Std 9 History and Civics
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Oversight and Vision Committee Meeting on ‘Adopt a Heritage’ Apni Dharohar Apni Pehchan Project at 1630 Hrs 16.11.2018 at Kautilya, Hotel Samrat, New Delhi
MINUTES OF THE 7TH OVERSIGHT AND VISION COMMITTEE MEETING ON ‘ADOPT A HERITAGE’ APNI DHAROHAR APNI PEHCHAN PROJECT AT 1630 HRS 16.11.2018 AT KAUTILYA, HOTEL SAMRAT, NEW DELHI The 7th meeting of Oversight & Vision Committee was held on 16th November, 2018 under the co- chairpersonship of Secretary (Tourism) and Secretary (Culture) to review of status of the project Adopt a Heritage – ‘Apni Dharohar, Apni Pehchaan’. In the meeting the following members were present: 1. Director General, Archaeological Survey of India 2. Additional Director General, Ministry of Tourism 3. Joint Secretary, Ministry of Culture 4. Director, (Travel & Trade) 5. Director, Ministry of Culture 6. Assistant Director General, Travel & Trade Division, Ministry of Tourism 7. Assistant Director, Adopt a Heritage, Ministry of Tourism 8. Regional Manager, Madhya Pradesh State Tourism Development Corporation representing Secretary/Tourism (MP Government) 9. Mr. Ashwin Madhusudanan, PMC 10. Mr. Mwblib Basumatary, PMC 11. Mr. Roshan Yadav, PMC 2. At the outset a presentation was made by the PMC of Ministry of Tourism covering following agenda items: Brief on Project Achievements Review of Semi-commercial clause in MoU Review of reasonability of rates for SEL/Red Fort Evaluation and approval of new Vision Bids Short listing of new Expression of Interest The Committee then deliberated as follows: 3. SEMI-COMMERCIAL ACTIVITIES: The Committee took note of the amendment of the project guidelines and the inclusion of the semi-commercial clause in the project guidelines and also in MoU text on basis of the decisions taken at the 5th Oversight and Vision committee. Secretary (Culture) suggested that Clause 8 (Semi-commercial activities) of the MoU must explicitly state that the amounts recovered would be utilized towards further O&M of the project and would not be used to recover capital costs. -
A Brief Discussion on Cultural Heritage of the Harappan Civilization and Its Evaluation Through Anthropological and Ethnographical Methods
Ancient Punjab – Volume 4, 2016-2017 25 A BRIEF DISCUSSION ON CULTURAL HERITAGE OF THE HARAPPAN CIVILIZATION AND ITS EVALUATION THROUGH ANTHROPOLOGICAL AND ETHNOGRAPHICAL METHODS Yuzhang Yang, Muhammad Hameed, Muhammad Azam Sameer ABSTRACT Harappan or Indus Valley Civilization is one of the remarkable ancient societies of the ancient world. Significantly, the cultural heritage of this civilization portrays it as indigenous civilization. Its artifacts endorse its aboriginality and attract the scholars to ponder over its cultural heritage. For the assessment of its cultural heritage, anthropology, archaeology, and ethnology are the best tools to distinguish it appropriately. Being a renowned civilization in the world, much of the archaeological work has been done, but less in the field of anthropology and ethnography. The urban life of the people of this civilization refers the zenith of advance the metropolitan approach that presents social, administrative, and political understanding about its people. The focusing aims of this manuscript denominate the cultural heritage, anthropology, ethnography and to assess the social, political, religious, agricultural, art, architecture, rites and rituals, traditions, and norms of the ancient people of Harappan Civilization. Most prominently, the application of scientific methods of anthropology and their role for the assessment of cultural heritage, specifically Tangible and Intangible is also a chief aim of the manuscript. Keywords: Harappa, Indus Valley Civilization, Culture, Heritage, Anthropology, manuscript, Tangible INTRODUCTION Culture is a set of basic conventions and orientations to beliefs, behavior, and policies of life that formulates a group of people that sways their lives (Spencer-Oatey, 2008). In further, Tangible and Intangible Cultures are its divisions that portray the moveable and immoveable heritage of any community or society. -
3-Art-Of-Indus-Valley.Pdf
Harappan civilization 2 Architecture 2 Drainage System 3 The planning of the residential houses were also meticulous. 4 Town Planning 4 Urban Culture 4 Occupation 5 Export import product of 5 Clothing 5 Important centres 6 Religious beliefs 6 Script 7 Authority and governance 7 Technology 8 Architecture Of Indus Valley Civilisation 9 The GAP 9 ARTS OF THE INDUS VALLEY 11 Stone Statues 12 MALE TORSO 12 Bust of a bearded priest 13 Male Dancer 14 Bronze Casting 14 DANCING GIRL 15 BULL 16 Terracotta 16 MOTHER GODDESS 17 Seals 18 Pashupati Seal 19 Copper tablets 19 Bull Seal 20 Pottery 21 PAINTED EARTHEN JAR 22 Beads and Ornaments 22 Toy Animal with moveable head 24 Page !1 of !26 Harappan civilization India has a continuous history covering a very long period. Evidence of neolithic habitation dating as far back as 7000 BC has been found in Mehrgarh in Baluchistan. However, the first notable civilization flourished in India around 2700 BC in the north western part of the Indian subcontinent, covering a large area. The civilization is referred to as the Harappan civilization. Most of the sites of this civilization developed on the banks of Indus, Ghaggar and its tributaries. Architecture The excavations at Harappa and Mohenjodaro and several other sites of the Indus Valley Civilisation revealed the existence of a very modern urban civilisation with expert town planning and engineering skills. The very advanced drainage system along with well planned roads and houses show that a sophisticated and highly evolved culture existed in India before the coming of the Aryans. -
Government of India Ministry of Culture Lok Sabha Starred Question No.80 to Be Answered on 23.7.2018
GOVERNMENT OF INDIA MINISTRY OF CULTURE LOK SABHA STARRED QUESTION NO.80 TO BE ANSWERED ON 23.7.2018 BASIC FACILITIES TO TOURISTS +*80. SHRI ASHOK MAHADEORAO NETE: Will the Minister of CULTURE be pleased to state: (a) whether the Government is providing / proposes to provide basic facilities like drinking water, toilets, parking, road connectivity and guides etc. to the tourists visiting monuments, historical temples and world heritage sites to promote tourisms in the country; (b) If so, the details thereof, monument-wise; (c) whether the Government has taken/proposes to take any steps for the beautification of the famous and very ancient cave and temple of tribal god, Lingojango located at Kachadgarh, taluka Salkesa district Gondiya of Gadchiroli and in other tourist attractions located in tribal dominated areas of the country including Maharashtra; and (d) if so, the details thereof, State/UT-wise including the action taken on the requests received from public representatives in this regard? ANSWER MINISTER OF STATE (INDEPENDENT CHARGE) FOR CULTURE AND MINISTER OF STATE FOR ENVIRONMENT, FOREST AND CLIMATE CHANGE (DR. MAHESH SHARMA) (a)to(d) A statement is laid on the table of the House. STATEMENT REFERRED TO IN REPLY TO PART (a) TO (d) OF THE LOK SABHA STARRED QUESTION NO.80 FOR 23.7.2018 (a)&(b) Tourist facilities are provided as per the requirement and feasibility at the different monuments / sites of national importance which also includes World Heritage properties in the country. Further, amenities like drinking water, toilets are provided at all ticketed and World Heritage Monuments. The Archaeological Survey of India has identified 100 monuments as Adarsh Smarak for upgradation of amenities and for providing additional facilities like Wi-Fi, cafeteria, interpretation centre, brail signage, toilets etc. -
About Delhi: Delhi Is the Capital of India and Is the Home of the Administrative Center for the Country
Destinations Choice of Destinations: In our endeavor to offer the best possible solution to your medical needs, our team has explored the various destinations which offer benefits on any of the following parameters, needless to mention that the quality standards remain the same at all the selected locations. We offer a wide choice of destinations The selection of the places has been done on the basis of cost benefit in terms of affordability and availabity of accommodation, transport and environment for recuperation. Needless to mention, the standard of quality of treatment remains the same. About Delhi: Delhi is the Capital of India and is the home of the administrative center for the country. It also has a rich history that extends all the way back to the 6th century BC. Apart from its historical heritage the city is well known for all the historical sites worth visiting and the food. The city was born out of a complex past that defines the present state of its dynamism, beauty and ramifications. It is amazing to witness the coexistence of both the ancient and modern world in one city that showcases a diverse culture as well as traditional values and yet absorbing modern interventions making it worth exploring, be it the city in itself or the people enriched with variant characteristics. It is these diverse aspects that make Delhi what it is today and worth every bit of time that you spend scouting the by-lanes or the ancient monumental delights leaving you with a worthwhile acquaintance and memorable graffiti etched in your mind and heart forever. -
Goa & Mumbai 6
©Lonely Planet Publications Pty Ltd Panaji & Central Goa Why Go? Panaji ..............................111 However much you do like to be beside the seaside, the West of Panaji ................124 attractions of central Goa are as quintessentially Goan as a Old Goa ......................... 126 dip in the Arabian Sea. What hedonism is to the north and Divar Island ...................133 relaxation is to the south, culture, scenery and history are to this central portion of the state, eased in between the Man- Goa Velha ......................134 dovi and Zuari Rivers. Talaulim .........................135 Panaji (or Panjim, its former Portuguese name, by which Pilar ...............................135 it’s still commonly known) is Goa’s lazy-paced state capital, Ponda ............................135 perfect for a stroll in the Latin Quarter, while just down the Bondla Wildlife road is Old Goa, the 17th century’s ‘Rome of the East’. Sanctuary ..................... 140 Top this off with visits to temples and spice plantations Molem & Around ........... 141 around Ponda, two of Goa’s most beautiful wildlife sanctu- Tambdi Surla .................142 aries, time-untouched inland islands, and India’s second- Hampi ............................143 highest waterfall, and it would be possible to spend a week Around Hampi ...............148 here without making it to a single beach. Hospet ...........................149 When to Go Best Places to Eat Central Goa is less about beaches than the south and north » Upper House, Panaji (p 120 ) of the state, making it less dependent on the high season. October and April are both good, cool, lower-priced times » Sher-E-Punjab, of year to visit Panaji and its surroundings, particularly if Panaji (p 120 ) you’re planning on a lot of sight-seeing; October, moreo- » Vihar Restaurant, ver, is the best time for wildlife-watching in the region’s Panaji (p 121 ) reserves. -
Arts of the Indus Valley
2 ARTS OF THE INDUS VALLEY HE arts of the Indus Valley Civilisation emerged during Tthe second half of the third millennium BCE. The forms of art found from various sites of the civilisation include sculptures, seals, pottery, jewellery, terracotta figures, etc. The artists of that time surely had fine artistic sensibilities and a vivid imagination. Their delineation of human and animal figures was highly realistic in nature, since the anatomical details included in them were unique, and, in the case of terracotta art, the modelling of animal figures was done in an extremely careful manner. The two major sites of the Indus Valley Civilisation, along the Indus river—the cities of Harappa in the north and Mohenjodaro in the south—showcase one of earliest examples of civic planning. Other markers were houses, markets, storage facilities, offices, public baths, etc., arranged in a grid-like pattern. There was also a highly developed drainage system. While Harappa and Mohenjodaro are situated in Pakistan, the important sites excavated in India are Lothal and Dholavira in Gujarat, Rakhigarhi in Haryana, Bust of a bearded priest Ropar in Punjab, Kalibangan in Rajasthan, etc. Stone Statues Statues whether in stone, bronze or terracotta found in Harappan sites are not abundant, but refined. The stone statuaries found at Harappa and Mohenjodaro are excellent examples of handling three-dimensional volumes. In stone are two male figures—one is a torso in red sandstone and the other is a bust of a bearded man in soapstone—which are extensively discussed. The figure of the bearded man, interpreted as a priest, is draped in a shawl coming under the right arm and covering the left shoulder. -
Download Basilica of Bom Jesus Church
Basilica of Bom Jesus Church Basilica of Bom Jesus Church, Goa Basilica of Bom Jesus Church has the grave of Saint Francis Xavier. The church is located in Old Goa which was under Portuguese rule. The construction was started in 1594 and ended in 1605. The church is considered as one of the oldest in Goa and India. The church was built on the basis of Baroque architecture. This tutorial will let you know about the history of Basilica of Bom Jesus Church along with the structures present inside. You will also get the information about the best time to visit the church along with how to reach there. Audience This tutorial is designed for the people who would like to know about the history of Basilica of Bom Jesus Church along with the interiors and design of the monument. The monument is visited by many people from India and abroad. Prerequisites This is a brief tutorial designed only for informational purpose. There are no prerequisites as such. All that you should have is a keen interest to explore new places and experience their charm. Copyright & Disclaimer Copyright 2017 by Tutorials Point (I) Pvt. Ltd. All the content and graphics published in this e-book are the property of Tutorials Point (I) Pvt. Ltd. The user of this e-book is prohibited to reuse, retain, copy, distribute, or republish any contents or a part of contents of this e-book in any manner without written consent of the publisher. We strive to update the contents of our website and tutorials as timely and as precisely as possible, however, the contents may contain inaccuracies or errors. -
Portuguese Influence on the Secular and Religious Architecture of Goa
PORTUGUESE INFLUENCE ON THE SECULAR AND RELIGIOUS ARCHITECTURE OF GOA by Joao Ramires Fernandes ABSTRACT In India there are some important nuclea where one can find remains of precious Heritage, born from the fortunate meeting of both the Indian and the Portuguese cultures for nearly five centuries. This culture which vehiculates a life style of its own, discloses its own way of inhabiting cities and houses, of using its furniture, instruments and works of art. URBAN DESIGN The Portuguese have developed two completely different ways of organizing urban settlements in India: - the Medieval – organic city or village - the Renaissance – geometric city In the first case the spatial organization is an efflux of a diffuse popular urban culture. Hilly localizations were usually chosen and the agglomerates grew up in an organic way. In the second type of settlement the "Ideal City of the Renaissance" was used as model when a city was built inside a fortress and from its very beginning. 1 RELIGIOUS ARCHITECTURE Churches and Convents It is in the "Old Conquests" (Velhas Conquistas) that the oldest and most important Churches and convents of Goa are located. A description is made identifying the characteristics of the different periods of their construction in connection with other important religious buildings in places like Bassaim, Damao, Diu, Chaul, etc. The mixture of the European grammars with the local decorative features is a new, rich and exuberant product, full of originality that brilliantly documents the encounter of two civilizations. The Hindu Temples In Goa, when the new Temples were built, the decorative themes of the Renaissance, Manerism and Baroque are used together with typically occidental way of organizing the volumes. -
The Plan for the Reintegration of Old Goa at the End of the Colonial Period
$UFKLWHFWXUDO Santos, J R 2016 ‘Reinstalling the Old City of Goa as an Eternal Light of Portuguese Spirituality’: The Plan for the Reintegration of Old Goa at the End of the Colonial Period. +LVWRULHV Architectural Histories, 4(1): 9, pp. 1–21, DOI: http://dx.doi.org/10.5334/ah.58 RESEARCH ARTICLE ‘Reinstalling the Old City of Goa as an Eternal Light of Portuguese Spirituality’: The Plan for the Reintegration of Old Goa at the End of the Colonial Period Joaquim Rodrigues Santos*,† On the eve of the Indian invasion of the Portuguese Estado da Índia, or Portuguese India, a commission led by Ismael Gracias, created an idealized plan for the reintegration of Old Goa, the former capital of the Portuguese Eastern Empire. For the Portuguese dictatorial regime, the ambient of crisis caused by threats of an imminent Indian invasion generated a need to justify the Portuguese permanence in India. This would be accomplished by showing the world the secular history of the Portuguese presence in India, visible symbolically in the great architectural monuments of Old Goa. The Goan monuments of Portu- guese influence thus became a powerful and ideological instrument of propaganda, validating the heritage activity on them. This article will focus on the intended plan of the Gracias commission, as well as its repercussions within the technical staff and the political leaders both in Portugal and in the Estado da Índia. Based on research of primary Portuguese sources, this article contributes to the little-studied and relatively unknown field of the preservation of the architectural heritage in the Portuguese Estado da Índia, and briefly compares this case with similar ones from the colonial period. -
Sculptures-Indus Period
UNITl SCULPTURES-INDUS PERIOD Structure 1.1 Introduction 1.2 Objectives 1.3 The Indus Valley Civilization - Background 1.4 Sculptural Art Engraving - Seals Rounded Sculptures 1.5 Stylistic Features 1.6 Representational Examples 1.7 Summary 1.8 Self-Assessment Questions 1.9 Terminal Questions. 1.10 Answers to Terminal Questions 1.1 INTRODUCTION In the previous unit you have studied the different techniques followed by Indian sculptors during historical times. In every period the sculptures are created in different styles. This shows the artistic achievements of the respective period. In this unit we shall discuss the sculpture as developed in the Indus Valley civilization. 1.2 OBJECTIVES After reading this unit you will be able to: • describe the Indus civilization and the sculptures of the period; • discuss about the subjects chosen for sculptures; • explain the types of sculptures; and • discuss about the trends and approaches in sculpture of Indus period. 1.3 INDUS VALLEYCIVILIZATION -BACKGROUND The Indus Valley civilization, which flourished from 3000 BC, marked the beginning of a great civilization in the sub-continent. It was situated on the banks of the Indus and Saraswati rivers and their tributaries initially. Later it extended into Ganges- Yamuna Doab region and also into Afghanistan. Among the settlements were the major urban centres ofHarappa and Mohenjodaro located in Pakistan, Lothal, Rangpur, Surkothada, Kalibangan, Rakhigarhi, Dholavira, Daimabad, Kunal and many other places located .in India. The famous archaeologists who have discovered many of these sites and conducting research on various aspects are John Marshcll, a.B.Lal, S.R.Rao, Bhist, and others. -
2014 India Mini-Term Itinerary
2014 India Mini-Term Itinerary Days Flow Night Stay 30 Nov Late Evening Arrival in Delhi Delhi Sun 01 Dec Early morning arrival in Delhi. Visit to places of your Delhi Mon interest (many monuments are closed on Monday) 02 Dec After an early breakfast departure for Haridwar by Haridwar Tue train Haridwar AC exp. at 0730 am. Arrival in Haridwar at 1310 hrs. Transfer and check into the hotel. In the evening visit to Har ki Pauri (literally, "footsteps of the Lord"). Overnight stay in Haridwar. 03 Dec Day to Explore… Mansa Devi temple with cable car ride, Haridwar Wed Daksheswara Mahadev Temple, Sapt Rishi Ashram and Sapt Sarovar & Bharat Mata Mandir. Evening at leisure. Overnight stay in Haridwar. 04 Dec Whole day at your disposal for Yoga, Meditation, visit to Haridwar Thu Ashrams Overnight stay in Haridwar. 05 Dec Rise and shine at early hours, after a cup of tea/coffee Agra Fri leave for Haridwar rly station to board the train for Agra. The schedule departure is at 0830 hrs. Arrival in Agra at 1830 hrs. Transfer and check into the hotel. Rest of the day at leisure. Overnight stay in Agra. 06 Dec Whole day to explore Agra Taj Mahal, Agra Fort & Agra Sat Itmad-Ud-Daulah. Overnight stay in Agra. 07 Dec Post breakfast check out & leave for Jaipur (270 kms via Jaipur Sun Fatehpur Sikri / 5 hrs) – en route halt at Fatehpur Sikri. Galta-ji Temple. On arrival check into the hotel. Evening at leisure. Overnight stay in Jaipur. 08 Dec Amer Fort, Khataputly colony, Fab India, Anokhi shop, Jaipur Mon bazaars.