Relationship Between Foreign Film Exposure and Ethnocentrism
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University of Cincinnati
UNIVERSITY OF CINCINNATI Date: August 6th, 2007 I, __________________Julia K. Baker,__________ _____ hereby submit this work as part of the requirements for the degree of: Doctorate of Philosophy in: German Studies It is entitled: The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life-Writing and Documentary Film This work and its defense approved by: Chair: Dr. Katharina Gerstenberger Dr. Sara Friedrichsmeyer Dr. Todd Herzog The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life-Writing and Documentary Film A Dissertation submitted to the Division of Research and Advanced Studies University of Cincinnati In partial fulfillment of the Requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) In the Department of German Studies Of the College of Arts and Sciences 2007 by Julia K. Baker M.A., Bowling Green State University, 2000 M.A., Karl Franzens University, Graz, Austria, 1998 Committee Chair: Katharina Gerstenberger ABSTRACT “The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life- Writing and Documentary Film” is a study of the literary responses of writers who were Jewish children in hiding and exile during World War II and of documentary films on the topic of refugee children and children in exile. The goal of this dissertation is to investigate the relationships between trauma, memory, fantasy and narrative in a close reading/viewing of different forms of Jewish life-writing and documentary film by means of a scientifically informed approach to childhood trauma. Chapter 1 discusses the reception of Binjamin Wilkomirski’s Fragments (1994), which was hailed as a paradigmatic traumatic narrative written by a child survivor before it was discovered to be a fictional text based on the author’s invented Jewish life-story. -
Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
The Moral Mappings of South and North ANNUAL of EUROPEAN and GLOBAL STUDIES ANNUAL of EUROPEAN and GLOBAL STUDIES
The Moral Mappings of South and North ANNUAL OF EUROPEAN AND GLOBAL STUDIES ANNUAL OF EUROPEAN AND GLOBAL STUDIES Editors: Ireneusz Paweł Karolewski, Johann P. Arnason and Peter Wagner An annual collection of the best research on European and global themes, the Annual of European and Global Studies publishes issues with a specific focus, each addressing critical developments and controversies in the field. xxxxxx Peter Wagner xxxxxx The Moral Mappings of South and North Edited by Peter Wagner Edited by Peter Wagner Edited by Peter Cover image: xxxxx Cover design: www.paulsmithdesign.com ISBN: 978-1-4744-2324-3 edinburghuniversitypress.com 1 The Moral Mappings of South and North Annual of European and Global Studies An annual collection of the best research on European and global themes, the Annual of European and Global Studies publishes issues with a specific focus, each addressing critical developments and controversies in the field. Published volumes: Religion and Politics: European and Global Perspectives Edited by Johann P. Arnason and Ireneusz Paweł Karolewski African, American and European Trajectories of Modernity: Past Oppression, Future Justice? Edited by Peter Wagner Social Transformations and Revolutions: Reflections and Analyses Edited by Johann P. Arnason & Marek Hrubec www.edinburghuniversitypress.com/series/aegs Annual of European and Global Studies The Moral Mappings of South and North Edited by Peter Wagner Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. -
Guide to the Papers of the Capri Community Film Society
Capri Community Film Society Papers Guide to the Papers of the Capri Community Film Society Auburn University at Montgomery Archives and Special Collections © AUM Library Written By: Rickey Best & Jason Kneip Last Updated: 2/19/2008 TABLE OF CONTENTS Content Page # Collection Summary 2 Administrative Information 2 Restrictions 2-3 Index Terms 3 Agency History 3-4 1 of 64 Capri Community Film Society Papers Scope and Content 5 Arrangement 5-10 Inventory 10- Collection Summary Creator: Capri Community Film Society Title: Capri Community Film Society Papers Dates: 1983-present Quantity: 6 boxes; 6.0 cu. Ft. Identification: 92/2 Contact Information: AUM Library Archives & Special Collections P.O. Box 244023 Montgomery, AL 36124-4023 Ph: (334) 244-3213 Email: [email protected] Administrative Information Preferred Citation: Capri Community Film Society Papers, Auburn University Montgomery Library, Archives & Special Collections. Acquisition Information: The collection began with an initial transfer on September 19, 1991. A second donation occurred in February, 1995. Since then, regular donations of papers occur on a yearly basis. Processed By: Jermaine Carstarphen, Student Assistant & Rickey Best, Archivist/Special Collections Librarian (1993); Jason Kneip, Archives/Special Collections Librarian. Samantha McNeilly, Archives/Special Collections Assistant. 2 of 64 Capri Community Film Society Papers Restrictions Restrictions on access: Access to membership files is closed for 25 years from date of donation. Restrictions on usage: Researchers are responsible for addressing copyright issues on materials not in the public domain. Index Terms The material is indexed under the following headings in the Auburn University at Montgomery’s Library catalogs – online and offline. -
89Th Annual Academy Awards® Oscar® Nominations Fact
® 89TH ANNUAL ACADEMY AWARDS ® OSCAR NOMINATIONS FACT SHEET Best Motion Picture of the Year: Arrival (Paramount) - Shawn Levy, Dan Levine, Aaron Ryder and David Linde, producers - This is the first nomination for all four. Fences (Paramount) - Scott Rudin, Denzel Washington and Todd Black, producers - This is the eighth nomination for Scott Rudin, who won for No Country for Old Men (2007). His other Best Picture nominations were for The Hours (2002), The Social Network (2010), True Grit (2010), Extremely Loud & Incredibly Close (2011), Captain Phillips (2013) and The Grand Budapest Hotel (2014). This is the first nomination in this category for both Denzel Washington and Todd Black. Hacksaw Ridge (Summit Entertainment) - Bill Mechanic and David Permut, producers - This is the first nomination for both. Hell or High Water (CBS Films and Lionsgate) - Carla Hacken and Julie Yorn, producers - This is the first nomination for both. Hidden Figures (20th Century Fox) - Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, producers - This is the fourth nomination in this category for Donna Gigliotti, who won for Shakespeare in Love (1998). Her other Best Picture nominations were for The Reader (2008) and Silver Linings Playbook (2012). This is the first nomination in this category for Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi. La La Land (Summit Entertainment) - Fred Berger, Jordan Horowitz and Marc Platt, producers - This is the first nomination for both Fred Berger and Jordan Horowitz. This is the second nomination in this category for Marc Platt. He was nominated last year for Bridge of Spies. Lion (The Weinstein Company) - Emile Sherman, Iain Canning and Angie Fielder, producers - This is the second nomination in this category for both Emile Sherman and Iain Canning, who won for The King's Speech (2010). -
Relationship Between Foreign Film Exposure And
RELATIONSHIP BETWEEN FOREIGN FILM EXPOSURE AND ETHNOCENTRISM LINGLI YING Bachelor of Arts in English Literature Zhejiang University, China July, 2003 Submitted in partial fulfillment of requirement for the degree MASTER OF APPLIED COMMUNICATION THEORY AND METHODOLOGY at the CLEVELAND STATE UNIVERSITY MAY, 2009 1 THESIS APPROVAL SCHOOL OF COMMUNICATION This thesis has been approved for the School of Communication And the College of Graduates Studies by: Kimberly A. Neuendorf Thesis Committee Chairman School of Communication 5/13/09 (Date) Evan Lieberman Committee Member School of Communication 5/13/09 (Date) George B. Ray Committee Member School of Communication 5/13/09 (Date) 2 ACKNOWLEDGEMENTS I would like to express my special thanks to my advisor, Dr. Kimberly Neuendorf, who provided me with detailed and insightful feedback for every draft, who spent an enormous amount of time reading and editing my thesis, and more importantly, who set an example for me to be a rigorous scholar. I also want to thank her for her encouragement and assistance throughout the entire graduate program. I would also like to thank Dr. Evan Lieberman for his assistance and suggestions in helping me to better understand the world cinema and the cinema culture. Also, I want to thank him for his great encouragement throughout the writing of this thesis. I want to offer a tremendous thank you to Dr. Gorge Ray. I learned so much about American people and culture from him and also in his class. I will remember his patience and assistance in helping me finish this program. I am also grateful for all the support I received from my friends and my officemates. -
German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS. -
Academic-Handbook-2019-2020.Pdf
Religion .............................................................................................. 315 TABLE OF CONTENTS Romance Languages and Literatures ............................................. 323 Home ............................................................................................................. 2 Russian .............................................................................................. 337 General Information ..................................................................................... 3 Sociology ........................................................................................... 343 College Calendar .......................................................................................... 4 Theater and Dance ........................................................................... 350 The Offer of the College .............................................................................. 6 Educational Resources and Facilities .................................................... 364 Admission and Financial Aid ...................................................................... 7 Student Affairs ......................................................................................... 369 Expenses .................................................................................................... 13 Prizes ........................................................................................................ 370 A Liberal Education at Bowdoin College ................................................. -
A.I. Artifical Intelligence About a Boy Abraham Lincoln: Vampire Hunter
A.I. Artifical Intelligence Almost Holy The Art of Racing in the Rain About A Boy Aloha The Artist Abraham Lincoln: Alone in Berlin Vampire Hunter As Time Goes By: The Already Tomorrow in Complete Series Abyss Hong Kong Atomic Blonde Across the Universe Amelie Atonement Ad Astra American Assassin Au Revoir Les Enfants Adam's Rib American Gods: Season 1 The Autobiography of Miss Adaptation The Americans: Seasons 1- Jane Pittman 3 After the Wedding Avatar The American Side The Aftermath Away from Her American Sniper The Age of Adaline Baby Driver Amistad Albert Nobbs Back to the Future II An American in Paris Alien Balzac and the Little Anatomy of a Murder Chinese Seamstress Alien:Covenant And the Band Played On Band of Brothers Alien 3 And Then There Were Bandits Alien Resurrection None The Band's Visit Aliens Angel Has Fallen Bang the Drum Slowly All About Eve Angels in America Barefoot Contessa All Creatures Great and Annie Hall Small Battlestar Galactica: Anywhere But Here Seasons 1-4.5 All My Friends Are Funeral Singers The Apartment Beast All of My Heart: Inn Love Approaching the Unknown Beatriz At Dinner All of My Heart: The Apocalypse Now A Beautiful Day in the Wedding Neighborhood Apollo 13 All the Money in the World Because I Said So Argo All the President's Men Becoming Jane Arn: The Knight Templar Before I Fall Black Hawk Down Bridesmaids Before Midnight Black or White Brigadoon Before Sunrise Black Panther Bridge of Spies Before Sunset Black Swan The Bridge on the River Kwai Being 17 Blade Runner Brightburn Bella Blade Runner -
The End of Imperialism Was the Birth of Nationalism, a Wave of Rising
New German Identity: Reworking the Past and Defining the Present in Contemporary German Cinema Constance McCarney Dr. Robert Gregg Spring 2008 General University Honors McCarney 2 The end of imperialism was the birth of nationalism, a wave of rising consciousness that swept over the conquered areas of the world and brought them to their feet with a defiant cry, “We are a Nation!” These new nations, almost all multiethnic states, struggled in defining themselves, found themselves locked in civil wars over what the citizen of this nation looked like and who s/he was. The old nations, locked in a Cold War, looked on, confident in their own national cohesion and unity. But the end of the Cold War proved to be the birth of complicated new identity concerns for Europe. Yugoslavia splintered in terrible ethnic conflict. France rioted over the expression of religious affiliation. Germany tried desperately to salvage the hope that brought down the Wall and stitch itself back together. For Germany the main questions of identity linger, not only who is a German, but what does it mean to be German? In the aftermath of the great upheavals in Germany’s recent past, the Second World War and the fall of the Third Reich, German films did their best to ignore these questions of identity and the complications of the past. But in the late 1960s and throughout the 1970s, a New German Cinema arose that sought to work through the complex issues of West Germany: the legacy of the Nazi Past, American occupation, the Berlin Wall and divided Germany, the radicalism of the time period in a global context, and the civil rights movements, particularly the women’s movement. -
Spring 2017 Coursebook
THE HONORS COLLEGE COURSEBOOK SPRING 2017 THE HONORS COLLEGE AT THE UNIVERSITY OF HOUSTON Dean William Monroe Associate Dean for Undergraduate Research Stuart Long Assistant Dean for Academic Programs Christine LeVeaux-Haley Assistant Dean for Student Affairs Brenda Rhoden Advising & Academic Services Andy Little Larry Lyke Aaron Reynolds Rita Sirrieh Admissions & Recruitment Sarah Bhojani Gabriella Hauser For a complete list of Honors College Faculty and Staff, please visit: www.uh.edu/honors/about/faculty-staff/ TABLE OF CONTENTS Academic Calendar .........................................................4 Chemistry ........................................................................37 Honors Curricula ............................................................. 5 Chinese ............................................................................37 General Registration Information ................................ 6 Classical Studies ............................................................ 38 The Human Situation .....................................................7 Communications ........................................................... 39 The Office Of Undergraduate Research ...................... 8 Economics ...................................................................... 39 Nationally Competitive Scholarships ........................ 10 English............................................................................. 39 Center For Creative Work .............................................12 German ............................................................................41 -
Academy Award® Winner Best Foreign Language Film
ACADEMY AWARD® WINNER BEST FOREIGN LANGUAGE FILM A ZEITGEIST FILMS RELEASE www.nowhereinafrica.com Zeitgeist Films in association with Bavaria Film International presents an MTM Medien & Television Munchen production in co-production with Constantin Film, Bavaria Film and Media Cooperation One (NIRGENDWO IN AFRIKA) A film by Caroline Link Based upon the novel by Stefanie Zweig Starring Juliane Köhler Merab Ninidze Matthias Habich Sidede Onyulo Karoline Eckertz and Lea Kurka Written and Directed by Caroline Link Producer Peter Herrmann Executive Producer Andreas Bareiss Co-Producer Bernd Eichinger Co-Producers Thilo Kleine Michael Weber Sven Ebeling A ZEITGEIST FILMS RELEASE A love story spanning two continents, NOWHERE IN AFRICA is the extraordinary true tale of a Jewish family who flees the Nazi regime in 1938 for a remote farm in Kenya. Abandoning their once-comfortable existence in Germany, Walter Redlich, his wife Jettel (Juliane Köhler, of AIMÉE & JAGUAR) and their five-year-old daughter Regina each deal with the harsh realities of their new life in different ways. Attorney Walter is resigned to working the farm as a caretaker; pampered Jettel resists adjustment at every turn; while the shy yet curious Regina immediately embraces the country— learning the local language and customs, and finding a friend in Owuor, the farm’s cook. As the war rages on the other side of the world, the trio's relationships to their strange environment become increasingly complicated as Jettel grows more self-assured and Walter more haunted by the life they left behind. As they eventually learn to cherish their life in Africa, they also endeavor to find a way back to each other.