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Filozofická Fakulta UNIVERZITA KARLOVA – FILOZOFICKÁ FAKULTA ÚSTAV ANGLOFONNÍCH LITERATUR A KULTUR “Historical Romance” or a “Tale of Virtue and of Pity”? Thaddeus of Warsaw as a “New Species of Writing” DIPLOMOVÁ PRÁCE vedoucí bakalářské práce (supervisor): PhDr. Soňa Nováková, CSc., M.A zpracovala (author): Bc. Anna Krýsová studijní obor: Anglofonní literatury a kultuy – Nizozemský jazyk a literatura Praha, 25. 4. 2017 i Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně a výhradně s použitím citovaných pramenů, literatury a dalších odborných zdrojů a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. I declare that the following BA thesis is my own work for which I used only the sources and literature mentioned, and that this thesis has not been used in the course of other university studies or in order to acquire the same or another type of diploma. V Praze dne………………………. podpis………………………. ii Permission Souhlasím se zapůjčením bakalářské práce ke studijním účelům. I have no objections to the BA thesis being borrowed and used for study purposes. iii Acknowledgements Děkuji paní doktorce Novákové za milou pomoc a ochotu, rychlost v komunikaci a za to, že její skvělé nápady přicházely vždycky při konzultacích k mojí diplomové práci. Dankjewel, Elja van der Wolf, voor inspiratie, aanmoediging, talloze gesprekken over wetenschap en onderzoek en voor het gemeenschappelijke schrijven, werken, planten van boompjes en tekenen van steentjes, waarvan wij allebei gigantische torens hebben opgebouwd. iv Abstrakt v češtině Cílem této diplomové práce je interpretace a kategorizace málo známého románu Thaddeus of Warsaw skotské autorky Jane Porter. Román se vyznačuje použitím mnoha žánrových konvencí, mezi nejvýznamnější z nichž můžeme zařadit konzervativní román nebo národní příběh, historický román a sentimentální román. Centrální román je postupně interpretován skrze optiku těchto tří žánrů a dále porovnán s dalšími relevantními romány z tohoto období, Self-Control od Mary Brunton, The Old English Baron od Clary Reeve a The Wild Irish Girl od Lady Morgan. Cílem tohoto srovnání je kontextualizace románu Jane Porter a pozorování podobností nebo rozdílů ve zpracování určitých témat či motivů. Nejdůležitějšími motivy je životní zkouška, ve které vyjde najevo charakter hrdiny, kontinuita, univerzálnost až jakási parabolická povaha historie, důraz na ctnosti a použití sentimentálních konvencí pro zobrazování pocitů postav. Této analýze předchází interpretace dvou autorčiných předmluv, z nichž novější (1831) tvrdí, že román, k němuž je připojena, je historický román vydaný ještě před tím, než se objevilo Waverley Sira Waltera Scotta, který je běžně pokládán za zakladatele tohoto žánru. Starší předmluva vydaná současně s románem v roce 1803 naopak zařazuje Porter mezi autory konzervativních románu namířených proti myšlenkám francouzské revoluce. Tento nesoulad mezi oběma předmluvami navzájem a navíc mezi textem románu, byl impulsem pro analýzu obsaženou v této práci. v Abstract in English The aim of this thesis is to interpret and categorize the lesser known novel Thaddeus of Warsaw by the Scottish author Jane Porter. The novel is characterised by the use of several genre conventions – most importantly those commonly found in the conservative anti-jacobin novel or national tale, historical novel and novel of sensibility. Porter’s novel is interpreted from all three perspectives and also compared to other relevant novels from roughly the same period: Self-Control by Mary Brunton, The Old English Baron by Clary Reeve and The Wild Irish Girl by Lady Morgan. The comparison aims at the contextualization of Thaddeus of Warsaw and the observation of similarities and differences in the approach to certain themes or motives. The most important motives is that of a trial that shows the character of the protagonist in action, continuity, universality and even a certain parabolic nature of history, an emphasis on virtue and the use of sentimental conventions to portray the emotions of characters. This analysis is preceded by an interpretation of two authorial prefaces. The new one (from 1831) claims that the work it comments on is a historical novel published even before Sir Walter Scott’s Waverley, usually considered the first historical novel. The older preface published alongside the novel in 1803 however characterizes Porter as a conservative, anti-jacobin author. This discrepancy between both prefaces and the main text of the novel formed an impulse for the analysis in the thesis. vi Table of contents Introduction...........................................................................................................................1 Chapter 1................................................................................................................................4 The anti-jacobin and the national tale........................................................................4 The historical novel....................................................................................................6 The cult of sensibility and the sentimental novel.......................................................8 Analysis of the prefaces.............................................................................................10 The new preface.........................................................................................................10 The old preface...........................................................................................................17 Reconciling claims in the prefaces with the analysis of the main body of the novel.21 The plot of Thaddeus of Warsaw...............................................................................24 Chapter 2................................................................................................................................29 The conservative principles and their illustration......................................................29 Lady Sara, Euphemia and Mary.................................................................................33 Thaddeus – male conservative concerns....................................................................39 The conservative narrator and the narrative situation................................................45 National tale............................................................................................................... 49 Self-Control.................................................................................................................56 Chapter 3.................................................................................................................................68 Structure of the novel..................................................................................................68 Use of history – universality of virtue.........................................................................71 The construction of Poland and its history..................................................................78 The juxtaposition of the domestic and the military......................................................83 vii Depth-providing devices...........................................................................................86 Erring young men – Edward Waverley and Pembroke Somerset.............................90 The Old English Baron..............................................................................................92 Chapter 4...............................................................................................................................100 The sentimental legacy..............................................................................................100 Political legacy..........................................................................................................101 Technical legacy – Sensibility and the body.............................................................103 Man of feeling......................................................................................................104 Repetition of deaths..............................................................................................106 Emotional inheritance...............................................................................................108 Thaddeus..............................................................................................................109 Mary.....................................................................................................................111 Euphemia..............................................................................................................113 The Wild Irish Girl...................................................................................................117 Sentimental signs..................................................................................................119 National character.................................................................................................121 Romanticism.........................................................................................................123 Conclusion.............................................................................................................................125 Bibliography..........................................................................................................................128 viii Introduction Thaddeus of Warsaw presents
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