Films That Explore Local Culture & History Overseas

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Films that Explore Local Culture & History Overseas Argentina – La Herencia, The Official Story Austria – Before Sunrise Australia – Rabbit Proof Fence, The Castle, Picnic at Hanging Rock Brazil – City of God, Pixote Central America – Mosquito Coast, Romero, Under the Same Moon Chile – Chile: Hasta Cuando?, Missing England – East is East, The Full Monty, Notting Hill, The Queen, My Beautiful Laundrette France – French Postcards, Kings and Queen, Code Unknown, The Beat My Heart Stopped, A Heart in Winter Greece – Shirley Valentine, Mediteraneo, My Big Fat Greek Wedding India – A Passage to India, Gandhi, Monsoon Wedding, Water, The Namesake, Born into Brothels, Slumdog Millionaire Ireland – Waking Ned Devine, The Commitments, In The Name of The Father, The Snapper, Michael Collins Italy – Il Postino, Enchanted April, Blood and Roses, A Room with a View, Tea with Mussolini, films of Fellini and Antonioni Japan – Tokyo Pop, The Last Samurai, Shall We Dance?, Tampopo, Lost in Translation, I Wish Kenya– Out of Africa, Nowhere in Africa (German Title: Nirgendwo in Afrika), White Mischief Mexico – Like Water for Chocolate, Amores Perros, Pan’s Labyrinth New Zealand – Whale Rider, The Piano, When We Were Warriors Russian Federation—Piter-FM, Moscow Does Not Believe in Tears Rwanda – Hotel Rwanda Scotland – My Name is Joe, Trainspotting, Braveheart, Local Hero Sierra Leone – Blood Diamond South Africa – Cry the Beloved Country, Tsotsi, Cry Freedom, Invictus, Sarafina! Spain – L’Auberge Espagnole, films of Almodovar Tibet – Kundun, Seven Years in Tibet Vietnam – Indochine .

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University of Cincinnati
UNIVERSITY OF CINCINNATI Date: August 6th, 2007 I, __________________Julia K. Baker,__________ _____ hereby submit this work as part of the requirements for the degree of: Doctorate of Philosophy in: German Studies It is entitled: The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life-Writing and Documentary Film This work and its defense approved by: Chair: Dr. Katharina Gerstenberger Dr. Sara Friedrichsmeyer Dr. Todd Herzog The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life-Writing and Documentary Film A Dissertation submitted to the Division of Research and Advanced Studies University of Cincinnati In partial fulfillment of the Requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) In the Department of German Studies Of the College of Arts and Sciences 2007 by Julia K. Baker M.A., Bowling Green State University, 2000 M.A., Karl Franzens University, Graz, Austria, 1998 Committee Chair: Katharina Gerstenberger ABSTRACT “The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life- Writing and Documentary Film” is a study of the literary responses of writers who were Jewish children in hiding and exile during World War II and of documentary films on the topic of refugee children and children in exile. The goal of this dissertation is to investigate the relationships between trauma, memory, fantasy and narrative in a close reading/viewing of different forms of Jewish life-writing and documentary film by means of a scientifically informed approach to childhood trauma. Chapter 1 discusses the reception of Binjamin Wilkomirski’s Fragments (1994), which was hailed as a paradigmatic traumatic narrative written by a child survivor before it was discovered to be a fictional text based on the author’s invented Jewish life-story.
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Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you.
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The Importance of Collective Visual Memories in the Representations In
Capturing the Void: The Importance of Collective Visual Memories in the Representations in Documentary Films on September 11, 2001 Jodye D. Whitesell Undergraduate Honors Thesis Department of Film Studies Advisor: Dr. Jennifer Peterson October 24, 2012 Committee Members: Dr. Jennifer Peterson, Film Studies Dr. Melinda Barlow, Film Studies Dr. Carole McGranahan, Anthropology Table of Contents: Abstract…………………………………………………………………………………….. 3 Introduction………………………………………………………………………………… 4 Part I: The Progression of Documentary Film Production………………………………… 9 Part II: September 11, 2001….…………………………………………………………….. 15 Part III: The Immediate Role of the Media………………………………………………... 18 Part IV: Collective Memories and the Media,,,……………………………………………. 25 Part V: The Turn Towards Documentary…………………………………….……………. 34 (1) Providing a Historical Record…………………………………….……………. 36 (2) Challenging the Official Story…………………………………………………. 53 (3) Memorializing the Fallen………………………………………………………. 61 (4) Recovering from the Trauma…………………………………………………... 68 Conclusion…………………………………………………………………………………. 79 Works Cited………………………………………………………………………………... 83 2 Abstract: Documentary films have long occupied a privileged role among audiences as the purveyors of truth, offering viewers accurate reproductions of reality. While this classification is debatable, the role of documentaries as vehicles for collective memory is vital to the societal reconstructions of historical events, a connection that must be understood in order to properly assign meaning to the them. This thesis examines this relationship, focusing specifically on the documentaries produced related to trauma (in this case the September 11 attacks on the United States) as a means to enhance understanding of the role these films play in the lives and memories of their collective audiences. Of the massive collection of 9/11 documentaries produced since 2001, twenty-three were chosen for analysis based on national significance, role as a representative of a category (e.g.
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Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
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South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos.
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Comprehensive Anti-Racism Resources
COMPREHENSIVE ANTI-RACISM RESOURCES Compiled by UNY Conference Commission on Religion and Race Members and the General Commission on Religion & Race Online Resources Study Links – GCORR Lenten Study Series: Roll Down Justice: Six-session study guides and videos www.gcorr.org/series/lenten-series-roll-down-justice/ Racial Justice Conversation Guide www.gcorr.org/racial-justice-conversation-guide/ Is Reverse Racism Really a Thing? Study guide & video www.gcorr.org/is-reverse-racism-really-a-thing/ Wait…That’s Privilege? Article with Privilege Quiz www.gcorr.org/wait-thats-privilege/ Study Links – Other Sources United Methodist Women’s Lenten Study on Racial Justice www.unitedmethodistwomen.org/lent www.youtube.com/watch?v=XITxqC0Sze4 Eye on the Prize – a PSB documentary series (14 episodes) www.youtube.com/watch?v=NpY2NVcO17U UMW Tools for Leaders: Resources for Racial Justice https://s3.amazonaws.com/umw/pdfs/racialjustice2012.pdf 2 Websites National Association for the Advancement of Colored People (NAACP): https://www.naacp.org Southern Poverty Law Center: https://www.splcenter.org General Commission on Religion and Race (GCORR): http://www.gcorr.org/ Black Lives Matter: https://blacklivesmatter.com Local groups involved in anti-racism action in your area Podcasts www.insocialwork.org/list_categories.asp Videos Getting Called Out – How to Apologize: www.youtube.com/watch?v=C8xJXLYL.8pU&feature=youtube).UnderstandingMy Privilege The Danger of a Single Story www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story/transcr ipt?languafe=en PBS, "Race: The Power of an Illusion." Three one-hour videos with discussion questions, 2003. https://www.pbs.org/race/000_General/000_00-Home.htm Crossing the Color Line | Brennon Thompson | TEDxSUNYGeneseo https://www.youtube.com/watch?v=3UQUT4LMhAw "Free Indeed," a video drama about racism and white privilege, available at UNY Resource Center.
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The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills.
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Relationship Between Foreign Film Exposure and Ethnocentrism
Cleveland State University EngagedScholarship@CSU ETD Archive 2009 Relationship Between Foreign Film Exposure and Ethnocentrism Lingli Ying Cleveland State University Follow this and additional works at: https://engagedscholarship.csuohio.edu/etdarchive Part of the Communication Commons How does access to this work benefit ou?y Let us know! Recommended Citation Ying, Lingli, "Relationship Between Foreign Film Exposure and Ethnocentrism" (2009). ETD Archive. 583. https://engagedscholarship.csuohio.edu/etdarchive/583 This Thesis is brought to you for free and open access by EngagedScholarship@CSU. It has been accepted for inclusion in ETD Archive by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. RELATIONSHIP BETWEEN FOREIGN FILM EXPOSURE AND ETHNOCENTRISM LINGLI YING Bachelor of Arts in English Literature Zhejiang University, China July, 2003 Submitted in partial fulfillment of requirement for the degree MASTER OF APPLIED COMMUNICATION THEORY AND METHODOLOGY at the CLEVELAND STATE UNIVERSITY MAY, 2009 1 THESIS APPROVAL SCHOOL OF COMMUNICATION This thesis has been approved for the School of Communication And the College of Graduates Studies by: Kimberly A. Neuendorf Thesis Committee Chairman School of Communication 5/13/09 (Date) Evan Lieberman Committee Member School of Communication 5/13/09 (Date) George B. Ray Committee Member School of Communication 5/13/09 (Date) 2 ACKNOWLEDGEMENTS I would like to express my special thanks to my advisor, Dr. Kimberly Neuendorf, who provided me with detailed and insightful feedback for every draft, who spent an enormous amount of time reading and editing my thesis, and more importantly, who set an example for me to be a rigorous scholar.
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The Moral Mappings of South and North ANNUAL of EUROPEAN and GLOBAL STUDIES ANNUAL of EUROPEAN and GLOBAL STUDIES
The Moral Mappings of South and North ANNUAL OF EUROPEAN AND GLOBAL STUDIES ANNUAL OF EUROPEAN AND GLOBAL STUDIES Editors: Ireneusz Paweł Karolewski, Johann P. Arnason and Peter Wagner An annual collection of the best research on European and global themes, the Annual of European and Global Studies publishes issues with a specific focus, each addressing critical developments and controversies in the field. xxxxxx Peter Wagner xxxxxx The Moral Mappings of South and North Edited by Peter Wagner Edited by Peter Wagner Edited by Peter Cover image: xxxxx Cover design: www.paulsmithdesign.com ISBN: 978-1-4744-2324-3 edinburghuniversitypress.com 1 The Moral Mappings of South and North Annual of European and Global Studies An annual collection of the best research on European and global themes, the Annual of European and Global Studies publishes issues with a specific focus, each addressing critical developments and controversies in the field. Published volumes: Religion and Politics: European and Global Perspectives Edited by Johann P. Arnason and Ireneusz Paweł Karolewski African, American and European Trajectories of Modernity: Past Oppression, Future Justice? Edited by Peter Wagner Social Transformations and Revolutions: Reflections and Analyses Edited by Johann P. Arnason & Marek Hrubec www.edinburghuniversitypress.com/series/aegs Annual of European and Global Studies The Moral Mappings of South and North Edited by Peter Wagner Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance.
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Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline.
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89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010).
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Printable Oscar Ballot
77th Annual ACADEMY AWARDS www.washingtonpost.com/oscars 2005 NOMINEES CEREMONY: Airs Sunday, February 27, 2005, 8p.m. EST / ABC BEST PICTURE ACTOR ACTRESS “The Aviator” Don Cheadle ("Hotel Rwanda") Annette Bening ("Being Julia") Johnny Depp ("Finding Neverland") Catalina Sandino Moreno ("Maria “Finding Neverland” Full of Grace") “Million Dollar Baby” Leonardo DiCaprio ("The Aviator") Imelda Staunton ("Vera Drake") Clint Eastwood ("Million Dollar Hilary Swank ("Million Dollar “Ray” Baby") Baby") Kate Winslet ("Eternal Sunshine of “Sideways” Jamie Foxx ("Ray") the Spotless Mind") ★ ★ 2004 WINNER: "The Lord of the ★ 2004 WINNER: Sean Penn, "Mystic 2004 WINNER: Charlize Theron, Rings: The Return of the King" River" "Monster" DIRECTOR SUPPORTING ACTOR SUPPORTING ACTRESS Martin Scorsese (”The Aviator”) Alan Alda (”The Aviator”) Cate Blanchett (”The Aviator”) Thomas Haden Church Clint Eastwood (”Million Dollar Laura Linney (”Kinsey”) Baby”) (”Sideways”) Jamie Foxx (”Collateral”) Taylor Hackford (”Ray”) Virginia Madsen (”Sideways”) Morgan Freeman (”Million Dollar Sophie Okonedo (”Hotel Rwanda”) Alexander Payne (”Sideways”) Baby”) Mike Leigh (”Vera Drake”) Clive Owen “Closer”) Natalie Portman (”Closer”) ★ 2004 WINNER: Peter Jackson, "The ★ 2004 WINNER: Tim Robbins, "Mystic ★ 2004 WINNER: Renee Zellweger, Lord of the Rings: The Return of the King" River" "Cold Mountain" ANIMATED FEATURE ORIGINAL SCREENPLAY ADAPTED SCREENPLAY “The Incredibles” “ The Aviator” “Before Sunset” “Shark Tale” “Eternal Sunshine of the Spotless “Finding Neverland” Mind” “Shrek 2” “Hotel Rwanda” “Million Dollar Baby” “The Incredibles” “The Motorcycle Diaries” “Vera Drake” “Sideways” ★ 2004 WINNER: "Finding Nemo" ★ 2004 WINNER: "Lost in Translation" ★ 2004 WINNER: "The Lord of the Rings: The Return of the King" 1 77th Annual ACADEMY AWARDS www.washingtonpost.com/oscars 2005 NOMINEES CEREMONY: Airs Sunday, February 27, 2005, 8p.m.
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