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Prescribing Yoga to Supplement and Support Psychotherapy
12350-11_CH10-rev.qxd 1/11/11 11:55 AM Page 251 10 PRESCRIBING YOGA TO SUPPLEMENT AND SUPPORT PSYCHOTHERAPY VINCENT G. VALENTE AND ANTONIO MAROTTA As the flame of light in a windless place remains tranquil and free from agitation, likewise, the heart of the seeker of Self-Consciousness, attuned in Yoga, remains free from restlessness and tranquil. —The Bhagavad Gita The philosophy of yoga has been used for millennia to experience, examine, and explain the intricacies of the mind and the essence of the human psyche. The sage Patanjali, who compiled and codified the yoga teachings up to his time (500–200 BCE) in his epic work Yoga Darsana, defined yoga as a method used to still the fluctuations of the mind to reach the central reality of the true self (Iyengar, 1966). Patanjali’s teachings encour- age an intentional lifestyle of moderation and harmony by offering guidelines that involve moral and ethical standards of living, postural and breathing exercises, and various meditative modalities all used to cultivate spiritual growth and the evolution of consciousness. In the modern era, the ancient yoga philosophy has been revitalized and applied to enrich the quality of everyday life and has more recently been applied as a therapeutic intervention to bring relief to those experiencing Copyright American Psychological Association. Not for further distribution. physical and mental afflictions. For example, empirical research has demon- strated the benefits of yogic interventions in the treatment of depression and anxiety (Khumar, Kaur, & Kaur, 1993; Shapiro et al., 2007; Vinod, Vinod, & Khire, 1991; Woolery, Myers, Sternlieb, & Zeltzer, 2004), schizophrenia (Duraiswamy, Thirthalli, Nagendra, & Gangadhar, 2007), and alcohol depen- dence (Raina, Chakraborty, Basit, Samarth, & Singh, 2001). -
SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George Pati
SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating. -
Lyjournal II, No
NCPA lyJournal II, No. 3, September 1984 Cover Page Bagrawat or Oev- Narayan Bhopa with Jantar. (Photo: Vivek Anand) Last Cover Bhopa of Pabuji with Gujari. (Photo: Vivek Anand) Bhopa Kushla Ram in Parh performance, wearing female costume. (Photo: Rupayan Sansthan) Design: Ratnakar Sohoni NATIONAL CENTRE FOR THE PERFORMING ARTS Quarterly Journal Volume XIII Number 3 September 1984 CONTENTS Epics of Rajasthan-Kom;3l Kothari Ravivarma's Patronage of the Performing Arts (Fifth Century A. D.) S. V. Sohoni 20 From Traditional Theatre to Total Theatre Chandrasekhar Kambar 26 Ethnomusicology in the Indian Context-Nazir Ali Jairazbhoy 31 News and Notes 40 Letters to the Editor 42 Book Reviews 45 Record Reviews 54 The contributors to this number include: Komal Kothari, Director, Rupayan Sansthan, Jodhpur, authority on the folklore of Rajasthan. S. V. Sohoni, well-known lndologist, specialising in epigraphy and numismatics. Chandrasekhar Kambar, Kannada poet playwright and folklorist Chairman of the Karnataka State Nataka Academy. Nazir Ali Jairazbhoy, musicologist Professor, Department of Music, University of California, Los Angeles, and author of The Rag -s of North Indian Music. Mrinalini Sarabhai, noted dancer, Director of the Darpana Academy of Performing Arts, .Ahmedabad. Vamanrao H. Deshpande, musicologist and author of Maharashtra's Contribution to Music and Indian Musical Traditions. Farrokh Mehta, well-known stage actor. Ashok Ranade, formerly Head, University Music Centre, University of Bombay, now Associate Director (Research), Archives and Research Centre for Ethnomusicology of the American Institute of Indian Studies (AilS), Pune. Rohini Bhate, well-known Kathak dancer and recipient of the Sangeet Natak Akademi Award for Kathak. Th e views expressed in the Quarterly Journal of the National Centre for the Performmg Arts are those of the authors and do not necessarily conform to the views of the publishers. -
In the Kingdom of Nataraja, a Guide to the Temples, Beliefs and People of Tamil Nadu
* In the Kingdom of Nataraja, a guide to the temples, beliefs and people of Tamil Nadu The South India Saiva Siddhantha Works Publishing Society, Tinnevelly, Ltd, Madras, 1993. I.S.B.N.: 0-9661496-2-9 Copyright © 1993 Chantal Boulanger. All rights reserved. This book is in shareware. You may read it or print it for your personal use if you pay the contribution. This document may not be included in any for-profit compilation or bundled with any other for-profit package, except with prior written consent from the author, Chantal Boulanger. This document may be distributed freely on on-line services and by users groups, except where noted above, provided it is distributed unmodified. Except for what is specified above, no part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by an information storage and retrieval system - except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper - without permission in writing from the author. It may not be sold for profit or included with other software, products, publications, or services which are sold for profit without the permission of the author. You expressly acknowledge and agree that use of this document is at your exclusive risk. It is provided “AS IS” and without any warranty of any kind, expressed or implied, including, but not limited to, the implied warranties of merchantability and fitness for a particular purpose. If you wish to include this book on a CD-ROM as part of a freeware/shareware collection, Web browser or book, I ask that you send me a complimentary copy of the product to my address. -
10U/111121 (To Bejilled up by the Candidate by Blue/Black Ball-Point Pen)
Question Booklet No. 10U/111121 (To bejilled up by the candidate by blue/black ball-point pen) Roll No. LI_..L._.L..._L.-..JL--'_....l._....L_.J Roll No. (Write the digits in words) ............................................................................................... .. Serial No. of Answer Sheet .............................................. D~'y and Date ................................................................... ( Signature of Invigilator) INSTRUCTIONS TO CANDIDATES (Use only bluelblack ball-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring it to the notice oflhe Superintendentllnvigilators immediately to obtain a fresh Question Booklet. 2. Do not bring any loose paper, written or blank, inside the Examination Hall except the Admit Card without its envelope, .\. A separate Answer Sheet b,' given. It !J'hould not he folded or mutilated A second Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated 4. Write your Roll Number and Serial Number oflhe Answer Sheet by pen in the space prvided above. 5. On the front page ofthe Answer Sheet, write hy pen your Roll Numher in the space provided at the top and hy darkening the circles at the bottom. AI!J'o, wherever applicahle, write the Question Booklet Numher and the Set Numher in appropriate places. 6. No overwriting is allowed in the entries of Roll No., Question Booklet no. and Set no. (if any) on OMR sheet and Roll No. -
CENTERS AROUND the WORLD Founder-Acarya: His Divine Grace A
The International Society for Krishna Consciousness CENTERS AROUND THE WORLD Founder-Acarya: His Divine Grace A. C. Bhaktivedanta Swami Prabhupada Madurai, TN — 37 Maninagaram Main Road, 625 001/ Tel. (452) 274-6472 ASIA Mangalore, Karnataka — ISKCON Sri Jagannath Mandir, near Hotel Woodlands, Bunts Hostel Rd., INDIA 575 003/ Tel. (824) 2423326 or 2442756, or 9844325616 Agartala, Tripura — Radha Govinda Temple, Matchowmohani, 799 001/ Tel. (381) 2327053 ◆ Mayapur, WB — ISKCON, Shree Mayapur Chandrodaya Mandir, Mayapur Dham, Dist. Nadia, 741313/ or 9436167045/ [email protected] Tel. (3472) 245620, 245240 or 245355/ [email protected] Ahmedabad, Gujarat — Satellite Rd., Sarkhej Gandhinagar Highway, Bopal Crossing, 380 059/ Moirang, Manipur — Nongban Enkhol, Tidim Rd./ Tel. (3879) 795133 Tel. (79) 2686-1945, -1644, or -2350/ [email protected] ◆ Mumbai, Maharashtra — Hare Krishna Land, Juhu 400 049/ Tel. (22) 26206860/ [email protected]; (Guesthouse: [email protected]) [email protected] Allahabad, UP — Hare Krishna Dham, 161 Kashi Raj Nagar, Baluaghat 211 003/ ◆ Mumbai, Maharashtra — 7 K. M. Munshi Marg, Chowpatty 400 007/ Tel. (22) 23665500/ [email protected] Tel. (532) 2416718/ [email protected] Mumbai, Maharashtra — Bhaktivedanta Swami Marg, Hare Krishna Dham, Shristi, Sector 1, Near Royal College, Amravati, Maharashtra — Saraswati Colony, Rathi Nagar 444 603/ Tel. (721) 2666849 Mira Rd. (East), Thane 401 107/ Tel. (22) 28453562 or 9223183023/ [email protected] or 9421805105/ [email protected] Mysore, Karnataka — #31, 18th Cross, Jayanagar, 570 014/ Tel. (821) 2500582 or 6567333/ [email protected] Amritsar, Punjab — Chowk Moni Bazar, Laxmansar, 143 001/ Tel. (183) 2540177 Nagpur, Maharashtra — Bharatwada Road, Near Golmohar Nagar, Ramanuja Nagar, Kalamana Market, Aravade, Maharashtra — Hare Krishna Gram, Tal. -
Krishna-Avanti: History in the Making
June - July 2008 Dedicated to His Divine Grace A.C. Bhaktivedanta Swami Prabhupada, Founder-Acharya of the International Society for Krishna Consciousness Krishna-Avanti: History in the Making Srila Prabhupada: “Increasing one's love for God is a gradual process, and the first ingredient is faith. Without faith, there is no question of progress Hailing the Krishna-Avanti school as At the site, politicians, community a milestone in British history and an leaders and project donors joined in Krishna consciousness. That asset to Harrow, council leader David priests from Bhaktivedanta Manor. Led faith is created after reading Ashton participated in a landmark by His Holiness Atmanivedana Swami, Bhagavad-gita carefully and ceremony on Saturday 7th June. The the priests, assisted by community actually understanding it as it William Ellis playing fields, soon to be children, poured offerings of clarified home to the country’s first state-funded butter into a large sacred fire. is.... One must have faith in the Hindu school, hosted a traditional The Krishna-Avanti Primary School is words of Krishna, particularly ‘Bhumi Puja’ ceremony prior to the result of years of careful planning when Krishna says, ‘Abandon all commencement of building works. and discussion with the local authority dharmas and surrender to Me. I Christine Gilbert, Her Majesty's Chief and government. It will be UK’s first will give you all protection.’” Inspector of Ofsted was chief guest Hindu Voluntary Aided state school, at the Bhumi Puja. “I look forward and as such will not charge fees. It to the Krishna Avanti School being will open in September 2008 with a Teachings of Lord Kapila, 15.36, a centre of excellence and a very Reception class, and intake of pupils purport positive contribution to the Harrow will increase one year at a time. -
Redalyc.Visiting a Hindu Temple: a Description of a Subjective
Ciencia Ergo Sum ISSN: 1405-0269 [email protected] Universidad Autónoma del Estado de México México Gil-García, J. Ramón; Vasavada, Triparna S. Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations Ciencia Ergo Sum, vol. 13, núm. 1, marzo-junio, 2006, pp. 81-89 Universidad Autónoma del Estado de México Toluca, México Disponible en: http://www.redalyc.org/articulo.oa?id=10413110 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations J. Ramón Gil-García* y Triparna S. Vasavada** Recepción: 14 de julio de 2005 Aceptación: 8 de septiembre de 2005 * Rockefeller College of Public Affairs and Policy, Visitando un Templo Hindú: una descripción de la experiencia subjetiva y algunas University at Albany, Universidad Estatal de interpretaciones preliminares Nueva York. Resumen. Académicos de diferentes disciplinas coinciden en que la cultura es un fenómeno Correo electrónico: [email protected] ** Estudiante del Doctorado en Administración complejo y su comprensión requiere de un análisis detallado. La complejidad inherente al y Políticas Públicas en el Rockefeller College of estudio de patrones culturales y otras estructuras sociales no se deriva de su rareza en la Public Affairs and Policy, University at Albany, sociedad. De hecho, están contenidas y representadas en eventos y artefactos de la vida cotidiana. -
When Yogis Become Warriors—The Embodied Spirituality of Kal.Aripayattu
religions Article When Yogis Become Warriors—The Embodied Spirituality of Kal.aripayattu Maciej Karasinski-Sroka Department of Foreign Languages, Hainan University, Haikou 570208, China; [email protected] Abstract: This study examines the relationship between body and spirituality in kal.aripayattu (kal.arippayattu), a South Indian martial art that incorporates yogic techniques in its training regimen. The paper is based on ethnographic material gathered during my fieldwork in Kerala and interviews with practitioners of kal.aripayattu and members of the Nayar¯ clans. The Nayars¯ of Kerala created their own martial arts that were further developed in their family gymnasia (ka.lari). These ka.laris had their own training routines, initiations and patron deities. Ka.laris were not only training grounds, but temples consecrated with daily rituals and spiritual exercises performed in the presence of masters of the art called gurukkals. For gurukkals, the term ka.lari has a broader spectrum of meaning—it denotes the threefold system of Nayar¯ education: Hindu doctrines, physical training, and yogico-meditative exercises. This short article investigates selected aspects of embodied spirituality in kal.aripayattu and argues that body in kal.ari is not only trained but also textualized and ritualized. Keywords: kal.aripayattu; yoga; embodied spirituality 1. Introduction Ferrer(2008, p. 2) defines embodied spirituality as a philosophy that regards all Citation: Karasinski-Sroka, Maciej. dimensions of human beings –body, soul, spirit, and consciousness—as “equal partners in 2021. When Yogis Become bringing self, community, and world into a fuller alignment with the Mystery out of which Warriors—The Embodied Spirituality everything arises”. In other words, in embodied spirituality, the body is a key tool for of Kal.aripayattu. -
Potential Concepts of Rasashastr Epts Of
INTERNATIONAL AYURVEDIC MEDICAL JOURNAL International Ayurvedic Medical Journal, (ISSN: 2320 5091) (August, 2017) 5(8) POTENTIAL CONCEPTS OF RASASHASTRA M.Bhuvaneswari 1, Kishore Seetarama D2, Murthy.P.H.C3 1Final Year PG Scholar, Department of Rasashastra and Bhaishajya Kalpana. Dr.NRS Govt Ayurvedic College, Vijayawada, Andhra Pradesh, India 2Consultant Ayurvedic Physician, Guntur, Andhra Pradesh, India 3Consultant Ayurvedic Physician, Vijayawada, Andhra Pradesh, India Email:[email protected] ABSTRACT In Ayurveda Rasashastra is one of the specialised branches considered as science of mercury. This branch has its own importance in both pharmaceutical and Therapeutical wing. It consists of different principles and procedures like sodhana (purification), marana (incineration) etc. And there is a need to know the history and concept behind this branch Rasashastra. It is mainly deals with mercury (rasa) hence named as Rasashastra and along with some other rasa dravyas (metals and minerals). This paper highlights Description about concept of Raseswara darshana and opinion about concept of Rasashastra. Key words: Rasashastra, Raseswara darshana, sodhana, marana INTRODUCTION Concept is the crux substance of the practical SCHA SADHAITWA STHAPYATE ITI experience repeatedly occurred relating to one SIDDHANTAH” (Ch.Vi.8) particular topic. Conceptualization undergoes A concept serves as a guideline for future zea- intellectual exercise sometimes. It may be dif- lots of that particular science. Rasashastra, a fered before or during the origination. Once unique system of medicine has been evolved accepted as a concept it becomes an instruc- through innumerable practical experiences of tion. This is commonly referred to as SIDD- many zealots. HANTA1. RASASHASTRA is based on a unique philo- sophical thought system. -
Temple Calendar
Year : SHAARVARI MARGASIRA - PUSHYA Ayana: UTTARA MARGAZHI - THAI Rtu: HEMANTHA JANUARY DHANU - MAKARAM SUN MON TUE WED THU FRI SAT Tritiya 8.54 D Recurring Events Special Events Tritiya 9.40 N Chaturthi 8.52 N Temple Hours Chaturthi 6.55 ND Daily: Ganesha Homam 01 NEW YEAR DAY Pushya 8.45 D Aslesha 8.47 D 31 12 HANUMAN JAYANTHI 1 2 P Phalguni 1.48 D Daily: Ganesha Abhishekam Mon - Fri 13 BHOGI Daily: Shiva Abhishekam 14 MAKARA SANKRANTHI/PONGAL 9:30 am to 12:30 pm Tuesday: Hanuman Chalisa 14 MAKARA JYOTHI AYYAPPAN 5:30 pm to 8:30 pm PUJA Thursday : Vishnu Sahasranama 28 THAI POOSAM VENKATESWARA PUJA Friday: Lalitha Sahasranama Moon Rise 9.14 pm Sat, Sun & Holidays Moon Rise 9.13 pm Saturday: Venkateswara Suprabhatam SANKATAHARA CHATURTHI 8:30 am to 8:30 pm NEW YEAR DAY SANKATAHARA CHATURTHI Panchami 7.44 N Shashti 6.17 N Saptami 4.34 D Ashtami 2.36 D Navami 12.28 D Dasami 10.10 D Ekadasi 7.47 D Magha 8.26 D P Phalguni 7.47 D Hasta 5.39 N Chitra 4.16 N Swati 2.42 N Vishaka 1.02 N Dwadasi 5.23 N 3 4 U Phalguni 6.50 ND 5 6 7 8 9 Anuradha 11.19 N EKADASI PUJA AYYAPPAN PUJA Trayodasi 3.02 N Chaturdasi 12.52 N Amavasya 11.00 N Prathama 9.31 N Dwitiya 8.35 N Tritiya 8.15 N Chaturthi 8.38 N 10 Jyeshta 9.39 N 11 Mula 8.07 N 12 P Ashada 6.51 N 13 U Ashada 5.58 D 14 Shravana 5.34 D 15 Dhanishta 5.47 D 16 Satabhisha 6.39 N MAKARA SANKRANTHI PONGAL BHOGI MAKARA JYOTHI AYYAPPAN SRINIVASA KALYANAM PRADOSHA PUJA HANUMAN JAYANTHI PUSHYA / MAKARAM PUJA SHUKLA CHATURTHI PUJA THAI Panchami 9.44 N Shashti 11.29 N Saptami 1.45 N Ashtami 4.20 N Navami 6.59 -
Bharata Natyam Is a Traditional Female Solo Dance Form in Tamil Nadu, Southeast India
=Wor d of Dance< Asian Dance SECOND EDITION WoD-Asian dummy.indd 1 12/11/09 3:16:42 PM World of Dance African Dance, Second Edition Asian Dance, Second Edition Ballet, Second Edition European Dance: Ireland, Poland, Spain, and Greece, Second Edition Latin and Caribbean Dance Middle Eastern Dance, Second Edition Modern Dance, Second Edition Popular Dance: From Ballroom to Hip-Hop WoD-Asian dummy.indd 2 12/11/09 3:16:43 PM =Wor d of Dance< Asian Dance SECOND EDITION Janet W. Descutner Consulting editor: Elizabeth A. Hanley, Associate Professor Emerita of Kinesiology, Penn State University Foreword by Jacques D’Amboise, Founder of the National Dance Institute WoD-Asian dummy.indd 3 12/11/09 3:16:44 PM World of Dance: Asian Dance, Second Edition Copyright © 2010 by Infobase Publishing All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information, contact: Chelsea House An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Descutner, Janet. Asian dance / by Janet W. Descutner. — 2nd ed. p. cm. — (World of dance) Includes bibliographical references and index. ISBN 978-1-60413-478-0 (hardcover) ISBN 978-1-4381-3078-1 (e-book) 1. Dance—Asia. I. Title. II. Series. GV1689.D47 2010 793.3195—dc22 2009019582 Chelsea House books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions.