invitado para participar en el homenaje a Andrés Segovia en 1987. El crítico musical Barra Boydell escribió en referencia a esta actuación: "Manuel Babiloni demostró ser un guitarrista de la más fina calidad, con una manera de tocar relajada e íntima, en la que su control de un sonido piano sostenuto regular fue un particular placer." THE IRISH TIMES, Dublin (Irlanda). Desde este momento, su actividad como concertista se prolonga hasta llegar al momento actual, ofreciendo regularmente conciertos a lo largo de la geografıa española y en diversos países de Europa, Sudamérica y Japón Ha participado en los I Festivales de Guitarra de Ankara (Turquía), en 1989, y en la Gala de la RED DE EUROVISIÓN DE LAS TELEVISIONES REGIONALES Y AUTONÓMICAS EUROPEAS(CIRCOM), celebrada en Eslovenia en 1990. -
La Estabilización Articular En La Técnica De La Guitarra. El Papel De Abel Carlevaro
La estabilización articular en la técnica de la guitarra. El papel de Abel Carlevaro The articular stabilization in guitar technique. The role of Abel Carlevaro por Ricardo Barceló Abeijón CEHUM. Universidade do Minho, Portugal [email protected] La estabilización de las articulaciones corporales, acto también conocido como fijación, es una cons- tante en las múltiples acciones que realizamos en la vida cotidiana, habitualmente de forma instintiva e inconsciente. En la técnica guitarrística la fijación articular ha sido entendida normalmente como un recurso biomecánico que implica la estabilización firme, circunstancial y controlada, de una o más articulaciones corporales, en ocasiones de forma consciente y deliberada, en particular durante la fase de preparación de una obra musical. El guitarrista y pedagogo uruguayo Abel Carlevaro adoptó este concepto como uno de los pilares de su técnica instrumental. En este trabajo nos propusimos indagar, principalmente, acerca del origen del uso de las estabilizaciones articulares voluntarias en la técnica de la guitarra clásica y la hipotética influencia de los métodos con argumentación científica para la ense- ñanza del piano, publicados durante la primera mitad del siglo XX, tales como los de Otto Ortmann y Arnold Schultz. También investigamos los trabajos pedagógicos de los guitarristas Abel Carlevaro y Charles Duncan relacionados con esta temática, y el alcance que han tenido los mismos, con relación a la adopción de este concepto por la comunidad guitarrística internacional. Palabras clave: Estabilización, fijación, guitarra, piano, Carlevaro, biomecánica, pedagogía. The articular stabilization is an action known too as ‘fixation’ and it is quite common in the multiple actions that we carry out in everyday life, usually instinctively and unconsciously. -
In Consideration of the Performers and Other Members of the Audience, Please Enter Or Leave a Performance at the End of a Composition
In consideration of the performers and other members of the audience, please enter or leave a performance at the end of a composition. Cameras and recording equipment are not permitted. Please turn off all electronic devices, and be sure that all emergency contact cell phones and pagers are set to silent or vibrate. This event is free to all UNI students, courtesy of the Panther Pass Program. Performances like this are made possible through private support from patrons like you! Please consider contributing to School of Music scholarships or guest artist programs. Call 319-273-3915 or visit www.uni.edu/music to make your gift. Saturday, April 25, 2015 at 2 pm Davis Hall, Gallagher Bluedorn Performing Arts Center First Brazilian to receive a doctorate in guitar performance, Daniel Wolff is one of Brazil’s most acclaimed musicians. In addition to a successful career as a Uirapurú do Amazonas . .GAUDENCIO THIAGO DE MELLO performer, he is also an accomplished composer, arranger and teacher. A Bachelor of Music from the Uruguayan University Music School in Montevidéo, at the class of virtuoso guitarist Eduardo Fernández, Wolff was also a student of the renowned guitarist Abel Carlevaro and composer Guido Santórsola. With grants Study on Beethoven’s Allegretto, Op. 92 . DANIEL WOLFF awarded by the Brazilian government, Wolff transferred to New York, where he obtained the Master of Music and Doctor of Music degrees from the prestigious Manhattan School of Music, at the class of Manuel Barrueco. His performance and academic accomplishments led to him being given the Helen Cohn Award for Valsa-Concerto #2 . -
Guitar Time Line - Start Here *** 1500 BC - Persian Tanbur (Pronunciation: Tã¤N-Boor'
*** Guitar Time Line - Start Here *** 1500 BC - Persian Tanbur (Pronunciation: tän-boor'... Persia is an old name for the country of Iran). The word guitar is derived from two old Persian words, "Tar" meaning string, and "Char" meaning four. ~ Guitar Time Line ~ 1400 BC - Hittite Guitar The Hittite guitar had a long fretted neck, a flat top, a flat back, and concave sides. ~ Guitar Time Line ~ Birth of Christ - Greek Tanbur The Tanbour has remained popular since medieval times. Its derivatives include the Greek buzuki, the Romanian tamburitza, and the Indian sitar and tambura. ~ Guitar Time Line ~ 400 AD - Roman Tanbur ~ Guitar Time Line ~ 1200 AD - Guitarra Morisca and Guitarra Latina ~ Guitar Time Line ~ 1500 - Vihuela and Four Course Guitar ~ Guitar Time Line ~ Luis de Narvaez Born 1490, Died 1547 Vihuelist born in Granada at the end of the Fifteenth Century. He was a court musician of the Comendador of León and then of the later ascending Felipe II... ~ Guitar Time Line ~ Luis Milan - Born Circa 1500, Died 1562 - Luis Milan was a spanish composer and vihuela player who wrote the earliest collection of accompanied solo songs of the renaissance period. He also wrote fantasia's and pavanes for the vihuela. ~ Guitar Time Line ~ Alonso Mudarra Born 1508, died 1580 - Alonso Mudarra was a Spanish composer and player of the vihuela. Brought up in a noble household, he travelled in Italy before becoming a canon of Seville cathedral in 1547... ~ Guitar Time Line ~ Adrien Le Roy Born 1520, Died 1598 - Adrien Le Roy was a French publisher/printer, composer, lutenist and writer ~ Guitar Time Line ~ Antony Holborne Born 1545, Died 1602 - We know almost nothing of the life of Antony Holborne : the first documented date is 1562 when we now know he entered Cambridge University. -
Linda Bustani Programme
LATIN AMERICAN AND CARIBBEAN CULTURAL SOCIETY SECOND PART OF 20th ANNIVERSARY PROGRAMME 21st INTERNATIONAL GUITAR SERIES Presented in association with the EMBASSY OF PARAGUAY BERTA ROJAS, Guitar WEDNESDAY 13th OCTOBER 2004 at 7.30pm PURCELL ROOM, RFH, LONDON SE1 8XX PROGRAMME VARIATIONS OP. 9 ON A THEME by MOZART FERNANDO SOR (1776-1839) CAPRICHO ARABE FRANCISCO TARREGA (1852-1909) UN TIEMPO FUE ITALICA FAMOSA Preludio-Nocturno-Scherzino JOAQUIN RODRIGO (1901-1999) WALTZ OP 8 No 4 orn in Paraguay, Berta Rojas has brought her lyrical EL ULTIMO CANTO gifts to such far-flung cities as London, Salzburg, MAXIXE BVienna, Bonn, Rome. Budapest, Washington, Sao AGUSTIN BARRIOS (1885-1944) Paulo, Santiago de Chile, Montevideo and Buenos Aires. Berta was the artist invited to perform at the opening of the INTERVAL International First Ladies Summit in Paraguay, which included Hillary Rodham Clinton. CHACARERA UTUTA JUAN FALU (b. 1948) Praised by the Washington Post as a “guitarist extraordinaire”, Berta Rojas is a Dorian Recordings artist, THREE PARAGUAYAN PIECES with two CDs released: “Concierto Latinoamericano” and NAVIDAD ‘Intimate Barrios.” (Christmas) JORGE LOBITO MARTINEZ (1952-2003) The vibrancy of her performances has captivated music- arr. For Guitar by BERTA ROJAS lovers everywhere. Subscribers to the John Marlow Guitar Series in Washington DC acclaimed her as “favourite of the RENACER series” in 1996. (To be reborn) OSCAR CARDOZO OCAMPO (1942-2001) The same year she was selected as a Kennedy Center Fellow arr. for Guitar by BERTA ROJAS of the Americas in recognition of Artistic Excellence by the LA JORNADA John F. Kennedy Center for the Performing Arts, in (The day’s journey) Washington D.C.